Portret Adriano De Sousa Lopes

27 najpoznatijih slika umetnika Adriano De Sousa Lopes, izbor iz galerije

Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 27 dela Adriano De Sousa Lopes u našem katalogu

Ukratko

Od svih originala koje je Adriano De Sousa Lopes ostavio, najpoznatiji je Engano de alma, ledo e cego... (1901). Odmah za njima slede Self-portrait (1907) i Portrait of Luciano Freire (c. 1915-1920) (1917). Naš katalog sadrži 27 dela umetnika Adriano De Sousa Lopes; galerija je čuvala 27 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.

1879 – 1944, Leiria Modernism Najviše dela: Centro de Arte Moderna Gulbenkian

Top 10 slika umetnika Adriano De Sousa Lopes: izbor galerije

6
The Moulin Rouge (nighttime) (1910) čiji je autor Adriano De Sousa Lopes

The Moulin Rouge (nighttime)

The Moulin Rouge, much represented at the time by the artists as a symbol of a Parisian bohemia, emerges from the city landscape. In a nocturnal atmosphere, which the colorist skillfully works, sensations of that zone of the city are represented through the planning of its structure and by marking, here and there, the human movement. Painted in Paris in the early nineties where Sousa Lopes was living as a…

Izbor umetnika Adriano De Sousa Lopes se nastavlja, od 11 do 27

Motivi koji su privlačili pažnju Adriano De Sousa Lopes

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.

Muzeji u kojima se čuvaju originalna dela umetnika Adriano De Sousa Lopes

4 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzeji Grad Radovi umetnika Adriano De Sousa Lopes Slike iz ovog spiska
Centro de Arte Moderna Gulbenkian, LisabonCentro de Arte Moderna Gulbenkian Lisabon 13 Dismantled cannon, Retrato de mulher sorrindo, The brigade of Minho in
Nacionalni muzej savremene umetnosti - Museu do Chiado, LisabonNacionalni muzej savremene umetnosti - Museu do Chiado Lisabon 7 Portrait of Luciano Freire (c. 1915-1920), Self-portrait, The Moulin Rouge (nighttime)
Calouste Gulbenkian Museum, LisbonCalouste Gulbenkian Museum Lisbon 1 Self-portrait
Soares dos Reis National Museum, PortoSoares dos Reis National Museum Porto 1 Self-Portrait

Adriano De Sousa Lopes deceniju po deceniju: original koji definiše svaku od njih

Radovi po decenijama

Izaberite deceniju da biste videli original koji je definiše.

Pitanja kolekcionara o slikama umetnika Adriano De Sousa Lopes

Po kojem delu je Adriano De Sousa Lopes najpoznatiji/a?Otkrij odgovor

Engano de alma, ledo e cego... (1901). Slede Self-portrait (1907) i Portrait of Luciano Freire (c. 1915-1920) (1917).

Koliko je godina imao/la Adriano De Sousa Lopes kada je nastalo delo Engano de alma, ledo e cego...?Otkrij odgovor

22 godina: Engano de alma, ledo e cego... datira iz 1901, a Adriano De Sousa Lopes je rođen/a 1879.

Koja su deset najpoznatijih slika umetnika Adriano De Sousa Lopes?Otkrij odgovor

Engano de alma, ledo e cego..., Self-portrait, Portrait of Luciano Freire (c. 1915-1920), Self-portrait, At the park, The Moulin Rouge (nighttime), Self-Portrait, Boat, Dismantled cannon i Untitled (ARD3AV). Gornji rang pokazuje godinu i muzej za svako od njih.

Koliko je slika ostavio Adriano De Sousa Lopes?Otkrij odgovor

Naš katalog sadrži 27 dela umetnika Adriano De Sousa Lopes, datiranih od 1901 do 1944.

U kojim muzejima se nalaze remek-dela umetnika Adriano De Sousa Lopes?Otkrij odgovor

Većinom u Centro de Arte Moderna Gulbenkian (Lisabon), Nacionalni muzej savremene umetnosti - Museu do Chiado (Lisabon) i Calouste Gulbenkian Museum (Lisbon). Tabela muzeja iznad sadrži njih sve.

U kojim godinama je Adriano De Sousa Lopes naslikao svoja najpoznatija dela?Otkrij odgovor

U 1920s: 5 od 27 dela na ovoj stranici nastalo je tada, od čega je At the park.

Koja su prva i poslednja čuvena originalna dela umetnika Adriano De Sousa Lopes?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz Engano de alma, ledo e cego... (1901), a najnovije iz Untitled (ARD3AT) (1944).

Koje je motive Adriano De Sousa Lopes najčešće birao/la?Otkrij odgovor

Black and white (4), Man (3) i Portrait (2), kroz svih 27 dela na ovoj stranici.

Koju je tehniku najčešće koristio/la Adriano De Sousa Lopes?Otkrij odgovor

Etching, za 3 od 27 dela na ovoj stranici.

Kojem umetničkom pravcu pripada Adriano De Sousa Lopes?Otkrij odgovor

Modernism, sudeći po originalima na ovoj stranici.

Čija se dela umetnika Adriano De Sousa Lopes nalaze u Centro de Arte Moderna Gulbenkian?Otkrij odgovor

Dismantled cannon, Retrato de mulher sorrindo i The brigade of Minho in: Centro de Arte Moderna Gulbenkian, Lisabon čuva 13 dela sa ove stranice.

Adriano De Sousa Lopes: život i delo

A Pioneer of Portuguese Modernism

Adriano Sousa Lopes (1879 – 1944) stands as a pivotal figure in the trajectory of Portuguese art, embodying the spirit of modernist experimentation while simultaneously grounding his artistic vision within the traditions of his homeland. Born in Portugal during a period marked by significant social and cultural transformations—the burgeoning Belle Époque and the dawn of the 20th century—Lopes’s artistic journey unfolded against a backdrop of intellectual ferment and artistic innovation, shaping him into one of the most influential painters of his era.

His formative years were spent studying at the Academia Real de Belas Artes in Lisbon, where he honed his skills under Veloso Salgado and Luciano Freire, absorbing the stylistic precepts of Academic painting alongside explorations of design principles. This initial grounding proved invaluable as he embarked on a transformative voyage to Paris in 1903, fueled by a stipend from the Legado do Visconde de Valmor—a charitable endowment dedicated to nurturing artistic talent and fostering cultural enrichment. Within the vibrant Parisian art scene, Lopes immersed himself in the tutelage of Pierre Bonnard and Édouard Vuillard at École des Beaux-Arts and Académie Julian, encountering luminaries like Fernand Cormon who profoundly impacted his aesthetic sensibilities.

The Parisian Influence and Impressionist Light

Lopes's Parisian engagement was not merely academic; it was deeply experiential. He actively participated in the Salon d’Automne from 1904 to 1912, documenting the dynamism of urban life and engaging with fellow artists grappling with new artistic paradigms. His work during this period often reflected a fascination with light and atmosphere, drawing clear inspiration from the Impressionist masters. One of his most evocative works, The Moulin Rouge (nighttime), serves as a testament to this era; painted in Paris, it captures the nocturnal essence of the city through a skillful use of color and structure that reveals a profound influence from Claude Monet.

Through his explorations, Lopes mastered the ability to blur outlines and manipulate media screens between the viewer and the subject, creating a sense of movement and sensation. This period also saw him expanding his horizons beyond France; a brief excursion into Italy in 1907 exposed him to Italian Impressionism, fostering a comparative understanding of stylistic approaches that would later enrich his unique visual language.

Mastery of Line and the Power of Engraving

While his paintings captured the ephemeral beauty of light, Lopes also demonstrated a remarkable command over the more structured and somber medium of engraving. As a skilled engraver, he possessed the ability to convey intense emotion and historical weight through black and white compositions. His etchings often delved into more poignant, even haunting, subject matter, ranging from portraits of his mentors to scenes of profound human struggle.

His graphic works are characterized by their ability to capture tension and atmosphere:

Legacy and Historical Significance

The legacy of Adriano Sousa Lopes is one of bridge-building between the old world and the new. He successfully navigated the transition from the rigid structures of Academicism to the fluid, emotive possibilities of Modernism. By integrating the lessons learned in the studios of Paris with the cultural identity of Portugal, he helped define a new era for his nation's art. His work remains a vital record of the early 20th century, capturing everything from the bohemian energy of Parisian nightlife to the somber reflections on war and mortality, ensuring his place as a cornerstone of European art history.