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Vodič za studentska umetnička dela

Summertime

Ime Razred Datum

Meri Stenفين Касат, Summertime (1894). Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Meri Stenفين Касат originaluniqueart.com/sr/artists/meri-stenfyn-kasat_sr/
Datumi umetnika
1843 – 1926
Slikano
1894
Medijum
Oil On Canvas
Pokret
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
19th Century
Artistic style
American Impressionism
Subject or theme
Women on a boat in summer

U kontekstu

Summertime — Meri Stenفين Касат

Kada je ovo naslikano?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 83 u smrti.

Naslikano kada je umetnik imao 51 godina. Umetnik je doživeo 83. 160 od ukupno 311 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Meri Stenفين Касат (1843–1926) ▲ ovo delo, 1894 svaka datirana slika, deceniju po deceniju

Prva dela: do 1881 Glavne radne godine: 1881–1901 Kasna dela: od 1901

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/mary-stevenson-cassatt-summertime-8YE3YX-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Rosy Brown #c1b98c

    Katalogizovana paleta

    • #C1B98C
    • #493226
    • #516158
    • #888167

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv primarne boje
    Rosy Brown
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Bold Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Balanced Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Meri Stenفين Касат tokom poslednjih dvanaest meseci — ukupno u 35 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 54,5%30.000 poseta
    2. 2 Сједињене Америчке Државе 9,8%5.400 poseta
    3. 3 Сингапур 7,1%3.900 poseta
    4. 4 Хонг Конг 6,5%3.600 poseta
    5. 5 Француска 2,7%1.500 poseta
    6. 6 Италија 2,5%1.400 poseta
    7. 7 Шпанија 2,2%1.200 poseta
    8. 8 Мексико 2,0%1.100 poseta
    9. 9 Јапан 1,8%1.000 poseta
    10. 10 Немачка 1,1%600 poseta
    11. · 25 ostalih zemalja 9,8%5.300 poseta

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Meri Stenفين Касат

    1. 1 Деца у бању, 1893 17,6%12.800 poseta
    2. 2 Little Girl in a Blue Armchair, 1878 3,6%2.600 poseta
    3. 3 У ложу 2,7%2.000 poseta
    4. 4 Ледица на чашњици, 1883 2,1%1.500 poseta
    5. 5 Једна од највећих препрека у живопису је то што се гледа из висине и појединачно гледање. 1,9%1.400 poseta
    6. 6 Лежишће на броду, 1894 1,9%1.400 poseta
    7. 7 Sara Holding a Cat 1,5%1.100 poseta
    8. 8 Ложа, 1880 1,4%1.000 poseta
    9. 9 Mother and Child (also known as The Oval Mirror), 1898 1,2%900 poseta
    10. 10 Woman on a Striped with a Dog (also known as Young Woman on a Striped Sofa with Her Dog), 1875 1,2%900 poseta
    11. 11 Lilacs in a Window, 1880 1,0%700 poseta
    12. 12 Spring: Margot Standing in a Garden, 1900 1,0%700 poseta
    13. 13 Summertime, 1894 1,0%700 poseta
    14. 14 The Mandolin Player, 1872 0,8%600 poseta
    15. 15 Woman with a Sunflower, 1905 0,7%500 poseta
    16. 16 Ellen Mary Cassatt in a White Coat, 1896 0,7%500 poseta
    17. 17 Young Mother Sewing, 1902 0,7%500 poseta
    18. 18 Sarah in a Green Bonnet, 1901 0,7%500 poseta
    19. 19 Lydia Seated at an Embroidery Frame, 1880 0,7%500 poseta
    20. 150 Summertime, 1894 ova slika 0,1%100 poseta

    Zajedno, ova dela zauzimaju 42,5% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 614 dela ovog umetnika, od kojih je 280 pregledano barem jednom. Ova slika zauzima 150 mesto na listi, sa 0,1% te pažnje (100 poseta). Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    Summertime — Meri Stenفين Касат

    A Summer Afternoon on the Water: Capturing Leisure in Cassatt's Brushstrokes

    To gaze upon Mary Stevenson Cassatt’s Summertime is to be instantly transported to a moment suspended in golden, languid light. This painting, executed in 1894, is far more than a mere depiction of a boat ride; it is an exquisite meditation on companionship, the gentle passage of time, and the idyllic pleasures of a bygone era. The composition centers around two elegantly attired women enjoying a leisurely excursion upon the water. Their presence immediately draws the viewer into their intimate sphere, suggesting whispered conversations and shared moments of perfect repose. Cassatt masterfully captures the atmosphere—the soft shimmer on the water's surface contrasting with the deep, verdant embrace of the surrounding foliage.

    Mastery of Impressionism and Portraiture

    As a leading figure in American Impressionism, Mary Stevenson Cassatt possessed an unparalleled gift for rendering human connection. Her portraits, particularly those featuring women and children, are renowned for their psychological depth combined with technical brilliance. In Summertime, her technique shines through in the delicate handling of light and color applied to the oil on canvas. Notice the subtle variations in tone across the two hats—one crisp white against the other warm brown—details that anchor the figures while allowing the background to breathe with Impressionistic spontaneity. The brushwork, though skilled enough to render fabric and skin with convincing realism, retains a visible texture that speaks to the hand of the master artist, inviting close inspection.

    Symbolism of Companionship and Nature

    The symbolism woven into this scene is rich and comforting. The pairing of the two women suggests themes of sisterhood or deep friendship—a common, yet profoundly resonant subject in Cassatt’s oeuvre. They are framed by nature itself: the lush greenery speaks to vitality, while the water represents fluidity and the ceaseless flow of life. Adding a touch of whimsical movement are the birds scattered throughout the composition; one soaring overhead, others perched nearby. These avian elements act as natural accents, punctuating the quiet harmony and reminding us that even in moments of perfect stillness, life continues its vibrant, fluttering dance.

    Bringing the Serenity Home: Owning a Piece of Art History

    For the collector or interior designer seeking to infuse a space with timeless grace, Summertime offers unparalleled emotional resonance. The painting evokes a sense of nostalgic tranquility—a perfect counterpoint to the hurried pace of modern life. While the original masterpiece resides in esteemed collections like the Terra Foundation for American Art, acquiring a high-quality reproduction allows you to curate this beautiful moment for your own walls. To bring Cassatt’s vision of summer leisure into your home is not just decorating; it is curating an atmosphere of enduring beauty and gentle contemplation.

    Umetnik i muzej

    Umetnik

    Meri Stenفين Касат

    Rođen/a u Алачеги Сити, САД

    A Life Dedicated to Impressionism and Domesticity

    Mary Stevenson Cassatt, a name forever linked with intimate portrayals of women and children within the radiant world of late 19th-century Impressionism, forged an exceptional path as an American artist who discovered her artistic sanctuary in France. Born on May 22, 1844, in Allegheny City, Pennsylvania – now part of Pittsburgh – Cassatt’s upbringing was steeped in privilege and a cultivated awareness of culture. Her family, with roots tracing back to French Huguenots, placed high value on education and travel, instilling within young Mary a cosmopolitan perspective that would profoundly shape her artistic vision. While societal norms often confined women to domestic spheres, Cassatt's mother, Katherine Kelso Johnston, actively encouraged her daughter’s burgeoning interest in art, recognizing and nurturing a talent that defied convention. This early support proved invaluable as Cassatt navigated the challenges of pursuing a professional career within a male-dominated field.

    From Philadelphia to Parisian Immersion

    Cassatt's formal artistic training commenced at the Pennsylvania Academy of Fine Arts in Philadelphia at the age of fifteen, a bold step for a young woman during the Civil War era. Despite encountering skepticism and subtle discouragement from some instructors and fellow students, she persevered through years of diligent study. However, feeling constrained by the academy’s deliberate pace and traditional methods, Cassatt sought broader horizons. A pivotal moment arrived in 1866 when she relocated to Paris, accompanied by her mother and family friends as chaperones. This move marked a turning point in her artistic development. She studied privately with established artists affiliated with the École des Beaux-Arts, including Jean-Léon Gérôme, absorbing technical skills while simultaneously immersing herself in the burgeoning Parisian art scene. It was during this period that Cassatt began to gravitate toward the innovative ideas of the Impressionists, a group challenging academic conventions and striving to capture the fleeting moments of modern life. A particularly significant relationship blossomed with Edgar Degas, who recognized her exceptional talent and invited her to exhibit alongside the Impressionist circle. Their connection extended beyond exhibition; Degas became a mentor, encouraging Cassatt’s exploration of printmaking techniques, especially color aquatint, which would become an integral part of her artistic repertoire. He profoundly influenced her compositional choices, particularly in his emphasis on asymmetrical arrangements and cropped figures – elements that would come to define her unique style.

    Capturing Modern Womanhood: Style and Themes

    Cassatt’s artistic style evolved to embrace the hallmarks of Impressionism – visible brushstrokes, a focus on light and color, and a commitment to depicting contemporary life. Yet, she infused her work with a distinct clarity and precision that set it apart from some of her contemporaries. Unlike many male Impressionists who favored landscapes or Parisian nightlife, Cassatt centered her art around the social and private worlds of women, particularly mothers and children. She portrayed scenes of domesticity – bathing rituals, tea parties, quiet moments of connection – with remarkable intimacy and psychological depth. Her paintings are not merely depictions of everyday life; they are sensitive explorations of maternal bonds, female relationships, and the complexities of modern womanhood. Key works like The Boating Party (1894), The Child’s Bath (in various versions), and Little Girl in a Blue Armchair exemplify her ability to capture fleeting moments with both technical skill and emotional resonance. Furthermore, Cassatt was deeply influenced by Japanese ukiyo-e woodblock prints, evident in her compositions' flattened perspective, bold color choices, and elegant simplicity. This Japonisme influence added another layer of sophistication to her already distinctive style, influencing her use of pattern and the arrangement of forms within a space.

    Notable Achievements & Legacy

    Mary Cassatt’s contribution to Impressionism is undeniable. Her unwavering dedication to portraying women's lives with honesty and compassion challenged prevailing societal norms and elevated the status of female artists during her time. She became one of the “three great ladies” of Impressionism, alongside Berthe Morisot and Marie Bracquemond, demonstrating that artistic excellence transcended gender boundaries. Cassatt’s influence extended beyond her own paintings; she championed the collection of old masters and encouraged the embrace of Impressionist ideals within American art circles. Her legacy continues to inspire artists today, reminding us of the importance of portraying human experience with sensitivity and nuance. She remains a powerful symbol of artistic independence and a testament to the enduring power of art to illuminate the human condition.

    Further Exploration

    Online Resources: Explore Mary Cassatt’s life and work further through resources like Wikipedia (https://en.wikipedia.org/wiki/Mary_Cassatt) and AllPaintingsStore.

    Museum Collections: Discover her masterpieces in renowned museums worldwide, including the Art Institute of Chicago and the National Portrait Gallery in London.

    Related Artists: Delve into the works of Edgar Degas, Berthe Morisot, and Marie Bracquemond to understand the broader context of Impressionism and the contributions of women artists during this period.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Summertime

    originaluniqueart.com/sr/art/download/mary-stevenson-cassatt-summertime-8YE3YX-en/

    Citiranje ovog umetničkog dela

    MLA
    Касат, Meri Stenفين. Summertime. 1894, https://originaluniqueart.com/sr/art/mary-stevenson-cassatt-summertime-8YE3YX-en/
    APA
    Касат, Meri Stenفين (1894). Summertime [Painting]. https://originaluniqueart.com/sr/art/mary-stevenson-cassatt-summertime-8YE3YX-en/
    Chicago
    Meri Stenفين Касат. Summertime. 1894. https://originaluniqueart.com/sr/art/mary-stevenson-cassatt-summertime-8YE3YX-en/
    Harvard
    Касат, Meri Stenفين (1894) Summertime. Available at: https://originaluniqueart.com/sr/art/mary-stevenson-cassatt-summertime-8YE3YX-en/

    Pogledajte pažljivije

    Summertime — Meri Stenفين Касат

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: women, boat ride, summer day. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Деца у бању (1893), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Kviz o umetnosti

    Summertime — Meri Stenفين Касат

    Koliko dobro poznajete ovo umetničko delo?

    Označi jedan tačan odgovor za svako od poniženih 5 pitanja. Svako pitanje ima samo jedan tačan odgovor.

    1. 1. What is the primary medium used for Mary Stevenson Cassatt's 'Summertime'?

      • A Watercolor on paper
      • B Oil on canvas
      • C Pencil sketch
    2. 2. In what year was the painting 'Summertime' created?

      • A 1850
      • B 1894
      • C 1902
    3. 3. What artistic movement is Mary Stevenson Cassatt most associated with?

      • A Romanticism
      • B Realism
      • C Impressionism
    4. 4. What activity are the two women depicted in 'Summertime' enjoying?

      • A A picnic on dry land
      • B A leisurely boat ride on water
      • C Painting by a riverbank
    5. 5. Besides the two women, what other elements contribute to the scene's charm in 'Summertime'?

      • A A large dog and basket of flowers
      • B Several birds flying and perched nearby
      • C Architectural buildings in the background

    Moj rezultat: ____ od ukupno 5

    Rešenja kviza — za nastavnike

    Ovo započinje novu štampanu stranicu, pa se prilikom kopiranja može jednostavno izostaviti.

    1A · 2A · 3B · 4A · 5A

    Proverite tačnost odgovora upoređujući ga sa katalogom za ovu sliku

    Pitanja i odgovori

    Da li je „Summertime”, autor Meri Stenفين Касат svetlo ili tamno umetničko delo?

    Zabeležene vrednosti za „Summertime”, autor Meri Stenفين Касат su: osvetljenost balanced, luminansa Soft Shadow.

    Ko su autor i datum nastanka dela "Summertime"?

    Autor dela "Summertime" je Meri Stenفين Касат, a delo je datirano sa 1894.

    Koliko svetlosti se čini da boje dela "Summertime" reflektuju?

    Boje dela "Summertime" pokazuju luminancu od Soft Shadow.