Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 112 dela Кристофер Уильјамс u našem katalogu
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Za ljubitelje galerije, najpoznatije delo umetnika Кристофер Уильјамс je The Awakening of Wales (1911), čiji se original nalazi u muzeju Caernarfon Royal Town Council, Carnarvon. Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927) (1926) i Sunset in the Welsh Hills (1920) čine triju koju svako oko prepoznaje. Od 112 dela umetnika Кристофер Уильјамс u našem katalogu, galerija u nastavku predstavlja 100 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
"The Awakening of Wales," painted in 1911 by Christopher Williams, is more than just a depiction of a woman dancing; it’s a potent embodiment of Welsh identity and the burgeoning cultural revival of its time. Measuring 272 x 130 cm, this oil on canvas work, currently residing within the Caernarfon Royal Town Council collection, pulsates with an energy born from both Romantic ideals and a deep connection to the nation’s…
Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927): A Portrait of Visionary Leadership Christopher Williams’s *Sir Henry Rudolf Reichel* is more than just a depiction of a man; it's an encapsulation of ambition, intellect, and the quiet dignity of service—qualities that define both the subject and Williams’s artistic vision. Executed in 1926, during Reichel’s tenure as Principal of Bangor University, the painting transcends mere likeness, immersing viewers in a carefully…
The light begins to fade over the landscape in Sunset in the Welsh Hills, a work painted by Christopher Williams in 1920. This scene captures a moment where the sun retreats behind the mountain peaks, casting a warm glow across the terrain. The hills stretch toward the horizon, their silhouettes defined by the changing light of the evening. It is a quiet observation of the Welsh landscape, frozen in a…
In the evocative portrait Ceridwen, the late Victorian master Christopher Williams invites us into a realm where myth and reality converge. The painting presents a profound moment of introspection, centered on a woman draped in vibrant, crimson attire that commands the viewer's immediate attention. Seated amidst a rugged, primordial landscape of weathered rocks, she rests her chin upon her hands, her gaze lost in a deep, contemplative trance. This is…
The air in the room feels heavy with the weight of quiet thought. Thomas Francis Roberts sits motionless, his presence commanding the space through a stillness that feels almost physical. He is draped in deep crimson academic robes, a color so intense it seems to pulse against the muted, earthy tones of the private study. His hands are clasped in his lap, fingers interlaced in a gesture of composed reflection.…
The room feels heavy with the weight of a life lived in quiet contemplation. An elderly man sits anchored in the center of the frame, his presence commanding the space through a stillness that seems to vibrate with unspoken history. He is a figure of substance, draped in dark, heavy fabrics that absorb the light, leaving only the textures of his beard and the weathered lines of his face to…
In Reverend J Thomas by Christopher Williams, the subject is captured in a three-quarter length portrait, seated slightly off-center within the embrace of an ornate wooden chair. The composition rests at eye-level, establishing a direct and respectful connection with the viewer. His posture remains composed and steady, a quiet anchor amidst the shadows. The arrangement of the figure suggests a moment of stillness, held within the heavy grain of the…
A single figure dominates this vertical oil composition, positioned slightly off-center to suggest a quiet, arrested movement. The subject, a woman draped in a voluminous white gown, occupies an opulent interior where the background dissolves into blurred architectural details and heavy drapery. Warm earthy tones of ochre, beige, and muted brown establish a somber, grounded atmosphere. Light enters from a singular source, casting deep shadows that define the contours of…
A formal three-quarter length portrait of Colonel Sir Thomas Berry Cusack-Smith, depicted in the twilight of his life. Seated in an ornate chair, the subject is positioned slightly off-center, creating a balanced composition that emphasizes his dignified presence. He is rendered in full military attire, complete with medals and a Sam Browne belt, which anchor the figure within a tradition of service and duty. The lighting, originating from the upper…
The portrait depicts an elderly man seated within a room defined by dark wooden paneling and draped red fabric. He is positioned centrally, occupying much of the frame. The subject wears heavy, dark robes that fall in deep folds around his torso. His hands rest upon a book held in his lap. Light enters from the upper left, casting shadows across the contours of his face and the textures of…
Roland Williams (Hwfa Môn) (1823–1905)1905 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
12
Cader Idris1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Sunset Glow on Cader Idris1920 · Aberystwyth University School of Art Museum And Galleries
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Llangrannog1915 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Tangiers1914 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Sir John Williams (1840–1926), Bt, GCVO, MD1919 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Borth y Gest1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
18
Model 105M R59C, Keystone Shower Door, 57.4 × 59 , Chrome Raindrop, SKU 109149, 96235. 970 084 000, (Meiko), Vancouver, B.C., April 6, 2005 (No. 1)2005
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Barmouth1910 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Llwyngwril, Near Barmouth
21
Sir Henry Jones (1852–1922), MA, LLD, Professor of Philosophy (1884–1891)1920 · University of Bangor
22
Cader Idris and Bird Rock1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
23
Paolo and Francesca1902
24
Dame Margaret Lloyd George (1866–1941)1921 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
25
Holidays, Village Girls at Llangrannog1915 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
26
Thomas Henry Thomas (1834–1915)1902
27
Mr Evan Williams, the Artist's Father1903
28
The Aldobrandini Wedding1904 · Aberystwyth University School of Art Museum And Galleries
29
Alice Sophia Amelia Stopford Green (1847–1929)1899
30
Mrs Parry Jones1900 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Reverend W. E. Prydderch (1846–1931)1900 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
32
Self PortraitNational Library of Wales
33
Lloyd George as Chancellor of the Exchequer
34
Dryslwyn Castle1910
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Evening Glow, Venice
36
The Remorse of Judas1911
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Judas the Iscariot And It Was Night1906 · Aberystwyth University School of Art Museum And Galleries
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Mrs Elizabeth Poole Hughes1910 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
39
The Investiture of the Prince of Wales, 19111911 · Caernarfon Royal Town Council
40
The Artist's Son, Ivor (1908–1982)Llyfrgell Genedlaethol Cymru / The National Library of Wales
41
David Lloyd George (1863–1945)1917
42
Storm over Cader Idris1917
43
On the Barmouth Estuary1917
44
Old Barmouth1917
45
Sir John Rhys (1840–1915)1913
46
Llangranog, a Fresh Morning1917
47
Colour Study for the Tomb of the Unknown Warrior1916 · Aberystwyth University School of Art Museum And Galleries
48
Street Scene in Tangiers1914
49
Criccieth Castle1917
50
The Red Dress1917
51
The Snowdon Horseshoe1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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'Now I'm the Judge', Gwyn Williams, the Artist's Son1912
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Dyffwys1917 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
54
A Coastal View Porth y Nant, Lleyn1912 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
55
The Welsh Division at Mametz Wood, 1916 (detail)1917 · Royal Welch Fusiliers Regimental Museum
56
Hero and Leander1915
57
Barmouth Moonlight1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Borth y Gest, Evening1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Barmouth Evening1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Dyffwys, North Wales1920
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Mametz Wood (sketch)1920
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Reflections, Venice1921 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Professor Sir Henry Jones (1852–1922)1923
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Venice, Moonlight1925
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The Cader Idris Range1930 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Закатан заоблачен прелиминати из Бармута1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Reverend Thomas Shankland (1858–1927), Welsh Librarian, University College of North Wales (1904–1913), Librarian of the Arts Library (1913–1926)1923 · University of Bangor
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Rachel2020 · Paintings in Hospitals
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Study for 'A Garden by the Sea', William Morris1906 · Aberystwyth University School of Art Museum And Galleries
70
Untitled (Kunsthalle Zürich (Opening), Switzerland, 2007)2007
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Untitled (Sammlung Haubrok, Berlin, Germany, 2007)2007
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Bergische Bauernscheune, Junkersholz, Leichlingen, September 29th, 20092010
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Barmouth Estuary1914
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View from Arthog
75
Coast near Holyhead
76
Richard Lloyd
77
Criccieth Castle
78
Up the Barmouth Estuary
79
John Hinds, Esq. (1862–1928)
80
Near Merthyr Mawr
81
Sunset off the Lleyn Peninsula
82
Santa Maria della Salute, Venice
83
Family on Barmouth Island
84
Cader Idris
85
Owen Owen (1850–1920)
86
In North Wales
87
Barmouth Beach
88
Branwen
89
Cregennan Lake by Moonlight
90
Mountainous Landscape with Trees in the Foreground (Merthyr Mawr)
91
Sir John Morris Jones (1864–1929), SeatedUniversity of Bangor
92
A Fresh Morning, Llangranog
93
Mountains, Seen from a River over Trees (Merthyr Mawr)
94
Evening Cardigan Bay
95
The Ligurian Coast from Rapallo
96
Sunlit Arch, Santa Margherita
97
David Lloyd George (1863–1945)
98
Atalanta
99
Laugharne Castle, Carmarthenshire
100
Mrs Sackvill Evans
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Кристофер Уильјамс | Slike iz ovog spiska |
|---|---|---|---|
 Llyfrgell Genedlaethol Cymru / The National Library of Wales |
Aberystwyth | 25 | Roland Williams (Hwfa Môn) (1823–1905), Cader Idris, Llangrannog |
 Aberystwyth University School of Art Museum And Galleries |
Aberystwyth | 6 | Thomas Francis Roberts (1860–1919), Principal (1891–1919), Sunset Glow on Cader Idris, The Aldobrandini Wedding |
 University of Bangor |
Bangor | 4 | Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927), Sir Henry Jones (1852–1922), MA, LLD, Professor of Philosophy (1884–1891), Reverend Thomas Shankland (1858–1927), Welsh Librarian, University College of North Wales (1904–1913), Librarian of the Arts Library (1913–1926) |
 Caernarfon Royal Town Council |
Carnarvon | 2 | The Awakening of Wales, The Investiture of the Prince of Wales, 1911 |
 National Library of Wales |
Aberystwyth | 2 | Reverend J Thomas, Self Portrait |
 Glynn Vivian Art Gallery |
Swansea | 1 | Ceridwen |
 National Gallery of Ireland |
Dublin | 1 | Portrait of Colonel Sir Thomas Berry Cusack-Smith, 5th Bt (1859-1929) |
 Royal Welch Fusiliers Regimental Museum |
Carnarvon | 1 | The Welsh Division at Mametz Wood, 1916 (detail) |
Izaberite deceniju da biste videli original koji je definiše.
The room feels heavy with the weight of a life lived in quiet contemplation. An elderly man sits anchored in the center of the frame, his presence commanding the space through a stillness that seems to vibrate with unspoken history. He is a figure of substance, draped in dark, heavy fabrics that absorb the light, leaving only the textures of his beard and the weathered lines of his face to…
"The Awakening of Wales," painted in 1911 by Christopher Williams, is more than just a depiction of a woman dancing; it’s a potent embodiment of Welsh identity and the burgeoning cultural revival of its time. Measuring 272 x 130 cm, this oil on canvas work, currently residing within the Caernarfon Royal Town Council collection, pulsates with an energy born from both Romantic ideals and a deep connection to the nation’s…
Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927): A Portrait of Visionary Leadership Christopher Williams’s *Sir Henry Rudolf Reichel* is more than just a depiction of a man; it's an encapsulation of ambition, intellect, and the quiet dignity of service—qualities that define both the subject and Williams’s artistic vision. Executed in 1926, during Reichel’s tenure as Principal of Bangor University, the painting transcends mere likeness, immersing viewers in a carefully…
The Awakening of Wales (1911), Caernarfon Royal Town Council, Carnarvon. Slede Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927) (1926) i Sunset in the Welsh Hills (1920).
38 godina: The Awakening of Wales datira iz 1911, a Кристофер Уильјамс je rođen/a 1873.
The Awakening of Wales, Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927), Sunset in the Welsh Hills, Ceridwen, Thomas Francis Roberts (1860–1919), Principal (1891–1919), Richard Lloyd (1834–1917), Reverend J Thomas, Helen, Portrait of Colonel Sir Thomas Berry Cusack-Smith, 5th Bt (1859-1929) i Sir John Morris Jones (1864–1929). Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 112 dela umetnika Кристофер Уильјамс, datiranih od 1899 do 1930.
Većinom u Llyfrgell Genedlaethol Cymru / The National Library of Wales (Aberystwyth), Aberystwyth University School of Art Museum And Galleries (Aberystwyth) i University of Bangor (Bangor). Tabela muzeja iznad sadrži njih sve.
U 1910s: 36 od 100 dela na ovoj stranici nastalo je tada, od čega je The Awakening of Wales.
Na ovoj stranici, najstarije delo je iz Alice Sophia Amelia Stopford Green (1847–1929) (1899), a najnovije iz The Cader Idris Range (1930).
Portrait (9), Landscape (7) i Formal attire (4), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 21 od 100 dela na ovoj stranici.
Celtic revival, sudeći po originalima na ovoj stranici.
Roland Williams (Hwfa Môn) (1823–1905), Cader Idris i Llangrannog: Llyfrgell Genedlaethol Cymru / The National Library of Wales, Aberystwyth čuva 23 dela sa ove stranice.
Кристофер Девидон Уильјамс (1873-1934) био је прослављени велшки уметник чија кариjera се протегла кроз касни викторијански и рани двадесети век. Посебно се слави својим евокативним портретима, алегоријским сценама и pejzaжима који често одразještavaju јаки осећај велшке идентитета и дух келтског ренесанса.
Рођен у Маесгварату, Уелс, Уильјамс је на почетку сусрео отпор свог оца, Евана Уильјамса, који је за њега замишљавао медицинску каријеру. Међутим, трансформативни боравак у Галерији Уметности Волкер у Ливәрпулу 1892. године, где га је дубоко тронуло „Персеј и Андромеда“ Фредерика Лејтона, палично му је упалио страст за уметношћу. Ова искуство оцврстило му је одлуку да посвети живот umjetности.
Уильјамсов рад карактерише:
Кристофер Уильјамс је играо значајну улогу у промовисању велшке уметности и културе током свог живота. Активно је учествовао на Националном Еистдефоду као судија и служио на комисијама за Национални музеј Уелса и Почтените друштво Циммородиорион. Његов рад одражава јаки осећај националног идентитета и допринео је уметничком процветању Уелса у рано двадесети век.
Његова дела су чувана у бројним јавним колекцијама, укључујући Национални музеј Уелса, Краљевску колекцију и Галерију уметности Глинн Вивиан, осигуравајући да његово наслеђе настави да инспирише и нечиње никога данас. Био је свекрва другог уметника Фреда Еплјара, и отац астронома Евана Гвин Уильјамса и уметника Ивора Уильјамса.
