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Autorska prava Ovo delo je u javnom vlasništvu. Johann Wilhelm Preyer je preminuo/la 1889. godine; autorska prava traju 70 godina nakon smrti umetnika, pa su prestala 1959.
In context
In the Forest (study) — Johann Wilhelm Preyer
Osenčeno: životni vek umetnika Johann Wilhelm Preyer (1803–1889) ▲ ovo delo, 1831
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Born in Düsseldorf, Germany
Born in Düsseldorf, Germany, in 1803, Johann Wilhelm Preyer emerged from a family with artistic inclinations. His father was a merchant, and his brother, Gustav, also pursued a career as a painter.
Growing up in the old town of Eschweiler, Preyer displayed an early aptitude for art. A playful anecdote recounts how he and his brother, both small in stature, would occasionally disguise themselves as children to play pranks.
Formal training began at the Düsseldorf Art Academy in 1822, where he studied under Peter von Cornelius. He later became a master student of Wilhelm von Schadow, solidifying his foundation in classical artistic principles.
Preyer’s education extended beyond Düsseldorf; he embarked on extensive travels throughout Europe between 1835 and 1843. These journeys took him to the Netherlands, Munich, Northern Italy, and Switzerland, exposing him to diverse artistic styles and traditions.
Influences from Dutch still life masters are evident in his meticulous attention to detail and realistic depiction of textures. The Düsseldorf School’s emphasis on precise observation also shaped his approach.
Upon returning to Düsseldorf in 1844, Preyer dedicated himself primarily to still life painting, establishing a reputation for exceptional skill within the genre.
Specialization: Preyer became renowned for his exquisitely detailed paintings of flowers and fruit. His works are characterized by their vibrant colors, realistic textures, and careful compositions.
Notable examples include “Fruit and a Goblet,” “Fruit Still Life with Sculpted Ceramic Bowl,” and numerous depictions of grapes and floral arrangements.
His style is often associated with the Biedermeier period, reflecting a focus on domesticity, simplicity, and meticulous craftsmanship.
Preyer quickly gained recognition as one of the leading still life painters of his time. His works were highly sought after by collectors, with a significant portion eventually finding their way into American collections.
Founding Member: He was among the founding members of the Association of Düsseldorf Artists in 1844, demonstrating his commitment to fostering artistic community and collaboration.
Preyer also took on private students, including Helen Searle, an American still life painter who further disseminated his techniques and influence.
Around 1844, Preyer married Emilie Lachenwitz, the sister of painter Siegmund Lachenwitz. They had two children, Emilie and Paul, both of whom also became painters, continuing the family’s artistic legacy.
Historical Significance: Johann Wilhelm Preyer is considered one of the earliest masters of the Düsseldorf School of Painting and a pivotal figure in 19th-century German still life art.
In recognition of his contributions, a road in Eschweiler, where he grew up, was renamed Preyerstrasse in 1974.
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In the Forest (study) — Johann Wilhelm Preyer
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