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Summertime

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Meri Stenفين Касат, Summertime (1894). Domen javnog dobra. Pogledajte ovo platno pod pokretnim svetlom: crtež, pravu boju ispod vernisa, čisti pigment

Osnovne informacije

Umetnik
Meri Stenفين Касат originaluniqueart.com/sr/artists/meri-stenfyn-kasat_sr/
Podaci o umetniku
1843 – 1926
Slikano
1894
Pokret
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Artistic style
Impressionistic
Influences
Japanese art
Notable elements or techniques
Loose brushstrokes, Atmospheric perspective
Subject or theme
Leisurely scene of women and ducks

U kontekstu

Summertime — Meri Stenفين Касат

Godina nastanka

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 83 u smrti.

Naslikano kada je umetnik imao 51 godina. Umetnik je doživeo 83. 160 od 311 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Meri Stenفين Касат (1843–1926) ▲ ovo delo, 1894 svaka datirana slika, deceniju po deceniju

Prva dela: do 1881 Glavne radne godine: 1881–1901 Kasna dela: od 1901

Ova tri segmenta dele dela koja u ovom katalogu imaju naveden datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/mary-stevenson-cassatt-summertime-9GG5MV-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Rosy Brown #caa87f

    Katalogizovana paleta

    • #CAA87F
    • #302D2F
    • #494C4B
    • #6A6A62

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv glavne boje
    Rosy Brown
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Meri Stenفين Касат tokom poslednjih dvanaest meseci — ukupno u 33 zemalja. Odakle ovi podaci potiču

    Deset vodećih zemalja

    1. 1 Кина 57,0%
    2. 2 Сједињене Америчке Државе 9,5%
    3. 3 Сингапур 7,4%
    4. 4 Хонг Конг 6,8%
    5. 5 Шпанија 2,1%
    6. 6 Италија 2,1%
    7. 7 Мексико 2,1%
    8. 8 Јапан 1,7%
    9. 9 Француска 1,5%
    10. 10 Бразил 0,8%
    11. · 23 ostalih zemalja 9,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Meri Stenفين Касат

    1. 1 Деца у бању, 1893 16,9%
    2. 2 Little Girl in a Blue Armchair, 1878 3,8%
    3. 3 У ложу 2,2%
    4. 4 Лежишће на броду, 1894 2,0%
    5. 5 Једна од највећих препрека у живопису је то што се гледа из висине и појединачно гледање. 1,9%
    6. 6 Ледица на чашњици, 1883 1,9%
    7. 7 Sara Holding a Cat 1,7%
    8. 8 Ложа, 1880 1,6%
    9. 9 Woman on a Striped with a Dog (also known as Young Woman on a Striped Sofa with Her Dog), 1875 1,1%
    10. 10 Lilacs in a Window, 1880 1,1%
    11. 11 Mother and Child (also known as The Oval Mirror), 1898 0,9%
    12. 12 Summertime, 1894 ova slika 0,9%
    13. 13 Mother Holding a Child in Her Arms, 1890 0,6%
    14. 14 Ellen Mary Cassatt in a White Coat, 1896 0,6%
    15. 15 Woman Reading (also known as Lydia Cassatt), 1878 0,6%
    16. 16 Little Girl in a Big Straw Hat and a Pinnafore, 1886 0,6%
    17. 17 Woman Sewing, 1914 0,6%
    18. 18 Children in a Garden, 1878 0,6%
    19. 19 untitled (6989) 0,6%
    20. 20 Woman Reading in a Garden, 1880 0,5%

    Zajedno, ova dela privlače 40,7% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 614 dela ovog umetnika, od kojih je 272 pregledano barem jednom. Ova slika zauzima 12 mesto među njima, sa 0,9% te pažnje. Isto važi i za mesec po mesec

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    Summertime — Meri Stenفين Касат

    Summertime by Mary Cassatt: A Study in Leisure and Impressionistic Light

    Mary Cassatt's "Summertime," painted in 1894, is a captivating glimpse into the leisurely pursuits of women in late 19th-century France. This artwork, rendered in an unmistakable Impressionistic style, transports viewers to a tranquil scene of companionship and connection with nature, offering a moment of serene escape.

    Composition and Technique: Capturing Fleeting Moments

    "Summertime" centers around a small boat gently gliding on water, populated by two women. Cassatt masterfully employs an Impressionistic technique characterized by loose brushstrokes and a focus on capturing the fleeting effects of light and color rather than precise detail. The composition is balanced, with the women positioned thoughtfully within the frame, creating visual harmony. The background features indistinct trees and foliage along the riverbank, providing depth without overwhelming the central subject. Scattered throughout the water are ducks, adding movement and a touch of playful life to the scene. Lines are soft and blurred, contributing to the overall sense of tranquility. The artist’s technique involves applying paint in short, broken strokes, creating a vibrant and dynamic surface that reflects the shimmering quality of light on water.

    Color Palette and Symbolism: Evoking Serenity

    The color palette is dominated by muted greens, blues, and pinks, creating a soft, pastel atmosphere. This gentle coloration contributes significantly to the artwork's calming effect. The sky, barely visible, appears as a pale blue or grey, further enhancing the sense of an overcast day – a condition that diffuses light evenly across the scene. Symbolically, "Summertime" represents leisure, friendship, and the simple pleasures of life. It speaks to a moment of quiet contemplation and shared enjoyment between two women, reflecting Cassatt's recurring focus on domesticity and female relationships within her oeuvre. The ducks themselves can be interpreted as symbols of freedom and natural abundance.

    Historical Context: Impressionism and American Perspective

    Painted during the height of the Impressionist movement, "Summertime" exemplifies the era’s emphasis on capturing everyday life and fleeting moments in nature. Cassatt, an American expatriate living and working in France, was a pivotal figure within this artistic circle, befriending and collaborating with artists like Edgar Degas and Pierre-Auguste Renoir. Her unique perspective as an American woman observing French society brought a fresh sensibility to Impressionist themes. Notably, Cassatt’s work also reveals the influence of Japanese prints, which were gaining popularity in Europe at the time; the flattened perspectives and compositional elements evident in "Summertime" reflect this artistic exchange.

    Emotional Impact: A Moment of Peaceful Reflection

    "Summertime" evokes feelings of serenity, relaxation, and a deep connection to nature. The artwork invites viewers to pause and appreciate the beauty of simple moments – a leisurely boat ride, companionship, and the gentle rhythm of life. The diffused lighting and soft colors create an atmosphere of calm contemplation, making it a truly captivating and emotionally resonant work of art.

    Umetnik i muzej

    Umetnik

    Meri Stenفين Касат

    Mesto rođenja Алачеги Сити, САД

    A Life Dedicated to Impressionism and Domesticity

    Mary Stevenson Cassatt, a name forever linked with intimate portrayals of women and children within the radiant world of late 19th-century Impressionism, forged an exceptional path as an American artist who discovered her artistic sanctuary in France. Born on May 22, 1844, in Allegheny City, Pennsylvania – now part of Pittsburgh – Cassatt’s upbringing was steeped in privilege and a cultivated awareness of culture. Her family, with roots tracing back to French Huguenots, placed high value on education and travel, instilling within young Mary a cosmopolitan perspective that would profoundly shape her artistic vision. While societal norms often confined women to domestic spheres, Cassatt's mother, Katherine Kelso Johnston, actively encouraged her daughter’s burgeoning interest in art, recognizing and nurturing a talent that defied convention. This early support proved invaluable as Cassatt navigated the challenges of pursuing a professional career within a male-dominated field.

    From Philadelphia to Parisian Immersion

    Cassatt's formal artistic training commenced at the Pennsylvania Academy of Fine Arts in Philadelphia at the age of fifteen, a bold step for a young woman during the Civil War era. Despite encountering skepticism and subtle discouragement from some instructors and fellow students, she persevered through years of diligent study. However, feeling constrained by the academy’s deliberate pace and traditional methods, Cassatt sought broader horizons. A pivotal moment arrived in 1866 when she relocated to Paris, accompanied by her mother and family friends as chaperones. This move marked a turning point in her artistic development. She studied privately with established artists affiliated with the École des Beaux-Arts, including Jean-Léon Gérôme, absorbing technical skills while simultaneously immersing herself in the burgeoning Parisian art scene. It was during this period that Cassatt began to gravitate toward the innovative ideas of the Impressionists, a group challenging academic conventions and striving to capture the fleeting moments of modern life. A particularly significant relationship blossomed with Edgar Degas, who recognized her exceptional talent and invited her to exhibit alongside the Impressionist circle. Their connection extended beyond exhibition; Degas became a mentor, encouraging Cassatt’s exploration of printmaking techniques, especially color aquatint, which would become an integral part of her artistic repertoire. He profoundly influenced her compositional choices, particularly in his emphasis on asymmetrical arrangements and cropped figures – elements that would come to define her unique style.

    Capturing Modern Womanhood: Style and Themes

    Cassatt’s artistic style evolved to embrace the hallmarks of Impressionism – visible brushstrokes, a focus on light and color, and a commitment to depicting contemporary life. Yet, she infused her work with a distinct clarity and precision that set it apart from some of her contemporaries. Unlike many male Impressionists who favored landscapes or Parisian nightlife, Cassatt centered her art around the social and private worlds of women, particularly mothers and children. She portrayed scenes of domesticity – bathing rituals, tea parties, quiet moments of connection – with remarkable intimacy and psychological depth. Her paintings are not merely depictions of everyday life; they are sensitive explorations of maternal bonds, female relationships, and the complexities of modern womanhood. Key works like The Boating Party (1894), The Child’s Bath (in various versions), and Little Girl in a Blue Armchair exemplify her ability to capture fleeting moments with both technical skill and emotional resonance. Furthermore, Cassatt was deeply influenced by Japanese ukiyo-e woodblock prints, evident in her compositions' flattened perspective, bold color choices, and elegant simplicity. This Japonisme influence added another layer of sophistication to her already distinctive style, influencing her use of pattern and the arrangement of forms within a space.

    Notable Achievements & Legacy

    Mary Cassatt’s contribution to Impressionism is undeniable. Her unwavering dedication to portraying women's lives with honesty and compassion challenged prevailing societal norms and elevated the status of female artists during her time. She became one of the “three great ladies” of Impressionism, alongside Berthe Morisot and Marie Bracquemond, demonstrating that artistic excellence transcended gender boundaries. Cassatt’s influence extended beyond her own paintings; she championed the collection of old masters and encouraged the embrace of Impressionist ideals within American art circles. Her legacy continues to inspire artists today, reminding us of the importance of portraying human experience with sensitivity and nuance. She remains a powerful symbol of artistic independence and a testament to the enduring power of art to illuminate the human condition.

    Further Exploration

    Online Resources: Explore Mary Cassatt’s life and work further through resources like Wikipedia (https://en.wikipedia.org/wiki/Mary_Cassatt) and AllPaintingsStore.

    Museum Collections: Discover her masterpieces in renowned museums worldwide, including the Art Institute of Chicago and the National Portrait Gallery in London.

    Related Artists: Delve into the works of Edgar Degas, Berthe Morisot, and Marie Bracquemond to understand the broader context of Impressionism and the contributions of women artists during this period.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Summertime

    originaluniqueart.com/sr/art/download/mary-stevenson-cassatt-summertime-9GG5MV-en/

    Citiranje ovog umetničkog dela

    MLA
    Касат, Meri Stenفين. Summertime. 1894, https://originaluniqueart.com/sr/art/mary-stevenson-cassatt-summertime-9GG5MV-en/
    APA
    Касат, Meri Stenفين (1894). Summertime [Painting]. https://originaluniqueart.com/sr/art/mary-stevenson-cassatt-summertime-9GG5MV-en/
    Chicago
    Meri Stenفين Касат. Summertime. 1894. https://originaluniqueart.com/sr/art/mary-stevenson-cassatt-summertime-9GG5MV-en/
    Harvard
    Касат, Meri Stenفين (1894) Summertime. Available at: https://originaluniqueart.com/sr/art/mary-stevenson-cassatt-summertime-9GG5MV-en/

    Pogledajte pažljivije

    Summertime — Meri Stenفين Касат

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Koliko lica možete pronaći? ____ (u našem katalogu ih je izbrojano 2 — slažete li se?)
    4. U našem katalogu ovo delo je klasifikovano pod: leisure, river scene, women. Da li se slažete? Šta biste dodali ili uklonili?
    5. Vratite se na Деца у бању (1893), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Kviz o umetnosti

    Summertime — Meri Stenفين Касат

    Koliko dobro poznajete ovo umetničko delo?

    Označi jedan tačan odgovor za svako od poniženih 5 pitanja. Svako pitanje ima samo jedan tačan odgovor.

    1. 1. What artistic movement is Mary Cassatt’s ‘Summertime’ most closely associated with?

      • A Cubism
      • B Impressionism
      • C Surrealism
    2. 2. Which of the following best describes the color palette used in 'Summertime'?

      • A Bold and contrasting primary colors
      • B Muted greens, blues, and pinks
      • C Dark and somber earth tones
    3. 3. What is the most prominent technique used to create a sense of movement and vibrancy in this artwork?

      • A Pointillism
      • B Impasto with thick brushstrokes
      • C Smooth, blended gradients
    4. 4. The perspective in 'Summertime' is best described as:

      • A Deep spatial recession with a clear vanishing point
      • B Relatively flat and lacking distinct depth cues
      • C A dramatic bird’s-eye view
    5. 5. What symbolic meaning might the scene of two women in a boat with ducks evoke?

      • A Industrial progress and urban life
      • B Leisure, friendship, and connection to nature
      • C Religious devotion and spiritual awakening

    Moj rezultat: ____ od ukupno 5

    Ključ odgovora — za nastavnike

    Ovo započinje novu štampanu stranicu, pa se prilikom kopiranja može jednostavno izostaviti.

    1B · 2B · 3B · 4B · 5B

    Proverite svaki odgovor upoređujući ga sa katalogom za ovu sliku

    Pitanja i odgovori

    Koji je kolorits korišćen u delu „Summertime”, Meri Stenفين Касат?

    „Summertime”, Meri Stenفين Касат koristi Earthy paletu boja. Ova paleta sažima opšti koloristički karakter dela.

    Gde mogu kupiti ručno oslikano reprodukciju dela „Summertime”, Meri Stenفين Касат?

    Ručno oslikane kopije dela „Summertime”, Meri Stenفين Касат mogu se kupiti na stranici ovaj veb-sajt: ručno oslikana uljana reprodukcija na lanenom platnu, putem njihove stranice za naručivanje reprodukcija Ručno oslikana reprodukcija.

    Koje motive se pojavljuju u delu „Summertime”, Meri Stenفين Касат?

    „Summertime”, Meri Stenفين Касат prikazuje: leisure, river scene, women, ducks, boat, impressionism, companionship, nature.