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Self-portrait

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Joaquin Sorolla, Self-portrait (1909). Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Joaquin Sorolla originaluniqueart.com/sr/artists/joaquin-sorolla_sr/
Datumi umetnika
1863 – 1923
Slikano
1909
Medijum
Oil On Canvas
Period
19th Century
Artistic style
Impressionist
Influences
Sorolla
Notable elements
Cowboy hat, gun, light
Subject or theme
Self-portraiture

U kontekstu

Self-portrait — Joaquin Sorolla

Kada je ovo naslikano?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 60 u smrti.

Naslikano kada je umetnik imao 46 godina. Umetnik je doživeo 60. 329 od ukupno 558 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Joaquin Sorolla (1863–1923) ▲ ovo delo, 1909 svaka datirana slika, deceniju po deceniju

Prva dela: do 1901 Glavne radne godine: 1901–1911 Kasna dela: od 1911

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Black #141013

    Katalogizovana paleta

    • #141013
    • #78685B
    • #473F39
    • #C7B3A3

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv primarne boje
    Black
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Balanced Harmony Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Joaquin Sorolla tokom poslednjih dvanaest meseci — ukupno u 48 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 41,5%
    2. 2 Сједињене Америчке Државе 8,4%
    3. 3 Француска 6,1%
    4. 4 Шпанија 5,2%
    5. 5 Јужна Кореја 4,8%
    6. 6 Сингапур 4,8%
    7. 7 Хонг Конг 4,4%
    8. 8 Румунија 4,2%
    9. 9 Италија 3,1%
    10. 10 Ujedinjeno Kraljevstvo 2,3%
    11. · 38 ostalih zemalja 15,2%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Joaquin Sorolla

    1. 1 Devojka sa cvecem, 1886 7,0%
    2. 2 Šetnja pored obale, 1909 2,0%
    3. 3 Seville, the Dance, 1915 1,5%
    4. 4 Running along the beach, 1908 1,5%
    5. 5 Valencia beach in the morning light, 1908 1,4%
    6. 6 Sewing the Sail, 1896 1,2%
    7. 7 bacante, 1886 1,1%
    8. 8 Midday at Valencia beach, 1904 1,0%
    9. 9 La Siesta, 1911 0,9%
    10. 10 On the Rocks at Javea, 1905 0,8%
    11. 11 Nude with Ball, 1887 0,8%
    12. 12 Swimmers, Jávea, 1905 0,8%
    13. 13 Clotilde on the Beach, 1904 0,8%
    14. 14 Coast at Santa Cristina, 1914 0,8%
    15. 15 Рибас из Валенсије, 1916 0,7%
    16. 16 Робећи мрежи, 1893 0,7%
    17. 17 Sea Idyll, 1908 0,7%
    18. 18 Types of Lagartera or Lagarterana bride, 1912 0,7%
    19. 19 The Horse’s Bath, 1909 0,7%
    20. 416 Self-portrait, 1909 ova slika 0,1%

    Zajedno, ova dela zauzimaju 25,2% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 850 dela ovog umetnika, od kojih je 454 pregledano barem jednom. Ova slika zauzima 416 mesto među njima, sa 0,1% te pažnje. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    Self-portrait — Joaquin Sorolla

    A Portrait of Resilience: Joaquín Sorolla’s ‘Self-Portrait’

    Joaquín Sorolla y Bastida's 1909 self-portrait is more than just a likeness; it’s a potent distillation of the artist’s life, his spirit, and the very essence of Spain itself. Painted during a period of immense personal upheaval – following the death of his wife and child – this work reveals a profound sense of melancholy tempered by an unwavering gaze and a quiet dignity. The image depicts Sorolla himself, a man defined by his iconic cowboy hat, seated before a simple table laden with a bottle, instantly conjuring images of the Spanish countryside and a life lived outdoors. His hand rests upon a firearm, not as an instrument of aggression, but perhaps as a symbol of protection or simply a familiar tool of his outdoor pursuits – a reflection of his time spent painting landscapes and capturing the light.

    The Radiant Style of Valencian Impressionism

    Technique: Sorolla’s mastery is immediately apparent in his use of alla prima, or “at first sight,” a technique where he builds up the painting directly, layer upon layer, without extensive underpainting. This creates an incredible sense of immediacy and vibrancy, particularly evident in the way light dances across the canvas.

    Color Palette: The dominant hues – warm ochres, yellows, and blues – are characteristic of Valencian Impressionism, a movement Sorolla helped pioneer. He expertly employed broken color to capture the shimmering effects of sunlight, creating an almost palpable sense of warmth and atmosphere.

    Brushwork: Loose, expressive brushstrokes contribute significantly to the painting’s dynamism. They aren't meticulously controlled; instead, they convey a feeling of movement and energy, mirroring Sorolla’s own passionate approach to his art.

    Symbolism and Context – A Man Defined by Light

    The year 1909 was a pivotal one for Sorolla. He had recently returned from Rome, where he'd spent several years studying classical sculpture, but it was back in his beloved Valencia that he truly flourished. The presence of the bottle and the gun speaks to a life lived intensely, a life connected to both leisure and responsibility. The background figure, subtly included, adds another layer of complexity – perhaps representing family or simply the enduring influence of the Spanish landscape. Sorolla’s work during this period is often interpreted as a reflection of his personal struggles, yet it remains remarkably optimistic, imbued with a belief in the restorative power of light and nature.

    Emotional Resonance and Artistic Legacy

    “Self-Portrait” transcends a simple depiction of an individual; it’s a window into the soul of one of Spain's most beloved artists. Sorolla’s ability to capture both vulnerability and strength, sorrow and resilience, is what makes this painting so enduringly captivating. It exemplifies his signature style – a luminous celebration of Spanish light and life. WahooArt offers meticulously crafted hand-painted reproductions that faithfully recreate the brilliance and emotional depth of this iconic work, allowing you to experience Sorolla’s vision firsthand.

    Umetnik i muzej

    Umetnik

    Joaquin Sorolla

    Rođen/a u Валенсия, Испанија

    Joaquín Sorolla y Bastida – A Life Bathed in Light

    Joaquín Sorolla y Bastida, a name synonymous with the radiant light and vibrant energy of Spain, was more than just a painter; he was a chronicler of his nation’s soul. Born in Valencia in 1863, Sorolla's early life was marked by tragedy. Orphaned at the tender age of two following a cholera epidemic that claimed both parents, young Joaquín and his sister were raised by their maternal aunt and uncle. This early experience with loss perhaps instilled within him a profound appreciation for the fleeting beauty of life – a sentiment that would permeate his art. Though hardship shadowed his beginnings, it did not dim the spark of artistic talent that quickly became apparent. He received initial instruction in Valencia, demonstrating an aptitude that led to studies under established artists like Cayetano Capuz and José Benlliure, eventually culminating in a four-year grant to study in Rome. It was there, amidst the classical grandeur of Italy, that Sorolla began to forge his unique artistic path, absorbing influences while simultaneously developing a style distinctly his own.

    Early Life and Influences

    Joaquín Sorolla’s formative years instilled within him a deep sensitivity to loss – an experience profoundly shaping his artistic vision. Born on February 27, 1863, in Valencia, Spain, he was the eldest child of Joaquín Sorolla Bastida, a tradesman, and Concepción Bastida. Tragically, both parents succumbed to cholera just two years later, leaving him and his sister under the care of their maternal aunt and uncle. This early exposure to sorrow undoubtedly fueled his desire to capture moments of beauty before they vanished—a preoccupation that would become central to his oeuvre. Recognizing his exceptional talent at a young age, Sorolla pursued formal artistic training in Valencia, studying under prominent figures like Cayetano Capuz and José Benlliure. His dedication to mastering technique was further solidified by a scholarship enabling him to embark on a four-year journey of artistic exploration in Rome, Italy—a pivotal moment that exposed him to the stylistic innovations of Impressionism and Luminism. The influence of artists such as Francisco Pradilla Ortiz and Jules Bastien-Lepage proved particularly formative, shaping Sorolla’s approach to composition and color palettes.

    Rome and Artistic Development

    Sorolla's time in Rome marked a decisive turning point in his artistic evolution. He enrolled at the Spanish Academy, immersing himself in the study of classical sculpture and painting—a deliberate effort to absorb the stylistic heritage of antiquity while simultaneously experimenting with new techniques. The atmosphere of the Italian capital fostered an openness to experimentation that would characterize his subsequent work. Sorolla’s fascination with Impressionism was palpable; he meticulously observed the effects of sunlight on surfaces, striving to reproduce its shimmering brilliance and transient nuances. This pursuit of luminosity—a hallmark of Luminism—became a defining element of his artistic style. He diligently copied works by masters like Velázquez and Rembrandt, honing his observational skills and refining his understanding of tonal gradation. Furthermore, Sorolla’s engagement with Parisian art circles exposed him to the avant-garde currents circulating at the time, broadening his artistic horizons and enriching his stylistic repertoire.

    The Valencian Coast: A Celebration of Light

    Sorolla's artistic sensibilities found their most compelling expression in his depictions of the Valencian coast—a landscape he regarded as a source of endless inspiration. Unlike many artists of his era who favored studio settings, Sorolla championed plein air painting—working outdoors directly confronted with the challenges and rewards of capturing fleeting light conditions. This commitment to observation resulted in canvases brimming with vitality and immediacy—images infused with the warmth of Mediterranean sunshine and the dynamism of coastal life. His iconic beach scenes—such as Children on the Seashore and Sewing the Sail—are not merely picturesque representations; they are profound meditations on beauty, joy, and the ephemeral nature of existence. Sorolla’s technique—characterized by loose, energetic brushstrokes—was revolutionary for its time. He employed a bold palette dominated by yellows, oranges, and blues—colors he skillfully manipulated to convey the illusion of shimmering light and atmospheric haze. The resulting canvases possess an unparalleled sense of spontaneity and emotional depth—a testament to Sorolla’s mastery of Luminism and his unwavering devotion to capturing the essence of his beloved homeland.

    Legacy and Recognition

    Joaquín Sorolla y Bastida achieved international renown during his lifetime, becoming one of Spain's most celebrated artists. His prolific output encompassed portraits, landscapes, historical narratives, and monumental murals—each infused with a distinctive stylistic signature. He exhibited extensively throughout Europe and the United States, garnering critical acclaim and securing commissions from prominent patrons. Sorolla’s magnum opus, Vision of Spain—a series of fourteen canvases commissioned by Archer Milton Huntington—stands as an enduring monument to his artistic vision and technical prowess. Completed posthumously, these murals captured the spirit of Spain's diverse regional cultures—celebrating its traditions, costumes, and landscapes with breathtaking grandeur. Sorolla’s influence extended far beyond his own era, inspiring generations of artists who embraced Luminism and sought to emulate his masterful technique. Today, Sorolla’s paintings reside in major museums worldwide—including the Museo Sorolla in Madrid—where they continue to captivate audiences with their luminous beauty and emotional resonance—affirming his place as one of Spain's greatest artistic treasures.

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    QR kod koji vodi na stranicu za preuzimanje Self-portrait

    originaluniqueart.com/sr/art/download/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/

    Citiranje ovog umetničkog dela

    MLA
    Sorolla, Joaquin. Self-portrait. 1909, https://originaluniqueart.com/sr/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    APA
    Sorolla, Joaquin (1909). Self-portrait [Painting]. https://originaluniqueart.com/sr/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    Chicago
    Joaquin Sorolla. Self-portrait. 1909. https://originaluniqueart.com/sr/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    Harvard
    Sorolla, Joaquin (1909) Self-portrait. Available at: https://originaluniqueart.com/sr/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/

    Pogledajte pažljivije

    Self-portrait — Joaquin Sorolla

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: self-portrait, cowboy hat, spanish artist. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Valencia beach in the morning light (1908), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Joaquin Sorolla je imao oko 46 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Da li je dostupno preuzimanje za "Self-portrait"?

    „Self-portrait”, autor Joaquin Sorolla možete preuzeti na stranici za Preuzimanje digitalnog prikaza ovog dela, kao preuzimanje digitalne slike visoke rezolucije.

    Preporučena veličina i orijentacija štampe za "Self-portrait"?

    Za "Self-portrait", preporučena dimenzija štampe je Large i Portrait orijentacija.

    Da li "Self-portrait" prikazuje snažne kontraste svetla i tame?

    „Self-portrait”, autor Joaquin Sorolla prikazuje Statement kontrast između svojih svetlih i tamnih delova.