1
1 najpoznatijih slika umetnika Marie Wiegmann, svaka potpuno jedinstvena
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 2 dela Marie Wiegmann u našem katalogu
Ukratko
Half-length Portrait of a Woman (1857) je slika autora Marie Wiegmann koja privlači najviše pažnje; original se nalazi u muzeju Augustiner Museum, Frajburg. Među 2 dela umetnika Marie Wiegmann u našem katalogu, ovih 1 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
1820 – 1893, Srebrna Góra
Najviše dela: Augustiner Museum
Top 10 slika umetnika Marie Wiegmann, iz ugla galerije
Muzeji u kojima se čuvaju originalna dela umetnika Marie Wiegmann
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Marie Wiegmann | Slike iz ovog spiska |
|---|---|---|---|
 Augustiner Museum |
Frajburg | 1 | Half-length Portrait of a Woman |
Marie Wiegmann kroz godine: jedinstveni originali svakog dela
Sva originalna dela umetnika Marie Wiegmann sa datumom prikazana ovde pripadaju jednoj godini, 1857: prikazana su prema stepenu slave.
Radovi po godinama
Izaberite godinu da biste videli originalna dela.
Slike umetnika Marie Wiegmann: pitanja za galeriju
Koje je najpoznatije delo umetnika Marie Wiegmann?Otkrij odgovor
Half-length Portrait of a Woman (1857)
U kojoj je godini Marie Wiegmann stvorio/la Half-length Portrait of a Woman?Otkrij odgovor
37 godina: Half-length Portrait of a Woman datira iz 1857, a Marie Wiegmann je rođen/a 1820.
Koliko je poznatih dela umetnika Marie Wiegmann?Otkrij odgovor
Naš katalog sadrži 2 dela umetnika Marie Wiegmann.
Gde se mogu videti najpoznatiji originali umetnika Marie Wiegmann?Otkrij odgovor
Većinom u Augustiner Museum (Frajburg). Tabela muzeja iznad sadrži njih sve.
Marie Wiegmann: portret umetnika
A Life in Brushstrokes
Marie Elisabeth Wiegmann began her life in Silberbeg, Silesia. Her hands found their way to the Düsseldorf Academy in 1841, where she sat as a pupil under Hermann Stilke. Later, she studied with Karl Ferdinand Sohn. These years of training shaped how she saw the light on a face or the fold of a garment. She moved through Germany, England, Holland, and Italy, carrying her observations with her.
In 1841, she married Rudolf Wiegmann. They eventually settled in Düsseldorf. Her travels were not merely for leisure; between 1843 and 1845, a study trip to Italy allowed her to look closely at the art of that land. This period of looking deeply influenced the way she approached her subjects.
The Subjects of Her Canvas
Her work often turned toward the human form and the stories told in folklore. For a time, between 1846 and 1850, she focused on paintings rooted in mythical and fairytale tales. She drew from late romantic literary models, creating pieces like those based on Ludwig Uhland’s poem, The Elves. Her illustrations even found a place in the pages of St Nicholas: An Illustrated Magazine For Young Folks in 1883.
Beyond stories, she was a painter of people and quiet moments. Some of her known works include:
- A Venetian Lady
- A Young Girl with Roses
- A French Woman of 1792
- Portrait of Karl Schnasse
Recognition and Legacy
Her career lasted more than fifty years. During this time, she earned a gold medal in Berlin for one of her works. Her portraits were held in places like the National Gallery of Berlin, where pieces such as A Venetian Lady were established in 1876. She left behind a body of work that reflects the traditions of the Düsseldorf School.
She lived until 1893. Her life was marked by the steady application of paint to canvas, moving from the lessons of her teachers to her own established presence in the art circles of Europe.