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Slike umetnika Gosling Posthumus: Najpoznatijih 2 kroz oči galerije
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 2 dela Gosling Posthumus u našem katalogu
Ukratko
Za ljubitelje galerije, najpoznatije delo umetnika Gosling Posthumus je Portrait of een familie, volgens opgave van de eigenaar voorstellende v.l.n.r. Saapke Posthumus Goslings, waarschijnlijk de schilder zelf (met pet), de dochter Aafke (staande) en de dochter Saapkje (zittend) (1830), čiji se original nalazi u muzeju Fries Museum, Lievarden. Od 2 dela umetnika Gosling Posthumus u našem katalogu, galerija u nastavku predstavlja 2 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
1800 – 1832, Dokkum
Najviše dela: Fries Museum
Top 10 slika umetnika Gosling Posthumus u galeriji
Muzeji u kojima se čuvaju originalna dela umetnika Gosling Posthumus
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Gosling Posthumus | Slike iz ovog spiska |
|---|---|---|---|
 Fries Museum |
Lievarden | 2 | Portrait of een familie, volgens opgave van de eigenaar voorstellende v.l.n.r. Saapke Posthumus Goslings, waarschijnlijk de schilder zelf (met pet), de dochter Aafke (staande) en de dochter Saapkje (zittend), Portrait of Maria Jans Uurhaan (1783-1829) |
Gosling Posthumus, najprepoznatljivija dela svake godine
Originalna dela umetnika Gosling Posthumus na ovoj stranici datiraju u periodu od 2 godina, od 1829 do 1830: galerija prikazuje najpoznatija od svakog perioda.
Radovi po godinama
Izaberite godinu da biste videli originalna dela.
Slike umetnika Gosling Posthumus: odgovori galerije
Koja je najpoznatija slika umetnika Gosling Posthumus?Otkrij odgovor
Portrait of een familie, volgens opgave van de eigenaar voorstellende v.l.n.r. Saapke Posthumus Goslings, waarschijnlijk de schilder zelf (met pet), de dochter Aafke (staande) en de dochter Saapkje (zittend) (1830)
Koliko je godina imao/la Gosling Posthumus kada je dovršio/la Portrait of een familie, volgens opgave van de eigenaar voorstellende v.l.n.r. Saapke Posthumus Goslings, waarschijnlijk de schilder zelf (met pet), de dochter Aafke (staande) en de dochter Saapkje (zittend)?Otkrij odgovor
30 godina: Portrait of een familie, volgens opgave van de eigenaar voorstellende v.l.n.r. Saapke Posthumus Goslings, waarschijnlijk de schilder zelf (met pet), de dochter Aafke (staande) en de dochter Saapkje (zittend) datira iz 1830, a Gosling Posthumus je rođen/a 1800.
Koliko je dela stvorio/la Gosling Posthumus?Otkrij odgovor
Naš katalog sadrži 2 dela umetnika Gosling Posthumus, datiranih od 1829 do 1830.
Gde se nalaze najpoznatiji originali umetnika Gosling Posthumus?Otkrij odgovor
Većinom u Fries Museum (Lievarden). Tabela muzeja iznad sadrži njih sve.
Koja su najranija i najkasnija poznata dela umetnika Gosling Posthumus?Otkrij odgovor
Na ovoj stranici, najstarije delo je iz Portrait of Maria Jans Uurhaan (1783-1829) (1829), a najnovije iz Portrait of een familie, volgens opgave van de eigenaar voorstellende v.l.n.r. Saapke Posthumus Goslings, waarschijnlijk de schilder zelf (met pet), de dochter Aafke (staande) en de dochter Saapkje (zittend) (1830).
Koje originale umetnika Gosling Posthumus poseduje Fries Museum?Otkrij odgovor
Portrait of een familie, volgens opgave van de eigenaar voorstellende v.l.n.r. Saapke Posthumus Goslings, waarschijnlijk de schilder zelf (met pet), de dochter Aafke (staande) en de dochter Saapkje (zittend) i Portrait of Maria Jans Uurhaan (1783-1829): Fries Museum, Lievarden čuva 2 dela sa ove stranice.
Gosling Posthumus: umetnik
A Life in Dokkum
The air in Dokkum carries the weight of the early nineteenth century. On 7 November 1800, Gosling Posthumus enters the world as the son of Tjeerd Posthumus, a man balancing the roles of merchant, pharmacist, and municipal council member, and Saapke Goslings. The setting is stable, rooted in the local commerce and civic structure of the Netherlands.
The trajectory shifts in 1824. Alongside his teacher, Otto de Boer, Posthumus leaves the familiar borders of his home for a study trip through France and Italy. This movement across Europe brings new light and perspective to his developing eye. He absorbs the landscapes and the classical influences of the south before returning to the Netherlands around 1830.
The Brush and the Subject
Posthumus finds his rhythm in the quiet observation of his surroundings. His work settles into two primary modes: the capturing of the natural world through landscapes and the recording of faces through portraits. There is a specific focus on the local, seen in works like the 1829 oil on canvas portrait of Maria Jans Uurhaan.
His technique relies on the steady application of oil, a medium capable of holding the subtle details of a sitter's expression or the shifting atmosphere of a Dutch scene. His output includes:
- Landscapes that reflect his travels and his home.
- Portraits such as those of the Posthumus family and Johan van Wicheren.
- Specific character studies, including Maria Uurhaan in traditional Fries costume.
A Brief Departure
The timeline of his life is short. The same town that saw his birth, Dokkum, becomes the site of his end on 15 November 1832. He remains unmarried, leaving behind a body of work held in collections like the Fries Museum. His presence in the Dutch art scene remains tied to this specific era of early nineteenth-century regional painting.