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Za ljubitelje galerije, najpoznatije delo umetnika Mather Brown je Sir Francis Buller, 1st Bt (1792), čiji se original nalazi u muzeju National Portrait Gallery, London. Master Charles William Park (1785) i Untitled (D2X2CK) (1790) čine triju koju svako oko prepoznaje. Od 73 dela umetnika Mather Brown u našem katalogu, galerija u nastavku predstavlja 72 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
The gaze of Sir Francis Buller, 1st Bt, meets the viewer from within this 1792 oil on canvas. Mather Brown captures the man who lived from 1746 to 1800, freezing a moment of judicial authority upon the fabric of the late eighteenth century. The sitter occupies the space with a quiet, heavy presence, his identity tied to the legal weight of his station. One senses the gravity of his life's…
In this 1785 portrait, we encounter a young boy seated with a composure that feels far beyond his years. There is a stillness here, a sense of a moment caught in the soft light of a receding landscape. He is positioned centrally, his figure anchored by a rugged stone seat that suggests a connection to the natural world, even as his attire speaks of high social standing. The boy’s gaze…
A Commanding Presence: Mather Brown’s Portrait of General Cornwallis This large-scale oil painting (249 x 164 cm), created in 1790 by American artist Mather Brown, offers a compelling and dramatic portrayal of British General Charles Cornwallis – a key figure in the American Revolutionary War. More than just a likeness, this is a carefully constructed statement about power, military leadership, and the lingering echoes of conflict. Brown, who spent much…
The William Temple Franklin painting by Mather Brown utilizes a three-quarter view to establish the subject's presence. Positioned slightly off-center, the gentleman is seated at a desk cluttered with papers and books, a configuration that emphasizes literacy and intellectual status. This Neoclassical portraiture employs an eye-level perspective to create an intimate connection between the sitter and the viewer. Depth is constructed through a deliberate layering of elements: the subject occupies…
A middle-aged man is positioned in a three-quarter length portrait, oriented slightly to the left of the center. He wears a dark navy or black military coat, accented by gold embroidery on the lapels. Beneath the coat, a white waistcoat and a powdered wig provide a sharp contrast to the darker tones of his uniform. The lighting originates from the upper left, casting shadows across the right side of his…
This formal 18th-century portrait, painted in 1786, presents a three-quarter view of a young man positioned slightly off-center. Facing towards the right while looking directly at the viewer, the subject exudes an air of elegance and aristocratic poise. The composition utilizes a deep brown background to create a strong chiaroscuro effect, which serves to highlight the subject's face and his white powdered wig.
The oil-on-canvas work titled Self-portrait is a direct encounter with the artist, Mather Brown. Created about 1812, this bust-length portrait captures the man as he appeared during the early nineteenth century. The subject gazes out from the frame, meeting the observer's eyes with a steady, quiet presence.
In this 1787 oil on canvas, a young man is positioned in a three-quarter view from the chest upward. He wears a dark black coat that contrasts against a crisp white cravat wrapped around his neck. A powdered wig with soft, defined curls frames his face. Behind him, a heavy red drapery falls in deep folds, providing a saturated backdrop to the figure. The lighting is directional, casting one side…
This oil on canvas presents Sir George Augustus Elliott, Baron Heathfield, as rendered by the American-born painter Mather Brown. The work was executed between 1788 and 1791, a period during which Brown was establishing his presence within the London art scene. The portrait captures the likeness of a man whose military career was defined by service in three major eighteenth-century wars.
Portrait of Augustin Prevost in Uniform (for pair see - (109326))1723
12
Thomas Dawson, Viscount Cremorne1788 · National Gallery of Art
13
George, Prince of Wales (1762-1830), later George IVBuckingham Palace
14
Portrait of a ManMuzej finih umetnosti u Bostonu
15
Portrait Of Sir George Yonge
16
Portrait Of Charles Bulfinch
17
Sir John Colpoys
18
Sir John Eamer, Lord Mayor Of London
19
Thomas Fitzherbert
20
Rear Admiral Sir Home Popham
21
Henry Blundell
22
Portrait Of Major John Norton As Mohawk Chief TeyoninhokarawenYale Center for British Art
23
Lord Cornwallis Receiving The Sons Of Tipu As Hostages
24
Romeo And Juliet
25
Lady with a Dog1786 · Metropoliten музеј у Њујорку
26
Portrait of a Young Woman1801 · Metropoliten музеј у Њујорку
27
Portrait Of Sir John Eamer, Lord Mayor Of London
28
Lord Loughborough
29
Richard Clark
30
William Thomas
31
Peter Mellish, Sheriff
32
Ohn Williams A.K.A. Anthony Pasquin
33
John Bridge Aspinall
34
Sir William Dolben
35
Captain George Miller BlighNational Maritime Museum
36
Thomas Hugh Clifford Of Tixall
37
Anne Watts, Wife Of The 11th Earl Of Cassillis
38
Thomas Lowton
39
Portrait Of George Fermor
40
Frederick Augustus
41
Anne Brunton And Joseph Holman As Romeo And Juliet In 'romeo And Juliet'
42
Portrait of Hon. Harrison Gray
43
Sir John William Anderson
44
Portrait of Sir Richard ArkwrightNew Britain Museum of American Art
45
Captain The Honourable Archibald Kennedy
46
The Reverend Alban Thomas GwynneThe Homewood
47
Mary Anne Vevers), Mrs Alban Thomas Jones GwynneThe Homewood
48
Sir Christopher Wray
49
Thomas Howard, Earl Of Surrey, Defending His Allegiance To Richard Iii Before Henry Vii After The Ba
50
Henry AngeloNational Portrait Gallery
51
Viscount Mount Stuart, Provost Of Rothesay
52
Portrait Of An Unknown Man
53
Portrait Of Joseph Bologne De Saint-georgeMetropoliten музеј у Њујорку
54
Susannah Jones, Mrs Alban Thomas GwynneThe Homewood
55
John Smeaton
56
Colonel Alban Thomas Jones GwynneThe Homewood
57
John Adams
58
Miss Mary Barbara, Miss Mary Isabella, And Master Thomas Aston Clifford
59
Lord Mountstuart
60
John HowardNational Portrait Gallery
61
Alexander WedderburnScottish National Portrait Gallery
62
Garrick Between Tragedy And Comedy
63
A Girl At A HarpsichordPollok House
64
Sir Charles Morgan
65
Purveyor, Army Medical Department
66
Lord George Augustus Cavendish
67
Franz Joseph Haydn
68
Sir Francis Buller, 1st Bt
69
The Baptism Of Henry Viii
70
The Battle Of The Nile - Destruction Of 'l'orient'National Maritime Museum
71
Lord Howe On The Deck Of The 'queen Charlotte'National Maritime Museum
72
Thomas Jefferson1786 · National Portrait Gallery
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Mather Brown | Slike iz ovog spiska |
|---|---|---|---|
 National Portrait Gallery |
London | 4 | Sir Francis Buller, 1st Bt, Henry Angelo, John Howard |
 Metropoliten музеј у Њујорку |
Њујорк | 4 | Untitled (D2X2CK), Lady with a Dog, Portrait of a Young Woman |
 The Homewood |
4 | The Reverend Alban Thomas Gwynne, Mary Anne Vevers), Mrs Alban Thomas Jones Gwynne, Susannah Jones, Mrs Alban Thomas Gwynne | |
 National Maritime Museum |
London | 3 | Captain George Miller Bligh, The Battle Of The Nile - Destruction Of 'l'orient', Lord Howe On The Deck Of The 'queen Charlotte' |
 Detroit Institute of Arts |
Detroit | 2 | Master Charles William Park, Sir George Augustus Elliott, Baron Heathfield |
 Muzej finih umetnosti u Bostonu |
Boston | 2 | A Commander in the East India Company, Portrait of a Man |
 National Gallery of Art |
Washington | 2 | William Vans Murray, Thomas Dawson, Viscount Cremorne |
 Gilcrease Museum |
Tulsa | 1 | William Temple Franklin painting |
Izaberite deceniju da biste videli original koji je definiše.
In this 1785 portrait, we encounter a young boy seated with a composure that feels far beyond his years. There is a stillness here, a sense of a moment caught in the soft light of a receding landscape. He is positioned centrally, his figure anchored by a rugged stone seat that suggests a connection to the natural world, even as his attire speaks of high social standing. The boy’s gaze…
The gaze of Sir Francis Buller, 1st Bt, meets the viewer from within this 1792 oil on canvas. Mather Brown captures the man who lived from 1746 to 1800, freezing a moment of judicial authority upon the fabric of the late eighteenth century. The sitter occupies the space with a quiet, heavy presence, his identity tied to the legal weight of his station. One senses the gravity of his life's…
Mather Brown’s “Portrait of a Young Woman,” painted in 1801, is more than just a likeness; it's a carefully constructed tableau of Neoclassical grace and burgeoning Romantic sentiment. Born in Boston to a family steeped in New England intellectual history – tracing back to the influential Cotton and Increase Mather – Brown’s artistic journey led him from itinerant portraiture across New England to the vibrant, cosmopolitan world of London, where…
The oil-on-canvas work titled Self-portrait is a direct encounter with the artist, Mather Brown. Created about 1812, this bust-length portrait captures the man as he appeared during the early nineteenth century. The subject gazes out from the frame, meeting the observer's eyes with a steady, quiet presence.
Sir Francis Buller, 1st Bt (1792), National Portrait Gallery, London. Slede Master Charles William Park (1785) i Untitled (D2X2CK) (1790).
31 godina: Sir Francis Buller, 1st Bt datira iz 1792, a Mather Brown je rođen/a 1761.
Sir Francis Buller, 1st Bt, Master Charles William Park, Untitled (D2X2CK), William Temple Franklin painting, A Commander in the East India Company, William von Freytag (1711-1798), Charles Bulfinch (1763-1844), Self-portrait, William Vans Murray i Sir George Augustus Elliott, Baron Heathfield. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 73 dela umetnika Mather Brown, datiranih od 1782 do 1812.
Većinom u National Portrait Gallery (London), Metropoliten музеј у Њујорку (Њујорк) i The Homewood. Tabela muzeja iznad sadrži njih sve.
U 1780s: 9 od 72 dela na ovoj stranici nastalo je tada, od čega je Master Charles William Park.
Na ovoj stranici, najstarije delo je iz William Temple Franklin painting (1782), a najnovije iz Self-portrait (1812).
Portrait (10), Man (9) i Men (9), kroz svih 72 dela na ovoj stranici.
Oil On Canvas, za 10 od 72 dela na ovoj stranici.
Neoclassicism, sudeći po originalima na ovoj stranici.
Sir Francis Buller, 1st Bt, Henry Angelo i John Howard: National Portrait Gallery, London čuva 4 dela sa ove stranice.
Mather Brown stoji kao fascinantan most između dve ere, kao slikar čiji su život i delo otelotvorili promenljive talase kasnog 18. i ranog 19. veka. Rođen u Bostonu 1761. godine, njegov umetnički identitet iskovan je u intelektualnom kotalu kolonijalne Amerike pre nego što je pronašao svoj vrhunski izraz u veličanstvenim studijima Londona. Njegovo putovanje predstavlja mnogo više od obične lične karijere; ono odražava kretanje umetničkih ideala od strogih, strukturiranih principa neoklasicizma ka emotivnom, dramatičnom duhu romantizma. Ova tranzicija omogućila je Braunu da postane svestran pripovedač, sposoban da zabeleži kako tiho dostojanstvo pojedinačnog portreta, tako i haotičnu veličinu istorijskog sukoba.
Temelj Braunovog majstorstva može se pratiti unazad do njegovog ranog mentorstva pod legendarnim Džonom Singltonom Koplijem. Pod Koplijevim pažljivim okom, Braun je naučio važnost pedantnog detalja i dubokog razumevanja klasične forme. Ova obuka mu je pružila tehničku disciplinu neophodnu za kretanje kroz konkurentno evropsko tržište umetnosti. Kada se preselio u London 1790. godine, on nije stigao tek kao stranac, već kao pripremljeni profesionalac, brzo zasluživši svoje mesto u prestižnoj Kraljevskoj akademiji. Ovo članstvo je bilo presudno dostignuće, signalizirajući njegovo prihvatanje u najviše slojeve britanske umetničke ustanove i pružajući mu platformu za interakciju sa najuticajnijim ličnostima svog doba.
Braunov opus karakteriše izvanredna sposobnost prilagođavanja tehnike potrebama same teme. U svom portretnom stvaralaštvu, posedovao je izuzetan dar za prikazivanje suptilnih nijansi karaktera i društvenog statusa. Njegovi portreti znamenitosti kao što su Tomas Džeferson i Bendžamin Vest pokazuju oštro oko za političke i društvene tokove tog vremena, prožimajući svoje subjekte osećajem trajnosti i težine. Bilo da je beležio prefinjenu eleganciju u delu Dama sa psom ili dostojanstveno prisustvo u portretu Tomasa Loutona, Braun je koristio svetlost i teksturu kako bi na platnu stvorio živopisna, koja gotovo dišu prisustva.
Iza intimne razmere portretizma, Braun je težio da uhvati epske trenutke. Bio je slikar velike ambicije, često usmeravajući pažnju na istorijska platna koja su zahtevala vladanje složenom kompoziciju i dramatičnim pokretom. Njegovo delo Bitka kod Nila služi kao vrhunac ovog pristupa, gde se udaljio od statičnih klasičnih formi kako bi prihvatio vrtložnu energiju i visceralni intenzitet pomorske ratne nesreće. U ovim većim delima može se uočiti pojavljivanje romantičarskog senzibiliteta — fokus na uzvišenom, moćnom i transformativnoj prirodi istorijskih događaja.
Značaj Metera Brauna leži u njegovoj ulozi kulturnog posrednika. Spajajući preciznost svog američkog obrazovanja sa stilskim inovacijama londonske umetničke scene, pomogao je u oblikovanju vizuelnog jezika ere definisane revolucijom i tranzicijom. Njegova sposobnost da balansira između formalnih zahteva naručenog portretizma i narativnih zahteva istorijske slike omogućila mu je da ostavi neizbrisiv trag u britanskoj i američkoj umetničkoj svesti.
Danas njegova dela ostaju vitalne odrednice za razumevanje evolucije zapadne umetnosti. Kroz njegova platna, mi svedočimo:
