Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 259 dela Франц Фон Штук u našem katalogu
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Od svih originala koje je Франц Фон Штук ostavio, najpoznatiji je Greh (1893), koji se nalazi u kolekciji Bavarske državne slikopisne kolekcije, Minhen. Odmah za njima slede Lucifer (1890) i Рањена Амазонка (1904). Naš katalog sadrži 259 dela umetnika Франц Фон Штук; galerija je čuvala 100 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
Greh je slika iz 1893. godine koju je stvorio nemački umetnik Franz von Stuck. U ovom delu, umetnik predstavlja figuru Eve, prikazanu nude i obmotanu velikom zmijoslavom koja se omotava oko njenog tela. Ovaj specifični motiv proistekao je iz prethodnog istraživanja teme, razvijajući se konkretno iz Štukove slike Sensuality (Die Sinnlichkeit) iz 1889. godine.
Године 1890, Франц фон Штук насликао је Луцифера као масло на платно, дело које чини темељ његовог „мрачног монументалног“ периода. Фигура излази из празнине, седећи човек-демон заплењени у тренутку тешке, претешке тишине. Он је биће од мишића и сенки, чији је облик дефинисан напором тела које је истовремено људско и нешто далеко старије. Његов поглед је непоколебљив, пробада скроз кроз мрак како би се директно суочио са гледаоцем.
In the hauntingly evocative Wounded Amazon, created in 1904, Franz Ritter von Stuck invites us into a moment of profound vulnerability and raw conflict. The painting presents a nude female figure, an Amazon, captured in a state of intense distress. She is positioned kneeling upon the ground, her body bearing the mark of battle with a visible wound beneath her breast. As she shields herself from unseen threats, her arms…
Franz Ritter von Stuck: The Sin The dark, decadent art of Franz Ritter von Stuck is ushered into the light for its first American retrospective. Jo-Ann Birnie Danzker, curator at the Frye Art Museum, hopes that it will lead to a reevaluation of Stuck’s importance as an artist in his own right – his work seemed old-fashioned and irrelevant to a generation that had endured World War I. Stuck's reputation…
Franz von Stuck presents the fallen angel in Lucifer, an oil on canvas executed between 1890 and 1891. The figure is rendered as a seated, naked, and brooding presence within an undefined dark space. This depiction of a central figure from Christian mythology emphasizes an intense, muscular physicality. The subject's posture is heavy, conveying a sense of profound melancholy and internal struggle.
To stand before Franz Ritter von Stuck’s Wine is to step directly into the charged, evocative atmosphere of late 19th-century German Symbolism. This piece from 1889 is far more than a mere depiction; it is an emotional tableau, a meditation on human connection, nature's embrace, and perhaps, the intoxicating mystery of desire itself. The composition immediately draws the eye to the central drama: a nude male figure clinging with desperate…
, also known as Die Sünde, is an oil on canvas work by the German artist Franz von Stuck. Created in 1912, this piece represents one of several versions of this specific theme developed by the artist. The work is a significant example of the Symbolist movement, focusing on psychological depth and dramatic tension.
In the twilight of the nineteenth century, few images captured the psychological tremors of the era as profoundly as Franz Ritter von Stuck’s "The Kiss of the Sphinx." Completed in 1895, this masterpiece serves as a haunting cornerstone of German Symbolism, inviting the viewer into a realm where the boundaries between the physical and the metaphysical dissolve. The painting presents a dramatic tableau of a sensual encounter, set against the…
In the 1920 painting titled Sisyphus, the artist Franz von Stuck depicts a man engaged in a repetitive physical struggle. The subject is shown in the process of pushing a large boulder up a steep incline. The man is positioned with the weight of the rock resting directly upon his back. He wears a simple loincloth, leaving his muscular form exposed as he labors against the terrain. One hand is…
In this work, titled Glow Worms, we encounter a piece from 1898 by the German artist Franz von Stuck. It is a quiet moment captured in oil on canvas, reflecting the specific sensibilities of the late nineteenth century. The artist, who was born in Tettenweis, Germany, brings a particular sense of atmosphere to this nocturnal scene, moving away from the rigid academicism of his era toward something more personal and…
Wild Chase1889 · Lenbachhaus
12
Inferno1908 · Metropoliten музеј у Њујорку
13
Portrait of Frau Feez
14
The Guardian of Paradise1889 · Museum Villa Stuck
15
von Lucifer
16
Gertrud Littmann1911 · Bavarske državne slikopisne kolekcije
17
Amazon and Centaur
18
Faun and Nymph (Teasing)1892 · Narodna galerija Prag
19
Florentine Lady1901
20
Professor Lujo Brentano1914 · Bavarske državne slikopisne kolekcije
21
The Murderer1891
22
Sin1893
23
Junge
24
Crucifixion1913 · Museum der bildenden Künste
25
Salome1906 · Lenbachhaus
26
The Architect Max Littmann1903 · Bavarske državne slikopisne kolekcije
27
Young Girl with Wreath (Bust, octagonal)1862
28
a Lady Monna Vanna1879 · Stadtisches Museum
29
Portrait of the Artist's Wife1888
30
Children Sledding1888
31
Double Portrait of Two Girls1888
32
Portrait of a Lady in Profile1888
33
Female Portrait (Back View and Profile)1888
34
Female Portrait1888
35
Female Nude, Venus1888
36
Self-Portrait in Profile1888 · Stadtisches Museum
37
Sphinx1892
38
Lost1891
39
bathing nymph + looking Satyr1888
40
portrait of Tilla Durieux as line1888
41
Susanna and the two eldermen1888
42
Helios1888
43
girl with wreath of violets1888
44
Portrait of a man1888
45
Female head1888
46
A crying nix - woman1888
47
Head of Medusa1892
48
Portrait of Beethoven
49
Drunken Cantaur1889
50
Boy Bacchus Riding on a Panther
51
Innocentia1889
52
Sensuality1897
53
Franz and Mary Stock in the Studio1902
54
Portrait of a Girl1899
55
Portrait of the Artist's Daughter1903
56
Portrait of His Wife1903
57
Portrait of a Woman (Wife of the Artist)1903
58
Runner1903
59
Portrait of a Woman (his wife) (Lady's Portrait)1903
60
Portrait of a lady1902
61
Head of a girl1903
62
Portr. of a lady1903
63
Half-length. ............1903
64
dancers1903
65
Lady with head-dress1903
66
Wind + wave1903
67
The see - saw1903
68
Rape of a maremaid1902
69
head of a girl1903
70
Susanna in the bath1904 · Kunstmuseum
71
Bacchanal1905
72
The Ride1903
73
The Kiss of the Sphinx1905
74
The Artist's Daughter with Cornflowers in Her Hair1909 · Westfälisches Landesmuseum
75
"The swing of love"1909
76
Portrait of a girl1907
77
Portrait of lady between Doric columns1906
78
Bathsheba1912 · Nacionalni muzej lepih umetnosti
79
Phryne1917 · Portland Art Museum
80
Spanish duel "the deal"1917
81
Pygmalion1926
82
Wind and Waves (unfinished)1928
83
The Struggle for Woman
84
Pietà1891 · Städel Museum
85
Fighting Centaurs1894 · Städel Museum
86
Fighting Fauns1889 · Bayerische Staatsgemaldesammlungen
87
Encounter1921 · Bavarske državne slikopisne kolekcije
88
The Spring1902 · Szépművészeti Múzeum
89
Mary with a red hat1902
90
War1894 · Bavarske državne slikopisne kolekcije
91
Ostrich Hunt1919 · Bavarske državne slikopisne kolekcije
92
The DinerBavarske državne slikopisne kolekcije
93
Evening Star
94
Portrait of Marie Stuck
95
The Wild Hunt1899 · Musée d'Orsay
96
Pallas Athene1898
97
children on sledges1888
98
Landscape with Waterfall1896 · Bavarske državne slikopisne kolekcije
99
Dancers1896
100
Fighting Amazon1897 · Lenbachhaus
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Франц Фон Штук | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 9 | Greh, Gertrud Littmann, Professor Lujo Brentano |
 Lenbachhaus |
Minhen | 4 | Wild Chase, Salome, Fighting Amazon |
 Szépművészeti Múzeum |
Budimpešta | 2 | The Kiss of the Sphinx, The Spring |
 Stadtisches Museum |
Gelsenkirchen | 2 | a Lady Monna Vanna, Self-Portrait in Profile |
 Städel Museum |
Frankfurt | 2 | Pietà, Fighting Centaurs |
 Alte Nationalgalerie |
Berlin | 4 | The Sin |
 Museum Villa Stuck |
Minhen | 3 | The Guardian of Paradise |
 National Gallery of Bulgaria |
Sofia | 1 | Lucifer |
Izaberite deceniju da biste videli original koji je definiše.
To stand before Franz Ritter von Stuck’s Wine is to step directly into the charged, evocative atmosphere of late 19th-century German Symbolism. This piece from 1889 is far more than a mere depiction; it is an emotional tableau, a meditation on human connection, nature's embrace, and perhaps, the intoxicating mystery of desire itself. The composition immediately draws the eye to the central drama: a nude male figure clinging with desperate…
Greh je slika iz 1893. godine koju je stvorio nemački umetnik Franz von Stuck. U ovom delu, umetnik predstavlja figuru Eve, prikazanu nude i obmotanu velikom zmijoslavom koja se omotava oko njenog tela. Ovaj specifični motiv proistekao je iz prethodnog istraživanja teme, razvijajući se konkretno iz Štukove slike Sensuality (Die Sinnlichkeit) iz 1889. godine.
In the hauntingly evocative Wounded Amazon, created in 1904, Franz Ritter von Stuck invites us into a moment of profound vulnerability and raw conflict. The painting presents a nude female figure, an Amazon, captured in a state of intense distress. She is positioned kneeling upon the ground, her body bearing the mark of battle with a visible wound beneath her breast. As she shields herself from unseen threats, her arms…
, also known as Die Sünde, is an oil on canvas work by the German artist Franz von Stuck. Created in 1912, this piece represents one of several versions of this specific theme developed by the artist. The work is a significant example of the Symbolist movement, focusing on psychological depth and dramatic tension.
In the 1920 painting titled Sisyphus, the artist Franz von Stuck depicts a man engaged in a repetitive physical struggle. The subject is shown in the process of pushing a large boulder up a steep incline. The man is positioned with the weight of the rock resting directly upon his back. He wears a simple loincloth, leaving his muscular form exposed as he labors against the terrain. One hand is…
Greh (1893), Bavarske državne slikopisne kolekcije, Minhen. Slede Lucifer (1890) i Рањена Амазонка (1904).
30 godina: Greh datira iz 1893, a Франц Фон Штук je rođen/a 1863.
Greh, Lucifer, Рањена Амазонка, Sin, Lucifer, Wine, The Sin, The Kiss of the Sphinx, Sisyphus i Glow Worms. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 259 dela umetnika Франц Фон Штук, datiranih od 1879 do 1928.
Većinom u Bavarske državne slikopisne kolekcije (Minhen), Lenbachhaus (Minhen) i Szépművészeti Múzeum (Budimpešta). Tabela muzeja iznad sadrži njih sve.
U 1900s: 31 od 100 dela na ovoj stranici nastalo je tada, od čega je Рањена Амазонка.
Na ovoj stranici, najstarije delo je iz a Lady Monna Vanna (1879), a najnovije iz Wind and Waves (unfinished) (1928).
Woman (50), Man (22) i Portrait (19), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 53 od 100 dela na ovoj stranici.
Simbolizam, sudeći po originalima na ovoj stranici.
Greh, Gertrud Littmann i Professor Lujo Brentano: Bavarske državne slikopisne kolekcije, Minhen čuva 9 dela sa ove stranice.
