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2 najpoznatijih slika umetnika Marie Großmann, izbor iz galerije
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 2 dela Marie Großmann u našem katalogu
Ukratko
Od svih originala koje je Marie Großmann ostavio, najpoznatiji je Portrait of Hermann Krebs (1874), koji se nalazi u kolekciji Augustiner Museum, Frajburg. Naš katalog sadrži 2 dela umetnika Marie Großmann; galerija je čuvala 2 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
1853 – 1890, Freiburg im Breisgau
Najviše dela: Augustiner Museum
Top 10 slika umetnika Marie Großmann: izbor galerije
Muzeji u kojima se čuvaju originalna dela umetnika Marie Großmann
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Marie Großmann | Slike iz ovog spiska |
|---|---|---|---|
 Augustiner Museum |
Frajburg | 2 | Portrait of Hermann Krebs, Portrait of Sophie Krebs, née Schaal |
Marie Großmann iz godine u godinu: originalna dela koja definišu svaku od njih
1874 je godina svakog datiranog dela umetnika Marie Großmann u ovom odabiru: evo ih, rangiranih prema popularnosti.
Radovi po godinama
Izaberite godinu da biste videli originalna dela.
Pitanja kolekcionara o slikama umetnika Marie Großmann
Po kojem delu je Marie Großmann najpoznatiji/a?Otkrij odgovor
Portrait of Hermann Krebs (1874)
Koliko je godina imao/la Marie Großmann kada je nastalo delo Portrait of Hermann Krebs?Otkrij odgovor
21 godina: Portrait of Hermann Krebs datira iz 1874, a Marie Großmann je rođen/a 1853.
Koliko je slika ostavio Marie Großmann?Otkrij odgovor
Naš katalog sadrži 2 dela umetnika Marie Großmann.
U kojim muzejima se nalaze remek-dela umetnika Marie Großmann?Otkrij odgovor
Većinom u Augustiner Museum (Frajburg). Tabela muzeja iznad sadrži njih sve.
U kojim godinama je Marie Großmann naslikao svoja najpoznatija dela?Otkrij odgovor
U 1874: 2 od 2 dela na ovoj stranici nastalo je tada, od čega je Portrait of Hermann Krebs.
Čija se dela umetnika Marie Großmann nalaze u Augustiner Museum?Otkrij odgovor
Portrait of Hermann Krebs i Portrait of Sophie Krebs, née Schaal: Augustiner Museum, Frajburg čuva 2 dela sa ove stranice.
Marie Großmann: život i delo
The Quiet Presence of the Portraitist
In the small, focused world of nineteenth-century German portraiture, Marie Großmann occupied a space defined by the faces of others. Her life, marked by the years 1853 to 1890, was spent capturing the likenesses of those within her immediate circle. She did not seek the broad strokes of grand movements, but instead turned her attention to the specific, steady gaze of the individuals who shared her time and her name.
Her brushwork found its purpose in the study of character through likeness. In 1874, she produced a series of works that captured the Krebs family, including Portrait of Hermann Krebs and Figurative Portrait of Sophie Krebs, née Schaal. These were not mere studies of form, but records of presence. She followed this with the Figurative Portrait of Theophil Krebs, showing a commitment to the people who populated her daily life.
A Legacy in Likeness
The work of Marie Großmann is found in the quiet details of a sitter's expression. One of her notable pieces, Figurative Portrait of the Husband Dr. Viktor Grossmann, dating to approximately 1880, shows her ability to settle into the likeness of a subject. There is a stillness in these paintings, a sense of a moment held steady under the light.
Her contribution to the visual record is seen in these specific, intimate studies. While her life was relatively brief, her ability to translate a person into paint remains visible in the surviving works. Her focus remained on the human figure, capturing the weight of a gaze or the set of a jaw, ensuring that the people she painted were seen as they were.