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Od svih originala koje je Анри Жерве ostavio, najpoznatiji je Study For A Portrait Of Tsar Nicholas Ii. Odmah za njima slede Portrait De Madame G. i Portrait of Alfred Stevens (1884). Naš katalog sadrži 78 dela umetnika Анри Жерве; galerija je čuvala 77 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
Henri Gervex produced this study, titled Study For A Portrait Of Tsar Nicholas Ii, during a period of significant imperial commission. The work focuses on the likeness of Tsar Nicholas II, the final ruler of the Romanov dynasty before the revolution of 1917. Gervex, a prominent figure in French Naturalism, developed this composition as a preparatory exploration for a larger official portrait of the Russian Emperor.
Portrait De Madame G. is a work by the French artist Henri Gervex. This piece depicts a woman positioned within an outdoor setting, likely a garden or a park situated near a body of water. The subject is presented in a formal yet relaxed pose, occupying the central portion of the frame. She is dressed in elegant attire, which includes a flowing gown and a large hat. A draped shawl…
The work before us is titled Portrait of Alfred Stevens, a significant oil on canvas created by the French artist Henri Gervex. Painted in 1884, this portrait offers a direct encounter with the subject, Alfred Stevens, capturing him in a moment of quiet presence. It is a piece that reflects the specific social and artistic milieu of late 19th-century France through its formal execution and the identity of its sitter.
In Café Scene in Paris, Henri Gervex offers us a quiet glimpse into the daily rhythms of the city. The painting captures a lively moment within a traditional Parisian café, focusing on a group of people gathered around a large rectangular table. Some figures are seated while others stand, creating a sense of natural, unforced movement. It is a snapshot of urban life, caught in a moment of social interaction.
In this preparatory study from 1880, we find Henri Gervex working with a sense of purpose that transcends mere sketching. This is a design for the wedding hall of the Mairie of the 19th Arrondissement in Paris, a space intended to host the most fundamental of civic ceremonies. The composition is structured around three octagonal medallions, arranged with a formal, rhythmic precision against a muted, olive-green ground. There is a…
The scene unfolds in a swirling, oval vignette, pulling the eye into a crowded celebration of human industry and community. Figures move with a restless energy, their bodies caught in mid-gesture against a backdrop of monumental architecture. To the right, massive classical columns rise upward, grounding the composition with a sense of permanence, while the sky peeks through in pale, airy blues. There is a palpable sense of motion here,…
The composition of Allegory of the Bank by Henri Gervex is centered on a single female figure positioned within an oval vignette. This figure is seated atop a celestial or cloud-like formation that occupies the middle ground. She holds a vessel or cornucopia-like object in her hands, symbolizing abundance. Below this central figure, elements suggestive of commerce and industry are partially visible. A globe and heavy, ornate fabrics are situated…
In this 1884 oil portrait, we find ourselves in an intimate, private space with Madame Blerzy. She is seated slightly off-center, her head resting gently against her right hand in a gesture of quiet introspection. There is a profound sense of poise in her posture, a stillness that suggests a woman accustomed to the weight of her own thoughts. The composition draws the eye through a soft, directional light that…
In this intimate oil on canvas, we encounter Woman with a Fan (Portrait of Réjane?), a work that captures a singular moment of poise and elegance. The artist, Henri Gervex, presents us with a subject who commands the space through a quiet, seated grace. She holds a pink folding fan, a detail that draws the eye toward her hands and the soft textures of her attire. There is a sense…
In the large-scale expanse of Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform, Henri Gervex captures a moment of quiet social gravity. This academic oil painting, dating to about 1889, presents a gathering of men that feels caught in a suspended breath of history. The figures occupy a space that bridges the gap between private conversation and public observation, creating a scene that feels both formal…
Panorama of the Century: Kléber and Monge, Surrounded by Personalities of the French Revolution1889 · Petit Palais
12
Panorama of the Century: The Imperial Family Surrounded by Numerous Personalities of the Second Empire in Front of the Palais Bourbon1889 · Petit Palais
13
Panorama of the Century: Festival of the Federation 1790 - The Convention 17921889 · Petit Palais
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Panorama of the Century1889 · Petit Palais
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The Panorama of the Century: Dumas, Rachel, Daumier, Gavarni, Henri Monnier, Frédérick Lemaître, Rude, Horace Vernet, Delaroche1889 · Petit Palais
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Panorama of the Century: Dupré, Rousseau, Isabey, Millet, Couture, Daubigny, Diaz, Corot, Troyon, Fromentin, Barye, Decamp, Courbet, Robert-Fleury1889 · Petit Palais
17
The Ball1890 · Muzej Carnavalet
18
Portrait of Thomas W. Evans1892
19
Young Woman with a Fan1888
20
Pierre Waldeck-Rousseau1894 · Muzej Carnavalet
21
Armenonville, the Evening of the Grand Prix (P2708)1905 · Muzej Carnavalet
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Battle of Flowers in Nice1900 · Muzej Carnavalet
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Portrait of Madame de Lorgeril1902 · Muzej Carnavalet
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Un soir de grand prix au pavillon d'Armenonville1905 · Muzej Carnavalet
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A Tuesday, Evening at Madeleine Lemaire's1910 · Muzej Carnavalet
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France Welcoming Abundance, Ceiling Project for the Palais de l'Élysée1907 · Muzej Carnavalet
27
The Circle of the Île de Puteaux1907 · Muzej Carnavalet
28
The Train of the Wounded1915
29
An Ambulance in Poitiers1914
30
Madame Gervex1923
31
Une Soiree MondaineMuzej Carnavalet
32
The Salon Jury
33
Satyre and Menade1874 · Musée d'Orsay
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Valtesse De La BigneMusée d'Orsay
35
A Meeting of the Judges of the Salon des Artistes
36
Femme Resuse À La Toilette
37
Study for 'Autopsy at the Hôtel-Dieu'1876 · National Gallery of Art
38
Sketch for the Salle des Fêtes of the Hôtel de Ville de Paris: Music Through the Ages1889 · Petit Palais
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Study for an unidentified painting, showing the Deauville Hippodrome1905 · Muzej Carnavalet
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Parmentier and Louis XVI on the Plain of Sablons
41
Study for the Cercle de l'île de Puteaux (P2710)1907 · Muzej Carnavalet
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Study for the Cercle de l'île de Puteaux1907 · Muzej Carnavalet
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Study for the Cercle de l'île de Puteaux1907 · Muzej Carnavalet
44
An Elegant Lady
45
Ballerinas
46
The Tub
47
Le Modèle Masqué
48
Venus Et L'amour
49
The Coal CarrierPalais des Beaux-Arts de Lille
50
A Portrait Of Marie-clotilde De Faret Legrand
51
Liebe Und Ehe
52
Winter
53
Madame Valtesse De La Bigne -
54
Portrait Of Madame Gervex
55
Cinq Heures Chez Paquin
56
Liane De Pougy
57
Colette's First Steps
58
Portrait Of Colette Gervex
59
Music Across The Ages
60
L'étéNationalmuseum
61
Fragment Of The Panorama Of 'the History Of The Century' -
62
Communion At The Church Of The Trinity
63
La Toilette
64
Portrait of Tsarina Alexandra
65
Cinq Heures chez le Couturier Paquin
66
Birth, Town Hall Of The 19th Arrondissement
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Study For The Civil Marriage In The Town Hall Of The 19th Arrondissement
68
Portrait Of The Couturier Madame Paquin
69
The Operation
70
An Elegant Man On A Terrace
71
Jules-émile Pean And His Surgery Class Before The Operation H. Gervex PinxMusée d'Orsay
72
The wedding of Mathurin Moreau in the city hall of Paris
73
Study for the Coronation of Tsar Nicholas II
74
Portrait De Jenny Sacerdote.
75
RollaMusée d'Orsay
76
The Birth of Venus1907 · Petit Palais
77
Une Scéance Du Jury De PeintureMusée d'Orsay
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
#4 Café Scene in Paris
#6 Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling)
#12 Panorama of the Century: The Imperial Family Surrounded by Numerous Personalities of the Second Empire in Front of the Palais Bourbon
#14 Panorama of the Century
#10 Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform
#11 Panorama of the Century: Kléber and Monge, Surrounded by Personalities of the French Revolution
#13 Panorama of the Century: Festival of the Federation 1790 - The Convention 1792
#16 Panorama of the Century: Dupré, Rousseau, Isabey, Millet, Couture, Daubigny, Diaz, Corot, Troyon, Fromentin, Barye, Decamp, Courbet, Robert-Fleury
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Анри Жерве | Slike iz ovog spiska |
|---|---|---|---|
 Muzej Carnavalet |
Pariz | 17 | Allegory of the Bank, Portrait of Madame Blerzy, Woman with a Fan (Portrait of Réjane?) |
 Petit Palais |
Pariz | 11 | Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement: Supply, Voting, Tooling, Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling), Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform |
 Musée d'Orsay |
Pariz | 5 | Satyre and Menade, Valtesse De La Bigne, Jules-émile Pean And His Surgery Class Before The Operation H. Gervex Pinx |
 Kraljevski muzeji fine umetnosti Belgije |
Brisel | 1 | Portrait of Alfred Stevens |
 Detroit Institute of Arts |
Detroit | 1 | Café Scene in Paris |
 National Gallery of Art |
Washington | 1 | Study for 'Autopsy at the Hôtel-Dieu' |
 Palais des Beaux-Arts de Lille |
Lile | 1 | The Coal Carrier |
 Nationalmuseum |
Стокхолм | 1 | L'été |
Izaberite deceniju da biste videli original koji je definiše.
In this intimate oil on canvas, we encounter Woman with a Fan (Portrait of Réjane?), a work that captures a singular moment of poise and elegance. The artist, Henri Gervex, presents us with a subject who commands the space through a quiet, seated grace. She holds a pink folding fan, a detail that draws the eye toward her hands and the soft textures of her attire. There is a sense…
The work before us is titled Portrait of Alfred Stevens, a significant oil on canvas created by the French artist Henri Gervex. Painted in 1884, this portrait offers a direct encounter with the subject, Alfred Stevens, capturing him in a moment of quiet presence. It is a piece that reflects the specific social and artistic milieu of late 19th-century France through its formal execution and the identity of its sitter.
In "The Ball" by Henri Gervex, a sense of quiet repose settles over a sophisticated interior, even as a social gathering pulses in the distance. The composition centers on a woman seated upon a sofa, her presence anchored in the foreground. She is draped in an elegant, voluminous gown that spreads around her, creating a soft weight against the furniture. To her side, the scene opens up to reveal a…
The air inside the Armenonville feels thick with the hum of conversation and the warmth of a thousand flickering lamps. We find ourselves looking into a grand social gathering, a scene where the elegance of the Belle Époque breathes through every brushstroke. Large, imposing columns frame the view, pulling the eye past the immediate figures and into a crowded, luminous background. There is a sense of movement here, a lively…
A Tuesday, Evening at Madeleine Lemaire's is an oil on canvas painted by Henri Gervex. The work carries the original title Un mardi, soirée chez Madeleine Lemaire. It captures a specific moment of social gathering, frozen in the soft light of a Parisian interior. The brushwork traces the edges of a quiet, private world.
The air feels soft, almost heavy with the scent of old lace and quietude. A young woman turns her head, her gaze catching the light as she looks back toward us from a three-quarter view. She exists in a dreamlike space, an oval-shaped window into a moment of quiet elegance. Her skin glows with a luminous, pale quality, touched by the faintest rose at the cheeks and lips, as if…
Study For A Portrait Of Tsar Nicholas Ii. Slede Portrait De Madame G. i Portrait of Alfred Stevens (1884).
Study For A Portrait Of Tsar Nicholas Ii, Portrait De Madame G., Portrait of Alfred Stevens, Café Scene in Paris, Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement: Supply, Voting, Tooling, Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling), Allegory of the Bank, Portrait of Madame Blerzy, Woman with a Fan (Portrait of Réjane?) i Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 78 dela umetnika Анри Жерве, datiranih od 1874 do 1923.
Većinom u Muzej Carnavalet (Pariz), Petit Palais (Pariz) i Musée d'Orsay (Pariz). Tabela muzeja iznad sadrži njih sve.
U 1880s: 14 od 77 dela na ovoj stranici nastalo je tada, od čega je Portrait of Alfred Stevens.
Na ovoj stranici, najstarije delo je iz Satyre and Menade (1874), a najnovije iz Madame Gervex (1923).
Woman (13), People (13) i Men (8), kroz svih 77 dela na ovoj stranici.
Oil On Canvas, za 24 od 77 dela na ovoj stranici.
Naturalism i Impressionism, sudeći po originalima na ovoj stranici.
Allegory of the Bank, Portrait of Madame Blerzy i Woman with a Fan (Portrait of Réjane?): Muzej Carnavalet, Pariz čuva 17 dela sa ove stranice.
U živopisnom, često turbulentnom srcu Pariza kasnog 19. veka, malo je umetnika vešto koračalo po delikatnoj granici između akademskog prestiža i moderne provokacije kao Henri Gervex. Rođen 1852. godine u četvrti Montmartre, Gervex je bio dete istih onih ulica koje će kasnije ovekovečiti. Njegove rane godine prožete su strogim tradicijama francuske umetnosti, oblikovanim disciplinovanim rukama majstora kao što su Alexandre Cabanel i Pierre-Nicolas Brisset. Pod njihovim mentorstvom u École des Beaux-Arts, Gervex je savladao anatomsku preciznost i klasičnu gracioznost neophodnu za uspensću zvezdu Salon sistema. Ipak, ispod ovog ispoliranog akademskog sloja vrevao je nemirni duh, onaj koji je želeo da odmakne baršunaste zavese pariskog visokog društva kako bi otkrio sirovu, pulsirajuću stvarnost Belle Époque.
Trajektorija Gerveksovog puta nepovratno je izmenjena jednim seizmičkim događajem 1878. godine. Njegovo delo Rolla, inspirisano melanholičnom poezijom Alfreda de Musseta, postalo je magnet za kontroverze. Iako je akt bila sastavni deo klasične mitologije, Gervex se usudio da svoje motive postavi u savremeni, gotovo neprijatno moderan kontekst. Salon žiri, povlačeći se od onoga što je doživljavao kao moralnu nepristojnost i društvenu kritiku zabranjene želje, odbacio je rad. Umesto da se povuče u zaborav, Gervex je prihvatio notoritet. Ovaj trenutak odbijanja transformisao ga je iz običnog učenika tradicije u smelu provokatora, umetnika čije ime postaje sinonim za tenziju između moraliteta starog sveta i naglog uspona naturalizma novog sveta.
Kako je njegova karijera sazrevala, Gervex se udaljio od čisto mitoloških tema kako bi prihvatio ono što je nazvao Naturalisme mondain. Postao je hroničar pariskog zeitgeista, beležeći blistave večerke, užurbane urbane pejzaže, pa čak i kliničku sivoću moderne nauke. Njegov potez četkicom počeo je da odražava fascinantnu sintezu; zadržao je pedantni detalj svoje akademske obuke, ali je kompozicije prožeta svetlošću i pokretom koji podsećaju na impresioniste. Ovaj jedinstveni stilski most omogućio mu je da prikaže psihološku dubinu svojih subjekata, bilo da su to društvenjaci na balu ili pacijenti u bolničkoj sali.
Jedno od njegovih najdubljih dostignuća ostaje Dr Péan at the Salpétrière, često nazivano jednostavno Operacija. U ovom monumentalnom delu, Gervex je postigao modernu parafrazu Rembrandta Anatomy Lesson, zamenjujući istorijsku alegoriju visceralnom, naučnom stvarnošću savremenog medicinskog postupka. Kroz ovo slikarstvo, pokazao je nesklonost da ne pronađe dramu u kliničkom okruženju i lepotu u svakodnevici. Njegov repertoar bio je izuzetno raznolik, protežući se od delikatne elegancije portreta do velikih zvaničnih narudžbina koje su krasile samu strukturu francuskog javnog života, uključujući radove za Palais de l'Industrie i razne pariske hotele.
Istorijski značaj Henrija Gervexa leži u njegovoj ulozi tranzicionog lika. Stajao je na raskrsnici istorije, držeći jednu ruku čvrsto u stisku Akademije, dok mu je druga posezala ka radikalnim inovacijama avangarde. Njegov rad služi kao vizuelni dnevnik perioda definisanog brzim društvenim promenama, gde su granice pristojnosti neprestano pregovarane kroz umetnost i književnost. Pod uticajem naturalizma Émile Zola, Gerveksova slika čini više od običnog prikazivanja scena; ona hvata sam dah ere koja je bila istovremeno raskošna i uznemirujuća.
Danas, kada posmatramo Gerveksova dela, vidimo više od lepog ulja na platnu. Svedočimo hrabrosti umetnika koji je odbio da dozvoli tradiciji da uguši istinu. Njegovo nasleđe se nalazi u:
Kroz svoje trijumfe i skandale, Henri Gervex ostaje suštinska figura za razumevanje složene, svetlucave duše Pariza na prelazu vekova.
