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Self Portrait Wearing a Cap

Ime Razred Datum

William Patrick Roberts, Self Portrait Wearing a Cap (1931). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
William Patrick Roberts originaluniqueart.com/sr/artists/william-patrick-roberts/
Datumi umetnika
1895 – 1980
Slikano
1931
Prvobitne dimenzije
56 x 36 cm

U kontekstu

Self Portrait Wearing a Cap — William Patrick Roberts

Koje su dimenzije?

Originalne dimenzije su 56 × 36 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 85 u smrti.

Naslikano kada je umetnik imao 36 godina. Umetnik je doživeo 85. 27 od ukupno 46 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika William Patrick Roberts (1895–1980) ▲ ovo delo, 1931 svaka datirana slika, deceniju po deceniju

Prva dela: do 1922 Glavne radne godine: 1922–1935 Kasna dela: od 1935

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/william-patrick-roberts-self-portrait-wearing-a-cap-AQULQV-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Espresso #514849

    Katalogizovana paleta

    • #514849
    • #282E37
    • #646B81
    • #9E6149

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv primarne boje
    Espresso
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Softly Mixed Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao William Patrick Roberts tokom poslednjih dvanaest meseci — ukupno u 5 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 53,3%
    2. 2 Сједињене Америчке Државе 20,0%
    3. 3 Немачка 13,3%
    4. 4 Аргентина 6,7%
    5. 5 Италија 6,7%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    13 najposećenijih dela umetnika William Patrick Roberts

    1. 1 Munitions Factory, 1940 18,8%
    2. 2 Les Routiers, 1931 12,5%
    3. 3 The Dentist, 1925 12,5%
    4. 4 The Rhododendron, 1948 6,2%
    5. 5 At the Hippodrome, 1921 6,2%
    6. 6 The Demolition Squad, 1941 6,2%
    7. 7 The Cinema, 1920 6,2%
    8. 8 The Ballet, 1932 6,2%
    9. 9 The Control Room, 1941 6,2%
    10. 10 Portrait of a Man Lighting a Pipe, 1948 6,2%
    11. 11 Playground (The Gutter), 1934 6,2%
    12. 12 The Char, 1924 6,2%
    13. — Self Portrait Wearing a Cap, 1931 ova slika 0,0%

    Zajedno, ova dela zauzimaju 99,6% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 50 dela ovog umetnika, od kojih je 12 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    William Patrick Roberts

    The Architect of Fragmented Reality: The Life of William Patrick Roberts

    In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.

    Roberts’ formative years were deeply shaped by his time at the Slade School of Fine Art, an institution that provided him with a rigorous foundation even as he began to push against academic constraints. It was here that he encountered the burgeoning influences of Vorticism and Futurism—movements characterized by their obsession with machine-age energy, geometric precision, and the violent beauty of motion. Through his association with the Vorticist circle, particularly under the influence of figures like Wyndham Lewis, Roberts learned to utilize sharp angles and interlocking planes to deconstruct his subjects, transforming ordinary scenes into rhythmic, structural compositions.

    A Vision of Modernity and War

    The evolution of Roberts’ work is inextricably linked to the historical tremors of his era. The experience of war left an indelible mark on his psyche and his palette, leading him to document the industrial grit and human endurance of the period. His paintings often serve as windows into the mechanical heart of the twentieth century, where the boundaries between man and machine begin to blur. In works such as Munitions Factory, one can witness his mastery of the Cubist technique applied to the heavy, rhythmic atmosphere of wartime production, using geometric forms to convey the relentless momentum of industry.

    Beyond the industrial, Roberts possessed a profound ability to find poetic resonance in the everyday. His explorations of human connection and social landscapes are marked by an unflinching honesty. Whether depicting the quiet intimacy of a portrait, such as Sarah, or the bustling, structured chaos of street scenes like Les Routiers, he maintained a commitment to emotional depth. He utilized color not just for descriptive accuracy, but as a symbolic tool to evoke the psychological weight of his subjects, often bathing his compositions in a light that felt both modern and strangely primordial.

    Legacy and Artistic Significance

    The significance of William Patrick Roberts lies in his ability to synthesize the radical abstractions of Continental Europe with a distinctly British sensibility. While he embraced the fractured perspectives of Cubism, he never abandoned the figurative essence that allowed him to communicate the human condition. His work stands as a bridge between the classical traditions of the past and the experimental fervor of the modern age.

    Throughout his long career, which spanned until 1980, Roberts earned prestigious recognition, including frequent exhibitions at the Royal Academy. His ability to capture the "vortex" of modern life ensured that his work remained relevant even as art movements shifted toward total abstraction. Today, he is remembered not just as a follower of a movement, but as a pioneer who helped define the visual identity of a generation caught between the old world and the new.

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    QR kod koji vodi na stranicu za preuzimanje Self Portrait Wearing a Cap

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    Citiranje ovog umetničkog dela

    MLA
    Roberts, William Patrick. Self Portrait Wearing a Cap. 1931, https://originaluniqueart.com/sr/art/william-patrick-roberts-self-portrait-wearing-a-cap-AQULQV-en/
    APA
    Roberts, William Patrick (1931). Self Portrait Wearing a Cap [Painting]. https://originaluniqueart.com/sr/art/william-patrick-roberts-self-portrait-wearing-a-cap-AQULQV-en/
    Chicago
    William Patrick Roberts. Self Portrait Wearing a Cap. 1931. https://originaluniqueart.com/sr/art/william-patrick-roberts-self-portrait-wearing-a-cap-AQULQV-en/
    Harvard
    Roberts, William Patrick (1931) Self Portrait Wearing a Cap. Available at: https://originaluniqueart.com/sr/art/william-patrick-roberts-self-portrait-wearing-a-cap-AQULQV-en/

    Pogledajte pažljivije

    Self Portrait Wearing a Cap — William Patrick Roberts

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: portrait, self-portrait, reflection. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Munitions Factory (1940), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. William Patrick Roberts je imao oko 36 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koliki je intenzitet boja kod dela „Self Portrait Wearing a Cap”, autor William Patrick Roberts?

    Intenzitet boja dela "Self Portrait Wearing a Cap" je Balanced. Intenzitet opisuje koliko boje deluju snažno.

    Koji umetnik i koji stil stoje iza "Self Portrait Wearing a Cap"?

    Delo "Self Portrait Wearing a Cap" delo je William Patrick Roberts u stilu English Cubist. Umetnik i pravac definišu tradiciju ovog dela.

    Koji su format i dimenzije dela "Self Portrait Wearing a Cap"?

    „Self Portrait Wearing a Cap”, autor William Patrick Roberts je u formatu Portrait dela dimenzija 56 x 36 cm.