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Za ljubitelje galerije, najpoznatije delo umetnika Lazar Bastiani je Bearded Man with a Falcon (1500), čiji se original nalazi u muzeju Courtauld Gallery, London. Joseph interpreting Pharoah's Dream (1485) i St. Lucy and Kneeling Donor (1485) čine triju koju svako oko prepoznaje. Od 27 dela umetnika Lazar Bastiani u našem katalogu, galerija u nastavku predstavlja 27 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
The portrait titled Bearded Man with a Falcon is an oil on canvas work attributed to the Venetian painter Lazzaro Bastiani. This piece, which dates to about 1500, offers a glimpse into the stylistic nuances of the late fifteenth and early sixteenth centuries. The subject is presented with a quiet dignity that reflects the social standing of the sitter. It is currently held within the collection of the Courtauld Gallery,…
In this oil on wood panel, we find ourselves within a highly structured, theatrical space that feels more like a stage than a mere setting. The scene captures the biblical moment where Joseph, having risen from his station of enslavement, stands before Pharaoh to interpret a dream. There is a profound sense of order here, dictated by the sharp lines of the architecture. Steps and columns create a hierarchy of…
Lazzaro Bastiani captures a moment of celestial intersection in this late 15th-century oil on wood panel. The composition centers on the verticality of Saint Lucy, whose presence dominates the pictorial space. She is flanked by two angels who crown her with a golden diadem, while below, a kneeling donor gazes upward in prayerful submission. The scene is set against a vast, detailed landscape where atmospheric perspective draws the eye toward…
In this 1470 tempera work, we find ourselves drawn into a dense, intimate scene of devotion. The composition is framed by a gentle arch, a structural choice that directs our gaze from the immediate presence of the Holy Family toward a receding, rugged landscape. Within this space, the Virgin Mary holds the Christ Child, surrounded by the Three Magi and their attendants. There is a profound sense of narrative depth…
The Mystical Marriage of Saint Catherine of Alexandria is a religious work by Lazzaro Bastiani. Painted about 1470, the image captures a moment of profound sanctity. It depicts a divine union through a vision, where a virgin saint enters into a mystical wedding ceremony with Christ. This sacred event is rendered with the quiet gravity of the late 15th-century Italian school.
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail) is a work by Lazzaro Bastiani. Painted in 1494, this piece captures a specific moment of sacred ritual. It focuses on a religious ceremony held within the walls of the church of San Giovanni Evangelista in Venice.
In this large-scale composition from 1470, Lazzaro Bastiani invites us into a quiet, solemn moment of devotion. The scene centers on St. Jerome, captured in a state of profound spiritual communion. He is not alone; he is supported by his disciple Eusebius and surrounded by a gathering of brethren, creating a sense of communal reverence. The setting is intimate, a cell that feels both physically enclosed and spiritually expansive. A…
St Veneranda Enthroned is a large panel painting by the Venetian artist Lazzaro Bastiani. Created about 1470, the work measures 325 x 217 cm. The composition centers on the figure of St Veneranda, who is depicted seated upon a throne. This central placement establishes her as the primary subject of the large-scale panel.
To stand before this depiction of the Funeral of St Jerome is to be enveloped in an atmosphere of profound, hushed reverence. Lazzaro Bastiani masterfully captures a moment suspended between earthly sorrow and divine promise. The scene unfolds as a somber procession, its weight palpable in the dark drapery of the mourners who gather around the central focus: the cross bearing the figure of Jesus Christ. This is not merely…
A central figure sits upon a throne, bathed in a halo of light that pierces the surrounding shadows. This presence, representing the Holy Spirit, acts as the anchor for a gathering of believers. Around this divine center, men and women of various ages lean in, their faces turned toward the glow. Some hold heavy books, their fingers tracing the edges of sacred text. The scene is framed by the cool…
Lamentation of ChristGemäldegalerie
12
Madonna and Child enthroned with St. George and another male saint
13
Madonna of Humility1470 · Museo Poldi Pezzoli
14
The Death of St JeromePinacoteca di Brera
15
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail)1494 · Gallerie dell'Accademia di Venezia
16
Madonna and Child in Painted FrameStaatliche Museen zu Berlin
17
The Funeral Of St. Jerome -
18
Palace With Guards
19
Christ blessing
20
Joshua At The Walls Of Jericho
21
Madonna and Child with Cherubs
22
The Funeral Of St. Jerome
23
The Doge Francesco Foscari
24
The Relic of the Holy CrossGallerie dell'Accademia di Venezia
25
St Jerome in the DesertPinacoteca di Brera
26
St Jerome Bringing the Lion to the ConventPinacoteca di Brera
27
The Virgin and ChildNational Gallery
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Lazar Bastiani | Slike iz ovog spiska |
|---|---|---|---|
 Gallerie dell'Accademia di Venezia |
Venecija | 6 | The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail), Communion of St Jerome, St Veneranda Enthroned |
 Pinacoteca di Brera |
Milan | 3 | The Death of St Jerome, St Jerome in the Desert, St Jerome Bringing the Lion to the Convent |
 Courtauld Gallery |
London | 1 | Bearded Man with a Falcon |
 Portland Art Museum |
Portland | 1 | St. Lucy and Kneeling Donor |
 The Frick Collection |
Њу Јорк | 1 | Adoration of the Magi |
 National Trust |
Waddesdon Manor | 1 | The Mystical Marriage of Saint Catherine of Alexandria |
 Santa Maria della Salute |
Venecija | 1 | Pentecost |
 Gemäldegalerie |
Berlin | 1 | Lamentation of Christ |
Izaberite deceniju da biste videli original koji je definiše.
In this 1470 tempera work, we find ourselves drawn into a dense, intimate scene of devotion. The composition is framed by a gentle arch, a structural choice that directs our gaze from the immediate presence of the Holy Family toward a receding, rugged landscape. Within this space, the Virgin Mary holds the Christ Child, surrounded by the Three Magi and their attendants. There is a profound sense of narrative depth…
In this oil on wood panel, we find ourselves within a highly structured, theatrical space that feels more like a stage than a mere setting. The scene captures the biblical moment where Joseph, having risen from his station of enslavement, stands before Pharaoh to interpret a dream. There is a profound sense of order here, dictated by the sharp lines of the architecture. Steps and columns create a hierarchy of…
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail) is a work by Lazzaro Bastiani. Painted in 1494, this piece captures a specific moment of sacred ritual. It focuses on a religious ceremony held within the walls of the church of San Giovanni Evangelista in Venice.
The portrait titled Bearded Man with a Falcon is an oil on canvas work attributed to the Venetian painter Lazzaro Bastiani. This piece, which dates to about 1500, offers a glimpse into the stylistic nuances of the late fifteenth and early sixteenth centuries. The subject is presented with a quiet dignity that reflects the social standing of the sitter. It is currently held within the collection of the Courtauld Gallery,…
Bearded Man with a Falcon (1500), Courtauld Gallery, London. Slede Joseph interpreting Pharoah's Dream (1485) i St. Lucy and Kneeling Donor (1485).
71 godina: Bearded Man with a Falcon datira iz 1500, a Lazar Bastiani je rođen/a 1429.
Bearded Man with a Falcon, Joseph interpreting Pharoah's Dream, St. Lucy and Kneeling Donor, Adoration of the Magi, The Mystical Marriage of Saint Catherine of Alexandria, The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail), Communion of St Jerome, St Veneranda Enthroned, Funeral of St Jerome i Pentecost. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 27 dela umetnika Lazar Bastiani, datiranih od 1470 do 1500.
Većinom u Gallerie dell'Accademia di Venezia (Venecija), Pinacoteca di Brera (Milan) i Courtauld Gallery (London). Tabela muzeja iznad sadrži njih sve.
U 1470s: 6 od 27 dela na ovoj stranici nastalo je tada, od čega je Adoration of the Magi.
Na ovoj stranici, najstarije delo je iz Adoration of the Magi (1470), a najnovije iz Bearded Man with a Falcon (1500).
People (4), Woman (4) i Saints (4), kroz svih 27 dela na ovoj stranici.
Oil On Canvas, za 4 od 27 dela na ovoj stranici.
Early renaissance i Renaissance, sudeći po originalima na ovoj stranici.
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail), Communion of St Jerome i St Veneranda Enthroned: Gallerie dell'Accademia di Venezia, Venecija čuva 6 dela sa ove stranice.
Lazaro Bastijani predstavlja značajnu, iako donekle enigmatičnu figuru unutar venecijanskog umetničkog pejzaža petnaestog i šesnaestog veka. Rođen u Padovi 1429. godine, on se pojavio kao slikar u periodu koji su obeleživale bujne humanističke ideje i neprevaziđene umetničke inovacije—vreme kada je Venecija dominirala kao komercijalna sila i kulturni epicentar. Iako njegov opus nije bio tako plodan ili slavljen kao dela njegovih savremenika poput Ticinija ili Belinija, Bastijani je ipak značajno doprineo stilskoj evoluciji venecijanskog slikarstva, naročito unutar Scuola Grande di San Marco i pripadajućih radionica.
Bastijanijevo umetničko putovanje počelo je u Padovi, gde je usavršavao svoje veštine pod mentorstvom Andrea Mantegne—majstora čije je uticaj opipljiv u Bastijanijevim ranim delima. Ovakav temelj u strogom, skulpturalnom stilu Mantegne pružio mu je tehničku preciznost koja će se kasnije neosetno stopiti sa mekšim, atmosferskim kvalitetima venecijanske škole. Zapisi ukazuju na to da se do 1460. godine brzo afirmirao kao slikar u Veneciji, dobijajući porudžbine za oltare od strane Prokura San Marka, čime je pokazao trenutno razumevanje tadašnjeg umetničkog ukusa i očekivanja venecijanske elite. Značajno je to što je njegova stopa honorara u to vreme odražavala stopu Đovanjija Belinija, što ukazuje na njegovo priznanje kao usponajućeg talenta unutar uticajne radionice Belinijevaca—što je veza koja je nesumnjivo oblikovala njegov stilski razvoj.
Bastijanijeva uključenost u Scuola Grande di San Marco bila je presudna za njegovu karijeru. Od 1480-ih nadalje, blisko je sarađivao sa Đentile Belinijem, učestvujući u ambicioznim projektima koji su imali za cilj slavljenje venecijanskog građanskog ponosa i obeležavanje važnih religioznih događaja. Njihovo partnerstvo je primer kolektivnog duha karakterističnog za venecijansko slikarstvo tog doba—tradicije u kojoj su zajedničke radionice i kolektivne porudžbine omogućavale bogatu razmenu ideja i tehnika. Kroz ove velike poduhvate, Bastijani je pomogao u tkanju narativa venecijanskog identiteta u samu srž njegovih religioznih i građanskih institucija.
Njegovo majstorstvo je možda najočiglednije u sposobnosti da uravnoteži sakralnu svečanost sa ljudskim emocijama. U delima kao što su St. Veneranda Enthroned i Madonna of Humility, može se primetiti delikatna igra svetlosti i senke koja udivnuje božanskim motivima. Njegove religiozne kompozicije često su služile kao više od obične dekoracije; bile su to duboka teološka saznanja dizajnirana da inspirišu pobožnost. Ovo je posebno vidljivo u njegovim detaljnim prikazima svetih ceremonija, poput dela The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista, gde on sa izuzetnom jasnoćom hvata zamršeni ritualizam i zajedničku ž passion tog perioda.
Kako je njegova karijera napredovala, Bastijanijevo delo je postalo most između strukturiranih, linearnih tradicija ranog renesansnog doba i fluidnijeg pristupa vođenog bojom koji će na kraju definisati visoku renesansu u Veneciji. Njegova sposobnost da integriše monumentalno prisustvo Mantegnovskih figura sa luminoznim, atmosferskim kvalitetima koje je pionirski uveo porodični Belini, omogućila mu je stvaranje dela koja su istovremeno fizički impresivna i duhovno rezonantna.
Iako se istorija često fokusira na gigante venecijanske škole, doprinos Lazara Bastijanija ostaje vitalan za razumevanje kohezivnog pokreta umetnosti 15. veka. Njegovo nasleđe se nalazi u:
Do trenutka njegove smrti 1512. godine, Bastijani je ostavio neizbrisiv trag u venecijanskim radionicama, osiguravši da njegov uticaj odjekuje kroz generacije slikara koji su ga pratili u zlatno doba venecijanske renesanse.
