Ukratko
Od svih originala koje je Julie Morrow Deforest ostavio, najpoznatiji je Golden Mules, koji se nalazi u kolekciji Cincinnati Art Museum, Sinciнati. Naš katalog sadrži 2 dela umetnika Julie Morrow Deforest; galerija je čuvala 2 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
Top 10 slika umetnika Julie Morrow Deforest: izbor galerije
Muzeji u kojima se čuvaju originalna dela umetnika Julie Morrow Deforest
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Julie Morrow Deforest | Slike iz ovog spiska |
|---|---|---|---|
| Sinciнati | 2 | Golden Mules, Mooring Reflections, Rockport |
Pitanja kolekcionara o slikama umetnika Julie Morrow Deforest
Po kojem delu je Julie Morrow Deforest najpoznatiji/a?Otkrij odgovor
Golden Mules
Koliko je slika ostavio Julie Morrow Deforest?Otkrij odgovor
Naš katalog sadrži 2 dela umetnika Julie Morrow Deforest.
U kojim muzejima se nalaze remek-dela umetnika Julie Morrow Deforest?Otkrij odgovor
Većinom u Cincinnati Art Museum (Sinciнati). Tabela muzeja iznad sadrži njih sve.
Čija se dela umetnika Julie Morrow Deforest nalaze u Cincinnati Art Museum?Otkrij odgovor
Golden Mules i Mooring Reflections, Rockport: Cincinnati Art Museum, Sinciнati čuva 2 dela sa ove stranice.
Julie Morrow Deforest: život i delo
A Life in Color and Letters
Julie Mathilde Morrow Deforest began her life in New York City, born to Rev. Cornelius Wortendyke Morrow and Rosalie Lippmann Morrow. Her early years were shaped by academic pursuits, earning a bachelor's degree in English from Wellesley College in 1904 and later a master's degree in literature from Columbia University in 1906. For two decades, she spent her days teaching English at Irving High School and Wadleigh High School within New York City. During these years, painting remained a quiet companion to her classroom duties.
In 1929, her life shifted when she married Cornelius Wortendyke DeForest. This union led her to Cincinnati, Ohio, where the demands of teaching were left behind. In this new setting, she found the space to devote herself fully to her brushes and pigments. Her work took on a specific focus, looking toward the light and color of landscapes.
The Brush and the Landscape
Her approach to the canvas was shaped by the guidance of several instructors, including Jonas Lie, Charles Webster Hawthorne, and John F. Carlson. Through their influence, she developed an impressionist style that favored bright colors. She often looked toward the Western United States for her subjects. After traveling through California and Colorado, her paintings in the 1930s began to capture the ruggedness of the Rocky Mountains.
The textures of her work reflected a deep observation of the natural world:
- Brightly colored impressionist landscapes.
- Studies of the Western US terrain.
- Detailed depictions of the Rocky Mountains.
Later Years and Written Words
As time passed, her focus remained on the visual and the lyrical. In Glendale, Ohio, where she spent her final years, she found a different way to express herself through poetry. At the age of 92, she released a book titled Belfry Chimes and Other Rimes in 1974. This collection of poems showed a continuation of the observant spirit she had applied to her paintings throughout her life.
