Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 15 dela Johan Gotfrid Šadov u našem katalogu
Ukratko
Od svih originala koje je Johan Gotfrid Šadov ostavio, najpoznatiji je Princess Luise and her Sister Friederike of Prussia. Head of Luise. (1795), koji se nalazi u kolekciji Alte Nationalgalerie, Berlin. Odmah za njima slede Goethe Medal (1816) i Crown Princess Louise and Princess Frederica of Prussia (1796). Naš katalog sadrži 15 dela umetnika Johan Gotfrid Šadov; galerija je čuvala 15 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
The gaze of the subject meets us through the sculpture titled Princess Luise and her Sister Friederike of Prussia. Head of Luise. This work, which captures the likeness of the princess, emerges from the hands of the sculptor Johann Gottfried Schadow. We find ourselves looking upon the head of Luise, a figure rendered with a quiet, steady presence that seems to hold the weight of her royal station.
This exquisite bronze coin, measuring just 9 x 9 cm, offers an intimate glimpse into the world of Johann Wolfgang von Goethe, one of Germany’s most celebrated literary figures. Cast in 1816 by the masterful sculptor Johann Gottfried Schadow, this medal isn't merely a portrait; it’s a carefully constructed symbol reflecting Goethe’s intellectual stature and the artistic currents of its time. The close-up depiction reveals a man with a distinguished…
In this neoclassical work, Johann Gottfried Schadow presents Crown Princess Louise and Princess Frederica of Prussia in a quiet, dignified arrangement. The composition is defined by a sense of balance and symmetry, with the two figures positioned side-by-side. They rest upon a rectangular pedestal, which is subtly decorated with floral motifs. This structured base provides a grounding element to the figures, offering a sense of stability to the portraiture of…
The “Monument to General von Zieten,” sculpted in 1794 by Johann Gottfried Schadow, stands as a powerful testament to the ideals of neoclassical art and the enduring legacy of Prussian military leadership. This bronze or plaster sculpture, now captured in a meticulously detailed black-and-white photograph, presents a remarkably lifelike depiction of General von Zieten, frozen in a moment of resolute command. The stark simplicity of the composition – a single…
The photograph captures a moment frozen in time – the “Bust of Friedrich Gilly” by Johann Gottfried Schadow, created in 1801, stands as a testament to the enduring power of neoclassical sculpture. This exquisite marble portrait isn’t merely a representation of an individual; it's a carefully constructed embodiment of virtue, intellect, and the ideals championed during the late 18th and early 19th centuries. The work, executed by one of Prussia’s…
Within the hallowed halls of Berlin’s Alte Nationalgalerie, one encounter stands above the rest, commanding both reverence and awe: Johann Gottfried Schadow’s Tombstone for Count Alexander von der Mark. Created in 1790, this marble masterpiece is far more than a mere funerary marker; it is a breathtaking achievement of Neoclassical sculpture that captures the very essence of human mortality and the inescapable order of destiny. Spanning an immense 370 x…
The reclining figure of Count von der Mark rests in a heavy, silent repose. Carved from white marble, the man lies upon a bed, his body extending in a diagonal line that cuts through the quiet space. There is a profound sense of weight in the way the limbs settle against the bedding. A cup sits near the head, and a book lies at the foot, small anchors of a…
Johann Gottfried Schadow’s “Bust of Friderika von Mecklenburg,” crafted in 1794, stands as a testament to the enduring power and elegance of Neoclassicism. This remarkable marble sculpture, meticulously captured in black and white photography, offers a glimpse into the refined aesthetic sensibilities of late 18th-century Prussia, revealing not just a likeness of a noblewoman but also a profound meditation on beauty, order, and the ideals championed by the Enlightenment.
The sculpture before us is titled Reclining Girl, a work created by the German Prussian sculptor Johann Gottfried Schadow. Dating to about 1826, this piece reflects the artist's profound engagement with classical forms. It is a quiet study of the human figure, capturing a sense of repose and the grace of the female form.
This exquisite hand-painted reproduction captures the essence of a pivotal moment in Neoclassical sculpture – Johann Gottfried Schadow’s “Draped Female Figure,” created in 1817. Measuring 13 x 33 cm, this intimate artwork speaks volumes about the enduring appeal of classical ideals and the meticulous craftsmanship that defined the era. The figure, rendered with a remarkable sensitivity to form and texture, immediately evokes the spirit of ancient Greece and Rome, offering…
Crown Princess Louise and Princess Frederica of Prussia1796 · Nationalgalerie
12
Double statue of the princesses Luise and Friederike of Prussia1797 · Alte Nationalgalerie
13
Quadriga1793 · Muzej Brandenburgskih vrata
14
Girl Bathing1785 · Kunstpalast
15
Busts of Henry I (the Fowler) - King of the Germans - his Son .... II (the Salian)
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
6 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Johan Gotfrid Šadov | Slike iz ovog spiska |
|---|---|---|---|
 Nationalgalerie |
Berlin | 6 | Crown Princess Louise and Princess Frederica of Prussia, Monument to General von Zieten, Bust of Friedrich Gilly |
 Alte Nationalgalerie |
Berlin | 4 | Princess Luise and her Sister Friederike of Prussia. Head of Luise., Tombstone for Count Alexander von der Mark, Draped Female Figure |
 Kunsthalle Bremen |
Bremen | 1 | Goethe Medal |
 Dorotheenstädtische Kirche |
Berlin | 1 | Monument of Count von der Mark |
 Muzej Brandenburgskih vrata |
Berlin | 1 | Quadriga |
 Kunstpalast |
Düsseldorf | 1 | Girl Bathing |
Izaberite deceniju da biste videli original koji je definiše.
The reclining figure of Count von der Mark rests in a heavy, silent repose. Carved from white marble, the man lies upon a bed, his body extending in a diagonal line that cuts through the quiet space. There is a profound sense of weight in the way the limbs settle against the bedding. A cup sits near the head, and a book lies at the foot, small anchors of a…
The gaze of the subject meets us through the sculpture titled Princess Luise and her Sister Friederike of Prussia. Head of Luise. This work, which captures the likeness of the princess, emerges from the hands of the sculptor Johann Gottfried Schadow. We find ourselves looking upon the head of Luise, a figure rendered with a quiet, steady presence that seems to hold the weight of her royal station.
The photograph captures a moment frozen in time – the “Bust of Friedrich Gilly” by Johann Gottfried Schadow, created in 1801, stands as a testament to the enduring power of neoclassical sculpture. This exquisite marble portrait isn’t merely a representation of an individual; it's a carefully constructed embodiment of virtue, intellect, and the ideals championed during the late 18th and early 19th centuries. The work, executed by one of Prussia’s…
This exquisite bronze coin, measuring just 9 x 9 cm, offers an intimate glimpse into the world of Johann Wolfgang von Goethe, one of Germany’s most celebrated literary figures. Cast in 1816 by the masterful sculptor Johann Gottfried Schadow, this medal isn't merely a portrait; it’s a carefully constructed symbol reflecting Goethe’s intellectual stature and the artistic currents of its time. The close-up depiction reveals a man with a distinguished…
The sculpture before us is titled Reclining Girl, a work created by the German Prussian sculptor Johann Gottfried Schadow. Dating to about 1826, this piece reflects the artist's profound engagement with classical forms. It is a quiet study of the human figure, capturing a sense of repose and the grace of the female form.
Princess Luise and her Sister Friederike of Prussia. Head of Luise. (1795), Alte Nationalgalerie, Berlin. Slede Goethe Medal (1816) i Crown Princess Louise and Princess Frederica of Prussia (1796).
31 godina: Princess Luise and her Sister Friederike of Prussia. Head of Luise. datira iz 1795, a Johan Gotfrid Šadov je rođen/a 1764.
Princess Luise and her Sister Friederike of Prussia. Head of Luise., Goethe Medal, Crown Princess Louise and Princess Frederica of Prussia, Monument to General von Zieten, Bust of Friedrich Gilly, Tombstone for Count Alexander von der Mark, Monument of Count von der Mark, Bust of Friderika von Mecklenburg, Reclining Girl i Draped Female Figure. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 15 dela umetnika Johan Gotfrid Šadov, datiranih od 1785 do 1826.
Većinom u Nationalgalerie (Berlin), Alte Nationalgalerie (Berlin) i Kunsthalle Bremen (Bremen). Tabela muzeja iznad sadrži njih sve.
U 1790s: 8 od 15 dela na ovoj stranici nastalo je tada, od čega je Princess Luise and her Sister Friederike of Prussia. Head of Luise..
Na ovoj stranici, najstarije delo je iz Girl Bathing (1785), a najnovije iz Reclining Girl (1826).
Drapery (3), Marble (3) i Classical art (3), kroz svih 15 dela na ovoj stranici.
Marble, za 6 od 15 dela na ovoj stranici.
Neoclassicism i Neoclassical sculpture, sudeći po originalima na ovoj stranici.
Crown Princess Louise and Princess Frederica of Prussia, Monument to General von Zieten i Bust of Friedrich Gilly: Nationalgalerie, Berlin čuva 6 dela sa ove stranice.
Johan Gotfrid Šadov bio je istaknuti nemački pruski vajar koji je ostavio neizbrisiv trag u svetu umetnosti. Rođen u Berlinu u siromašnoj krojačkoj porodici, njegov rani život doživeo je neverovatnu promenu kada je postao šegrt Antoana Tasera, čuvenog vajara kojeg je zastupao sam Fridrik Veliki. Ovo mentorstvo se pokazalo presudnim, iako je istovremeno dovelo i do dramatičnog ličnog preokreta – Šadov je pobegao sa Marijanom Devidel, žene jevrejskog porekla, prkosiv Taserovim očekivanjima i započevši putovanje koje će oblikovati njegov umetnički razvoj.
Nakon venčanja, Šadov je dobio finansijsku podršku od Tasera kako bi otputovao u Italiju na trogodišnje studije. Ovaj period proveden u Rimu bio je ključan, značajno utičući na njegov stil i učvrstivši njegove osnove u klasičnom vajarstvu. Po povratku u Berlin 1788. godine, nasledio je Tasera kao dvorski vajar i sekretar Pruske akademije umetnosti – poziciju koju je zadržao više od pola veka.
Šadov je stvorio impresivan korpus radova koji premašuje dvesta dela. Među njegovim najambicioznijim projektima bile su monumentalne statue Fridrika Velikog u Štetingu, Blühera u Roštoku i Lutera u Vitembergu. Posebno se isticao u portretnom vajarstvu, kreirajući značajna dela kao što su „Fridrik Veliki koji svira flautu“ i „Krunisana princeza Luize sa sestrom Fridarikom“. Njegova veština se protezala i na bustove, od kojih je stvorio preko sto, uključujući sedamnaest kolosalnih glava za Valhalu u Regensburgu. Njegov stil karakterisala je raznolikost, obuhvatajući kako klasične uticaje tako i jedinstvenu umetničku viziju. Posebno je slavljen zbog svog doprinosa neoklasicizmu, što najbolje ilustruje kvadriga na Bransburškoj kapiji i alegorijski friz na fasadi Kraljevskog kovanice u Berlinu.
Šadov uticaj prevazilazio je njegove vajarske dostignuća. Kao direktor Berlinske akademije, vršio je značajnu umetničku vođstvo. Pišao je opsežno o temama kao što su proporcije ljudske figure i nacionalna fizionomija, doprinoseći teoriji i edukaciji umetnosti. Njegovo interesovanje za fizionomiju dokumentovano je crtežom koji je napravio portret Harija Maiteja, prvog Havajca u Pruskoj.
Iako nije isključivo klasifikovan kao hrišćanski vajar, Johan Gotfrid Šadov je priznat po svom značajnom doprinosu nemačkom neoklasicizmu i portretnoj umetnosti. Njegov rad na kvadrigi Bransburške kapije ostaje kultni simbol Berlina, učvršćujući njegovo mesto kao jednog od najvažnijih vajara Pruske.
