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2 najpoznatijih slika umetnika Jan Griffier II, izbor iz galerije
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 2 dela Jan Griffier II u našem katalogu
Ukratko
Od svih originala koje je Jan Griffier II ostavio, najpoznatiji je River Landscape (1743), koji se nalazi u kolekciji Nationalmuseum, Стокхолм. Naš katalog sadrži 2 dela umetnika Jan Griffier II; galerija je čuvala 2 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
1688 – 1750, Amsterdam
Najviše dela: Nationalmuseum
Top 10 slika umetnika Jan Griffier II: izbor galerije
Muzeji u kojima se čuvaju originalna dela umetnika Jan Griffier II
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Jan Griffier II | Slike iz ovog spiska |
|---|---|---|---|
 Nationalmuseum |
Стокхолм | 1 | River Landscape |
 Anglesey Abbey |
1 | View of Windsor Castle from the north |
Jan Griffier II iz godine u godinu: originalna dela koja definišu svaku od njih
Tek deceniju, od 1735 do 1743, svet je dobio svako datirano originalno delo Jan Griffier II u ovom odabiru: evo ih, godinu po godinu.
Radovi po godinama
Izaberite godinu da biste videli originalna dela.
Pitanja kolekcionara o slikama umetnika Jan Griffier II
Po kojem delu je Jan Griffier II najpoznatiji/a?Otkrij odgovor
River Landscape (1743)
Koliko je godina imao/la Jan Griffier II kada je nastalo delo River Landscape?Otkrij odgovor
55 godina: River Landscape datira iz 1743, a Jan Griffier II je rođen/a 1688.
Koliko je slika ostavio Jan Griffier II?Otkrij odgovor
Naš katalog sadrži 2 dela umetnika Jan Griffier II, datiranih od 1735 do 1743.
U kojim muzejima se nalaze remek-dela umetnika Jan Griffier II?Otkrij odgovor
Većinom u Nationalmuseum (Стокхолм) i Anglesey Abbey. Tabela muzeja iznad sadrži njih sve.
Koja su prva i poslednja čuvena originalna dela umetnika Jan Griffier II?Otkrij odgovor
Na ovoj stranici, najstarije delo je iz View of Windsor Castle from the north (1735), a najnovije iz River Landscape (1743).
Jan Griffier II: život i delo
A Life Between Two Worlds
Born in Amsterdam, Jan Griffier II carried the legacy of his father, Jan Griffier I, into the bustling streets of England. His life was shaped by the movement between the Dutch Republic and the English landscape, a transition that defined his place in the eighteenth century. While some accounts of his lineage have been clouded by the confusion of generations, he was the son of the elder Griffier and the younger brother of Robert. He eventually made his home in London, settling in the prestigious area of Pall Mall, where his presence was felt within the artistic circles of the day.
His existence was marked by a quiet influence on those who followed. He did not merely paint; he lived among the creators of his era, leaving a mark on the development of others, such as Christian August Lorentzen. His presence in London suggests a man who was deeply integrated into the social and creative fabric of the city, moving through its streets as a painter of significant standing.
The Craft of the Landscape
The work of Jan Griffier II was rooted in the observation of the natural world and the architectural grandeur of his adopted home. His brush captured the essence of the English terrain, seeking to translate the physical reality of the land into a visual language. His skill was such that his depictions of significant locations, like Windsor Castle, remain part of the historical record of English art.
His technical approach involved:
- The depiction of topographical views from specific vantage points.
- A focus on the relationship between architecture and the surrounding environment.
- The translation of light and shadow across the English countryside.
A Legacy in London
As the years passed, Griffier became a fixture of the London art scene. He lived through a period of significant change, maintaining his practice as a painter until his death in London. His life reflects the movement of talent across the sea, contributing to the visual history of England through his specific eye for the landscape. He remains a figure of interest for those studying the lineage of Dutch-influenced painting in the British Isles.