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Slike umetnika Lukas Kirner: Najpoznatijih 6 kroz oči galerije
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 6 dela Lukas Kirner u našem katalogu
Ukratko
Za ljubitelje galerije, najpoznatije delo umetnika Lukas Kirner je Self-portrait (1821), čiji se original nalazi u muzeju Augustiner Museum, Frajburg. Karoline Knöpfle from Günzburg, sister of Creszentia Kirner (1821) i Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820) čine triju koju svako oko prepoznaje. Od 6 dela umetnika Lukas Kirner u našem katalogu, galerija u nastavku predstavlja 6 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
1794 – 1851, Furtwangen im Schwarzwald
Najviše dela: Augustiner Museum
Top 10 slika umetnika Lukas Kirner u galeriji
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Muzeji u kojima se čuvaju originalna dela umetnika Lukas Kirner
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Lukas Kirner | Slike iz ovog spiska |
|---|---|---|---|
 Augustiner Museum |
Frajburg | 6 | Self-portrait, Karoline Knöpfle from Günzburg, sister of Creszentia Kirner, Creszentia Kirner, née Knöpfle, the Artist’s Wife |
Lukas Kirner, jedno autentično delo po deceniji
Radovi po decenijama
Izaberite deceniju da biste videli original koji je definiše.
Slike umetnika Lukas Kirner: odgovori galerije
Koja je najpoznatija slika umetnika Lukas Kirner?Otkrij odgovor
Self-portrait (1821), Augustiner Museum, Frajburg. Slede Karoline Knöpfle from Günzburg, sister of Creszentia Kirner (1821) i Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820).
Koliko je godina imao/la Lukas Kirner kada je dovršio/la Self-portrait?Otkrij odgovor
27 godina: Self-portrait datira iz 1821, a Lukas Kirner je rođen/a 1794.
Koliko je dela stvorio/la Lukas Kirner?Otkrij odgovor
Naš katalog sadrži 6 dela umetnika Lukas Kirner, datiranih od 1820 do 1851.
Gde se nalaze najpoznatiji originali umetnika Lukas Kirner?Otkrij odgovor
Većinom u Augustiner Museum (Frajburg). Tabela muzeja iznad sadrži njih sve.
Kada je Lukas Kirner stvorio svoje najpoznatije slike?Otkrij odgovor
U 1820s: 3 od 6 dela na ovoj stranici nastalo je tada, od čega je Self-portrait.
Koja su najranija i najkasnija poznata dela umetnika Lukas Kirner?Otkrij odgovor
Na ovoj stranici, najstarije delo je iz Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820), a najnovije iz Portrait of Frau Wenz (1851).
Koje originale umetnika Lukas Kirner poseduje Augustiner Museum?Otkrij odgovor
Self-portrait, Karoline Knöpfle from Günzburg, sister of Creszentia Kirner i Creszentia Kirner, née Knöpfle, the Artist’s Wife: Augustiner Museum, Frajburg čuva 6 dela sa ove stranice.
Lukas Kirner: umetnik
A life shaped by the Black Forest
Lukas Kirner began his days in Furtwangen im Schwarzwald, a place defined by the steady rhythm of clock manufacturing. He was born into a family where hands were accustomed to fine, precise work; his father, Johann Kirner, worked as a shoemaker, and he himself spent early years learning the delicate craft of painting clock faces. This background in watchmaker painting left a mark on how he approached a canvas. There was a certain patience required for such small, intricate surfaces, a habit that carried over into his later work with oil and color.
His path moved from the mechanical precision of the Black Forest to the Royal Higher Art School in Augsburg. By 1825, he had moved to Günzburg, Bavaria, alongside his wife, Crescentia Knöpfle. While his brother, Johann Baptist Kirner, sought different paths through Munich and Italy, Lukas remained deeply connected to the people of his home region. He found himself painting the faces of those who lived among the trees and hills—merchants, industrialists, and families of farmers.
The quiet study of a face
The work itself often focused on the individual. In his portraits, there is a reliance on chiaroscuro, using the interplay of light and shadow to pull a figure out from the darkness. He did not seek to decorate a room so much as to capture a presence. His brushwork applied color with a meticulousness that mirrored his early training. When he painted his wife, Crescentia, or his sister Karoline, the attention to detail was not merely about clothing or jewelry, but about the way light rested on a cheek or a brow.
His style sat within the Romantic movement, though it felt more grounded than the grander, more dramatic expressions of that era. He preferred an emphasis on emotion and individuality through subtle means. A portrait of a young man with whiskers or a depiction of two brothers shows a focus on the person in front of him. The use of light was never loud; it was a tool used to highlight specific features, creating a sense of depth and quiet introspection.
Legacy in paint
Lukas Kirner’s time in the art world was marked by these steady commissions. His ability to represent both the local peasantry and those with higher social standing, such as Princess Amélie, allowed his work to bridge different layers of society. Some of his paintings found their way into the Augustinermuseum in Freiburg, where they remain part of a permanent collection.
He returned to Furtwangen, the town of his birth, where he passed away in 1851. The traces of his life are found in the specific subjects he chose to immortalize:
- Crescentia Kirner, née Knöpfle, his wife
- Portrait of Two Children (Two Brothers), from 1842
- Self-portrait, created around 1821 or 1830
- Jakob Ganter, painted in Neukirch in 1827