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Henry Stacy Marks (1829–1898)

Ime Razred Datum

Valter Vilijam Ulis, Henry Stacy Marks (1829–1898) (1877). Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Valter Vilijam Ulis originaluniqueart.com/sr/artists/valter-vilijam-ulis_sr/
Datumi umetnika
1848 – 1933
Slikano
1877
Prvobitne dimenzije
31 x 25 cm

U kontekstu

Henry Stacy Marks (1829–1898) — Valter Vilijam Ulis

Koje su dimenzije?

Originalne dimenzije su 31 × 25 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920
  10. 1930

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 85 u smrti.

Naslikano kada je umetnik imao 29 godina. Umetnik je doživeo 85. 6 od ukupno 66 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Valter Vilijam Ulis (1848–1933) ▲ ovo delo, 1877 svaka datirana slika, deceniju po deceniju

Prva dela: do 1883 Glavne radne godine: 1883–1901 Kasna dela: od 1901

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/walter-william-ouless-henry-stacy-marks-1829-1898-AQRRES-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Black #160b06

    Katalogizovana paleta

    • #160B06
    • #2D180B
    • #632B0A
    • #DD9D50

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv primarne boje
    Black
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Valter Vilijam Ulis tokom poslednjih dvanaest meseci — ukupno u 7 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 76,7%2.300 poseta
    2. 2 Сједињене Америчке Државе 6,7%200 poseta
    3. 3 Немачка 3,3%100 poseta
    4. 4 Хонг Конг 3,3%100 poseta
    5. 5 Џерси 3,3%100 poseta
    6. 6 Мексико 3,3%100 poseta
    7. 7 Сингапур 3,3%100 poseta

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Valter Vilijam Ulis

    1. 1 The Blind Beggar 11,8%400 poseta
    2. 2 John Henry, Cardinal Newman 11,8%400 poseta
    3. 3 Sir Donald Currie (1825–1909) 8,8%300 poseta
    4. 4 Sir Monier Monier Williams (1819–1899), 1882 5,9%200 poseta
    5. 5 George Henry Pope, Treasurer (1876–1901), Master (1904), 1889 5,9%200 poseta
    6. 6 Alderman Charles Gabriel Beale, 1901 5,9%200 poseta
    7. 7 Alderman Edward Wood (1839–1917), JP, Mayor of Leicester (1888, 1895, 1901 1906), 1898 2,9%100 poseta
    8. 8 John Morley, 1st Viscount Morley of Blackburn, 1891 2,9%100 poseta
    9. 9 Sir John Scott Burdon Sanderson, Bt, 1886 2,9%100 poseta
    10. 10 Charles Robert Darwin (1809–1882), 1875 2,9%100 poseta
    11. 11 Alderman Thomas Southam, 1880 2,9%100 poseta
    12. 12 Sir Henry Alfred Pitman (1808–1908), 1885 2,9%100 poseta
    13. 13 Professor Sir George Murray Humphrey, 1886 2,9%100 poseta
    14. 14 John William Dupre (1790–1866), HM Attorney General, 1869 2,9%100 poseta
    15. 15 Alfred Pope (1842–1934), 1909 2,9%100 poseta
    16. 16 Ewan Christian (1814–1895), PRIBA, 1888 2,9%100 poseta
    17. 17 Christopher James Thomas, Mayor (1874–1875) 2,9%100 poseta
    18. 18 Раундел Палер (1812–1895), Ерд Оф Селборн, Фелоу (1834–1848), Лорд Чанцелор (1872) 2,9%100 poseta
    19. 19 Sir William Ogilvy Dalgleish of Errol Park (1832–1913), 1911 2,9%100 poseta
    20. — Henry Stacy Marks (1829–1898), 1877 ova slika 0,0%0 poseta

    Zajedno, ova dela zauzimaju 87,8% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 80 dela ovog umetnika, od kojih je 23 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Valter Vilijam Ulis

    Rođen/a u Pariz, Francuska

    A Legacy of Likeness: The Life of Walter William Ouless

    Born in the coastal charm of Saint Helier, Jersey, Walter William Ouless emerged from a lineage deeply rooted in the visual arts. As the son of the marine artist Philip John Ouless, his early years were steeped in the atmosphere of a working studio, a foundation that would eventually propel him toward the heart of the British art establishment. After receiving his education at Victoria College, Ouless journeyed to London in 1864, seeking to refine his burgeoning talents within the prestigious Royal Academy schools. While his initial creative impulses led him toward the narrative charm of genre painting, a pivotal moment of mentorship redirected his trajectory; it was the renowned artist Millais who advised him to focus his gaze upon the human countenance, setting him on the path to becoming one of the most distinguished portrait painters of his era.

    Mastery of the Portrait and Academic Eminence

    The career of Ouless is a testament to the power of psychological depth and technical precision. His ascent within the Royal Academy was marked by significant milestones, earning him the title of Associate of the Royal Academy in 1877 and achieving full membership as a Royal Academician in 1881. This recognition solidified his status among the elite practitioners of British academic realism. Ouless possessed a rare ability to transcend mere physical resemblance, capturing instead the very essence and intellectual gravity of his subjects. Whether depicting the scientific brilliance of Charles Robert Darwin or the scholarly devotion of Sir Monier Monier Williams, his brushwork breathed life into the figures, often utilizing dramatic chiaroscuro and meticulous detail to evoke a sense of character and social standing.

    His technique was characterized by a sophisticated balance between rigid academic discipline and an exquisite sensitivity to light. In many of his most celebrated works, one can observe a subtle interplay of textures and tones that suggests an awareness of the burgeoning Impressionist movement, even as he remained anchored in the traditions of portraiture. His portraits served as windows into the Victorian soul, documenting the dignity, ambition, and contemplative nature of the era's most prominent figures.

    Artistic Influence and Family Heritage

    The artistic world of Ouless was not a solitary one, but rather a tapestry woven with familial connections and professional respect. His influence extended through generations, notably seen in the work of his daughter, Catherine Ouless, who carried forward the tradition of meticulous realism established by her father. Through his dedication to the craft, Ouless helped define a period of British art where the portrait functioned as both a historical record and a profound psychological study. His ability to render the weight of discovery in a scientist's eyes or the quiet prestige of a statesman's presence ensures that his contribution to the history of British portraiture remains an enduring legacy of light, shadow, and human character.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Henry Stacy Marks (1829–1898)

    originaluniqueart.com/sr/art/download/walter-william-ouless-henry-stacy-marks-1829-1898-AQRRES-en/

    Citiranje ovog umetničkog dela

    MLA
    Ulis, Valter Vilijam. Henry Stacy Marks (1829–1898). 1877, https://originaluniqueart.com/sr/art/walter-william-ouless-henry-stacy-marks-1829-1898-AQRRES-en/
    APA
    Ulis, Valter Vilijam (1877). Henry Stacy Marks (1829–1898) [Painting]. https://originaluniqueart.com/sr/art/walter-william-ouless-henry-stacy-marks-1829-1898-AQRRES-en/
    Chicago
    Valter Vilijam Ulis. Henry Stacy Marks (1829–1898). 1877. https://originaluniqueart.com/sr/art/walter-william-ouless-henry-stacy-marks-1829-1898-AQRRES-en/
    Harvard
    Ulis, Valter Vilijam (1877) Henry Stacy Marks (1829–1898). Available at: https://originaluniqueart.com/sr/art/walter-william-ouless-henry-stacy-marks-1829-1898-AQRRES-en/

    Pogledajte pažljivije

    Henry Stacy Marks (1829–1898) — Valter Vilijam Ulis

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Koliko lica možete pronaći? ____ (u našem katalogu ih je izbrojano 1 — slažete li se?)
    4. U našem katalogu ovo delo je klasifikovano pod: portraiture, 19th century, formal portrait. Da li se slažete? Šta biste dodali ili uklonili?
    5. Vratite se na Charles Robert Darwin (1809–1882), Fellow Commoner, Writer of 'The Origin of Species' (1859) and 'The Descent of Man' (1871) (1883), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    U kojoj godini je nastalo "Henry Stacy Marks (1829–1898)"?

    „Henry Stacy Marks (1829–1898)“ potiče iz 1877. Ovaj datum smešta delo u okviru karijere umetnika Valter Vilijam Ulis i same ere.

    Kako "Henry Stacy Marks (1829–1898)" balansira svetlo i tamno?

    Za delo „Henry Stacy Marks (1829–1898)”, autor Valter Vilijam Ulis zabeležena je osvetljenost od deep_shadow, uz luminancu od Dark.

    Da li je "Henry Stacy Marks (1829–1898)" slobodan od autorskih prava?

    Status autorskih prava za „Henry Stacy Marks (1829–1898)”, autor Valter Vilijam Ulis: delo je u javnom vlasništvu – autorska prava su istekla. Ovo određuje da li se reprodukcije slike mogu slobodno izrađivati.