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2 najpoznatijih slika umetnika Alessandro Milesi, svaka potpuno jedinstvena
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 2 dela Alessandro Milesi u našem katalogu
Ukratko
Silent Hours (1893) je slika autora Alessandro Milesi koja privlači najviše pažnje; original se nalazi u muzeju Bavarske državne slikopisne kolekcije, Minhen. Među 2 dela umetnika Alessandro Milesi u našem katalogu, ovih 2 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
1856 – 1945, Venice
Najviše dela: Bavarske državne slikopisne kolekcije
Top 10 slika umetnika Alessandro Milesi, iz ugla galerije
Muzeji u kojima se čuvaju originalna dela umetnika Alessandro Milesi
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Alessandro Milesi | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 1 | Silent Hours |
 Brooklyn Museum |
Brooklyn | 1 | Market Scene in Venice |
Alessandro Milesi kroz godine: jedinstveni originali svakog dela
Svako originalno delo umetnika Alessandro Milesi prikazano ovde nastalo je tokom 2 godina, između 1893 i 1894 godine: godina po godinu, evo ih.
Radovi po godinama
Izaberite godinu da biste videli originalna dela.
Slike umetnika Alessandro Milesi: pitanja za galeriju
Koje je najpoznatije delo umetnika Alessandro Milesi?Otkrij odgovor
Silent Hours (1893)
U kojoj je godini Alessandro Milesi stvorio/la Silent Hours?Otkrij odgovor
37 godina: Silent Hours datira iz 1893, a Alessandro Milesi je rođen/a 1856.
Koliko je poznatih dela umetnika Alessandro Milesi?Otkrij odgovor
Naš katalog sadrži 2 dela umetnika Alessandro Milesi, datiranih od 1893 do 1894.
Gde se mogu videti najpoznatiji originali umetnika Alessandro Milesi?Otkrij odgovor
Većinom u Bavarske državne slikopisne kolekcije (Minhen) i Brooklyn Museum (Brooklyn). Tabela muzeja iznad sadrži njih sve.
Ko je najraniji, a koje je najkasnije čuveno delo umetnika Alessandro Milesi?Otkrij odgovor
Na ovoj stranici, najstarije delo je iz Silent Hours (1893), a najnovije iz Market Scene in Venice (1894).
Alessandro Milesi: portret umetnika
The Venetian Canvas
Venice, 1856. A child is born into the heart of a city defined by water and light. Alessandro Milesi begins his formal training at the Venice Academy of Fine Arts, entering the studio of Napoleone Nani in 1869. The years between 1869 and 1874 are marked by rigorous study under Nani, a period that eventually leads him away from his birthplace to follow his master to Verona. This movement through the Italian landscape shapes his early vision.
In 1876, the path leads back to Venice. The city becomes more than a setting; it becomes the primary subject of his brush. He does not seek the grand historical narratives of the past but focuses instead on the pulse of everyday Venetian life. His work carries the weight of the tradition established by Giacomo Favretto, yet he integrates the fresh perspectives offered by Ettore Tito and Cesare Laurenti.
A Life in Exhibition
The late nineteenth century brings recognition through the national stages of Milan and Venice. In 1881, his presence is felt at the Milan exhibitions, followed by a significant showing in Venice in 1887. The reach of his talent extends far beyond the Adriatic coast. At the Boston International Exhibition of 1890, he receives a gold medal, an achievement that signals his arrival on the international stage.
His career is defined by a long-standing relationship with the Venice Biennale. From 1895 to 1935, Milesi participates in every single edition of this prestigious event. The milestones of his later years include:
- A solo exhibition at the Venice Biennale in 1912.
- An anthological exhibition at the Venice Biennale in 1935.
- Participation in the Milan Triennale.
Portraits and People
As the new century unfolds, Milesi shifts his focus toward the faces of a changing society. He captures the Venetian middle classes with a precision that documents the era. His subjects are not mere figures in a landscape but individuals with specific roles in the city's social fabric. He turns his attention to:
- Writers
- Musicians
- Actors
These portraits provide a window into the cultural life of Venice during his lifetime. Through these depictions, he maintains a connection to the human element of the city, even as the decades pass toward 1945.