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Plunging into Despair

Ime Razred Datum

Johan Tobias Sergel, Plunging into Despair (1795), Национален музеј. Domen javnog dobra.

Osnovne informacije

Umetnik
Johan Tobias Sergel originaluniqueart.com/sr/artists/johan-tobias-sergel/
Podaci o umetniku
1740 – 1814
Slikano
1795
Originalne dimenzije
198 x 331 cm
Pokret
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Mesto održavanja
Национален музеј originaluniqueart.com/sr/museums/natsionalen-muzej-stokkholm_sr/

U kontekstu

Plunging into Despair — Johan Tobias Sergel

Dimenzije

Originalne dimenzije su 198 × 331 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine. Preveliko je da bi se prikazalo u odgovarajućoj razmeri na ovoj stranici.

Godina nastanka

  1. 1740
  2. 1750
  3. 1760
  4. 1770
  5. 1780
  6. 1790
  7. 1800
  8. 1810

Osenčeno: životni vek umetnika Johan Tobias Sergel (1740–1814) ▲ ovo delo, 1795

Slična dela

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Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/johan-tobias-sergel-plunging-into-despair-8XZVB6-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Gray #6f6f6f

    Katalogizovana paleta

    • #6F6F6F
    • #ACACAC
    • #3D3D3D
    • #EAEAEA
    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv glavne boje
    Gray
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Umetnik i muzej

    Umetnik

    Johan Tobias Sergel

    Mesto rođenja Stockholm, Sweden

    Johan Tobias Sergel: Sculptor of Emotion and Myth

    Johan Tobias Sergel (1740-1814) stands as a pivotal figure in 18th and 19th-century Swedish art, a sculptor whose expressive portraits and dramatic mythological scenes captured the spirit of his time. Born in Stockholm, he rose from humble beginnings to become one of Sweden’s most celebrated artists, leaving behind a legacy that continues to resonate through his powerful works. Sergel's career unfolded during a period of significant artistic transition – moving from the Rococo’s ornate flourishes towards the burgeoning Neoclassical ideals while retaining a distinctly personal and emotionally charged style.

    His early training was shaped by a diverse range of influences. Initially apprenticed to Pierre Hubert L’Archevêque, he later benefited from instruction in Paris, absorbing the techniques and aesthetics of the era. Crucially, his time in Rome proved transformative. There, amidst the ruins of antiquity, Sergel immersed himself in classical sculpture, developing a profound understanding of form, anatomy, and narrative. This experience fueled his ambition to create works that not only depicted beauty but also conveyed complex emotions and stories – a hallmark of his later career.

    A Life Shaped by Art and Emotion

    Sergel’s life was far from solely dedicated to artistic pursuits; it was interwoven with personal drama, melancholy, and a deep connection to the world around him. Born into a family of artists—his father, Christoffer Sergel, was a decorator—he inherited a creative lineage that profoundly shaped his path. However, his early years were marked by financial struggles and a sense of displacement, contributing to a lifelong tendency towards introspection and occasional bouts of despair.

    A pivotal moment arrived when he was summoned to Stockholm by King Gustav III, who recognized Sergel’s talent and offered him a position at the Royal Palace. This appointment brought both prestige and responsibility, but also exposed Sergel to the pressures of court life. Despite his success, he struggled with personal demons, experiencing periods of intense sadness and contemplating suicide – a struggle reflected in some of his most poignant works. His relationship with Anna-Rella Hellström, an innkeeper who became his mistress and muse, provided a source of profound joy and inspiration, culminating in the birth of four children. Her untimely death in 1796 marked a devastating blow, leaving Sergel deeply affected for the remainder of his life.

    Sculpting Myth and Majesty

    Sergel’s artistic output spanned a remarkable range of subjects, encompassing portraits, mythological scenes, historical monuments, and even satirical drawings. His sculptures are characterized by their dramatic intensity, expressive gestures, and meticulous attention to detail. He skillfully employed marble and bronze to capture the essence of his subjects – whether regal figures like King Gustav III or tormented heroes from classical tales.

    Among his most celebrated works are the monumental “Diomedes Stealing the Palladium,” a powerful depiction of a legendary hero’s transgression, and “The Muse of History Recording the Deeds of Gustavus Adolphus,” a complex allegorical composition celebrating the achievements of King Gustav II Adolf. His portrait of King Gustav III, later cast in bronze and installed in Stockholm's Sergels torg, remains an iconic representation of the Swedish monarch. Furthermore, his work extended beyond grand monuments; he created intimate portraits that captured the personalities and emotions of his subjects with remarkable sensitivity.

    Legacy and Influence

    Johan Tobias Sergel’s impact on Swedish art is undeniable. He bridged the gap between Rococo and Neoclassical styles, forging a unique artistic voice characterized by emotional depth and dramatic flair. His sculptures continue to be admired for their technical skill, expressive power, and ability to evoke profound human experiences.

    Sergels torg, named in his honor, stands as a testament to his enduring legacy – a public space designed to reflect the spirit of the artist and celebrate Swedish history. His influence can also be seen in the works of subsequent generations of Swedish sculptors, who drew inspiration from his innovative approach to portraying human emotion and mythic narratives. Sergel’s work remains a vital part of Sweden's cultural heritage, offering a window into the artistic sensibilities of a transformative era.

    Further Exploration: Plunging into Despair (1795) – A dramatic black & white Romantic drawing showcasing expressive lines and intense emotion. Johan Tobias Sergel - Explore his significant contributions to 18th & 19th century European art.

    Muzej

    Национален музеј

    Prikazano u Стокхольм, Шведска

    A Chronicle of Swedish Identity: Unveiling the Nationalmuseum

    Nestled on the serene Blasieholmen peninsula in Stockholm’s heart, the Nationalmuseum is more than simply a repository for art; it's a vibrant chronicle of Sweden’s cultural evolution. Founded in 1792 as Kungliga Museet – the Royal Museum – its story is inextricably linked to the nation’s journey, from medieval artistry and aristocratic patronage to a bold embrace of contemporary expression. Stepping through its doors is akin to embarking on an immersive exploration of Swedish identity, interwoven with the rich tapestry of European artistic traditions. The building itself, a magnificent testament to Northern Italian Renaissance architecture conceived by German architect Friedrich August Stüler, stands as a powerful symbol – a deliberate restraint in façade design concealing a breathtakingly spacious interior, while the dramatic flight of stairs ascending towards the uppermost galleries serves not just as functional access but as an ascent into the realm of artistic contemplation. This architectural choice, reflecting the museum’s origins rooted in royal collections, speaks to a fascinating transformation: from a space initially conceived for showcasing regal treasures acquired through patronage to a democratized public institution dedicated to all Swedes.

    The Nationalmuseum's collection is an astonishing panorama of artistic voices spanning centuries. The painting galleries offer a sweeping journey, beginning with the delicate religious scenes of the Renaissance – masterpieces that evoke a profound sense of faith and devotion – and culminating in the masterful chiaroscuro of Rembrandt and the emotionally charged canvases of Goya. These works, juxtaposed against Swedish national treasures, highlight the museum’s commitment to showcasing both international luminaries and pivotal works defining Swedish artistic heritage. Beyond these European giants, the museum champions Swedish artists, presenting their contributions across various periods and movements – from the dramatic landscapes of Albert Rydberg to the poignant portraits of Carl Larsson. The sculpture section is equally impressive, featuring classical pieces alongside more experimental forms reflecting evolving artistic sensibilities; a testament to Sweden’s engagement with both established traditions and innovative approaches.

    Architectural Heartbeat

    The building’s significance extends far beyond its artistic holdings. Inaugurated in 1866, the Nationalmuseum's structure draws inspiration from Northern Italian Renaissance architecture, a deliberate choice reflecting the museum’s origins and its connection to the Swedish monarchy. The façade, deliberately restrained, conceals within it a breathtakingly spacious interior – a testament to the ambition of its architects and builders. The dramatic flight of stairs ascending towards the uppermost galleries is not merely a means of access; it's a powerful symbol, representing an ascent into the realm of artistic contemplation. This architectural choice speaks volumes about the museum’s evolution from a royal repository to a public institution dedicated to all Swedes. The building’s construction was a monumental undertaking, involving skilled artisans and craftsmen from across Europe, and its completion marked a pivotal moment in Stockholm's cultural landscape.

    Collection Highlights: A Journey Through Time

    From the ethereal beauty of Botticelli’s Primavera to the turbulent grandeur of Caspar David Friedrich’s Wanderer Above the Sea of Fog, the Nationalmuseum’s collection embodies Sweden’s artistic heritage across eras. Visitors can marvel at Swedish landscapes rendered with unparalleled sensitivity – capturing the sublime majesty of nature—and contemplate portraits that reveal glimpses into the lives and personalities of influential figures.

    Engaging With Contemporary Expression

    Recent exhibitions have underscored the museum's role as a catalyst for dialogue and reflection. “Hanna Hirsch Pauli – The Art of Being Free,” explored how artistic endeavors serve as instruments for confronting societal challenges, demonstrating a commitment to fostering intellectual curiosity and promoting critical engagement with pressing issues.

    A Legacy Preserved, A Future Embraced

    The Nationalmuseum’s ongoing renovation project reaffirms its dedication to serving future generations of art lovers. With its rich collection, stunning architecture, and dynamic programming, the museum stands as a beacon of Swedish culture – a place where history comes alive and artistic expression continues to inspire.

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    Citiranje ovog umetničkog dela

    MLA
    Sergel, Johan Tobias. Plunging into Despair. 1795, Национален музеј. https://originaluniqueart.com/sr/art/johan-tobias-sergel-plunging-into-despair-8XZVB6-en/
    APA
    Sergel, Johan Tobias (1795). Plunging into Despair [Painting]. Национален музеј. https://originaluniqueart.com/sr/art/johan-tobias-sergel-plunging-into-despair-8XZVB6-en/
    Chicago
    Johan Tobias Sergel. Plunging into Despair. 1795. Национален музеј. https://originaluniqueart.com/sr/art/johan-tobias-sergel-plunging-into-despair-8XZVB6-en/
    Harvard
    Sergel, Johan Tobias (1795) Plunging into Despair. Национален музеј. Available at: https://originaluniqueart.com/sr/art/johan-tobias-sergel-plunging-into-despair-8XZVB6-en/

    Pogledajte pažljivije

    Plunging into Despair — Johan Tobias Sergel

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Koliko lica možete pronaći? ____ (u našem katalogu ih je izbrojano 2 — slažete li se?)
    4. U našem katalogu ovo delo je klasifikovano pod: suffering, divine intervention, angel figure. Da li se slažete? Šta biste dodali ili uklonili?
    5. Vratite se na Густав III Скандинавски (1791), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.