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Vodič za studentska umetnička dela

Alan Bennett

Ime Razred Datum

Tom Wood, Alan Bennett (1993). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Tom Wood originaluniqueart.com/sr/artists/tom-wood/
Datumi umetnika
1955 –
Slikano
1993
Prvobitne dimenzije
111 x 122 cm

U kontekstu

Alan Bennett — Tom Wood

Koje su dimenzije?

Originalne dimenzije su 111 × 122 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda, pri čemu se rođenje računa kao nula.

Naslikano kada je umetnik imao 38 godina. 3 od ukupno 14 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

▲ ovo delo, 1993 svaka datirana slika, deceniju po deceniju

Prva dela: do 1993 Glavne radne godine: 1993–2006 Kasna dela: od 2006

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/tom-wood-alan-bennett-AQUFNG-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Walnut #6b4639

    Katalogizovana paleta

    • #6B4639
    • #917869
    • #0A0809
    • #4C2418

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv primarne boje
    Walnut
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Tom Wood tokom poslednjih dvanaest meseci — ukupno u 1 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 100,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    4 najposećenijih dela umetnika Tom Wood

    1. 1 Kenneth O. Morgan (b.1934), Vice Chancellor (1989–1994), 1995 33,3%
    2. 2 Professor William Ritchie 33,3%
    3. 3 Professor Malcolm Burrows, FRS, 2010 33,3%
    4. — Alan Bennett, 1993 ova slika 0,0%

    Zajedno, ova dela zauzimaju 99,9% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 18 dela ovog umetnika, od kojih je 3 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Tom Wood

    A Visionary of the Lens and Landscape

    Tom Wood, born on January 14, 1951, is an artist whose work serves as a profound bridge between the meticulous observation of reality and the ethereal realms of memory and myth. An Irish-born creator now residing in the rugged landscapes of Wales, Wood has cultivated a practice that transcends the boundaries of traditional photography. His artistic journey is not merely a collection of captured moments but a relentless pursuit of the essence of place, rendered through a lens imbued with both deep emotional resonance and a fascination with the symbolic textures of the world. To encounter his work is to be invited into a space where the tangible becomes evocative, and where every shadow and light play suggests a deeper, perhaps even mythological, narrative.

    His early life was defined by a sense of movement and cultural transition, shaped by his family’s relocation from Ireland to England during his formative years. This nomadic childhood instilled in him a unique sensitivity to the shifting boundaries of landscape and identity—a theme that would become a cornerstone of his visual language. While he initially trained as a conceptual painter at Leicester Polytechnic between 1973 and 1976, it was through his immersion in experimental film that he discovered the transformative power of photography. He recognized within the camera a tool capable of conveying complex human emotions and intricate ideas with a subtlety that painting alone could not achieve, allowing him to document the world while simultaneously imbuing it with a poetic, almost surreal, quality.

    The Urban Odyssey and the Human Condition

    The trajectory of Wood’s career underwent a monumental shift in 1978 when he moved to Liverpool, a city that would serve as his primary muse for over two decades. It was here that he embarked on his celebrated "bus odyssey," a period of intense, longitudinal study where he spent countless hours navigating the public transport systems of Merseyside. Through this lens, Wood captured the rhythmic pulse of urban life, documenting the faces of strangers, neighbors, and friends alike within the intimate confines of pubs, markets, and football grounds. This work was far more than street photography; it was a sociological and emotional archive of a community in flux.

    His most famous series, Looking For Love (1989), exemplifies this period, offering an up-close and personal glimpse into the social fabric of New Brighton. Through these images, Wood achieved a remarkable balance between the raw reality of the human condition and an atmospheric, almost dreamlike quality. His ability to find profound connection within moments of solitude or fleeting glances in a crowded disco transformed the mundane into the monumental. This era of his work, complemented by later collections like All Zones Off Peak (1998), solidified his reputation as a master of capturing the ephemeral, turning the everyday movements of the working class into lasting works of art.

    A Legacy of Texture and Symbolism

    As his career progressed, Wood’s focus expanded beyond the urban grit of Liverpool to include the sweeping, evocative landscapes of North Wales and the West of Ireland. This evolution allowed him to explore a multiplicity of themes, ranging from the architectural textures of the built environment to the ancient, mythic qualities of the natural world. His approach remains fluid, resisting the rigid conventions of both post-conceptual photography and traditional photojournalism. Instead, he utilizes light, texture, and composition to create images that feel as though they are pulled from a collective subconscious, rich with the weight of folklore and history.

    The significance of Tom Wood’s contribution to contemporary art lies in his ability to merge the documentary impulse with a deeply personal, symbolic vision. His work is represented in major collections and museums worldwide, standing as a testament to his skill in capturing the soul of a place. Whether through the gritty realism of a Liverpool street or the somber, scholarly tones of an oil portrait, Wood continues to challenge the viewer to look closer, finding the extraordinary hidden within the ordinary. His legacy is one of profound observation, reminding us that every landscape and every face carries within it a story waiting to be unraveled.

    Gde možete pročitati više

    • Umetnik Tom Wood originaluniqueart.com/sr/artists/tom-wood/
    • Slična dela Još radova za poređenje originaluniqueart.com/sr/art/similar/tom-wood-alan-bennett-AQUFNG-en/

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Alan Bennett

    originaluniqueart.com/sr/art/download/tom-wood-alan-bennett-AQUFNG-en/

    Citiranje ovog umetničkog dela

    MLA
    Wood, Tom. Alan Bennett. 1993, https://originaluniqueart.com/sr/art/tom-wood-alan-bennett-AQUFNG-en/
    APA
    Wood, Tom (1993). Alan Bennett [Painting]. https://originaluniqueart.com/sr/art/tom-wood-alan-bennett-AQUFNG-en/
    Chicago
    Tom Wood. Alan Bennett. 1993. https://originaluniqueart.com/sr/art/tom-wood-alan-bennett-AQUFNG-en/
    Harvard
    Wood, Tom (1993) Alan Bennett. Available at: https://originaluniqueart.com/sr/art/tom-wood-alan-bennett-AQUFNG-en/

    Pogledajte pažljivije

    Alan Bennett — Tom Wood

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Professor John C. West, Vice Chancellor of the University of Bradford (1989), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. Tom Wood je imao oko 38 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Odakle dolaze posetioci dela „Alan Bennett”, autor Tom Wood?

    Stranica Statistika za delo „Alan Bennett”, autor Tom Wood prikazuje statistiku javnih poseta: mesečni broj poseta ovom umetničkom delu, poređenje sa najgledanijim radovima ovog umetnika i poreklom posetilaca.

    Gde mogu kupiti ručno oslikanu reprodukciju dela „Alan Bennett”, autor Tom Wood?

    „Alan Bennett“ je dostupan kao ručno oslikana uljana reprodukcija na lanenom platnu. Porudžbinu možete izvršiti na stranici Ručno oslikana reprodukcija ulja na platnu, uz mogućnost izbora veličine.

    Koliko je zasićena paleta dela "Alan Bennett"?

    Paleta dela "Alan Bennett" ima Subtle Color zasićenost.