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The Gloaming I

Ime Razred Datum

June Redfern, The Gloaming I (1999). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
June Redfern originaluniqueart.com/sr/artists/june-redfern/
Datumi umetnika
1951 –
Slikano
1999
Prvobitne dimenzije
61 x 69 cm

U kontekstu

The Gloaming I — June Redfern

Koje su dimenzije?

Originalne dimenzije su 61 × 69 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda, pri čemu se rođenje računa kao nula.

Naslikano kada je umetnik imao 48 godina. 3 od ukupno 4 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

▲ ovo delo, 1999 svaka datirana slika, deceniju po deceniju

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/june-redfern-the-gloaming-i-AR2CYE-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Khaki #d7c391

    Katalogizovana paleta

    • #D7C391
    • #31271F
    • #B58B48
    • #6E5032

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv primarne boje
    Khaki
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao June Redfern tokom poslednjih dvanaest meseci — ukupno u 1 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 100,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    2 najposećenijih dela umetnika June Redfern

    1. 1 From Two Paths, 1994 100,0%
    2. — The Gloaming I, 1999 ova slika 0,0%

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 11 dela ovog umetnika, od kojih je 1 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    June Redfern

    June Redfern: A Landscape of Emotion

    Born in Fife, Scotland, in 1951, June Redfern’s artistic journey is one deeply rooted in both traditional academic training and a fiercely expressive, almost visceral approach to landscape painting. Her early years at Edinburgh College of Art provided her with a solid foundation – an understanding of perspective, anatomy, and the technical mastery required for oil and watercolour. However, it was a deliberate rejection of rigid formalism that truly defined her artistic voice, leading her to explore the emotional resonance of place and subject matter rather than simply replicating visual reality.

    Redfern’s work is immediately recognizable by its scale – often monumental canvases that invite viewers into the heart of the scene. This ambition isn't merely about size; it’s a reflection of her desire to capture atmosphere, mood, and the intangible qualities of a landscape. Her early paintings frequently featured female figures, rendered with a striking intensity and vulnerability, suggesting a personal connection to themes of identity, memory, and the human condition. These figures weren’t simply portraits but embodiments of emotional states – longing, contemplation, and perhaps even a touch of melancholy.

    The Influence of Expressionism

    While her academic training provided a crucial starting point, Redfern's artistic development was profoundly shaped by the burgeoning movement of expressionism. Artists like Van Gogh, Gauguin, and particularly the German Expressionists – Kirchner, Heckel, Nolde – offered a model for conveying subjective experience through colour and form. Redfern embraced this approach wholeheartedly, utilizing bold, often clashing colours to evoke specific emotions and sensations. Her palette isn’t descriptive; it's deliberately charged with symbolic meaning, reflecting the inner landscape of her subjects.

    The influence is particularly evident in her later work, where she abandons more representational forms for a looser, more gestural style. She employs thick impasto – building up layers of paint to create texture and depth – and allows colour to bleed and mingle, creating a sense of movement and dynamism. This technique isn’t simply decorative; it's integral to her exploration of atmosphere and the fleeting nature of perception.

    A Shift Towards Landscape

    As Redfern’s career progressed, her focus gradually shifted towards landscape painting. However, this wasn’t a departure from her previous concerns but rather an evolution – a way of translating her emotional vocabulary onto a broader canvas. She began to explore the wilder, more remote corners of Scotland, capturing the rugged beauty of its coastline, moorlands, and forests. These landscapes aren't idyllic vistas; they are imbued with a sense of solitude, mystery, and even foreboding.

    Her approach is deeply observational, yet profoundly subjective. She’s not simply recording what she sees but interpreting it through the lens of her own emotional experience. The light in her paintings isn't neutral; it’s often dramatic and theatrical, casting long shadows and highlighting textures with a palpable intensity. Her use of colour becomes even more expressive, conveying mood and atmosphere with remarkable subtlety.

    Recognition and Legacy

    June Redfern’s work has been exhibited extensively throughout the UK and Europe, garnering critical acclaim for its emotional power and technical skill. She has held solo exhibitions at prestigious galleries such as The Royal Academy, Deson Herstein Fine Art in Chicago, and The Bohun Gallery in Henley-On-Thames. Her paintings are also included in several important public collections, including the National Galleries of Scotland.

    Beyond her artistic achievements, Redfern’s career represents a significant contribution to contemporary landscape painting. She demonstrated that landscape could be more than just a pretty picture; it could be a vehicle for exploring complex emotions and ideas. Her bold use of colour, expressive brushwork, and willingness to embrace subjective experience have inspired generations of artists. Her legacy lies not only in the beauty of her paintings but also in their profound emotional resonance – a testament to the power of art to connect us to ourselves and to the world around us.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje The Gloaming I

    originaluniqueart.com/sr/art/download/june-redfern-the-gloaming-i-AR2CYE-en/

    Citiranje ovog umetničkog dela

    MLA
    Redfern, June. The Gloaming I. 1999, https://originaluniqueart.com/sr/art/june-redfern-the-gloaming-i-AR2CYE-en/
    APA
    Redfern, June (1999). The Gloaming I [Painting]. https://originaluniqueart.com/sr/art/june-redfern-the-gloaming-i-AR2CYE-en/
    Chicago
    June Redfern. The Gloaming I. 1999. https://originaluniqueart.com/sr/art/june-redfern-the-gloaming-i-AR2CYE-en/
    Harvard
    Redfern, June (1999) The Gloaming I. Available at: https://originaluniqueart.com/sr/art/june-redfern-the-gloaming-i-AR2CYE-en/

    Pogledajte pažljivije

    The Gloaming I — June Redfern

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Composition of People, ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom i jednu koja ih razlikuje.
    4. June Redfern je imao oko 48 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

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    Pitanja i odgovori

    Koja boja dominira kompozicijom dela „The Gloaming I”, autor June Redfern?

    Boja koja najviše izdvaja se u delu "The Gloaming I" je Khaki (#d7c391). Dominantna boja je korisna pri uklapanju umetničkog dela u enterijer.

    Da li su boje dela „The Gloaming I”, autor June Redfern zasićene ili prigušene?

    „The Gloaming I”, autor June Redfern je zabeležen sa Balanced Soft zasićenjem.

    Mogu li da naručim uljanu reprodukciju dela "The Gloaming I"?

    Ručno oslikane kopije dela „The Gloaming I”, autor June Redfern mogu se kupiti na stranici ovaj sajt: ručno oslikana uljana reprodukcija na lanenom platnu, putem njihove stranice za naručivanje reprodukcija Ručno oslikana reprodukcija ulja na platnu.