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7 najpoznatijih slika umetnika Hermania Neergaard, izbor iz galerije
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 7 dela Hermania Neergaard u našem katalogu
Ukratko
Od svih originala koje je Hermania Neergaard ostavio, najpoznatiji je En ananas i urtepotte og druer på et stenbord (1825), koji se nalazi u kolekciji Statens Museum For Kunst, Kopenhagen. Odmah za njima slede Vase i græsk stil med iris, syren og kaprifolium (1831) i Vase i græsk stil med blomster, stående på en træstub (1832). Naš katalog sadrži 7 dela umetnika Hermania Neergaard; galerija je čuvala 7 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
1799 – 1875, Copenhagen
Najviše dela: Statens Museum For Kunst
Top 10 slika umetnika Hermania Neergaard: izbor galerije
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Muzeji u kojima se čuvaju originalna dela umetnika Hermania Neergaard
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Hermania Neergaard | Slike iz ovog spiska |
|---|---|---|---|
 Statens Museum For Kunst |
Kopenhagen | 7 | En ananas i urtepotte og druer på et stenbord, Vase i græsk stil med iris, syren og kaprifolium, Vase i græsk stil med blomster, stående på en træstub |
Hermania Neergaard deceniju po deceniju: original koji definiše svaku od njih
Radovi po decenijama
Izaberite deceniju da biste videli original koji je definiše.
Pitanja kolekcionara o slikama umetnika Hermania Neergaard
Po kojem delu je Hermania Neergaard najpoznatiji/a?Otkrij odgovor
En ananas i urtepotte og druer på et stenbord (1825), Statens Museum For Kunst, Kopenhagen. Slede Vase i græsk stil med iris, syren og kaprifolium (1831) i Vase i græsk stil med blomster, stående på en træstub (1832).
Koliko je godina imao/la Hermania Neergaard kada je nastalo delo En ananas i urtepotte og druer på et stenbord?Otkrij odgovor
26 godina: En ananas i urtepotte og druer på et stenbord datira iz 1825, a Hermania Neergaard je rođen/a 1799.
Koliko je slika ostavio Hermania Neergaard?Otkrij odgovor
Naš katalog sadrži 7 dela umetnika Hermania Neergaard, datiranih od 1825 do 1845.
U kojim muzejima se nalaze remek-dela umetnika Hermania Neergaard?Otkrij odgovor
Većinom u Statens Museum For Kunst (Kopenhagen). Tabela muzeja iznad sadrži njih sve.
U kojim godinama je Hermania Neergaard naslikao svoja najpoznatija dela?Otkrij odgovor
U 1840s: 4 od 7 dela na ovoj stranici nastalo je tada, od čega je Blomstrende planter.
Koja su prva i poslednja čuvena originalna dela umetnika Hermania Neergaard?Otkrij odgovor
Na ovoj stranici, najstarije delo je iz En ananas i urtepotte og druer på et stenbord (1825), a najnovije iz Blomstrende planter (1845).
Čija se dela umetnika Hermania Neergaard nalaze u Statens Museum For Kunst?Otkrij odgovor
En ananas i urtepotte og druer på et stenbord, Vase i græsk stil med iris, syren og kaprifolium i Vase i græsk stil med blomster, stående på en træstub: Statens Museum For Kunst, Kopenhagen čuva 7 dela sa ove stranice.
Hermania Neergaard: život i delo
A Life in Bloom
Born in Copenhagen on 12 August 1799, Hermania Sigvardine Neergaard grew up in the home of a merchant, Hans Peter Neergaard. Her path toward the canvas began under the guidance of Frederik Christian Camradt at his drawing and painting school. This early training provided her with the technical foundation to pursue a career as a flower and still-life painter.
Her debut at the Charlottenborg Spring Exhibitions in 1821 featured a gouache vase of flowers, a technique she had learned by studying the works of her teacher. This first submission set the stage for a long period of professional activity. For over five decades, Neergaard was a regular presence at these exhibitions, contributing 116 works to the Charlottenborg collections until her death in 1875.
Evolution of Style and Subject
As her career progressed, Neergaard moved from the delicate use of gouache to working with oils. Her early compositions often focused on flowers arranged in bowls, baskets, or vases. In these initial years, her work reflected the influence of Camradt, characterized by more compact bouquets and a subdued color palette. She frequently utilized dark backgrounds to create a sharp contrast, allowing white callas or yellow irises to emerge from the shadows.
The later years of her life brought a change in both subject and scale. Inspired by the sculptor Bertel Thorvaldsen, she began incorporating Etruscan vases into her compositions starting in 1831. Her focus expanded beyond cultivated arrangements to include wild flowers and outdoor plants. In these later paintings, the flora often grew to fill the entire surface of the canvas, moving away from the structured stillness of her earlier still lifes.
Legacy and Recognition
Neergaard’s skill earned her a place within influential social and artistic circles. She was associated with Nysø Manor near Præstø and moved in the same circles as Thorvaldsen, who eventually purchased one of her paintings for his own collection. Her ability to capture botanical detail led to her work being acquired by the Danish royal family, including kings Christian VIII and Frederick VII.
Beyond her personal achievements, she supported the art community by teaching flower painting. Today, her botanical studies are preserved in significant institutions, such as the Statens Museum for Kunst. Her paintings remain a record of the botanical interests and artistic traditions of 19th-century Denmark.