Papir

Vodič za studentska umetnička dela

Self Portrait

Ime Razred Datum

Norman Stansfield Cornish, Self Portrait (1950). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Norman Stansfield Cornish originaluniqueart.com/sr/artists/norman-stansfield-cornish/
Datumi umetnika
1919 – 2014
Slikano
1950
Prvobitne dimenzije
39 x 28 cm

U kontekstu

Self Portrait — Norman Stansfield Cornish

Koje su dimenzije?

Originalne dimenzije su 39 × 28 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 95 u smrti.

Naslikano kada je umetnik imao 31 godina. Umetnik je doživeo 95. 0 od ukupno 1 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Norman Stansfield Cornish (1919–2014) ▲ ovo delo, 1950 svaka datirana slika, deceniju po deceniju

Uporedi sa

  • Pit Gantry Steps originaluniqueart.com/sr/art/norman-stansfield-cornish-pit-gantry-steps-AQSKZV-en/
  • Pit Road originaluniqueart.com/sr/art/norman-stansfield-cornish-pit-road-AQSL2D-en/
  • Pit Road at Night (recto) originaluniqueart.com/sr/art/norman-stansfield-cornish-pit-road-at-night-recto-AQSKZR-en/

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/norman-stansfield-cornish-self-portrait-AQSKZM-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Phthalo Green #36170a

    Katalogizovana paleta

    • #36170A
    • #AC7144
    • #D59367
    • #753F21

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Dark Dominantna grupa boja na slici.
    Naziv primarne boje
    Phthalo Green
    Intenzitet
    Vivid Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Bold Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Balanced Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Clear Color Presence Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Norman Stansfield Cornish tokom poslednjih dvanaest meseci — ukupno u 2 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 75,0%
    2. 2 Аргентина 25,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    6 najposećenijih dela umetnika Norman Stansfield Cornish

    1. 1 Self Portrait, 1950 ova slika 16,7%
    2. 2 Busy Bar 16,7%
    3. 3 Pit Gantry Steps 16,7%
    4. 4 A Tired Pit Pony 16,7%
    5. 5 Going under Bye 16,7%
    6. 6 Bar Scene, Spennymoor, County Durham 16,7%

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 14 dela ovog umetnika, od kojih je 6 pregledano barem jednom. Ova slika zauzima 1 mesto među njima, sa 16,7% te pažnje. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Norman Stansfield Cornish

    Norman Cornish: A Chronicle of the Pit and the Palette

    Norman Stansfield Cornish (1919-2014) wasn’t merely an artist; he was a living embodiment of Northern England's industrial heartland, meticulously rendered onto canvas and paper. His life story is inextricably linked to the mines that shaped his identity and fueled his artistic vision – a poignant narrative of a miner who traded his pickaxe for brushes, capturing the dignity, hardship, and enduring spirit of his community with an unparalleled sensitivity. Born in Spennymoor, County Durham, a town synonymous with coal mining, Cornish’s early life was defined by the rhythms of the pit, a reality that would profoundly influence every aspect of his work.

    Cornish's journey into art began unexpectedly. Initially destined for a career within the mines, he found solace and inspiration in the Spennymoor Settlement, a unique recreational and artistic hub established to provide social and cultural opportunities for the local community. It was here, amidst workshops and gatherings, that Cornish discovered his talent for drawing and painting – a revelation sparked by the encouragement of Bill Farrell, the Settlement’s warden, who recognized the potential within the miner's eye. This formative experience marked a pivotal shift in Cornish’s life, transforming him from a dedicated worker into an artist deeply invested in documenting the lives of his fellow miners.

    The ‘Pitman Painter’ and His Subjects

    Cornish quickly established himself as the foremost “Pitman Painter,” a title earned through his unwavering dedication to portraying the everyday realities of mining life. Unlike many artists who sought grand, romanticized depictions of industry, Cornish focused on the intimate details – the weary faces of men returning from their shifts, the damp and claustrophobic tunnels, the communal spaces where miners found respite and camaraderie. His paintings aren’t dramatic landscapes; they are studies in human endurance, resilience, and community spirit.

    His subjects weren't merely miners; they were families, friends, and neighbors – rendered with a remarkable warmth and empathy. Cornish captured not just the physical labor but also the emotional landscape of these communities, portraying their joys, sorrows, and unwavering bonds. He frequently depicted scenes from Gala Days, village fetes, and moments of shared celebration, offering glimpses into the social fabric of mining towns. His work is deeply rooted in realism, yet infused with an expressive quality that transcends mere representation. Thick impasto, dramatic lighting, and a muted color palette contribute to a sense of isolation and beauty, reflecting both the harshness and the inherent dignity of the pit.

    Technique and Influences

    Cornish’s artistic style evolved over time, influenced by a diverse range of sources. Initially, his work bore a strong resemblance to L.S. Lowry, with whom he maintained a close friendship and mutual admiration. However, Cornish quickly developed his own distinctive voice, characterized by bold brushstrokes, expressive use of color, and an intimate understanding of human psychology. He employed a technique known as “expressionism,” prioritizing emotional impact over strict realism. His paintings are not photographic representations but rather subjective interpretations of the world around him.

    The influence of his mining background is undeniable. Cornish’s meticulous observation of detail, combined with his deep understanding of light and shadow, created a powerful sense of atmosphere. He skillfully used texture to convey the roughness of the coal dust, the dampness of the tunnels, and the weight of the men's burdens. His use of color – predominantly browns, grays, and blues – evoked the somber mood of the mines while also capturing the warmth and resilience of the human spirit.

    Legacy and Recognition

    Norman Cornish’s work gained increasing recognition throughout his career, culminating in numerous exhibitions across Britain. He was celebrated for his ability to capture the essence of Northern England's mining communities with honesty, compassion, and artistic skill. His paintings are now held in major collections, including the National Museum of Wales and the Laing Art Gallery in Newcastle upon Tyne. Cornish’s legacy extends beyond his artistic achievements; he remains a symbol of resilience, community spirit, and the enduring power of art to document and celebrate the lives of ordinary people.

    In 2019, a ‘Norman Cornish Trail’ was created in Spennymoor, allowing visitors to trace the locations depicted in his paintings – a testament to his profound connection with his hometown. His life story serves as an inspiration, demonstrating how personal experience can be transformed into powerful and enduring art.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Self Portrait

    originaluniqueart.com/sr/art/download/norman-stansfield-cornish-self-portrait-AQSKZM-en/

    Citiranje ovog umetničkog dela

    MLA
    Cornish, Norman Stansfield. Self Portrait. 1950, https://originaluniqueart.com/sr/art/norman-stansfield-cornish-self-portrait-AQSKZM-en/
    APA
    Cornish, Norman Stansfield (1950). Self Portrait [Painting]. https://originaluniqueart.com/sr/art/norman-stansfield-cornish-self-portrait-AQSKZM-en/
    Chicago
    Norman Stansfield Cornish. Self Portrait. 1950. https://originaluniqueart.com/sr/art/norman-stansfield-cornish-self-portrait-AQSKZM-en/
    Harvard
    Cornish, Norman Stansfield (1950) Self Portrait. Available at: https://originaluniqueart.com/sr/art/norman-stansfield-cornish-self-portrait-AQSKZM-en/

    Pogledajte pažljivije

    Self Portrait — Norman Stansfield Cornish

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Pit Gantry Steps, ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom i jednu koja ih razlikuje.
    4. Norman Stansfield Cornish je imao oko 31 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koliko je "Self Portrait" ukupno svetla?

    Sveukupno, "Self Portrait" je zabeležen kao balanced. Percepcija osvetljenosti opisuje koliko delo deluje svetlo ili tamno.

    Odakle dolaze posetioci dela „Self Portrait”, autor Norman Stansfield Cornish?

    Statistika za „Self Portrait”, autor Norman Stansfield Cornish dostupna je na stranici Statistika ovog umetničkog dela: mesečni broj poseta delu, broj poseta radovima umetnika, kao i pregled nedavnih posetilaca prema zemljama i jezicima.

    Koliko su intenzivne boje u delu „Self Portrait”, autor Norman Stansfield Cornish?

    Intenzitet boja dela "Self Portrait" je Vivid. Intenzitet opisuje koliko boje deluju snažno.