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Venus (detail) (1515) je slika autora Lorenco Kosta (Stariji) koja privlači najviše pažnje; original se nalazi u muzeju Szépművészeti Múzeum, Budimpešta. Nakon toga, pogled se seli na Venus (1518) i The Reign of Comus (detail) (1511). Među 74 dela umetnika Lorenco Kosta (Stariji) u našem katalogu, ovih 71 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
To gaze upon this detail from Venus is to encounter an echo of divine beauty captured in oil and wood. Lorenzo Costa (the Elder)’s rendering transcends mere portraiture; it is a meditation on idealized femininity, a moment suspended between earthly allure and celestial grace. The subject, the goddess Venus herself, is presented with an almost breathtaking intimacy. Her profile emerges from a deep, velvety darkness, allowing the artist to focus…
To gaze upon this depiction of Venus is to step directly into the luminous heart of the Italian Renaissance. Lorenzo Costa (the Elder) has captured not merely a nude figure, but an embodiment of idealized beauty—a vision steeped in classical mythology and humanist philosophy. The subject itself, the goddess of love and beauty, stands poised against a profound black void, allowing every curve, every gesture, and every whisper of flesh…
Lorenzo Costa’s “The Reign of Comus,” completed in 1511, isn't merely a painting; it’s a meticulously crafted window into the opulent world of Isabella d’Este, Marchioness of Mantua. This captivating work, now residing within the hallowed halls of the Louvre Museum, offers a vibrant tableau of celebration, intrigue, and the enduring power of myth – a testament to the Renaissance’s fascination with classical ideals and humanist thought. More than just…
This bust-length portrait presents a formal and dignified man positioned slightly off-center. The subject's body is angled toward the right, while his gaze is directed toward the viewer's left. Set against a dark black background, the composition utilizes a palette of deep, muted tones, including a rich violet or deep purple garment and the warm, reddish-brown hues found in the subject's hair.
The air within the frame feels heavy with a quiet, sacred peace. At the center of this structured world, the Virgin Mary sits upon an architectural throne, her presence commanding yet gentle. She wears a mantle of deep, saturated blue that flows around her, contrasting against the vibrant red of her gown. In her arms, she cradles the Christ Child, a tender connection that anchors the entire composition. Around them,…
The Bentivoglio Family is a portrait by Lorenzo Costa, executed in 1493. The composition features a dense grouping of multiple figures, identified as likely members of the Bentivoglio lineage. This assembly of individuals is presented in a tight, intimate arrangement that emphasizes the shared gravity of the subjects.
In this oil on panel painting from 1510, three figures are arranged in a stable triangular formation against a landscape. The Virgin Mary occupies a central position, draped in a mantle of deep ultramarine blue over a crimson red undergarment. Beside her, Joseph is depicted in a robe of vibrant crimson red. The Christ Child is positioned within this grouping, creating a sense of geometric balance. The figures are illuminated…
The air feels heavy with a quiet, devotional peace as we gaze upon this triangular arrangement of figures. In the immediate foreground, the Christ Child lies horizontally, his pale, soft flesh a stark contrast to the deep, saturated tones surrounding him. To his right, the Virgin Mary rests in a mantle of deep ultramarine blue, her presence radiating a gentle, maternal tenderness. On the left, Saint Joseph anchors the composition,…
A young woman emerges from a darkness so absolute it feels like a void. She does not confront the viewer; instead, her gaze drifts toward the left, caught in a moment of private thought. Her skin possesses the pale, luminous quality of polished porcelain, catching a soft light that descends from the upper left. This light carves the gentle curves of her neck and the soft slope of her shoulders,…
Lorenzo Costa’s Portrait of a young man presents a close-up view of a single male figure, focusing on the head and shoulders. The subject is captured from a direct, eye-level perspective, establishing an intimate connection with the viewer. His expression is contemplative, bordering on melancholic, which contributes to the somber mood of the composition. This psychological weight is framed by a dark, indistinct background that offers no specific setting, ensuring…
Saint Helena1505 · Royal Collection
12
Madonna and Child with Brocade1505 · Russell-Cotes Art Gallery - Museum
13
Presentation of Christ in the Temple1502 · Gemäldegalerie
14
The Triumph of Federico II Gonzaga1522 · Narodna galerija Prag
15
Concert1485 · National Gallery
16
Virgin and Child Enthroned1495 · Музеј Тисен-Борнемиза
17
Court of Isabella d'Este (detail)1506 · Luvr
18
Court of Isabella d'Este1506 · Luvr
19
St Jerome1485 · Сан Петронио
20
Vision of the Apocalypse1490 · San Giacomo Maggiore
21
Portrait of a Lady with a Lap-dog1500 · Royal Collection
22
Virgin and Child1501 · Collezione Vittorio Cini
23
Legend of Sts Cecilia and Valerian, Scene 21504
24
Venus1515 · Szépművészeti Múzeum
25
Legend of Sts Cecilia and Valerian, Scene 91504
26
Portrait of a Woman1500 · Ermitaž
27
Portrait of a ManBrooklyn Museum
28
Portrait of a Woman with a Pearl NecklaceMuzej finih umetnosti u Bostonu
29
Saint Margaret praying
30
Madonna and Saints
31
Conversion of St Valerian
32
Saint John the BaptistNational Gallery
33
Ange jouant avec un chien
34
Triumph of Death
35
Saint Sébastien debout, de trois quarts vers la gauche
36
Sepoltura di Gesù Cristo
37
St Cecily's Charity
38
Portrait of Battista Fiera
39
Sposalizio della Vergine e i Santi Francesco e Anna
40
St Sebastian
41
Mary and JosephPinacoteca Nazionale di Bologna
42
Crowning of the Madonna with Saints
43
Portrait of a Woman
44
Adorazione del Bambino con i Magi in lontananza(Presepio)
45
San Petronio fra i Santi Domenico e Francesco
46
The Virgin and Child Enthroned between a Soldier Saint and Saint John the Baptis
47
A Thebaid. Monks and Hermits in a Landscape
48
Allegory of the Court of Isabella d'Este, canvas
49
Saint peterNational Gallery
50
and Gianfrancesco Maineri - The Virgin and Child with SaintsNational Gallery
51
Story of Moses (The Dance of Miriam)National Gallery
52
The Holy FamilyRijksmuseum
53
Madonna col Bambino in trono tra i santi Petronio e Tecla
54
Portrait of a Cardinal in his StudyMinneapolis Institute of Art
55
Saint philipNational Gallery
56
Two Young Man at a Column (detail)Pushkin State Museum
57
Story of Moses (The Israelites gathering Manna)National Gallery
58
Saint John the EvangelistNational Gallery
59
Reading Maria
60
Adoration of the Shepherds with AngelsNational Gallery
61
High Altarpiece, Oratory of S. Pietro in Vincoli
62
Giovanni II Bentivoglio and His Family1488
63
NativityMusée des Beaux-Arts de Lyon
64
The Reign of Comus1511 · Luvr
65
Sainte Veronique
66
Presentation of Christ1485 · Gemäldegalerie
67
Madonna on throne with saints1530
68
Garden of the peaceful arts
69
Ужаљење магови1499 · Pinacoteca di Brera
70
St Sebastian1490 · Galerija Ufizi
71
Portrait of Giovanni Bentivoglio1492 · Galerija Ufizi
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Lorenco Kosta (Stariji) | Slike iz ovog spiska |
|---|---|---|---|
 National Gallery |
London | 11 | Portrait of Battista Fiera, The Virgin and Child, Concert |
 Luvr |
Pariz | 4 | The Reign of Comus (detail), Court of Isabella d'Este (detail), Court of Isabella d'Este |
 Szépművészeti Múzeum |
Budimpešta | 3 | Venus (detail), Venus, Venus |
 Gemäldegalerie |
Berlin | 3 | Portrait of a young man, Presentation of Christ in the Temple, Presentation of Christ |
 Музеј Тисен-Борнемиза |
Madrid | 2 | The Bentivoglio Family, Virgin and Child Enthroned |
 Royal Collection |
London | 2 | Saint Helena, Portrait of a Lady with a Lap-dog |
 Galerija Ufizi |
Firenca | 2 | St Sebastian, Portrait of Giovanni Bentivoglio |
 Toledo Museum of Art |
Toledo | 1 | The Holy Family |
Izaberite deceniju da biste videli original koji je definiše.
To gaze upon Lorenzo Costa’s "Concert" is to step directly into the vibrant, cultured heart of the Italian Renaissance. This painting is not merely a depiction of musicians; it is an auditory experience rendered visible, a moment suspended in time where artistry and human connection converge. The composition immediately draws the viewer into the warm glow of what must have been a magnificent gathering. Three figures stand poised, each intimately…
This bust-length portrait presents a formal and dignified man positioned slightly off-center. The subject's body is angled toward the right, while his gaze is directed toward the viewer's left. Set against a dark black background, the composition utilizes a palette of deep, muted tones, including a rich violet or deep purple garment and the warm, reddish-brown hues found in the subject's hair.
The air within the frame feels heavy with a quiet, sacred peace. At the center of this structured world, the Virgin Mary sits upon an architectural throne, her presence commanding yet gentle. She wears a mantle of deep, saturated blue that flows around her, contrasting against the vibrant red of her gown. In her arms, she cradles the Christ Child, a tender connection that anchors the entire composition. Around them,…
To gaze upon this detail from Venus is to encounter an echo of divine beauty captured in oil and wood. Lorenzo Costa (the Elder)’s rendering transcends mere portraiture; it is a meditation on idealized femininity, a moment suspended between earthly allure and celestial grace. The subject, the goddess Venus herself, is presented with an almost breathtaking intimacy. Her profile emerges from a deep, velvety darkness, allowing the artist to focus…
The Triumph of Federico II Gonzaga, executed by Lorenzo Costa around 1522, captures a moment of significant political and military assertion. The work centers on the themes of military glory and aristocratic power, utilizing a grand scale to communicate the authority of the Gonzaga lineage. Through this depiction, the artist translates the complex dynamics of Renaissance courtly life into a visual celebration of leadership and conquest.
Venus (detail) (1515), Szépművészeti Múzeum, Budimpešta. Slede Venus (1518) i The Reign of Comus (detail) (1511).
55 godina: Venus (detail) datira iz 1515, a Lorenco Kosta (Stariji) je rođen/a 1460.
Venus (detail), Venus, The Reign of Comus (detail), Portrait of Battista Fiera, The Virgin and Child, The Bentivoglio Family, The Holy Family, The Holy Family, Portrait of a Lady i Portrait of a young man. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 74 dela umetnika Lorenco Kosta (Stariji), datiranih od 1485 do 1530.
Većinom u National Gallery (London), Luvr (Pariz) i Szépművészeti Múzeum (Budimpešta). Tabela muzeja iznad sadrži njih sve.
U 1500s: 12 od 71 dela na ovoj stranici nastalo je tada, od čega je The Virgin and Child.
Na ovoj stranici, najstarije delo je iz Concert (1485), a najnovije iz Madonna on throne with saints (1530).
Woman (13), People (11) i Saints (10), kroz svih 71 dela na ovoj stranici.
Oil On Panel, za 10 od 71 dela na ovoj stranici.
High renaissance i Renaissance, sudeći po originalima na ovoj stranici.
Portrait of Battista Fiera, The Virgin and Child i Concert: National Gallery, London čuva 11 dela sa ove stranice.
