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Vodič za studentska umetnička dela

John Rolle Walter

Ime Razred Datum

Pompejo Batoni, John Rolle Walter (1753), Royal Albert Memorial Museum - Art Gallery. Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Pompejo Batoni originaluniqueart.com/sr/artists/pompeo-batoni_sr/
Datumi umetnika
1708 – 1787
Slikano
1753
Medijum
Oil
Pokret
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Period
Early Modern
Održano na
Royal Albert Memorial Museum - Art Gallery originaluniqueart.com/sr/museums/royal-albert-memorial-museum-art-gallery-exeter/

U kontekstu

John Rolle Walter — Pompejo Batoni

Kada je ovo naslikano?

  1. 1700
  2. 1710
  3. 1720
  4. 1730
  5. 1740
  6. 1750
  7. 1760
  8. 1770
  9. 1780

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 79 u smrti.

Naslikano kada je umetnik imao 45 godina. Umetnik je doživeo 79. 9 od ukupno 27 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Pompejo Batoni (1708–1787) ▲ ovo delo, 1753 svaka datirana slika, deceniju po deceniju

Prva dela: do 1748 Glavne radne godine: 1748–1765 Kasna dela: od 1765

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/pompeo-batoni-john-rolle-walter-D77N43-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Phthalo Green #313120

    Katalogizovana paleta

    • #313120
    • #A9926D
    • #1C1707
    • #5D5431

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv primarne boje
    Phthalo Green
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Pompejo Batoni tokom poslednjih dvanaest meseci — ukupno u 6 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 57,7%
    2. 2 Сједињене Америчке Државе 23,1%
    3. 3 Хонг Конг 7,7%
    4. 4 Бразил 3,8%
    5. 5 Чешка 3,8%
    6. 6 Сингапур 3,8%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    19 najposećenijih dela umetnika Pompejo Batoni

    1. 1 Diana and Cupid, 1761 13,8%
    2. 2 Hercules at the Crossroads, 1748 10,3%
    3. 3 Don José Moñino y Redondo, Count of Floridablanca, 1776 6,9%
    4. 4 Portrait of Charles Crowle, 1761 6,9%
    5. 5 John Rolle Walter, 1753 ova slika 6,9%
    6. 6 The Countess of San Martino, 1785 6,9%
    7. 7 Holy Family, 1777 6,9%
    8. 8 Hercules at the Crossroads, 1742 3,4%
    9. 9 Sensuality, 1747 3,4%
    10. 10 Thetis Gives Achilles in Charge of Chiron 3,4%
    11. 11 The Triumph of Venice 3,4%
    12. 12 Sir Charles Watson 3,4%
    13. 13 Princess Cecilia Mahony Giustiniani, 1785 3,4%
    14. 14 Представљење Исуса у Храму, 1748 3,4%
    15. 15 Hercules at the Crossroads (detail), 1748 3,4%
    16. 16 Madonna and Child, 1742 3,4%
    17. 17 Achilles and the Centaur Chiron, 1746 3,4%
    18. 18 Portrait of a Young Man, 1760 3,4%
    19. 19 Susanna and the Elders 3,4%

    Zajedno, ova dela zauzimaju 99,4% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 37 dela ovog umetnika, od kojih je 19 pregledano barem jednom. Ova slika zauzima 5 mesto među njima, sa 6,9% te pažnje. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    John Rolle Walter — Pompejo Batoni

    Three-quarter length. Sitter facing with left arm leaning against pedestal in velvet fur lined (lynx fur) robe.John Rolle Walter served as MP for Exeter (1754-76) and Devon (1776-79). He was the second son of John Rolle of Stevenstone and Isabella Charlotte (née Walter), he took the name of Walter on inheritance of his mother’s estates in Oxfordshire. He travelled to Italy on the Grand Tour in 1752-53 and was painted by Pompeo Batoni while in Rome.Batoni won international fame mostly due to his ability to portray British nobility, often shown against famous Italian landscapes. Grand Tour portraits by Batoni found homes in private collections and helped to ensure the genre’s popularity in Great Britain. Since RAMM’s acquisition of the John Rolle Walter portrait, a preliminary study has been identified at the Statens Museum, Copenhagen (The National Gallery of Denmark).Purchased with assistance from the Heritage Lottery Fund, Art Fund, MLA/V&A Purchase Grant Fund, Devon County Council, the Friends of RAMM, the Reynolds Chard Bequest and private donors, 2008

    Umetnik i muzej

    Umetnik

    Pompejo Batoni

    Rođen/a u Luka, Italija

    Rani život i obuka

    Rođen: Luka, Italija (1708)

    Preminuo: 1787

    Pompeo Batoni se preselio u Rim 1727. godine.

    Usavršavao je svoj talenat pod mentorstvom Agostina Masuccija, Sebastiana Conce i/ili Francesca Imperialija.

    Njegova prva samostalna narudžbina proizašla je kao rezultat obilnih kiša koje su pogodile Rim u aprilu 1732. godine.

    Slika „Ekstaza Svete Katarine Sijenske” ilustruje njegovo akademsko usavršavanje kasnobaroknog stila.

    Umetnički stil i uticaji

    Batonijev stil crpeo je inspiraciju iz klasične antike, francuskog rokokoa, bolonjskog klasicizma, kao i od umetnika poput Nikole Puzena, Kloda Lorena, a naročito od Rafaela.

    On se smatra pretečom neoklasicizma.

    Njegova dela se mogu pronaći u brojnim muzejima, uključujući Pinacoteku di Brera u Milanu, Italija.

    Značajna dela i narudžbina

    Devica idete sa svetima

    Vitez u Rimu: Čarls Sesil Roberts – Slavljeni portret britanskog putnika postavljen ispred rimskih ruševina.

    Trijumf Venecije

    Brojni oltari za crkve u Italiji, kao što je Duomo u Sijeni.

    Bio je veoma tražen za portretiranje, naročito od strane britanskih putnika na Velikom putovanju (Grand Tour), koji su naručivali portrete u stajaćim pozama unutar antičkih okruženja.

    Razvoj i istorijski značaj

    Batoni je postao izuzetno modni slikar u Rimu nakon što je njegov rival, Anton Rafael Mengs, otputovao u Španiju 1761. godine.

    Prijateljstvo je stekao sa Vinkelmanom, te je težio suzdržanosti klasicizma u svom slikarstvu.

    Njegovi portreti su dočarali duh ere Velikog putovanja, odražavajući fascinaciju klasičnom antikom među evropskim elitama.

    Batonijeva sposobnost da spoji barokne tehnike sa novonastalim neoklasičnim idealima pozicionirala ga je kao tranzicionu figuru u istoriji italijanske umetnosti.

    Nasleđe

    Pompeo Batoni preminuo je 4. februara 1787. godine u Rimu.

    Za sobom je ostavio nasleđe jednog od najpoznatijih italijanskih slikara svog vremena.

    Njegova dela i dalje uživaju divljenje zbog tehničke veštine, elegantnih kompozicija i prodornih prikaza pojedinaca unutar njihovog istorijskog konteksta.

    Muzej

    Royal Albert Memorial Museum - Art Gallery

    Izložbeno mesto Exeter, United Kingdom

    A Sanctuary of Stories: Unveiling the Royal Albert Memorial Museum

    Nestled within the historic heart of Exeter, Devon, the Royal Albert Memorial Museum (RAMM) isn’t merely a repository for artifacts; it's an immersive journey through time and culture. Stepping through its imposing Gothic Revival doors is akin to entering a meticulously curated world where centuries collide, diverse traditions converge, and the echoes of the past resonate with vibrant contemporary life. The building itself—a magnificent testament to local New Red Sandstone – immediately captivates, its warm hues radiating an inviting atmosphere that belies the extraordinary breadth of treasures within. Originally conceived in 1868 as a poignant memorial to Prince Albert, RAMM has undergone a remarkable evolution, transforming from a solemn tribute into a dynamic cultural hub—a testament to thoughtful preservation and innovative presentation.

    RAMM’s strength lies not just in its sheer volume of holdings – over 7,000 objects spanning art, natural history, archaeology, and global cultures – but in the way these disparate collections are interwoven. The museum deliberately resists rigid categorization, offering visitors a holistic understanding of our world through interconnected narratives. A particular highlight is the remarkable collection of British art, boasting masterpieces by Gainsborough and Reynolds alongside evocative works by Walter Sickert, Barbara Hepworth, and Patrick Heron. Beyond national boundaries, RAMM’s artistic treasures extend to Pompeo Batoni and Joseph Wright of Derby, reflecting a rich European influence. But the museum's allure doesn’t stop at canvas; Percy Sladen’s extraordinary collection of echinoderms—a globally significant assemblage rivaling those found in national collections – stands as a testament to the natural world’s wonders. The World Cultures galleries are particularly noteworthy, officially recognized for their national and international importance by the UK government, offering profound explorations of diverse traditions, beliefs, and ways of life from across the globe.

    A Building Steeped in History

    The story of RAMM is inextricably linked to the history of Exeter itself. Remarkably, the university, central library, and college of art all trace their origins back to this very institution—a testament to its enduring role as a cultural cornerstone for the city. The building’s evolution mirrors Exeter's own growth, adapting and expanding over decades to meet changing needs and interests. The recent redevelopment, completed in 2011 at a cost of £24 million, was spearheaded by Allies and Morrison and involved not only restoring the building’s historical integrity but also creating a new entrance from the historic Registered gardens, enhancing accessibility, and completely reimagining the display of its vast collections. This commitment to modernization is further exemplified by RAMM’s 2024 announcement of an open access strategy, making public domain collections freely available online—a bold step towards wider engagement and long-term preservation.

    Treasures Within: Highlights of the Collection

    Exploring RAMM's diverse holdings reveals a captivating array of treasures. The costume and textiles collection – one of the most important outside London – is particularly prized, though its delicate nature often necessitates curated exhibitions rather than permanent display. The museum’s zoology collection, amassed by Percy Sladen, houses an astonishing diversity of invertebrates and mammals, while the archaeology galleries offer glimpses into Exeter's rich past, from Roman settlements to medieval trade routes. Don’t miss the opportunity to encounter “Toekomstdromen” (Future Dreams) by Otto Roelofs – a captivating Belgian Impressionist portrait that exemplifies the collection’s vibrant artistic diversity. The museum also holds significant holdings of British landscape art, reflecting Devon's stunning natural beauty.

    A Living Cultural Hub

    What truly sets RAMM apart is its unwavering commitment to accessibility and inclusivity. With free entry for all visitors, the museum actively strives to be a welcoming space where everyone can engage with art, history, and culture. The displays are thoughtfully designed to appeal to a wide range of ages and interests, fostering curiosity and discovery. From families exploring together to scholars conducting research, RAMM serves as a vital community resource—a living, breathing cultural hub that enriches the lives of all who encounter it. It stands not just as a museum, but as a beacon of knowledge, creativity, and community spirit in the heart of Exeter.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje John Rolle Walter

    originaluniqueart.com/sr/art/download/pompeo-batoni-john-rolle-walter-D77N43-en/

    Citiranje ovog umetničkog dela

    MLA
    Batoni, Pompejo. John Rolle Walter. 1753, Royal Albert Memorial Museum - Art Gallery. https://originaluniqueart.com/sr/art/pompeo-batoni-john-rolle-walter-D77N43-en/
    APA
    Batoni, Pompejo (1753). John Rolle Walter [Painting]. Royal Albert Memorial Museum - Art Gallery. https://originaluniqueart.com/sr/art/pompeo-batoni-john-rolle-walter-D77N43-en/
    Chicago
    Pompejo Batoni. John Rolle Walter. 1753. Royal Albert Memorial Museum - Art Gallery. https://originaluniqueart.com/sr/art/pompeo-batoni-john-rolle-walter-D77N43-en/
    Harvard
    Batoni, Pompejo (1753) John Rolle Walter. Royal Albert Memorial Museum - Art Gallery. Available at: https://originaluniqueart.com/sr/art/pompeo-batoni-john-rolle-walter-D77N43-en/

    Pogledajte pažljivije

    John Rolle Walter — Pompejo Batoni

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: portrait, british nobility, grand tour. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na A Knight in Rome: Charles Cecil Roberts (1778), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Neoclassicism: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koju temu i atmosferu spaja „John Rolle Walter”, autor Pompejo Batoni?

    „John Rolle Walter”, autor Pompejo Batoni prikazuje portrait, british nobility, grand tour, 18th century, men's fashion, pompeo batoni, u Luxurious raspoloženju. Motiv i atmosfera zajedno dočaravaju delo.

    Da li je dostupno preuzimanje za "John Rolle Walter"?

    „John Rolle Walter”, autor Pompejo Batoni možete preuzeti na stranici za Preuzimanje digitalnog prikaza ovog dela, kao preuzimanje digitalne slike visoke rezolucije.

    Koliko su intenzivne boje dela "John Rolle Walter"?

    Boje dela „John Rolle Walter”, autor Pompejo Batoni odlikuju se Subtle Color zasićenosti i Monochromatic intenzitetom.