Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 46 dela Фелисијен Ропс u našem katalogu
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Od svih originala koje je Фелисијен Ропс ostavio, najpoznatiji je The Entrance to the Ball (1858), koji se nalazi u kolekciji musée provincial Félicien Rops, Namur. Odmah za njima slede Satanic Self-Portrait (1860) i Head of an Old Antwerp Woman (1873). Naš katalog sadrži 46 dela umetnika Фелисијен Ропс; galerija je čuvala 46 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
In "The Entrance to the Ball" by Félicien Rops, the composition is vertically oriented, drawing the eye upward through a narrow, compressed space. The perspective is set at eye level, adopting a side view that places us directly alongside the central figure. This man, perhaps a guest or a servant, is positioned in the foreground near a doorway. The entrance itself is marked by text, providing a specific point of…
Created about 1860, Satanic Self-Portrait by Félicien Rops presents a monochromatic study of the artist himself. The work captures a somber and introspective image of Félicien Rops, rendered in a limited palette of grayscale tones and subtle browns. He is depicted from the waist up, his head slightly bowed in a gesture of melancholy or deep thought. A large, draped garment covers his shoulders, adding a sense of weight to…
In the work Head of an Old Antwerp Woman by Félicien Rops, the composition is a medium close-up that focuses on the subject's head and upper torso. The subject is an aged woman positioned slightly off-center within the frame. She is depicted from a direct, eye-level view, creating an intimate proximity between the viewer and the subject. The background remains dark and indistinct, providing no specific details of a domestic…
In "The Lady with the Puppet and the Fan" by Félicien Rops, a vertical portrait captures a woman in profile. She occupies the left and center of the frame, her gaze fixed upon a small, colorful jester-like puppet held in her hand. The scene is set against a background of ochre, gold, and yellow. This warm backdrop provides a sharp contrast to the cool blues and teals of her attire.…
In the Wings by Félicien Rops presents a vertical, figurative scene executed in a Symbolist style. Created about 1878, the work captures a backstage or theatrical setting defined by a palpable sense of tension and voyeurism. The composition centers on two primary figures positioned within a dark, draped environment.
The incantation is a painting by Félicien Rops. Created about 1878, this work emerges from the artist's period of intense exploration into the shadows of the human psyche. It exists as a singular vision within his body of work, capturing a specific, heavy atmosphere through its deliberate composition.
The Lady with the Puppet emerges from the creative mind of Félicien Rops, a Belgian artist who navigates the shadowy realms of Symbolism and Decadence. This specific piece exists as part of a small series of variations on a theme, where the artist explores recurring motifs through a lens of psychological depth. Within this collection, the work captures a singular, suspended moment of interaction between a woman and a miniature…
Eggnog by Félicien Rops is a small-scale, intimate figurative work created in 1879. The scene captures a private, domestic moment between two figures within an interior setting. A woman stands as a central vertical axis, dressed in light, possibly intimate, undergarments. She holds a small dish or cup, positioned as if in the act of serving. Opposite her, a man is seated in the foreground, providing a diagonal counterweight to…
We are looking at The Farewells of Madness - Better to Bear Laughter Than Tears, a work produced by Félicien Rops around 1879. This piece emerged from the creative period of an artist who was born in 1833 in Namur, Belgium. Rops spent much of his life navigating the shifting intellectual currents of the late nineteenth century until his death in 1898.
Cherubim's Song is a work by the Belgian artist Félicien Rops. Created about 1879, this piece belongs to a period in the artist's career where his output was closely associated with the Symbolism and Decadence movements. Rops was born in 1833 in Namur, Belgium, a location that remains central to his biographical history.
The Sphinx1882
12
The Slag1882 · musée provincial Félicien Rops
13
The Temptation of Saint Anthony
14
A Gentleman and a Lady (Aurelien Scholl and Marie Colombier)1891
15
Tranformism
16
Death at the BallKröller-Müller Museum
17
Untitled (868)
18
The Werewolf1868
19
The Hanged Man1868
20
Landscape in Sweden1871 · Museum of Fine Arts Ghent (MSK)
21
Cupid with a TambourineHammer Museum
22
Landscape in the Ardennes1882 · Kraljevski muzej lepih umetnosti u Antverpenu
23
Pears and Apple on a Plate1882 · musée provincial Félicien Rops
24
Heyst, 18811881
25
The Satanic. Removal1882
26
The Sacrifice, from The Satanic Ones1882
27
'The Hidden Side of a Whist Party', illustration from 'Les Diaboliques' by Jules Amedee Barbey d'Aurevilly (1808-89) 1886 (engraving) (b/w photo)1886
28
Snow at Thozée1898
29
The Physician of Fevers
30
The Man with the Wild Woman
31
A Nude
32
Louis Namêche
33
Coquette in front of a mirror
34
Study For The Temptation Of St. Anthony
35
The Dance of Death
36
The Social Revolutionmusée provincial Félicien Rops
37
BeachKraljevski muzej lepih umetnosti u Antverpenu
38
Bridge over the River LesseKraljevski muzej lepih umetnosti u Antverpenu
39
Barges in DinantKraljevski muzej lepih umetnosti u Antverpenu
40
The Fishing Port of BlankenbergeKraljevski muzej lepih umetnosti u Antverpenu
41
After Midnight (The Return to Love the Lack of It)
42
Woman With A Trapeze
43
The Row
44
Poster For An Exhibition
45
Woman With A Mask
46
The lady with the puppet1885 · musée provincial Félicien Rops
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
5 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Фелисијен Ропс | Slike iz ovog spiska |
|---|---|---|---|
 musée provincial Félicien Rops |
Namur | 11 | The Entrance to the Ball, Head of an Old Antwerp Woman, The Lady with the Puppet and the Fan |
 Kraljevski muzej lepih umetnosti u Antverpenu |
Antverpen | 5 | Landscape in the Ardennes, Beach, Bridge over the River Lesse |
 Kröller-Müller Museum |
Otterlo | 1 | Death at the Ball |
 Museum of Fine Arts Ghent (MSK) |
Gent | 1 | Landscape in Sweden |
 Hammer Museum |
Los Angeles | 1 | Cupid with a Tambourine |
Izaberite deceniju da biste videli original koji je definiše.
In "The Entrance to the Ball" by Félicien Rops, the composition is vertically oriented, drawing the eye upward through a narrow, compressed space. The perspective is set at eye level, adopting a side view that places us directly alongside the central figure. This man, perhaps a guest or a servant, is positioned in the foreground near a doorway. The entrance itself is marked by text, providing a specific point of…
Created about 1860, Satanic Self-Portrait by Félicien Rops presents a monochromatic study of the artist himself. The work captures a somber and introspective image of Félicien Rops, rendered in a limited palette of grayscale tones and subtle browns. He is depicted from the waist up, his head slightly bowed in a gesture of melancholy or deep thought. A large, draped garment covers his shoulders, adding a sense of weight to…
In the work Head of an Old Antwerp Woman by Félicien Rops, the composition is a medium close-up that focuses on the subject's head and upper torso. The subject is an aged woman positioned slightly off-center within the frame. She is depicted from a direct, eye-level view, creating an intimate proximity between the viewer and the subject. The background remains dark and indistinct, providing no specific details of a domestic…
The Lady with the Puppet emerges from the creative mind of Félicien Rops, a Belgian artist who navigates the shadowy realms of Symbolism and Decadence. This specific piece exists as part of a small series of variations on a theme, where the artist explores recurring motifs through a lens of psychological depth. Within this collection, the work captures a singular, suspended moment of interaction between a woman and a miniature…
In this black and white lithograph, titled A Gentleman and a Lady (Aurelien Scholl and Marie Colombier), the artist Félicien Rops captures a quiet moment of intimacy. Created about 1891, the work presents a gentleman and a lady seated together on an ornate sofa. There is a sense of stillness in their poses, suggesting a private conversation held within a contained, domestic setting. The figures occupy much of the frame,…
The Entrance to the Ball (1858), musée provincial Félicien Rops, Namur. Slede Satanic Self-Portrait (1860) i Head of an Old Antwerp Woman (1873).
25 godina: The Entrance to the Ball datira iz 1858, a Фелисијен Ропс je rođen/a 1833.
The Entrance to the Ball, Satanic Self-Portrait, Head of an Old Antwerp Woman, The Lady with the Puppet and the Fan, In the Wings, The incantation, The Lady with the Puppet, Eggnog, The Farewells of Madness - Better to Bear Laughter Than Tears i Cherubim's Song. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 46 dela umetnika Фелисијен Ропс, datiranih od 1858 do 1898.
Većinom u musée provincial Félicien Rops (Namur), Kraljevski muzej lepih umetnosti u Antverpenu (Antverpen) i Kröller-Müller Museum (Otterlo). Tabela muzeja iznad sadrži njih sve.
U 1880s: 10 od 46 dela na ovoj stranici nastalo je tada, od čega je The Lady with the Puppet.
Na ovoj stranici, najstarije delo je iz The Entrance to the Ball (1858), a najnovije iz Snow at Thozée (1898).
Woman (11), Man (8) i Portrait (3), kroz svih 46 dela na ovoj stranici.
Oil, za 3 od 46 dela na ovoj stranici.
Symbolism, sudeći po originalima na ovoj stranici.
The Entrance to the Ball, Head of an Old Antwerp Woman i The Lady with the Puppet and the Fan: musée provincial Félicien Rops, Namur čuva 11 dela sa ove stranice.
