Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 19 dela Džon De Kritc u našem katalogu
Ukratko
Od svih originala koje je Džon De Kritc ostavio, najpoznatiji je Henry Wriothesley, 3rd Earl of Southampton (1573-1624) (1590), koji se nalazi u kolekciji Hatchlands Park, Guildford. Odmah za njima slede Sir Francis Walsingham (1589) i James VI and I (1606). Naš katalog sadrži 19 dela umetnika Džon De Kritc; galerija je čuvala 19 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
A young man emerges from a dark, indistinct void. He is Henry Wriothesley, 3rd Earl of Southampton, captured in the early 1590s. His skin possesses the pale, smooth quality of porcelain, catching a soft light that descends from the upper left. This light traces the delicate lines of his face and the soft curves of his features. He wears a heavy black garment that absorbs the light, its texture appearing…
John de Critz rendered this portrait of Sir Francis Walsingham about 1589. The subject is presented in a three-quarter view, a common convention for formal Elizabethan portraiture. This specific work is held within the Yale Center for British Art, Paul Mellon Collection, New Haven.
A single figure occupies the center of this vertical space, leaning with practiced ease against a draped table. King James VI and I meets the viewer's gaze from an eye-level perspective, his presence anchored by the heavy, patterned carpet beneath his feet. The air in the portrait feels still, held in place by the meticulous rendering of silk and fur. Light falls evenly across the scene, catching the crisp edges…
To look upon this portrait of Anna of Denmark is to encounter the quiet gravity of the Jacobean court. Painted in 1605, the work presents the Queen Consort in a bust-length composition, her presence defined by a calm and dignified composure. She is set against a dark, monochromatic brown background, a choice that pushes her pale skin and the luminous textures of her attire toward the viewer. There is a…
The gaze of Robert Cecil, 1st Earl of Salisbury, meets the viewer from across the centuries. This bust-length portrait captures the statesman in a moment of quiet, dignified presence. John de Critz, the artist behind this likeness, renders the subject with a meticulous realism that brings the man into the immediate space of the observer. Every line of the face and every fold of the attire speaks to a life…
The room feels still, held in a quiet tension as Robert Cecil, 1st Earl of Salisbury, sits before us. He is a man of immense gravity, his presence filling the space with the silent weight of the Jacobean court. A ruffled collar frames a face marked by the burdens of statecraft, while a wig adds a layer of formal dignity to his silhouette. He rests a hand thoughtfully beneath his…
In this portrait from 1604, we encounter a man who carries the heavy mantle of two kingdoms. The sitter, James VI and I, is rendered with a quiet, steady composure that suggests a ruler accustomed to the scrutiny of his subjects. He is depicted with a beard and mustache, his features possessing a certain weathered dignity. He holds a scepter, a direct symbol of his temporal authority, while a crown…
The portrait depicts a woman positioned centrally, looking directly toward the viewer. She is seated in a chair, her blonde hair framed by a crown. Her attire consists of a white gown featuring gold embroidery and a large, translucent lace ruff. The garment is layered with heavy fabrics and adorned with pearls and intricate jewelry. A dark, monochromatic brown background surrounds the figure, which serves to push the pale tones…
The portrait of Anne of Denmark by John de Critz depicts the Queen Consort of King James I of England. Dated 1610, the work presents the subject in a seated position. She wears a fancy dress characterized by a ruffled collar. The figure is positioned within a composition that includes an ornate chair located to the left side of the frame. Beneath her feet, a red carpet provides a patch…
The king gazes out from the canvas, his eyes meeting the viewer with a steady, unyielding composure. He wears a crown that signals his dual authority over Scotland and England, a heavy weight resting upon his brow. A suit and a flowing cape drape over his shoulders, the textures of the fabric rendered with a meticulous precision that suggests the weight and touch of the cloth. His beard and mustache…
Sir Philip Sidney (1554–1586)1620 · Bolton Museum And Art Gallery
12
James I (1566–1625)1610 · National Maritime Museum
13
Thomas Sackville (1536–1608)New College
14
Portrait of King James I of England and VI of Scotland (1566-1625)
15
King James I (1566–1625)Windsor Guildhall
16
James VI I (1566–1625)Montacute House
17
King James I of England and VI of Scotland (copy after an original from c.1606)
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King James I of England and VI of Scotland (1566–1625)Government Art Collection
19
Robert Cecil (1563–1612), Earl of Salisbury, Alumnus of St John's College, Principal Secretary to Elizabeth I and James I, Knight of the GarterSt John's College
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Džon De Kritc | Slike iz ovog spiska |
|---|---|---|---|
 National Portrait Gallery |
London | 2 | Sir Francis Walsingham, Anne of Denmark |
 Scottish National Portrait Gallery |
Edinburg | 2 | Anna of Denmark, 1574 - 1619. Queen Consort of James VI and I, James VI and I (1566–1625), King of Scotland (1567–1625), King of England and Ireland (1603–1625) |
 National Maritime Museum |
London | 2 | Anne of Denmark (1574–1619), James I (1566–1625) |
 Government Art Collection |
London | 2 | King James I of England and VI of Scotland (1566–1625), King James I of England and VI of Scotland (1566–1625) |
 Hatchlands Park |
Guildford | 1 | Henry Wriothesley, 3rd Earl of Southampton (1573-1624) |
 Dulwich Picture Gallery |
London | 1 | James VI and I |
 Old Schools |
Cambridge | 1 | Robert Cecil (1563–1612), 1st Earl of Salisbury, Chancellor of the University (1601–1612) |
 Bolton Museum And Art Gallery |
Bolton | 1 | Sir Philip Sidney (1554–1586) |
Izaberite deceniju da biste videli original koji je definiše.
John de Critz rendered this portrait of Sir Francis Walsingham about 1589. The subject is presented in a three-quarter view, a common convention for formal Elizabethan portraiture. This specific work is held within the Yale Center for British Art, Paul Mellon Collection, New Haven.
A young man emerges from a dark, indistinct void. He is Henry Wriothesley, 3rd Earl of Southampton, captured in the early 1590s. His skin possesses the pale, smooth quality of porcelain, catching a soft light that descends from the upper left. This light traces the delicate lines of his face and the soft curves of his features. He wears a heavy black garment that absorbs the light, its texture appearing…
A single figure occupies the center of this vertical space, leaning with practiced ease against a draped table. King James VI and I meets the viewer's gaze from an eye-level perspective, his presence anchored by the heavy, patterned carpet beneath his feet. The air in the portrait feels still, held in place by the meticulous rendering of silk and fur. Light falls evenly across the scene, catching the crisp edges…
The portrait of Anne of Denmark by John de Critz depicts the Queen Consort of King James I of England. Dated 1610, the work presents the subject in a seated position. She wears a fancy dress characterized by a ruffled collar. The figure is positioned within a composition that includes an ornate chair located to the left side of the frame. Beneath her feet, a red carpet provides a patch…
A man stares through the veil of centuries. He wears a ruffled collar, a crisp white ring of fabric that frames a face marked by a serious expression. A red cape drapes over his shoulders, its color deep and heavy. Around his neck, a gold chain catches the light, a heavy weight of status against his skin. He possesses a mustache and a beard, features that anchor his presence in…
Henry Wriothesley, 3rd Earl of Southampton (1573-1624) (1590), Hatchlands Park, Guildford. Slede Sir Francis Walsingham (1589) i James VI and I (1606).
39 godina: Henry Wriothesley, 3rd Earl of Southampton (1573-1624) datira iz 1590, a Džon De Kritc je rođen/a 1551.
Henry Wriothesley, 3rd Earl of Southampton (1573-1624), Sir Francis Walsingham, James VI and I, Anna of Denmark, 1574 - 1619. Queen Consort of James VI and I, Robert Cecil, 1st Earl of Salisbury, Robert Cecil (1563–1612), 1st Earl of Salisbury, Chancellor of the University (1601–1612), James VI and I (1566–1625), King of Scotland (1567–1625), King of England and Ireland (1603–1625), Anne of Denmark (1574–1619), Anne of Denmark i King James I of England and VI of Scotland (1566–1625). Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 19 dela umetnika Džon De Kritc, datiranih od 1589 do 1620.
Većinom u National Portrait Gallery (London), Scottish National Portrait Gallery (Edinburg) i National Maritime Museum (London). Tabela muzeja iznad sadrži njih sve.
U 1600s: 7 od 19 dela na ovoj stranici nastalo je tada, od čega je James VI and I.
Na ovoj stranici, najstarije delo je iz Sir Francis Walsingham (1589), a najnovije iz Sir Philip Sidney (1554–1586) (1620).
Man (7), Beard (5) i Jewelry (4), kroz svih 19 dela na ovoj stranici.
Oil On Panel, za 5 od 19 dela na ovoj stranici.
Baroque, sudeći po originalima na ovoj stranici.
Sir Francis Walsingham i Anne of Denmark: National Portrait Gallery, London čuva 2 dela sa ove stranice.
