Vodič za studentske radove
Autorska prava Ovo delo je u javnom vlasništvu. Samuel Drummond je preminuo/la 1844. godine; autorska prava traju 70 godina nakon smrti umetnika, pa su prestala 1914.
U kontekstu
Thomas James — Samuel Drummond
Originalne dimenzije su 61 × 51 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.
Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 78 u smrti.
Naslikano kada je umetnik imao 64 godina. Umetnik je doživeo 78. 24 od 30 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.
Osenčeno: životni vek umetnika Samuel Drummond (1766–1844) ▲ ovo delo, 1830 svaka datirana slika, deceniju po deceniju
Prva dela: do 1806 Glavne radne godine: 1806–1825 Kasna dela: od 1825
Ova tri segmenta dele dela koja u ovom katalogu imaju naveden datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika
Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.
Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/samuel-drummond-thomas-james-AQSDSZ-en/
Izmereno na osnovu slike
Glavna boja
Phthalo Green #1f1f18
Katalogizovana paleta
Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji
Deset vodećih zemalja
Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.
Zajedno, ova dela privlače 100,0% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 40 dela ovog umetnika, od kojih je 12 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za mesec po mesec
Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.
Umetnik i muzej
Before he ever held a brush in a London studio, Samuel Drummond knew the rhythm of the Baltic trade routes. At thirteen, his world was defined by the salt and wood of ships, spending six or seven years in the sea service. This early time on the water left its mark on his later work, where the movement of waves and the weight of naval history became central themes. After leaving the navy, he worked briefly as a clerk, but the pull of the Royal Academy Schools in 1791 eventually led him away from ledgers and back to the visual arts.
His training began with crayons and oil, a path that saw him exhibit over three hundred works at the Royal Academy. He moved through the ranks of the artistic community, becoming an associate of both the Royal Academy and the British Institution by 1808. His hands were accustomed to the precision required for portraits, yet he found a particular gravity in larger oil paintings that documented the maritime history of the United Kingdom.
Drummond had a way of rendering a likeness with speed, a quality that brought him frequent commissions. He sat many notable figures before him, capturing the presence of people such as Walter Scott, Elizabeth Fry, and Marc Isambard Brunel. His work for The European Magazine under James Asperne allowed him to document the leading personalities of the day, including Sir John Soane and Friedrich Accum. In these portraits, one can see a focus on the textures of clothing—the crispness of a white collar or the heavy drape of a coat—and the steady gaze of the sitter.
Beyond the individual portrait, his attention turned to the sea. He used oil on canvas to capture the chaos and weight of naval conflict. His paintings often focused on specific historical moments, such as:
The Battle of the Nile, 1st August 1798
Captain William Rogers Capturing the Jeune Richard, 1 October 1807
Admiral Duncan at the Battle of Camperdown, 11 October 1797
The Death of Nelson
In these maritime scenes, the brushwork carries the energy of a naval clash. He documented the death of Admiral Horatio Nelson through several works, including a scene on the deck of HMS Victory, where the focus remains on the gathered crowd and the heavy atmosphere of the moment.
The practice of painting was a shared language within his household. Drummond’s life was marked by three marriages, and the creative impulse seemed to pass directly to his children. His daughters, including Rose Emma, Ellen, Eliza Ann, Jane, Rose Hudson, and Rosa Myra, all became artists themselves. Rose Emma, in particular, found her own way as a portrait miniaturist, known for her depictions of theatre actresses.
Despite the professional success of his children and his own standing within the Royal Academy, the later years brought financial difficulties. He often relied on support from the funds of the Royal Academy to sustain his craft until his death in London in 1844. His legacy remains held in collections such as the National Portrait Gallery, the National Maritime Museum, and the Walker Art Gallery.
originaluniqueart.com/sr/art/download/samuel-drummond-thomas-james-AQSDSZ-en/
Pogledajte pažljivije
Thomas James — Samuel Drummond
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„Thomas James”, Samuel Drummond je u u javnom vlasništvu – autorska prava su istekla. Autorska prava traju od smrti umetnika, koja se dogodila 1844.
„Thomas James”, Samuel Drummond je u Portrait formatu. Format opisuje proporcije kompozicije.
U pogledu percepcije osvetljenosti, „Thomas James”, Samuel Drummond je deep_shadow.