Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 150 dela Anđelo Kjakio u našem katalogu
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Borneo red-leaf langur (2018) je slika autora Anđelo Kjakio koja privlači najviše pažnje; original se nalazi u muzeju Ephemera documentary, Pariz. Nakon toga, pogled se seli na View from the top of Mt Lemmon (2018) i Grocery shop in Lo Manthang (2018). Među 150 dela umetnika Anđelo Kjakio u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
A red-leaf langur clings to the vertical architecture of the Borneo rainforest. The monkey is a quiet presence, partially veiled by a dense curtain of leaves and tangled branches. Dappled light filters through the high canopy, casting soft, irregular shapes across the primate's form. It is a moment of stillness caught within a complex, layered ecosystem. The green world presses in from all sides, creating a sense of deep, humid…
In this digital photograph from 2018, we find ourselves in the industrial heart of Shengshan, China. The subject is a ship engineer, a man caught in a quiet interval amidst the relentless demands of maritime maintenance. He stands before a pile of discarded materials, a cigarette held between his fingers, his gaze meeting the lens with a steady, unhurried presence. There is a certain weight to the atmosphere, a sense…
The air hangs heavy with the scent of dry earth and the heat of the midday sun. In this suspended moment, a gaucho maneuvers his horse through a cloud of rising dust, the grit swirling around the legs of man and beast alike. There is a raw, unpolished energy in the way the riders move, their bodies leaning into the rhythm of the animal. A dog watches from the periphery,…
The image presents a mountain peak situated within the Cordillera Blanca of Peru. This geological formation, known as Huascarán, is characterized by its significant elevation and its coverage of snow and ice. The composition focuses on the physical presence of the mountain as it interacts with the surrounding atmosphere. Clouds of varying density drift around the slopes, some clinging to the upper ridges while others remain suspended in the lower…
In "Himba otjize-textured hair plaits," we find ourselves in a moment of profound stillness. The composition centers on a figure whose profile is defined by intricate, heavy braids. These plaits are adorned with beads and feathers that catch the light, creating a tactile presence that feels almost sculptural. There is a weight to the subject, a sense of dignity held in the tilt of the head. In the periphery, two…
In the quiet, sun-drenched corners of Lo Manthang, time seems to decelerate, yielding to the weight of ancient tradition and spiritual stillness. Angelo Chiacchio’s 2018 photograph, A monk entering a Gompa in Lo Manthang, serves as a profound window into this sacred realm. The composition centers on a moment of transition, capturing a solitary figure crossing the threshold of an intricately carved wooden doorway. This is not merely a documentation…
In the emerald canopy of the Bornean rainforest, a young orangutan is captured in a state of kinetic motion. The primate swings from a sturdy branch, its arms outstretched to maintain balance. One hand grips the wood while the other reaches outward, creating a sense of weight and tension against the forest limbs. The lighting filters through layers of dense foliage, casting highlights upon the creature's limbs and leaving the…
A woman sits upon the earth, her body anchored to the ground in Lo Manthang, Nepal. She is bent toward a loom, her hands moving with a rhythmic, practiced precision. The light catches the texture of the wool as it is pulled and twisted into a single, continuous line. In the background, two figures linger—one standing, one seated—their presence a quiet witness to the labor. The scene is stripped of…
Portrait of Palauan matriarch2018 · Ephemera documentary
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Dead whale2018 · Ephemera documentary
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Camping on the way to Roraima2018 · Ephemera documentary
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Pacaraima plateaus at dawn2018 · Ephemera documentary
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Maldives fisherman washing2018 · Ephemera documentary
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A square in Lo Manthag2018 · Ephemera documentary
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Chinese man on a boat2018 · Ephemera documentary
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Men chilling in Baarah2018 · Ephemera documentary
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Miccosukee man wrestling an alligator2018 · Ephemera documentary
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Tsaatan chief herding reindeer2018 · Ephemera documentary
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Himba woman in town2018 · Ephemera documentary
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Himba girls braiding hairs2018 · Ephemera documentary
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Quechua farmer2018 · Ephemera documentary
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Aerial vuew of Opuwo2018 · Ephemera documentary
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Borneo rainforest2018 · Ephemera documentary
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Rivers streams in Glacier National Park2018 · Ephemera documentary
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Sky Islands at sunset2018 · Ephemera documentary
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Aerial view of Houtouwan2018 · Ephemera documentary
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Aerial view of Florida Bay2018 · Ephemera documentary
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Night at the tea house2018 · Ephemera documentary
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Landscape of Roraima2018 · Ephemera documentary
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Aerial view of Lençois Maranhenses2018 · Ephemera documentary
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Puno from a Uros island2018 · Ephemera documentary
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Night in the Himba homestead2018 · Ephemera documentary
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Aerial view of Seventy Islands, Palau2018 · Ephemera documentary
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Himba women sitting in the shadow2018 · Ephemera documentary
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Traditional dancer in Palau2018 · Ephemera documentary
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Aerial panorama of the Maldives2018 · Ephemera documentary
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Roraima at night2018 · Ephemera documentary
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Pamukkale hot springs2018 · Ephemera documentary
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Borneo tiger leech2018 · Ephemera documentary
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Hotel in downtown Palau2018 · Ephemera documentary
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Portrait of Miccosukee woman2018 · Ephemera documentary
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Aerial view of Houtouwan2018 · Ephemera documentary
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Going to Mt Roraima2018 · Ephemera documentary
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Portrait of Miccosukee man2018 · Ephemera documentary
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Old truck in Colchani2018 · Ephemera documentary
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Stone money from Palau2018 · Ephemera documentary
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Man working in Houtouwan2018 · Ephemera documentary
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Landscape in Glacier National Park2018 · Ephemera documentary
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Upper Mustang ground2018 · Ephemera documentary
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Detail of white travertin in Pamukkale2018 · Ephemera documentary
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Boats near Shengshan island2018 · Ephemera documentary
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Cows in Lençois Maranhenses2018 · Ephemera documentary
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Tourists in Pamukkale2018 · Ephemera documentary
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Sunset in Pamukkale2018 · Ephemera documentary
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Portrait of woman in Lo Manthag2018 · Ephemera documentary
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Lençois Maranhenses at sunset2018 · Ephemera documentary
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Clouds over Mt Roraima2018 · Ephemera documentary
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Citizen of Houtouwan2018 · Ephemera documentary
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Portrait of fisherman2018 · Ephemera documentary
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Coastal erosion in the Maldives2018 · Ephemera documentary
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Aerial view of the canopy2018 · Ephemera documentary
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Portrait of Chinese man2018 · Ephemera documentary
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Male proboscis monkey2018 · Ephemera documentary
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Abandoned house in Houtouwan2018 · Ephemera documentary
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Woman in Palau2018 · Ephemera documentary
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Uros man fishing2018 · Ephemera documentary
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Aerial view of upper Everglades2018 · Ephemera documentary
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Welcome to Colchani2018 · Ephemera documentary
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A woman preparing smoked salmon2018 · Ephemera documentary
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Portrait of young Himba girl2018 · Ephemera documentary
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Portrait of Uros woman2018 · Ephemera documentary
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Salt worker2018 · Ephemera documentary
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Tibetan girl in traditional clothing2018 · Ephemera documentary
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Worker cutting salt bricks2018 · Ephemera documentary
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Pia Glacier from the sea2018 · Ephemera documentary
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Aguila Glacier from the sea2018 · Ephemera documentary
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Aerial view of Koror2018 · Ephemera documentary
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Portrait of Taurepan man2018 · Ephemera documentary
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Aerial view of Pamukkale pools2018 · Ephemera documentary
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Salar de Uyuni2018 · Ephemera documentary
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Shop in Palau2018 · Ephemera documentary
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Portrait of man in Lo Manthag2018 · Ephemera documentary
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Chinese woman waveing fishing net2018 · Ephemera documentary
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Portrait of Quechua shepherdess2018 · Ephemera documentary
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Tourists approaching Condor Glacier2018 · Ephemera documentary
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Himba woman portrait2018 · Ephemera documentary
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Aerial view of Papua New Guinea Highlands2018 · Ephemera documentary
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Himba girl with goat2018 · Ephemera documentary
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Salt miner in Colchani2018 · Ephemera documentary
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Himba family making breakfast2018 · Ephemera documentary
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Arizona Sky Islands2018 · Ephemera documentary
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Aerial landscape of Alaska2018 · Ephemera documentary
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A tea house in Lo Manthang2018 · Ephemera documentary
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Dawn in Lençois Maranhenses2018 · Ephemera documentary
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Borneo rainforest2018 · Ephemera documentary
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A street in Baarah2018 · Ephemera documentary
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Aerial view of Uros islands2018 · Ephemera documentary
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Sunrise on Mt Roraima2018 · Ephemera documentary
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzeji | Grad | Radovi umetnika Anđelo Kjakio | Slike iz ovog spiska |
|---|---|---|---|
 Ephemera documentary |
Pariz | 150 | Borneo red-leaf langur, View from the top of Mt Lemmon, Grocery shop in Lo Manthang |
Sva originalna dela umetnika Anđelo Kjakio sa datumom prikazana ovde pripadaju jednoj godini, 2018: prikazana su prema stepenu slave.
Izaberite godinu da biste videli originalna dela.
A red-leaf langur clings to the vertical architecture of the Borneo rainforest. The monkey is a quiet presence, partially veiled by a dense curtain of leaves and tangled branches. Dappled light filters through the high canopy, casting soft, irregular shapes across the primate's form. It is a moment of stillness caught within a complex, layered ecosystem. The green world presses in from all sides, creating a sense of deep, humid…
Još od 2018
#2 View from the top of Mt Lemmon
#3 Grocery shop in Lo Manthang
#4 Chinesea boat mechanic
#5 Gaucho training his trupilla
#6 Huascaran Norte at sunset
#7 Himba otjize-textured hair plaits
#8 A monk enetring a Gompa in Lo Manthag
#9 Young orangutan in Borneo
#10 Tibetan woman making a wool thread
#11 Portrait of Palauan matriarch
#12 Dead whale
#13 Camping on the way to Roraima
#14 Pacaraima plateaus at dawn
#15 Maldives fisherman washing
#16 A square in Lo Manthag
#17 Chinese man on a boat
#18 Men chilling in Baarah
#19 Miccosukee man wrestling an alligator
#20 Tsaatan chief herding reindeer
#21 Himba woman in town
#22 Himba girls braiding hairs
#23 Quechua farmer
#24 Aerial vuew of Opuwo
#25 Borneo rainforest
Borneo red-leaf langur (2018), Ephemera documentary, Pariz. Slede View from the top of Mt Lemmon (2018) i Grocery shop in Lo Manthang (2018).
32 godina: Borneo red-leaf langur datira iz 2018, a Anđelo Kjakio je rođen/a 1986.
Borneo red-leaf langur, View from the top of Mt Lemmon, Grocery shop in Lo Manthang, Chinesea boat mechanic, Gaucho training his trupilla, Huascaran Norte at sunset, Himba otjize-textured hair plaits, A monk enetring a Gompa in Lo Manthag, Young orangutan in Borneo i Tibetan woman making a wool thread. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 150 dela umetnika Anđelo Kjakio.
Većinom u Ephemera documentary (Pariz). Tabela muzeja iznad sadrži njih sve.
U 2018: 100 od 100 dela na ovoj stranici nastalo je tada, od čega je Borneo red-leaf langur.
Sky (7), Black and white (7) i Landscape (7), kroz svih 100 dela na ovoj stranici.
Digital Photography, za 15 od 100 dela na ovoj stranici.
Contemporary realism, sudeći po originalima na ovoj stranici.
Borneo red-leaf langur, View from the top of Mt Lemmon i Grocery shop in Lo Manthang: Ephemera documentary, Pariz čuva 100 dela sa ove stranice.
Rođen u Italiji, u mestu Episcopi, 1986. godine, umetnički put Angeloa Chiacchia svedočanstvo je moći raznolikih iskustava i duboke posvećenosti najranjivijim kulturama sveta. Njegov rad prevazilazi puku dokumentaciju; to je imerzivno istraživanje ljudske povezanosti sa mestom, tradicijom i delikatnom ravnotežom između nasleđa i modernosti. Od svojih ranih studija dizajna – obuhvatajući institucije kao što su Politecnico di Milano, KISD u Koloniji, ENSCI-Les Ateliers u Parizu i FabLab Amsterdam – Chiacchio je negovao jedinstvenu perspektivu, spajajući tehničku veštinu sa empatičnim pristupom vizuelnom pripovedanju.
Godine 2018, Chiacchio je krenuo na izuzetan solo put koji je trajao trista dana. Ovo nije bilo samo odmorište; bila je to namerna potraga za svedočanstvom i dokumentovanjem najkrhivijih kultura i pejzaža raspršenih po našoj planeti. Vođen željom da razume kako zajednice održavaju svoj identitet suočene sa globalnim promenama, uronio je u različita okruženja – od udaljenih sela u Africi do drevnih manastira smeštenih u visokim planinama. Ovaj produženi period putovanja duboko je oblikovao njegovu umetničku viziju, podstičući intimno razumevanje lokalnih običaja, rituala i suštinske veze između ljudi i njihovog okruženja.
Chiacchiov umetnički stil je izuzetno nijansiran, odražavajući sintezu različitih uticaja. Njegovo obrazovanje u oblasti dizajna – posebno vidljivo u pedantnoj kompozicije i svesnosti o prostoru – oblikuje jasno modernu estetiku. Međutim, to je umereno dokumentarnom tradicijom fotografije, crpeći inspiraciju iz dela majstora kao što su Henri Cartier-Bresson i Sebastião Salgado. Uticaj italijanskog dizajnerskog nasleđa je opipljiv, karakterisan aprecijacijom geometrijskih formi, bogatih tekstura i suptilne elegancije. Štaviše, njegov rad rezonuje sa elementima spazijalizma, umetničkog pokreta 20. veka koji je istraživao odnos između prostora, percepcije i reprezentacije – što odražava Chiacchiovo namerno manipulisanje perspektivom i dubinom kako bi stvorio imerzivna vizuelna iskustva.
Nekoliko Chiacchiovih dela izdvaja se po svojoj evokativnoj moći. „San Giovanni Battista al Pozzo“ oličava njegovu sposobnost da uhvati dušu italijanske kulture, otkrivajući lepotu u svakodnevnim scenama. „Captain James Smith“ pokazuje izuzetnu senzibilitetnost u portretisanju istorijskih ličnosti, pružajući im dubinu i ljudskost. Njegove fotografije vojnih subjekata, poput „2nd Lieutenant J. P. C. Mitchell“, pokazuju retku sposobnost da prenesu i snagu i ranjivost. Aerialni pogled na „Lençois Maranhenses“ svedočanstvo je njegove veštine u prevođenju veličine prirode u upečatljive slike, dok „Chinese Man on a Boat“ nudi očaravajući uvid u pomorski život.
Chiacchiov rad nastavlja da rezonuje sa savremenom publikom, nudeći pravovremeni podsetnik na važnost očuvanja kulture i ekološke svesti. Njegova saradnja sa organizacijama kao što je La Fabrique des Mobilités i njegovo članstvo u France Alumni naglašavaju njegovu posvećenost podsticanju dijaloga i promovisanju održivih praksi. Njegovo uključivanje u kolekcije poput „La collezione Bonello“ (Malta) ističe njegovo rastuće priznanje u svetu umetnosti, a njegovi tekući projekti, uključujući dokumentarac „Ephemera“, pokazuju neprestanu posvećenost dokumentovanju ugroženih kultura. Kao umetnik duboko uključen u složenosti našeg globalizovanog sveta, budući doprinosi Angeloa Chiacchia sigurno će biti i prodorno smisleni i vizuelno zadivljujući.
