Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 145 dela Lajoš Čordaк u našem katalogu
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Od svih originala koje je Lajoš Čordaк ostavio, najpoznatiji je Study of a Seated Old Man (1890), koji se nalazi u kolekciji Slovačka nacionalna galerija, Bratislava. Odmah za njima slede Spring (1893) i Self-Portrait (1904). Naš katalog sadrži 145 dela umetnika Lajoš Čordaк; galerija je čuvala 100 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
Study of a Seated Old Man by Lajos Csordák presents a somber and contemplative oil portrait of an elderly man. The composition utilizes a medium close-up, focusing on the subject from the chest up. By positioning the man slightly off-center, the artist creates a sense of physical weight and presence within the frame. The subject's downward gaze and hands resting upon a wooden staff suggest themes of fatigue, wisdom, or…
In the landscape painting Spring by Lajos Csordák, created about 1893, a solitary female figure is positioned within a rugged, rocky environment. The woman is seated amidst the terrain, her presence providing a focal point against the natural elements. On the right side of the composition, large, heavy rock formations rise upward, while the left side is occupied by dense, dark foliage. This arrangement creates a sense of enclosure around…
This oil portrait, executed in 1904, presents a middle-aged man in a bust-length view. He is positioned slightly off-center, facing the viewer with a direct, steady gaze. The subject possesses a prominent, thick mustache and light-colored eyes. He wears a dark, wide-brimmed hat that casts a soft shadow over the upper portion of his face. His attire consists of a white collared shirt and a light-colored jacket, accented by a…
A woman is positioned in the mid-ground, engaged in the rhythmic chore of washing clothes outdoors. She works near a large, thatched-roof structure that dominates the upper half of the composition. The scene is set within a rural landscape, where the organic shapes of the foliage and the building's architecture create a balanced, quiet atmosphere. Natural daylight illuminates the white surfaces of the laundry and the building walls, casting soft…
A wooden plank bridge stretches from the foreground, pulling the eye toward a soft, hazy middle ground. Two women walk across this structure, their figures moving toward the viewer through a landscape of muted ochre and pale blue. The scene captures a singular, quiet moment of daily life in a village setting. Everything feels softened by an overcast sky, casting a diffused light that avoids harsh shadows. The air in…
In this somber oil portrait, titled Man with Glasses by Lajos Csordák, we are presented with an intimate, close-up bust view of a middle-aged man. The subject is positioned slightly off-center, a choice that lends a sense of natural presence to his figure. He looks directly toward the viewer, establishing a quiet, steady connection that feels both personal and profound. This direct gaze, combined with the man's steady composure, creates…
By the Stream1897 · Východoslovenské Galéria
12
Study of a Dry Tree1894 · Slovačka nacionalna galerija
13
Slanecký Castle1893 · Slovačka nacionalna galerija
14
Forest1894 · Slovačka nacionalna galerija
15
Landscape with Cows Grazing1897 · Východoslovenské Galéria
16
Forest Stream1897 · Východoslovenské Galéria
17
Little Shepherdess1896 · Slovačka nacionalna galerija
18
Rocks1895 · Slovačka nacionalna galerija
19
Zádiel Canyon1896 · Slovačka nacionalna galerija
20
Landscape with Cords of Wood1896 · Slovačka nacionalna galerija
21
Moonlit Landscape with Hrad Slanec1896 · Slovačka nacionalna galerija
22
Oldřich Oak in Peruc1893 · Slovačka nacionalna galerija
23
Okoř Castle1893 · Slovačka nacionalna galerija
24
Wooded Landscape with Little Birches1895 · Slovačka nacionalna galerija
25
Interior of Coniferious Woods with Rocks1897 · Slovačka nacionalna galerija
26
Forest in Winter1903 · Východoslovenské Galéria
27
Tree in the Landscape1902 · Východoslovenské Galéria
28
Landscape from Turna1905 · Východoslovenské Galéria
29
Horned Tree by the Lake1900 · Východoslovenské Galéria
30
Ruins of Slanecký Castle1902 · Východoslovenské Galéria
31
Little Grove with Does1905 · Východoslovenské Galéria
32
Waterfall1902 · Východoslovenské Galéria
33
Sixteen-Year-Old1900 · Galerija umetnika Spiša
34
Forest with Sheep1905 · Východoslovenské Galéria
35
View of Spišská Nová Ves1900 · Galerija umetnika Spiša
36
Meadow with a Group of Trees1900 · Slovačka nacionalna galerija
37
Landscape with a Castle1905 · Slovačka nacionalna galerija
38
Summer Landscape1900 · Slovačka nacionalna galerija
39
Path to Bankov1911 · Východoslovenské Galéria
40
Autumn in the Slanca Valley1907 · Východoslovenské Galéria
41
Forest1907 · Východoslovenské Galéria
42
Winter Landscape under the Tatras1909 · Východoslovenské Galéria
43
Cloudy1911 · Východoslovenské Galéria
44
Village1909 · Východoslovenské Galéria
45
Landscape with Hornád1907 · Východoslovenské Galéria
46
Forest1908 · Východoslovenské Galéria
47
Landscape1910 · Miloš Alexander Bazovský Gallery
48
Consideration of Hay1910 · Slovačka nacionalna galerija
49
The Edge Of The Forest1908 · Slovačka nacionalna galerija
50
Artist's Courtyard in Slanec in Winter1907 · Slovačka nacionalna galerija
51
Motif from Slanec1907 · Slovačka nacionalna galerija
52
Blue Valley1910 · Slovačka nacionalna galerija
53
Landscape with a River1912 · Východoslovenské Galéria
54
Landscape1912 · Východoslovenské Galéria
55
In Front of the House1912 · Východoslovenské Galéria
56
Meadow with Bushy Trees1912 · Východoslovenské Galéria
57
Landscape with a Diluted Stream1917 · Východoslovenské Galéria
58
Summer Landscape with Birches1915 · Východoslovenské Galéria
59
Church in Svinica1916 · Východoslovenské Galéria
60
Courtyard of the Renaissance Manor House in Strážky1912 · Východoslovenské Galéria
61
By the River1917 · Východoslovenské Galéria
62
Hrčiarska ulica in Košice1912 · Východoslovenské Galéria
63
House on Mäsiarska Street in Košice1912 · Východoslovenské Galéria
64
Spišská Kapitula1912 · Východoslovenské Galéria
65
Rocks1917 · Východoslovenské Galéria
66
Hornád Valley near Ťahanovce1914 · Slovačka nacionalna galerija
67
Gothic Chapel in Žehra1912 · Východoslovenské Galéria
68
Under Slanecký Castle1914 · Východoslovenské Galéria
69
Mariásnky Dvor in Košice1912 · Slovačka nacionalna galerija
70
Corner Of A Park1915 · Slovačka nacionalna galerija
71
Small Town in Spiš1922 · Východoslovenské Galéria
72
Alley in the Evening1920 · Slovačka nacionalna galerija
73
Village Motif1918 · Slovačka nacionalna galerija
74
Landscape1927 · Východoslovenské Galéria
75
Minorite Church in Levoča1926 · Východoslovenské Galéria
76
Still Life with Apples1927 · Východoslovenské Galéria
77
Poplars by the Road1925 · Východoslovenské Galéria
78
Interior of Krásna Hôrka Castle1925 · Východoslovenské Galéria
79
Forest1925 · Východoslovenské Galéria
80
Gymnázium Church in Levoča1926 · Východoslovenské Galéria
81
Motif from an Eastern Slovak Village1925 · Východoslovenské Galéria
82
Landscape1927 · Východoslovenské Galéria
83
Winter Evening1927 · Východoslovenské Galéria
84
Krásnohorské Podhradie1927 · Východoslovenské Galéria
85
Spiš Castle1923 · Východoslovenské Galéria
86
Landscape1927 · Východoslovenské Galéria
87
Winter Landscape1927 · Východoslovenské Galéria
88
Landscape1926 · Východoslovenské Galéria
89
Fir Forest1923 · Východoslovenské Galéria
90
Hradište in Vaľkovce1923 · Východoslovenské Galéria
91
Twilight in Zádielska dolina1925 · Východoslovenské Galéria
92
Small Church in Kysak1923 · Východoslovenské Galéria
93
Forest1927 · Východoslovenské Galéria
94
Winter Landscape1927 · Východoslovenské Galéria
95
View of Krásna Hôrka Castle1925 · Východoslovenské Galéria
96
Chrysanthemums on the Table1925 · Ernest Zmeták Art Gallery
97
Church in Moldava1923 · Východoslovenské Galéria
98
Rocks above the Brook1925 · Slovačka nacionalna galerija
99
Landscape1923 · Slovačka nacionalna galerija
100
Pines1929 · Východoslovenské Galéria
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
5 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Lajoš Čordaк | Slike iz ovog spiska |
|---|---|---|---|
 Východoslovenské Galéria |
Košice | 67 | Self-Portrait, Washing Machine Before a Tree, Wooden Bridge |
 Slovačka nacionalna galerija |
Bratislava | 29 | Study of a Seated Old Man, Spring, Study of a Dry Tree |
 Galerija umetnika Spiša |
Spišská Nová Ves | 2 | Sixteen-Year-Old, View of Spišská Nová Ves |
 Miloš Alexander Bazovský Gallery |
Trenčín | 1 | Landscape |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Chrysanthemums on the Table |
Izaberite deceniju da biste videli original koji je definiše.
Study of a Seated Old Man by Lajos Csordák presents a somber and contemplative oil portrait of an elderly man. The composition utilizes a medium close-up, focusing on the subject from the chest up. By positioning the man slightly off-center, the artist creates a sense of physical weight and presence within the frame. The subject's downward gaze and hands resting upon a wooden staff suggest themes of fatigue, wisdom, or…
This oil portrait, executed in 1904, presents a middle-aged man in a bust-length view. He is positioned slightly off-center, facing the viewer with a direct, steady gaze. The subject possesses a prominent, thick mustache and light-colored eyes. He wears a dark, wide-brimmed hat that casts a soft shadow over the upper portion of his face. His attire consists of a white collared shirt and a light-colored jacket, accented by a…
A woman is positioned in the mid-ground, engaged in the rhythmic chore of washing clothes outdoors. She works near a large, thatched-roof structure that dominates the upper half of the composition. The scene is set within a rural landscape, where the organic shapes of the foliage and the building's architecture create a balanced, quiet atmosphere. Natural daylight illuminates the white surfaces of the laundry and the building walls, casting soft…
In this somber oil portrait, titled Man with Glasses by Lajos Csordák, we are presented with an intimate, close-up bust view of a middle-aged man. The subject is positioned slightly off-center, a choice that lends a sense of natural presence to his figure. He looks directly toward the viewer, establishing a quiet, steady connection that feels both personal and profound. This direct gaze, combined with the man's steady composure, creates…
Study of a Seated Old Man (1890), Slovačka nacionalna galerija, Bratislava. Slede Spring (1893) i Self-Portrait (1904).
26 godina: Study of a Seated Old Man datira iz 1890, a Lajoš Čordaк je rođen/a 1864.
Study of a Seated Old Man, Spring, Self-Portrait, Washing Machine Before a Tree, Wooden Bridge, Man with Glasses, Shot from Zádielska dolina, Landscape with Trees, Peat Bog under Slanecký Castle i Landscape with Marsh. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 145 dela umetnika Lajoš Čordaк, datiranih od 1890 do 1929.
Većinom u Východoslovenské Galéria (Košice), Slovačka nacionalna galerija (Bratislava) i Galerija umetnika Spiša (Spišská Nová Ves). Tabela muzeja iznad sadrži njih sve.
U 1920s: 30 od 100 dela na ovoj stranici nastalo je tada, od čega je Man with Glasses.
Na ovoj stranici, najstarije delo je iz Study of a Seated Old Man (1890), a najnovije iz Pines (1929).
Woman (2), Tree (2) i Foliage (2), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 3 od 100 dela na ovoj stranici.
Self-Portrait, Washing Machine Before a Tree i Wooden Bridge: Východoslovenské Galéria, Košice čuva 67 dela sa ove stranice.
Kassa, 1864. A child is born into a world that will soon see him move across borders. By 1883, the Csordák family settles in Munich, placing the young Lajos in the heart of a shifting European landscape. He begins his formal study around 1880, finding his footing in the rigorous atmosphere of the era. The path leads him to Prague, where between 1889 and 1895, he enters the Academy of Fine Arts. Here, the influence of the Czech landscape painter Julius Mařák takes hold. Under this guidance, Csordák refines a gaze for the natural world.
The transition from student to established figure occurs through his connection to the Mánes Union of Fine Arts. He moves within these circles, absorbing the shifting currents of late 19th-century aesthetics. His work begins to reflect the light and atmosphere of the Impressionist movement, though he maintains a specific focus on the terrain of his home regions.
The brushwork of Lajos Csordák finds its most intimate expression in the use of dry materials and pastels. He specializes in landscapes, capturing the quiet shifts of the seasons across the Slovak and Hungarian territories. His compositions often center on specific topographical features: the ruggedness of the Tatra mountains, the stillness of a swamp, or the heavy presence of a forest.
The technique varies between the soft texture of pastels and the weight of oil on canvas or board. Certain works focus on the following elements:
After 1908, the movement of his life settles. He lives permanently in Košice, a period marked by a continued dedication to the landscapes of East Slovakia. His later works, such as those from 1927, show a persistent engagement with the land, even as the political borders around him undergo profound changes. He remains a figure tied to the local geography, leaving behind a body of work held in collections like the Slovak National Gallery and the East Slovak Gallery.
He passes away in Košice on 28 June 1937. The legacy he leaves is one of specific, localized observation—a record of Slanec castle, the roads of Bankov, and the light over the Tatra mountains, preserved through a lens influenced by post-impressionism.
