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Daniel Boone je slika autora Čester Harding koja privlači najviše pažnje; original se nalazi u muzeju National Portrait Gallery, Vašington, D.C.. Nakon toga, pogled se seli na Daniel Boone (1820) i James Madison (1829). Među 88 dela umetnika Čester Harding u našem katalogu, ovih 88 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
In the quiet, shadowed depths of Chester Harding’s Daniel Boone, one finds more than just a mere likeness of a historical figure; one encounters the very soul of the American wilderness. This evocative oil on canvas portrait serves as a profound window into the nineteenth-century Romantic movement, where the ruggedness of the individual was celebrated against the backdrop of an expanding nation. Harding, a self-taught master whose hands were once…
A dignified and somber portrait of an older man, likely Daniel Boone, rendered in a classical realist style. The composition is a medium close-up, focusing on the subject from the chest up, positioned slightly off-center to create a sense of presence. The color palette is dominated by earthy, muted tones including deep browns, ochre, and blacks, contrasted sharply by the bright white of the man's hair and the vibrant red…
This oil on canvas painting depicts James Madison, who served as the fourth president of the United States from 1809 to 1817. The portrait was executed by the artist Chester Harding around 1829-30. The subject is presented in a bust-length composition, positioned slightly off-center while looking toward the left of the frame. The sitter's expression is stoic and contemplative.
A Window Into Victorian Elegance: Chester Harding’s Portrait of Dr. Samuel Bemis Chester Harding's depiction of Dr. Samuel A. Bemis stands as a testament to the Romantic portraiture movement that flourished in mid-Victorian England—a period defined by an obsession with emotion, idealized beauty, and capturing the essence of individual character. Completed in 1842, this painting transcends mere likeness; it’s a carefully crafted visual narrative designed to convey Bemis's intellect, dignity,…
A single, bold red shawl anchors the composition, a sudden pulse of color against the dark weight of a black bodice. The subject, Hannah Davis Dudley, faces the viewer with a gaze that meets the eye directly, her presence steady and unyielding. Soft light spills from the upper left, carving the contours of her face and catching the fine, white ruffles of her collar. Her dark, voluminous hair curls around…
A formal 19th-century oil portrait captures an elderly man in a three-quarter view, his gaze meeting the observer with a sense of quiet authority. The composition places the subject slightly off-center, creating a dignified presence against a dark, somber background. Light enters from the upper left, casting the right side of the face into soft shadow while illuminating the forehead, cheek, and the crisp white of the cravat. This chiaroscuro…
The room feels quiet, held in a heavy, atmospheric stillness. A man sits in a three-quarter pose, his body angled slightly away while his gaze drifts toward the left, lost in a thought that feels both private and profound. He is a figure of immense gravity, draped in a dark, matte coat that seems to absorb the very air around him. The deep blacks and somber browns of his attire…
This oil on canvas portrait by Chester Harding depicts Joseph Story. Painted in 1827, the work captures the subject in a formal manner. Story was a prominent legal figure, serving as an Associate Justice of the Supreme Court of the United States. His tenure on the Court lasted from February 3, 1812, until September 10, 1845.
This oil on canvas portrait by Chester Harding depicts Benjamin Franklin Butler. Created circa 1833, the work captures the likeness of a man who held significant legal and political positions during the early nineteenth century. Butler was a lawyer who maintained a close professional relationship with President Martin Van Buren, with whom he shared a law practice. His career in public service included an appointment as the Attorney General of…
Chester Harding rendered this oil on canvas portrait in 1829. The work presents James Monroe in a formal, bust-length composition, capturing the subject with a sense of historical weight. The artist utilizes a somber palette of deep blacks and earthy tones, which creates a sharp contrast against the white of the subject's cravat and the pale tones of the skin. Directional lighting from the upper left defines the facial features…
Henry Clay1845 · National Portrait Gallery
12
Harrison Gray Otis1833 · National Portrait Gallery
13
Loammi Baldwin1823 · National Portrait Gallery
14
Thurlow Weed1843 · National Portrait Gallery
15
Ebenezer Bliss1822 · Muzej finih umetnosti u Bostonu
16
Eben Rollins1822 · Muzej finih umetnosti u Bostonu
17
Lewis Ashmun1822 · Harvard Art Museums
18
Major Benjamin O'Fallon1821
19
Thomas William Anson, 1st Earl of Lichfield (1795–1854)1824 · Shugborough Hall
20
Portrait of Dr. Joseph Henshaw Flint1829 · Worcester Art Museum
21
Portrait of Mrs. Mary Martin Kinsley (ne Bellows)1825 · Minneapolis Institute of Art
22
Annie Bigelow Lawrence1831 · Muzej finih umetnosti u Bostonu
23
Mrs. Edward Hutchinson Robbins (Elizabeth Murray)1827 · Muzej finih umetnosti u Bostonu
24
Judge Edward Hutchinson Robbins1827 · Muzej finih umetnosti u Bostonu
25
Mrs. John Ball Brown (Rebecca Warren)1826 · Muzej finih umetnosti u Bostonu
26
Dr. John Ball Brown1826 · Muzej finih umetnosti u Bostonu
27
Stephen Van Rensselaer (1764-1839)1827 · New York Historical Society
28
Tyler Bigelow (1778-1865)1830 · Harvard Art Museums
29
Margaret Morton Quincy Greene (Mrs. Benjamin Daniel Greene) (1806-1882)1826 · Harvard Art Museums
30
Josiah Parsons Cooke (1787-1880)1823 · Harvard Art Museums
31
Israel Munson (1767-1844)1839 · Harvard Art Museums
32
David Dudley (1787-1841)1836 · Harvard Art Museums
33
Portrait of Chester Harding Krum1845 · Indianapolis Museum of Art
34
Alvan Clark1842 · Muzej finih umetnosti u Bostonu
35
Mrs. Ward Nicholas Boylston (Alicia Darrow)1840 · Muzej finih umetnosti u Bostonu
36
Abbott Lawrence1842 · Muzej finih umetnosti u Bostonu
37
Alderman Jabez Ellis1840 · Muzej finih umetnosti u Bostonu
38
Benjamin Pickman1843 · Muzej finih umetnosti u Bostonu
39
Self Portrait1843 · Muzej finih umetnosti u Bostonu
40
George Hamilton Gordon, 4th Earl of Aberdeen (1784-1860)1847 · Harvard Art Museums
41
Mrs. Francis Stanton Blake1840 · Metropoliten музеј у Њујорку
42
Portrait of Daniel Webster1849 · Rhode Island School of Design Museum of Art
43
Portrait of Eleanor Varnum Mitchell1850
44
Self-Portrait1859 · Indianapolis Museum of Art
45
John Lord King1860 · New Britain Museum of American Art
46
DAVY CROCKETT
47
Mrs. Abbott Lawrence (Katherine Bigelow)1855 · Wadsworth Atheneum Museum of Art
48
Self-Portrait1825 · National Gallery of Art
49
The Honorable James Lanman (1769-1841), B.A. 1788, M.A. 1791Yale University Art Gallery
50
Chester Harding Self-PortraitNational Portrait Gallery
51
Frank S. Harding1843 · Detroit Institute of Arts
52
Daniel Boone1820
53
John Speed Smith Family1819
54
Ship in Storm1823 · Detroit Institute of Arts
55
Charles Carroll of Carrollton1828 · National Gallery of Art
56
Hannah Parker Willis1831
57
Amos Lawrence1845 · National Gallery of Art
58
Frances Bibb Burnley1842
59
Mrs. Samuel Appleton (Julia Webster)1840 · New Britain Museum of American Art
60
John LemistMuzej finih umetnosti u Bostonu
61
Stephen Van Rensselaer 1Metropoliten музеј у Њујорку
62
The Honorable Russell Freeman
63
Eunice Harriet Brigham 1Metropoliten музеј у Њујорку
64
Mrs. Francis Stanton Blake 1
65
Charles Carroll
66
James GarrardMuseum Catharijneconvent
67
Self-Portrait
68
Charles Carroll of Carrollton 1
69
Bushrod Washington
70
Joshua BlakeWorcester Art Museum
71
John Eager Howard
72
Stephen Salisbury IIWorcester Art Museum
73
Mrs. Thomas Brewster Coolidge 1Metropoliten музеј у Њујорку
74
Mrs. William Lorman
75
Elizabeth Tuckerman SalisburyWorcester Art Museum
76
Harriet Gardner Denny
77
Portrait of Mrs Kennedy
78
Sarah Stanton Blake (Mrs. Joshua Blake)Worcester Art Museum
79
Colonel James Madison Thompson
80
John ChildeCleveland Museum of Art
81
Portrait of John M. Krum
82
Thomas Abthorpe CooperArt Institute of Chicago
83
John RandolphNational Gallery of Art
84
Portrait of Mrs. Quincy
85
Charles Carroll of Carrollton
86
Portrait of Young Man
87
James MadisonYale University Art Gallery
88
Unfinished portrait of Daniel Boone
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Čester Harding | Slike iz ovog spiska |
|---|---|---|---|
 Muzej finih umetnosti u Bostonu |
Boston | 14 | Ebenezer Bliss, Eben Rollins, Annie Bigelow Lawrence |
 National Portrait Gallery |
Vašington, D.C. | 11 | Daniel Boone, Daniel Boone, James Madison |
 Harvard Art Museums |
Kembriđ | 9 | Hannah Davis Dudley (Mrs. David Dudley) (1792-1886), Samuel Rogers (1763-1855), Lewis Ashmun |
 Worcester Art Museum |
Vorčester | 5 | Portrait of Dr. Joseph Henshaw Flint, Joshua Blake, Stephen Salisbury II |
 Metropoliten музеј у Њујорку |
Њујорк | 4 | Mrs. Francis Stanton Blake, Stephen Van Rensselaer 1, Eunice Harriet Brigham 1 |
 National Gallery of Art |
Washington | 4 | Self-Portrait, Charles Carroll of Carrollton, Amos Lawrence |
 Detroit Institute of Arts |
Detroit | 3 | Dr. Samuel A. Bemis, Frank S. Harding, Ship in Storm |
 Indianapolis Museum of Art |
Indijanapolis | 2 | Portrait of Chester Harding Krum, Self-Portrait |
Izaberite deceniju da biste videli original koji je definiše.
A dignified and somber portrait of an older man, likely Daniel Boone, rendered in a classical realist style. The composition is a medium close-up, focusing on the subject from the chest up, positioned slightly off-center to create a sense of presence. The color palette is dominated by earthy, muted tones including deep browns, ochre, and blacks, contrasted sharply by the bright white of the man's hair and the vibrant red…
A single, bold red shawl anchors the composition, a sudden pulse of color against the dark weight of a black bodice. The subject, Hannah Davis Dudley, faces the viewer with a gaze that meets the eye directly, her presence steady and unyielding. Soft light spills from the upper left, carving the contours of her face and catching the fine, white ruffles of her collar. Her dark, voluminous hair curls around…
A Window Into Victorian Elegance: Chester Harding’s Portrait of Dr. Samuel Bemis Chester Harding's depiction of Dr. Samuel A. Bemis stands as a testament to the Romantic portraiture movement that flourished in mid-Victorian England—a period defined by an obsession with emotion, idealized beauty, and capturing the essence of individual character. Completed in 1842, this painting transcends mere likeness; it’s a carefully crafted visual narrative designed to convey Bemis's intellect, dignity,…
A young girl, Eleanor Varnum Mitchell, gazes directly from an oval-shaped bust-length composition. The portrait, executed in 1850, utilizes a classical, realistic style to capture a moment of quietude. Her expression remains calm and somewhat solemn, framed by the soft textures of her hair and the creamy whites of her gown. A gentle light source from the upper left illuminates her forehead and cheeks, creating subtle highlights that emerge from…
In this bust-length portrait of John Lord King, Chester Harding employs a classic, formal arrangement. The subject is positioned slightly off-center, facing toward the right of the frame. This orientation, combined with a straight-on, eye-level perspective, establishes an intimate yet respectful distance between the sitter and the viewer. The composition focuses entirely on the man's presence, as the dark, indistinct background provides no sense of setting or depth.
Daniel Boone, National Portrait Gallery, Vašington, D.C.. Slede Daniel Boone (1820) i James Madison (1829).
Daniel Boone, Daniel Boone, James Madison, Dr. Samuel A. Bemis, Hannah Davis Dudley (Mrs. David Dudley) (1792-1886), Samuel Rogers (1763-1855), Daniel Webster, Joseph Story, Benjamin Franklin Butler i James Monroe. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 88 dela umetnika Čester Harding, datiranih od 1819 do 1860.
Većinom u Muzej finih umetnosti u Bostonu (Boston), National Portrait Gallery (Vašington, D.C.) i Harvard Art Museums (Kembriđ). Tabela muzeja iznad sadrži njih sve.
U 1820s: 24 od 88 dela na ovoj stranici nastalo je tada, od čega je Daniel Boone.
Na ovoj stranici, najstarije delo je iz John Speed Smith Family (1819), a najnovije iz John Lord King (1860).
Man (36), Portrait (34) i Portraits (20), kroz svih 88 dela na ovoj stranici.
Oil On Canvas, za 36 od 88 dela na ovoj stranici.
Romanticism, sudeći po originalima na ovoj stranici.
Ebenezer Bliss, Eben Rollins i Annie Bigelow Lawrence: Muzej finih umetnosti u Bostonu, Boston čuva 14 dela sa ove stranice.
U annalsima američke umetnosti devetnaestog veka, malo je priča tako upečatljivo ili sirovih kao ona o Chester Harding. Čovek čije je fizičko prisustvo bilo impresivno poput njegovog umetničkog nasleđa, Harding je bio visok preko 190 santimetara, veličanstvena figura koja je oličavala sam duh širećeg američkog graničnog područja. Rođen 1792. godine u Conwayu, u Masačusetsu, njegov put ka majstorstvu portretistike nije bio popločan prestižom formalnih akademija, već upornošću i odlučnošću čoveka koji je sam stvorio svoju sudbinu. Pre nego što je ikada profesionalno dotakao finu četkicu od srebrenog krzna, Hardingove su ruke bile iskušene u raznim teškim zanatima; radio je kao strugar, stolari, trgovac i čak ugostitelj. Upravo kroz skromnu praksu slikanja natpisa u Pittsburghu, njegovo oko za kompoziciju i boju počelo je da se oblikuje, postavljajući temelje za karijeru koja će na kraju zabeležiti lica nacije u tranziciji.
Evolucija Hardingovog talenta svedoči o transformativnoj moći inspiracije. Njegov put ka visokoj umetnosti zapaliće susret sa putujućim umetnikom, događaj koji je njegov fokus pomerio sa korisnih zanata na duboku psihološku složenost portretistike. Iako su njegovi rani pokušaji bili rudimentarni — poput jednostavnog prikaza njegove supruge — njegova žeud za usavršavanjem vodila ga je preko kontinenata. Njegova putovanja vodila su ga kroz pejzaže Kentakija i, na kraju, do umetničkog srca Pariza, gde se uronio u klasične evropske tradicije. Ovaj period intenzivnog proučavanja i plodnog rada, koji je uključivao 완성avanje neverovatnih stotinu portreta u periodima od svega šest meseci, omogućio mu je da spoji realizam američkog graničnog područja sa sofisticiranom, romantičarskom senzibilitetnošću.
Hardingovo delo karakteriše neverovatna sposobnost da uhvati suštinu svojih subjekata, prevazilazeći puku sličnost kako bi otkrio karakter i istorijsku težinu pojedinaca koje je slikao. Kao pionir romantičarskog portreta, izvrsno je uspevao da svojim modelima podari osećaj dostojanstva i narativne dubine. Njegov repertoar obuhvata neke od najznačajnijih figura tog doba, od naučnih pionira do legendarnih istraživača granica. Gledati Hardingov portret znači biti svedok stvaranja američkog identiteta u realnom vremenu.
Neki od njegovih najtrajnijih doprinosa američkom kanonu uključuju:
U krajnjoj liniji, značaj Chestera Hardinga leži u njegovoj ulozi vizuelnog hroničara jedne zemlje u usponu. Uspostavljanjem svog položaja u St. Louisu i intenzivnim putovanjima kroz južne gradove, on je delovao kao most između sirove energije američke divljine i rafiniranih umetničkih standarda uspostavljenog Istočnog obala i Evrope. Njegovo izabrano počasno članstvo u Nacionalnoj akademiji dizajna 1828. godine stoji kao formalno priznanje života provedenog u prevođenju grubog duha Amerike u bezvremenski jezik ulja i platna.
