Portret Jakob Dak

Slike umetnika Jakob Dak: Najpoznatijih 46 kroz oči galerije

Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 49 dela Jakob Dak u našem katalogu

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Za ljubitelje galerije, najpoznatije delo umetnika Jakob Dak je Smoker (1650), čiji se original nalazi u muzeju Philadelphia Museum of Art, Filadelfija. Brothel scene with a sleeping couple (1645) i The Game of Skittles (Allegory of Fortune?) (1635) čine triju koju svako oko prepoznaje. Od 49 dela umetnika Jakob Dak u našem katalogu, galerija u nastavku predstavlja 46 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.

1600 – 1667, Utreht Dutch golden age Najviše dela: Bavarske državne slikopisne kolekcije

Top 10 slika umetnika Jakob Dak u galeriji

1
Smoker (1650) čiji je Jakob Dak

Smoker

1650 · Oil · Philadelphia Museum of Art, Filadelfija

A single man sits in the dimness, leaning back against the hard grain of a wooden structure. He is caught in a pause, a heavy stillness that settles over the room like dust in a shaft of light. The air feels thick, weighted by the scent of tobacco and the silence of a private room. His reddish-brown breeches catch a dull glow, the fabric heavy and coarse against the shadows.…

2
Brothel scene with a sleeping couple (1645) čiji je Jakob Dak

Brothel scene with a sleeping couple

1645 · Oil · Alte Pinakothek, Minhen

The air in this dimly lit room feels thick, heavy with the scent of stale wine and the quiet exhaustion of the night. A woman sits in the foreground, her body slumped in a state of total surrender, head tilted back as if she has simply run out of strength. Her chemise and headscarf catch a sharp, singular light that cuts through the gloom, pulling her figure forward against the…

Slike umetnika Jakob Dak, rangirane od 11 do 46

11Foraging soldiers (1630) čiji je Jakob DakForaging soldiers1630 · Gemäldegalerie 12Plundering Soldiers (1637) čiji je Jakob DakPlundering Soldiers1637 · Bavarske državne slikopisne kolekcije 13Woodcarver with Child (1640) čiji je Jakob DakWoodcarver with Child1640 · Groninger Museum 14Deaness, Peasant Woman with Needlework in an Interior, (1641) čiji je Jakob DakDeaness, Peasant Woman with Needlework in an Interior,1641 · Groninger Museum 15Interior of a Stable with Figures (1637) čiji je Jakob DakInterior of a Stable with Figures1637 · Speed Art Museum 16Card Players and Merrymakers (1640) čiji je Jakob DakCard Players and Merrymakers1640 · Worcester Art Museum 17Interior with soldiers inspecting the booty and with a pleading woman (1636) čiji je Jakob DakInterior with soldiers inspecting the booty and with a pleading woman1636 · Kunsthistorisches Museum 18A young officer (1644) čiji je Jakob DakA young officer1644 · Finnish National Gallery 19Party Scene (1646) čiji je Jakob DakParty Scene1646 · Statens Museum For Kunst 20Young woman ironing in a kitchen (1650) čiji je Jakob DakYoung woman ironing in a kitchen1650 · Centraal Museum 21Sleeping Soldier (1650) čiji je Jakob DakSleeping Soldier1650 · Musée des Beaux-Arts de Dijon 22Interior with a Woman Sleeping (1660) čiji je Jakob DakInterior with a Woman Sleeping1660 · National Gallery of Ireland 23Soldier with a girl (1660) čiji je Jakob DakSoldier with a girl1660 · Fitzwilliam Museum 24The Tric-Trac Players (1660) čiji je Jakob DakThe Tric-Trac Players1660 · Gebruder Douwes 25Guardroom interior with soldiers and young women smoking and playing cards (1650) čiji je Jakob DakGuardroom interior with soldiers and young women smoking and playing cards1650 26interior with soldiers (1650) čiji je Jakob Dakinterior with soldiers1650 · Centraal Museum 27Woman Playing a Theorbo (1660) čiji je Jakob DakWoman Playing a Theorbo1660 · Indianapolis Museum of Art 28A Musical Company (1650) čiji je Jakob DakA Musical Company1650 · Hallwyl Museum 29Soldier's Rest (1650) čiji je Jakob DakSoldier's Rest1650 · Ermitaž 30A Guardroom Interior (1630) čiji je Jakob DakA Guardroom Interior1630 31A Couple in an Interior with a Gypsy Fortune-Teller (1632) čiji je Jakob DakA Couple in an Interior with a Gypsy Fortune-Teller1632 · Metropoliten музеј у Њујорку 32Salome with the Head of Saint John the Baptist čiji je Jakob DakSalome with the Head of Saint John the BaptistCleveland Museum of Art 33Grotto with a Walking Couple čiji je Jakob DakGrotto with a Walking CoupleSzépművészeti Múzeum 34A Merry Company čiji je Jakob DakA Merry CompanyMuzej finih umetnosti u Bostonu 35A Guardroom interoir with a seated Woman amongst Plunder čiji je Jakob DakA Guardroom interoir with a seated Woman amongst Plunder 36Guardhouse čiji je Jakob DakGuardhouseNacionalni muzej u Varšavi 37Interior with Soldiers and Women čiji je Jakob DakInterior with Soldiers and WomenJ. Paul Getty Museum 38The distraint. čiji je Jakob DakThe distraint. 39Soldiers inspecting coffers. čiji je Jakob DakSoldiers inspecting coffers.Nacionalni muzej u Varšavi 40Tickled sleep čiji je Jakob DakTickled sleep 41Get executives in a stable čiji je Jakob DakGet executives in a stableRijksmuseum 42A Street Scene with Knife Grinder and Elegant Couple čiji je Jakob DakA Street Scene with Knife Grinder and Elegant CoupleLos Angeles County Museum of Art 43Scene galante čiji je Jakob DakScene galanteMusée des Beaux-Arts 44Guardroom with Soldiers Playing Cards čiji je Jakob DakGuardroom with Soldiers Playing CardsSzépművészeti Múzeum 45Dividing the Spoils (1635) čiji je Jakob DakDividing the Spoils1635 46The Wine Connoisseurs, Jacob Duck, c. 1640 - c. 1642 (1642) čiji je Jakob DakThe Wine Connoisseurs, Jacob Duck, c. 1640 - c. 16421642 · Rijksmuseum

Motivi koji su privlačili pažnju Jakob Dak

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.

Muzeji u kojima se čuvaju originalna dela umetnika Jakob Dak

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Jakob Dak Slike iz ovog spiska
Bavarske državne slikopisne kolekcije, MinhenBavarske državne slikopisne kolekcije Minhen 2 Elegant company singing, dancing and smoking in an interior, Plundering Soldiers
Groninger Museum, GroningenGroninger Museum Groningen 2 Woodcarver with Child, Deaness, Peasant Woman with Needlework in an Interior,
Centraal Museum, UtrehtCentraal Museum Utreht 2 Young woman ironing in a kitchen, interior with soldiers
Szépművészeti Múzeum, BudimpeštaSzépművészeti Múzeum Budimpešta 2 Grotto with a Walking Couple, Guardroom with Soldiers Playing Cards
Nacionalni muzej u Varšavi, VaršavaNacionalni muzej u Varšavi Varšava 2 Guardhouse, Soldiers inspecting coffers.
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Get executives in a stable, The Wine Connoisseurs, Jacob Duck, c. 1640 - c. 1642
Philadelphia Museum of Art, FiladelfijaPhiladelphia Museum of Art Filadelfija 1 Smoker
Alte Pinakothek, MinhenAlte Pinakothek Minhen 1 Brothel scene with a sleeping couple

Jakob Dak, jedno autentično delo po deceniji

Radovi po decenijama

Izaberite deceniju da biste videli original koji je definiše.

Slike umetnika Jakob Dak: odgovori galerije

Koja je najpoznatija slika umetnika Jakob Dak?Otkrij odgovor

Smoker (1650), Philadelphia Museum of Art, Filadelfija. Slede Brothel scene with a sleeping couple (1645) i The Game of Skittles (Allegory of Fortune?) (1635).

Koliko je godina imao/la Jakob Dak kada je dovršio/la Smoker?Otkrij odgovor

50 godina: Smoker datira iz 1650, a Jakob Dak je rođen/a 1600.

Koja su najbolja 10 dela umetnika Jakob Dak?Otkrij odgovor

Smoker, Brothel scene with a sleeping couple, The Game of Skittles (Allegory of Fortune?), Elegant company singing, dancing and smoking in an interior, Soldiers Arming Themselves, superior with soldiers, Battle field, looting scene, soldiers in a guardroom with a woman i Watch-room lady and officer, with other soldiers. Gornji rang pokazuje godinu i muzej za svako od njih.

Koliko je dela stvorio/la Jakob Dak?Otkrij odgovor

Naš katalog sadrži 49 dela umetnika Jakob Dak, datiranih od 1625 do 1660.

Gde se nalaze najpoznatiji originali umetnika Jakob Dak?Otkrij odgovor

Većinom u Bavarske državne slikopisne kolekcije (Minhen), Groninger Museum (Groningen) i Centraal Museum (Utreht). Tabela muzeja iznad sadrži njih sve.

Kada je Jakob Dak stvorio svoje najpoznatije slike?Otkrij odgovor

U 1630s: 10 od 46 dela na ovoj stranici nastalo je tada, od čega je The Game of Skittles (Allegory of Fortune?).

Koja su najranija i najkasnija poznata dela umetnika Jakob Dak?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz superior with soldiers (1625), a najnovije iz Interior with a Woman Sleeping (1660).

Kojim se motivima Jakob Dak najčešće bavio?Otkrij odgovor

Interior (3), Man (2) i 17th century life (2), kroz svih 46 dela na ovoj stranici.

U kojoj je tehnici najviše radio/la Jakob Dak?Otkrij odgovor

Oil, za 2 od 46 dela na ovoj stranici.

Sa kojim umetničkim pravcem je Jakob Dak povezan/a?Otkrij odgovor

Dutch golden age, sudeći po originalima na ovoj stranici.

Koje originale umetnika Jakob Dak poseduje Bavarske državne slikopisne kolekcije?Otkrij odgovor

Elegant company singing, dancing and smoking in an interior i Plundering Soldiers: Bavarske državne slikopisne kolekcije, Minhen čuva 2 dela sa ove stranice.

Jakob Dak: umetnik

The Gilded Precision of a Dutch Master

In the vibrant, bustling landscape of the seventeenth-century Netherlands, few artists captured the quiet drama of existence with as much technical finesse and observational grace as Jacob Duck. Born in Utrecht around 1600, Duck’s journey into the world of fine art was not born from a traditional painter's studio, but rather from the meticulous workshop of a goldsmith. Having mastered the intricate craft of metalwork by the age of nineteen, he brought a unique, jeweler-like precision to his canvases. This early training in goldsmithing instilled in him an unparalleled eye for detail, a quality that would later allow him to render the glint of a soldier's armor, the texture of a tavern cloth, or the subtle sheen of a wine glass with breathtaking realism.

His transition from precious metals to pigments began in earnest when he entered the studio of Joost Cornelisz Droochsloot. Under this mentorship, Duck moved beyond the rigid boundaries of craft and embraced the fluid storytelling of genre painting. As he matured, his artistic footprint expanded across the great cultural hubs of the Dutch Golden Age, from the industrious streets of Haarlem to the sophisticated atmosphere of The Hague. Throughout his travels, he absorbed the atmospheric brilliance of masters like Rubens and the dramatic, light-piercing shadows of Rembrandt. This synthesis of influences allowed him to master chiaroscuro, using deep shadows to push his figures forward into the viewer's space, creating a sense of intimacy that makes his scenes feel less like distant histories and more like captured moments in time.

A Window into the Golden Age

The true soul of Jacob Duck’s oeuvre lies in his profound dedication to the "everyday." While many of his contemporaries sought glory in grand mythological epics or sweeping historical narratives, Duck found divinity in the mundane. He was a chronicler of the human condition, finding profound narrative weight in the simplest of settings. His work often oscillates between two distinct yet equally captivating realms: the camaraderie of the military and the conviviality of civilian life.

In his celebrated guardroom scenes, Duck provides a window into the lives of the burgeoning military class of the Dutch Republic. These paintings—often featuring officers playing cards, soldiers resting, or men sharing quiet moments of reflection—do more than just depict military life; they capture the social shifts of an era following the Eighty Years' War. Through his brush, we see the tension between duty and leisure, the camaraderie of the barracks, and the subtle psychological depth of men caught in the stillness between conflicts. His ability to render the heavy fabrics of uniforms and the stark, dramatic lighting of a dimly lit guardroom creates an immersive experience that resonates with historical gravity.

Beyond the barracks, Duck’s artistry flourished in the depiction of domestic interiors and bustling public spaces. He possessed a remarkable talent for composing scenes of tavern life, market stalls, and private rooms where the light falls softly upon everyday objects. In these works, one might encounter:

  • The Intimacy of Interiors: Quiet, contemplative scenes where figures are lost in thought or engaged in subtle domestic tasks.
  • Social Conviviality: Lively gatherings in taverns, filled with the warmth of conversation and the sensory richness of food and drink.
  • Genre Narratives: Small, poignant stories captured in a single frame, such as a gypsy fortune-teller or a couple sharing a private moment.

Legacy and Artistic Significance

The historical significance of Jacob Duck lies in his ability to elevate the common experience to the level of high art. By focusing on the textures of reality—the way light hits a pewter mug or the weary expression on a soldier's face—he contributed to the humanist spirit that defined the Dutch Golden Age. He did not need grand legends to move his audience; he relied on the truth of the visible world.

Though he eventually returned to Utrecht, where he passed away in 1667, his influence endured through the enduring power of his imagery. Today, his works reside in some of the world's most prestigious institutions, including the Hermitage Museum, serving as vital touchstones for anyone seeking to understand the social fabric of the seventeenth century. Duck remains a master of the small-scale epic, proving that within the confines of a single room or a quiet corner of a tavern, an entire world of human emotion and historical truth can be found.