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Za ljubitelje galerije, najpoznatije delo umetnika Fransis Viteti je The Saithwaite Family (1785), čiji se original nalazi u muzeju Metropoliten музеј у Њујорку, Њујорк. The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare i Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave (1792) čine triju koju svako oko prepoznaje. Od 103 dela umetnika Fransis Viteti u našem katalogu, galerija u nastavku predstavlja 100 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
Within the quiet intimacy of a richly decorated interior, The Saithwaite Family by Francis Wheatley captures a private moment of domestic life. Painted about 1785, this oil on canvas work presents a woman, her daughter, and her son gathered amidst opulent furnishings. The scene unfolds with a sense of refined elegance, offering a glimpse into the social world of the Georgian era. It functions as a quintessential example of the…
We are looking at The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare, a work executed by the English painter Francis Wheatley. This piece dates to 1782 and captures a specific moment of social and military significance. It depicts the second Earl reviewing the Aldborough Volunteers at Belan, a scene that places the viewer directly into the historical landscape of the late 18th century.
The mouth of a dark, rocky cave opens like a heavy eyelid, revealing a sudden burst of verdant light. Inside this limestone throat, the air feels thick with the scent of damp stone and the heat of sudden movement. A woman in a luminous white gown struggles against the grip of a man in green. Her body angles toward the left, a pale flame flickering against the deep, earthy browns…
A young woman leans against a cold stone ledge, her presence a soft weight against the dark, blurred shadows of a woodland background. She is captured in a three-quarter length pose, her body angled slightly away while her gaze remains steady and contemplative. The light, descending from the upper left, brushes the curve of her cheek and the pale expanse of her torso, leaving the folds of her heavy jacket…
A Sportsman with His Son is a portrait by the English painter Francis Wheatley, executed in 1779. This work captures a moment of companionship within a rural setting, focusing on the relationship between a man and a young boy.
is a portrait by the British painter Francis Wheatley, executed in about 1775. Also identified as Percival Bentley or by the accession number B1977.14.126, the work captures a man in costume. The subject is presented within a landscape, accompanied by a seated dog.
Mrs. Bentley is a portrait by the British painter Francis Wheatley. Executed in about 1775, the work captures a woman in a moment of poised stillness. She is the singular focus of this composition, a figure of quiet dignity set against a naturalistic backdrop. The brushwork defines the soft contours of her presence, anchoring her within the frame.
The Browne Family is an oil on canvas painting by the English artist Francis Wheatley. Executed in 1778, this work depicts members of the Browne family positioned within a landscape. The composition focuses on the subjects as they engage in leisure activities near a body of water.
The Oliver and Ward Familie, painted by Francis Wheatley in 1778, presents a formal group portrait set within a pastoral landscape. This oil on canvas work captures a multi-generational assembly, centering on the family of a wealthy widow, Mrs. Ward (née Pye). The subjects are arranged in a loose semi-circle, creating a sense of intimacy and presence within an outdoor setting.
The oil on canvas painting titled Spring was executed by the English artist Francis Wheatley. This work is part of the Marion Davies Collection and is currently held by the Los Angeles County Museum of Art. The piece is identified by the accession number M.71.29.1.
Portrait of a Married Couple in a Park1770 · Gemäldegalerie
12
Portrait of The Marquess and Marchioness of Antrim1782 · National Gallery of Ireland
13
Lord Spencer Hamilton (1742-1791)1778 · Royal Collection
14
A Gentleman and his Dog in a Landscape1780 · Yale Center for British Art
15
Mrs. Barclay and Her Children1776 · Yale Center for British Art
16
Portrait of a Man, called George Basil Woodd1780 · Yale Center for British Art
17
Henry Addington, Later first Viscount Sidmouth1785 · Yale Center for British Art
18
Preparing for Market1795 · Birmingham Museum and Art Gallery
19
Captain Arthur Phillip, ca. 1787, by Francis Wheatley1786 · State Library of New South Wales
20
The Mistletoe Bough1790 · Yale Center for British Art
21
Soldier with Country Women Selling Ribbons, near a Military Camp1788 · Yale Center for British Art
22
Captain Steven1795 · Yale Center for British Art
23
Helena and Count Bertram before the King of France1793
24
Night1799 · Yale Center for British Art
25
Evening1799 · Yale Center for British Art
26
Noon1799 · Yale Center for British Art
27
Morning1799 · Yale Center for British Art
28
The Wilkinson Family1776 · Detroit Institute of Arts
29
Winter1793 · Los Angeles County Museum of Art
30
The Benevolent Cottager
31
The Winter's Tale
32
Sir John Sebright
33
View on the Medway1776 · Yale Center for British Art
34
Family Group1780 · National Gallery of Art
35
The Happy Family1792 · Szépművészeti Múzeum
36
Portrait of Mr and Mrs RichardsonNational Gallery of Ireland
37
Mary's DreamNational Gallery of Ireland
38
Child with a DogNational Gallery of Ireland
39
Winter Fuel
40
The Medway at Rochester,Yale Center for British Art
41
Mrs Pearce
42
Portrait Of A Gentleman And His Wife
43
The Comedy Of Errors
44
Love And Charity
45
Portrait Of A BoyScottish National Gallery
46
Summer - Portrait of a Young LadyJohn and Mable Ringling Museum of Art
47
The Return From The Market
48
Lake windermere
49
The Harvest Waggon
50
The Lord Mayor's Procession By Water To Westminster, London
51
A Woman Spinning In A Farmyard Setting
52
Outside The Cottage Door
53
Returned From Market, Engraved
54
Caroline Ambrose
55
Mr ThraleYale Center for British Art
56
Portrait of a country girl
57
Sir Barnard Turner
58
Return From The Shoot
59
Portrait Of A Milkmaid
60
Sir John Irwin, Kb, Reviewing Troops In DublinNational Portrait Gallery
61
The Return From Market
62
Mother And Child
63
The Encampment At Brighton
64
Seashore At Howth, Ireland
65
Mr. Bailey of Stanstead
66
Man With A Dog
67
Girl With A Dog And Fruit
68
The Village Street
69
Family Group
70
A Scene In 'twelfth Night', Act Iii
71
An Unknown ManYale Center for British Art
72
Girl Holding A Silver Salver
73
Benjamin Bond HopkinsFitzwilliam Museum
74
The Hay Cart
75
Arthur PhillipNational Portrait Gallery
76
The Disaster
77
Country Folk Outside A Rustic Tavern
78
Lady Easy's Steinkirk
79
The Sailor's ReturnNational Maritime Museum
80
Mr. Ironmonger, Solicitor,
81
A Scene From Shakespeare's 'the Tempest'Birmingham Museum and Art Gallery
82
Death Of A Bird
83
The soldier's return
84
John Ambrose
85
Henrietta Ambrose, Actress
86
The Harvest Wagon
87
The Love Letter
88
A Peasant Boy
89
Henry GrattanNational Portrait Gallery
90
An Officer On HorsebackScotney Castle
91
The O’Neill Boys with a Chariot in the Grounds of Shane’s Castle
92
John O'neill
93
Rachel Therisa Of Jijona, Near Alicante, Spain
94
Burial Of A Bird
95
The Sportsman's Refreshment
96
A Family Group In A Landscape
97
The Careless Servant
98
Edward And Priscilla Wakefield With Mrs Wakefield's Sister, Catherine Bell
99
Young Marlow And Miss Hardcastle
100
Arthur Phillip Esq., Captain General and Commander in Chief in & over the territory of New South Wales1789 · National Portrait Gallery
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Fransis Viteti | Slike iz ovog spiska |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 23 | Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave, Mrs. Steven, A Sportsman with His Son |
 National Gallery of Ireland |
Dublin | 5 | Portrait of The Marquess and Marchioness of Antrim, Portrait of Mr and Mrs Richardson, Mary's Dream |
 National Portrait Gallery |
London | 3 | Sir John Irwin, Kb, Reviewing Troops In Dublin, Arthur Phillip, Henry Grattan |
 Los Angeles County Museum of Art |
Los Anđeles | 2 | Spring, Winter |
 Birmingham Museum and Art Gallery |
Birmingem | 2 | Preparing for Market, A Scene From Shakespeare's 'the Tempest' |
 Metropoliten музеј у Њујорку |
Њујорк | 1 | The Saithwaite Family |
 Gemäldegalerie |
Berlin | 1 | Portrait of a Married Couple in a Park |
 Royal Collection |
London | 1 | Lord Spencer Hamilton (1742-1791) |
Izaberite deceniju da biste videli original koji je definiše.
A Sportsman with His Son is a portrait by the English painter Francis Wheatley, executed in 1779. This work captures a moment of companionship within a rural setting, focusing on the relationship between a man and a young boy.
Within the quiet intimacy of a richly decorated interior, The Saithwaite Family by Francis Wheatley captures a private moment of domestic life. Painted about 1785, this oil on canvas work presents a woman, her daughter, and her son gathered amidst opulent furnishings. The scene unfolds with a sense of refined elegance, offering a glimpse into the social world of the Georgian era. It functions as a quintessential example of the…
The mouth of a dark, rocky cave opens like a heavy eyelid, revealing a sudden burst of verdant light. Inside this limestone throat, the air feels thick with the scent of damp stone and the heat of sudden movement. A woman in a luminous white gown struggles against the grip of a man in green. Her body angles toward the left, a pale flame flickering against the deep, earthy browns…
The Saithwaite Family (1785), Metropoliten музеј у Њујорку, Њујорк. Slede The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare i Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave (1792).
38 godina: The Saithwaite Family datira iz 1785, a Fransis Viteti je rođen/a 1747.
The Saithwaite Family, The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare, Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave, Mrs. Steven, A Sportsman with His Son, Mr. Bentley, Mrs. Bentley, The Browne Family, The Oliver and Ward Familie i Spring. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 103 dela umetnika Fransis Viteti, datiranih od 1770 do 1799.
Većinom u Yale Center for British Art (New Haven), National Gallery of Ireland (Dublin) i National Portrait Gallery (London). Tabela muzeja iznad sadrži njih sve.
U 1790s: 13 od 100 dela na ovoj stranici nastalo je tada, od čega je Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave.
Na ovoj stranici, najstarije delo je iz Portrait of a Married Couple in a Park (1770), a najnovije iz Night (1799).
Landscape (17), Man (15) i Woman (12), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 25 od 100 dela na ovoj stranici.
Neoclassicism, sudeći po originalima na ovoj stranici.
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave, Mrs. Steven i A Sportsman with His Son: Yale Center for British Art, New Haven čuva 22 dela sa ove stranice.
Fransis Vitli (1747–1801) bio je istaknuti engleski slikar portreta i pejzaža 18. veka, čije su umetničke slike, prožete prikazima ruralnog života i društvenim scenama, uspešno dočarale duh svog vremena. Rođen u Londonu, u Kovent Gardenu, Vitli je kroz svoj život vodio složenu ličnu priču uporedo sa naglo uspensujućom umetničkom karijerom, ostavljajući za sobom nasleđe koje se i danas slavi zbog svoje pristupačnosti i neizmernog šarma.
Vitlijevo rano detinjstvo obeleđeno je mešavinom prilika i nestabilnosti. Kao sin majstora krojača, njegov talenat za crtanje prepoznat je veoma rano. Obrazovanje je stekao u Školi za crtanje Vilijama Šiplija, vitalnoj instituciju za tadašnje ambiciozne umetnike, kao i na Kraljevskoj akademiji, gde je prošao kroz formalnu obuku umetničkih tehnika. Vitli je pokazivao izuzetan potencijal, osvajajući nekoliko nagrada od Društva za umetnost, čime je dokazao svoju posvećenost i veštinu. Svoje rane korake ostavio je pomažući u dekoraciji Voksol gardena, popularnog londonskog zabavnog vrta, a sarađivao je i sa Džonom Hamiltonom Mortimerom na slikama plafona u Broket Holu za lorda Melbuna, stičući dragoceno iskustvo u radu na monumentalnim dekorativnim projektima.
Vitlijev put kroz umetničku karijeru bio je ispresecan periodima velikog uspeha i ličnih oluja. Počeo je da izlaže u Kraljevskoj akademiji 1778. godine, brzo stekavši reputaciju veštog portretiste i dobivši kritičke pohvale. Međutim, njegova mladalačka egzaltacija dovela je do ekstravagantnog načina života i nagomilanih dugova. Godine ente 1779, pobegao je u Ireland sa Elizabet Gres, ženom kolege slikara Džona Aleksandera Gresea. Ovaj događaj ga je primorio na izgnanstvo, ali je istovremeno otvorio plodno tlo za nove umetničke prilike.
Vitlijeva umetnička produkcija bila je raznolika, obuhvatajući portretstvo, slikanje pejzaža i žanrovske scene. Iako je kreirao nekoliko tema za Bojdelovu Šekspirovu galeriju i ilustracije za Belovo izdanje pesnika, njegovo trajno priznanje proizilazi iz njegovih pejzaža i rustičnih motiva.
Njegov stil karakteriše prijatna jednostavnost i pristupačnost. Izbegavao je preteranu ornamentiku, fokusirajući se umesto toga na suštinu svojih subjekata i atmosferu scena koje je prikazivao. Vitlijini pejzaži često sadrže idilična ruralna okruženja, naseljena likovima zauetim u svakodnevnim aktivnostima, što odražava rastuće interesovanje za pastoralne teme krajem 18. veka.
Fransis Vitli izabran je za pridruženu članicu Kraljevske akademije 1790. godine, a postao je punopravni akademik 1791. godine. Godine 1787. oženio se Klarom Marija Lej, takođe umetnicom. Njegov rad odražava promenljivi društveni pejzaž Engleske tokom njegovog veka, beležeći i veličinu aristokratskog društva i šarm ruralnog života. Iako su neki njegovi savremenici imali jači ugled, Vitlijev pristupačan stil i privlačne teme osigurali su mu popularnost kod široke publike. Pamćen je kao značajna figura engleske umetnosti 18. veka, koja je izgradila most između formalnog portretstva i tadašnje bujne interesovanja za pejzažno slikarstvo i žanrovske scene.
