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Charles Darwin (1809–1882) (after John Collier)

Ime Razred Datum

John Lewis Reilly, Charles Darwin (1809–1882) (after John Collier) (1905). Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
John Lewis Reilly originaluniqueart.com/sr/artists/john-lewis-reilly/
Datumi umetnika
1835 – 1922
Slikano
1905
Prvobitne dimenzije
74 x 61 cm

U kontekstu

Charles Darwin (1809–1882) (after John Collier) — John Lewis Reilly

Koje su dimenzije?

Originalne dimenzije su 74 × 61 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 87 u smrti.

Naslikano kada je umetnik imao 70 godina. Umetnik je doživeo 87. 4 od ukupno 6 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika John Lewis Reilly (1835–1922) ▲ ovo delo, 1905 svaka datirana slika, deceniju po deceniju

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Phthalo Green #2c3028

    Katalogizovana paleta

    • #2C3028
    • #071613
    • #CBA880
    • #815A3D

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv primarne boje
    Phthalo Green
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao John Lewis Reilly tokom poslednjih dvanaest meseci — ukupno u 2 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 66,7%200 visits
    2. 2 Хонг Конг 33,3%100 visits

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    3 najposećenijih dela umetnika John Lewis Reilly

    1. 1 William James Erasmus Wilson (1809–1884) (copy after Stephen Pearce), 1872 50,0%300 visits
    2. 2 Charles Darwin (1809–1882) (after John Collier), 1905 ova slika 33,3%200 visits
    3. 3 Francis Leopold McClintock (1819–1907) 16,7%100 visits

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 8 dela ovog umetnika, od kojih je 3 pregledano barem jednom. This painting ranks 2 of them, with 33,3% of that attention (200 visits). Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    John Lewis Reilly

    John Lewis Reilly: A Victorian Portraitist of Refined Elegance

    John Lewis Reilly (1835-1922) stands as a significant, yet often understated, figure in 19th-century British art. More than simply a painter, he was a meticulous craftsman and a skilled interpreter of established masters, producing remarkably convincing copies alongside his own original portraits and historical scenes. His work reflects the prevailing aesthetic sensibilities of the Victorian era – a deep appreciation for classical forms, an interest in aristocratic subjects, and a commitment to capturing both outward appearance and inner character.

    Born in London, Reilly’s artistic journey began with studies at the Royal Academy School. However, he quickly gravitated towards portraiture and historical painting, establishing himself as a respected artist within a relatively small circle of patrons and galleries. Unlike some of his contemporaries who sought fame through grand historical narratives, Reilly focused primarily on capturing the likenesses of prominent figures – from military officers and politicians to members of the aristocracy and even literary personalities like Charles Darwin. His approach was characterized by an almost obsessive attention to detail, evident in the meticulously rendered fabrics, jewelry, and expressions of his subjects.

    The Influence of Masters and Copying Techniques

    Reilly’s artistic development was profoundly shaped by the works of earlier masters, particularly those of the Dutch Golden Age and the Elizabethan era. He deeply admired Sir Anthony van Dyck, whose portraits he studied with intense scrutiny, seeking to emulate his elegant compositions and ability to convey a sense of dignified composure. This admiration is most strikingly evident in his numerous copies after Van Dyck, including a celebrated portrait of Charles I – a work that demonstrates not only technical proficiency but also a genuine understanding of the master’s artistic principles.

    However, Reilly's practice extended beyond mere imitation. He was equally adept at working from other sources, notably Thomas Gainsborough and Dobson. His ability to faithfully reproduce these artists’ styles showcased his deep knowledge of technique and his commitment to preserving their legacies. This dedication to copying wasn’t viewed as a lesser pursuit; rather, it served as a rigorous training ground, allowing him to hone his skills and develop an unparalleled understanding of composition, color theory, and the nuances of portraiture.

    Notable Works and Subject Matter

    Reilly's oeuvre is characterized by a remarkable diversity of subjects. He produced numerous portraits of prominent figures from British society, including Major General Norman MacLeod, Admiral Sir Francis Leopold McClintock, and even Charles Darwin – a particularly intriguing commission that speaks to Reilly’s willingness to engage with the intellectual currents of his time. Beyond portraiture, he also created historical scenes, often depicting moments of military triumph or civic celebration. His painting “Homage to Jellett” is an example of this genre.

    A significant portion of Reilly's work was dedicated to reproducing works by other masters. These copies were not simply mechanical reproductions; rather, they were carefully considered interpretations that sought to capture the essence of the original while adapting it to his own artistic sensibilities and the tastes of his clientele. The meticulous detail evident in these copies underscores Reilly’s commitment to preserving artistic traditions and ensuring their continued appreciation.

    Legacy and Historical Significance

    While John Lewis Reilly may not be as widely celebrated as some of his contemporaries, his contribution to 19th-century British art is undeniable. His meticulous technique, profound understanding of master artists, and ability to capture the essence of his subjects have earned him a place among the most skilled portraitists of his era. His work offers a valuable window into Victorian society – revealing the values, aspirations, and aesthetic preferences of a rapidly changing nation. Furthermore, Reilly’s dedication to copying highlights the importance of artistic lineage and the ongoing dialogue between generations of artists.

    Reilly's legacy is further cemented by his continued presence in museum collections and private hands, ensuring that his art will be appreciated for years to come. His paintings serve as a testament to the enduring power of observation, skill, and a deep respect for artistic tradition.

    Gde možete pročitati više

    • Umetnik John Lewis Reilly originaluniqueart.com/sr/artists/john-lewis-reilly/
    • Slična dela Još radova za poređenje originaluniqueart.com/sr/art/similar/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Charles Darwin (1809–1882) (after John Collier)

    originaluniqueart.com/sr/art/download/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/

    Citiranje ovog umetničkog dela

    MLA
    Reilly, John Lewis. Charles Darwin (1809–1882) (after John Collier). 1905, https://originaluniqueart.com/sr/art/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/
    APA
    Reilly, John Lewis (1905). Charles Darwin (1809–1882) (after John Collier) [Painting]. https://originaluniqueart.com/sr/art/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/
    Chicago
    John Lewis Reilly. Charles Darwin (1809–1882) (after John Collier). 1905. https://originaluniqueart.com/sr/art/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/
    Harvard
    Reilly, John Lewis (1905) Charles Darwin (1809–1882) (after John Collier). Available at: https://originaluniqueart.com/sr/art/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/

    Pogledajte pažljivije

    Charles Darwin (1809–1882) (after John Collier) — John Lewis Reilly

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Charles I (1600–1649) (after Sir Anthony van Dyck) (1919), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. John Lewis Reilly je imao oko 70 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Da li je "Charles Darwin (1809–1882) (after John Collier)" u celini svetliji ili tamniji?

    Za delo „Charles Darwin (1809–1882) (after John Collier)”, autor John Lewis Reilly zabeležena je osvetljenost od deep_shadow, uz luminancu od Dark.

    Da li je "Charles Darwin (1809–1882) (after John Collier)" slobodan od autorskih prava?

    „Charles Darwin (1809–1882) (after John Collier)”, autor John Lewis Reilly pripada u javnom vlasništvu – autorska prava su istekla. Ovaj status određuje način na koji se slika dela može reprodukovati.

    Koliki je intenzitet boja kod dela „Charles Darwin (1809–1882) (after John Collier)”, autor John Lewis Reilly?

    „Charles Darwin (1809–1882) (after John Collier)”, autor John Lewis Reilly prikazuje Monochromatic intenzitet boja.