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White-necked Rockfowl

Ime Razred Datum

Džejn Kim, White-necked Rockfowl (2015), Cornell Lab of Ornithology. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod pokretnim svetlom: crtež, pravu boju ispod vernisa, čisti pigment

Osnovne informacije

Umetnik
Džejn Kim originaluniqueart.com/sr/artists/dzejn-kim_sr/
Podaci o umetniku
1981 –
Slikano
2015
Medijum
Watercolor
Pokret
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Epoha
Modern
Mesto održavanja
Cornell Lab of Ornithology originaluniqueart.com/sr/museums/cornell-lab-of-ornithology-ithaca_sr/
Artistic style
Realistic with Illustrative Quality
Influences
Graffiti Culture
Notable elements or techniques
Detailed brushwork, layered washes
Subject or theme
Wildlife; Bird Observation

U kontekstu

White-necked Rockfowl — Džejn Kim

Godina nastanka

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Red iznad: godine. Red ispod: starost umetnika na početku i na kraju svakog perioda, pri čemu se rođenje računa kao nula.

Naslikano kada je umetnik imao 34 godina. 0 od 55 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

▲ ovo delo, 2015 svaka datirana slika, deceniju po deceniju

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/jane-kim-white-necked-rockfowl-DD2KCY-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    White #f3f2ed

    Katalogizovana paleta

    • #F3F2ED
    • #78777B
    • #CCC9BC
    • #403F47

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv glavne boje
    White
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Džejn Kim tokom poslednjih dvanaest meseci — ukupno u 2 zemalja. Odakle ovi podaci potiču

    Deset vodećih zemalja

    1. 1 Кина 85,7%
    2. 2 Сједињене Америчке Државе 14,3%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    17 najposećenijih dela umetnika Džejn Kim

    1. 1 South America mural detail, 2015 11,8%
    2. 2 Sapayoa, 2015 5,9%
    3. 3 Shoebill, 2015 5,9%
    4. 4 Gray-crowned Babbler, 2015 5,9%
    5. 5 Oilbird, 2015 5,9%
    6. 6 Magpie Goose, 2015 5,9%
    7. 7 American Oystercatcher, 2015 5,9%
    8. 8 Pale-winged Trumpeter, 2015 5,9%
    9. 9 Black Caiman, 2015 5,9%
    10. 10 Oriental Darter, 2015 5,9%
    11. 11 Europe and Eurasia mural detail, 2015 5,9%
    12. 12 Gastornis, 2015 5,9%
    13. 13 Africa and Madagascar mural detail, 2015 5,9%
    14. 14 Pelagornis, 2015 5,9%
    15. 15 Microraptor, 2015 5,9%
    16. 16 Tiktaalik, 2015 5,9%
    17. — White-necked Rockfowl, 2015 ova slika 0,0%

    Zajedno, ova dela privlače 100,0% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 55 dela ovog umetnika, od kojih je 16 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za mesec po mesec

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    White-necked Rockfowl — Džejn Kim

    White-necked Rockfowl by Jane Kim: A Study in Natural Detail and Unexpected Juxtaposition

    Jane Kim’s “White-necked Rockfowl,” painted in 2015, is more than just a depiction of three striking birds; it's an immersive exploration of texture, form, and the subtle interplay between the natural world and human contemplation. The artwork immediately draws the eye to its meticulous realism – a testament to Kim’s skill in rendering the delicate plumage of the White-necked Rockfowl alongside the shimmering scales of two accompanying fish and the intriguing presence of a vintage clock. This seemingly disparate collection creates an immediate tension, inviting viewers to consider the narrative woven within this carefully constructed scene.

    Subject Matter & Composition: The central focus is undeniably the birds themselves, presented with remarkable detail in an asymmetrical composition that guides the viewer’s eye across the canvas. The inclusion of the fish and clock introduces a layer of complexity, disrupting the purely naturalistic theme and prompting questions about their symbolic significance.

    Technique & Materials: Kim employs a masterful technique utilizing watercolor or gouache on paper. Layered washes build up color and texture with painstaking precision, creating a palpable sense of depth and realism. The artist’s deliberate brushstrokes mimic the very qualities they depict – the fluffy softness of feathers, the smooth sheen of scales, and the metallic coolness of the clock face.

    Color Palette & Lighting: A muted color palette dominates, punctuated by vibrant hues in the birds' plumage and the fish, creating a harmonious balance between warm and cool tones. The soft, diffused lighting further enhances this effect, casting gentle highlights and shadows that emphasize the three-dimensionality of the subjects and contribute to an overall atmosphere of quiet observation.

    Decoding the Symbolism: Time, Nature, and Human Presence

    Beyond its technical brilliance, “White-necked Rockfowl” resonates with deeper symbolic layers. The presence of the clock is particularly noteworthy, often interpreted as a meditation on time’s relentless passage, mortality, or perhaps even the impact of human intervention upon the natural world. Juxtaposed against the vibrant life of the birds and fish, it serves as a poignant reminder of our own fleeting existence within the grand scheme of nature. The partial map background subtly reinforces this theme, suggesting a location – potentially an area facing environmental challenges – adding another layer to the artwork’s narrative.

    The Clock's Significance: While open to interpretation, the clock could represent humanity's attempt to control or measure nature, highlighting the potential disconnect between our perceptions and the rhythms of the natural world.

    Environmental Undertones: The map element subtly introduces an environmental theme, prompting reflection on conservation and the preservation of biodiversity.

    Style & Context: Realism with a Touch of Surrealism

    Kim’s style is best described as realistic with a subtle illustrative quality – a delicate balance between meticulous observation and artistic interpretation. This approach avoids photorealism, instead favoring a heightened sense of detail and texture that elevates the artwork beyond a simple depiction of wildlife. The piece speaks to a broader tradition of naturalist painting while simultaneously incorporating elements of surrealism through its unexpected juxtaposition of subjects. Considering Kim’s background as an American artist, born in 2015, her work reflects contemporary interests in ecological awareness and the beauty found within the natural world – themes that are increasingly relevant in our time.

    Umetnik i muzej

    Umetnik

    Džejn Kim

    Mesto rođenja Njujork, Sjedinjene Američke Države

    The Art of Advocacy: The Visionary World of Jane Kim

    Jane Kim stands at the intersection of fine art and scientific precision, a painter and science illustrator whose work serves as a vibrant bridge between humanity and the natural world. Born in 1981 and raised in Mount Prospect, Illinois, Kim’s artistic journey is deeply rooted in an intimate observation of life. Her practice, often executed through her Ink Dwell studio, transcends mere decoration; it is a form of visual advocacy designed to promote the protection and celebration of our planet's diverse ecosystems. By blending the meticulous detail of scientific illustration with the grand scale of public murals, she transforms urban landscapes into immersive educational experiences.

    Kim’s formal training provided the technical foundation for her unique aesthetic. She earned her B.F.A. in printmaking from the Rhode Island School of Design in 2003, a period that likely honed her appreciation for texture and layered composition. Seeking to deepen the connection between art and ecology, she later attended California State University, Monterey Bay, where she studied scientific illustration, graduating in 2010. This dual expertise allows her to capture the iridescent qualities of plumage and the delicate anatomy of flora with an accuracy that honors the biological reality of her subjects while maintaining a profound emotional resonance.

    A Symphony of Scale and Species

    The true impact of Kim’s work is perhaps most felt in her large-scale murals, which turn city walls into windows onto vanishing habitats. Her projects are often much more than aesthetic endeavors; they are ecological narratives. One of her most ambitious undertakings was the Migrating Mural, a series of six works spanning 120 miles along California’s Highway 395, featuring the Sierra Nevada bighorn sheep. Such works demonstrate her ability to use public space to foster a sense of shared stewardship for local wildlife.

    Her mastery of detail is equally evident in her more concentrated works, such as the monumental Wall of Birds at Cornell University's Lab of Ornithology. Completed in 2015, this massive piece depicts 243 modern bird families, rendered at life size and superimposed upon a map of the earth. In pieces like South Island Wren or Jocotoco Antpitta, Kim invites viewers into a meditative state, using a layered painting technique that builds richness through visible brushstrokes and a vibrant palette. Through these works, she captures the fragility of endangered species, turning every stroke of paint into a plea for conservation.

    Legacy and Ecological Connection

    Beyond the technical execution, Kim’s significance lies in her ability to weave social and historical narratives into the natural landscape. Her Flora From Fauna series in Redwood City, California, serves as a poignant example, commemorating the lost chrysanthemum industry of the 1920s and the history of Japanese immigrants in the region. This ability to intertwate human history with ecological study defines her contribution to contemporary art.

    Whether through her residency at the de Young Museum or her presence on corporate campuses, Kim continues to push the boundaries of where art can live and what it can achieve. Her work remains a testament to the power of observation, reminding us that by truly seeing the intricate beauty of a single bird or a hidden flower, we might find the inspiration necessary to protect the entire tapestry of life.

    Muzej

    Cornell Lab of Ornithology

    Prikazano u Ithaca, Sjedinjene Američke Države

    Svet Krila i Čudesa: Istraživanje Laboratorije Ornitologije Kornela

    U valovitom srcu Itake, u državi Njujork, smeštena je Laboratorija Ornitologije Kornela – mesto koje prevazilazi konvencionalne granice istraživačke institucije. Ona predstavlja živopisan testament našoj večnoj povezanosti sa ptičjim svetom. Osnovana 1915. godine od strane Artura A. Alena, vizionara koji je zagovarao formalno proučavanje ptica, Laboratorija se razvila u globalni centar za ornitološku nauku, očuvanje i angažovanje građana. Od skromnih početaka unutar entomološkog odeljenja Univerziteta Kornel do modernih postrojenja u utočištu Sapsucker Woods, priča Laboratorije je priča o strastvenoj posvećenosti i revolucionarnom otkriću. To je mesto gde se naučna rigoroznost spaja sa javnim entuzijazmom, negujući jedinstvenu atmosferu koja poziva svakoga da podigne pogled i oslušne. Sama suština Laboratorije leži u njenoj sposobnosti da pretvori povremene posmatrače ptica u neprocenjive naučne saradnike, pionirski duh kolektivnog posmatranja koji je revolucionisao naše razumevanje ptičjeg života.

    Snaga Kolektivnog Posmatranja: eBird i Više od toga

    U srcu ove institucije kuca predanost iskorišćenju snage zajedničkog znanja. Za razliku od tradicionalnih istraživačkih sredina, Laboratorija Kornela aktivno poziva na učešće ljubitelja ptica svih nivoa. Ovaj pionirski duh se najživopisnije ogleda u eBird bazi podataka na mreži, koja je fundamentalno promenila naše razumevanje distribucije i migracije ptica. Zamislite mapu u realnom vremenu, neprestano ažuriranu hiljadama posmatrača, otkrivajući složene pokrete pernatog putnika preko kontinenata! To je zadivljujuća vizualizacija povezanosti, demonstrirajući kako se pojedinačna opažanja spajaju u sveobuhvatnu sliku ptičjeg života na Zemlji. Dopunjujući ovo digitalno čudo je All About Birds veb-sajt, nagrađivana platforma koja nudi izvanredne profile severnoameričkih vrsta – riznicu saveta za identifikaciju, detalja o životnom ciklusu i očaravajućih zvučnih zapisa. Ovi resursi nisu samo informativni; oni podstiču dublju zahvalnost za lepotu i složenost ptičjeg postojanja, rasplamsavajući radoznalost i inspirišući napore u očuvanju.

    Arhitektonska Harmonija sa Prirodom

    Fizički izraz ove posvećenosti je Centar Imogene Powers Johnson za ptice i biodiverzitet, otvoren 2003. godine, a nedavno poboljšan višemilionskim redizajnom završenim u junu 2024. Posetilacki centar nije samo mesto za razgledanje eksponata; to je impresivno iskustvo dizajnirano da poveže posetioce sa prirodnim svetom. Sama arhitektura odražava ovu etiku, nesmetano se stapajući sa okolnim utočištem Sapsucker Woods – 300-akarskom rezervom koja se pohvali sa više od pet milja vijugavih staza i domom za preko 230 vrsta ptica. Hodajući ovim putevima, istinski možete razumeti zašto je Artur Alen izabrao ovo mesto, prvobitno očaran parom žutotrbušnih denda koje su dale ime utočištu. Redizajnirani Posetilacki centar nudi interaktivne postavke koje oživljavaju ptičju ekologiju, čineći je dostupnom i zanimljivom za sve uzraste. To je prostor gde posetioci ne samo da uče o pticama; oni se osećaju povezani sa njima.

    Nasleđe Izgrađeno na Građanskoj Nauci

    Ono što istinski izdvaja Laboratoriju Kornela je njeno nepokolebljivo verovanje u snagu građanske nauke. Ovo nije samo o prikupljanju podataka; radi se o negovanju zajednice strastvenih posmatrača koji aktivno učestvuju u oblikovanju našeg razumevanja prirodnog sveta. Osim eBird, projekti kao što su NestWatch i Celebrate Urban Birds osnažuju pojedince da doprinesu značajno naporima očuvanja. Laboratorija takođe nudi fascinantne “Kamere za ptice”, pružajući intimne uvide u skrivljeni život gnezdarskih ptica – prozor u delikatnu dramu koja se odvija unutar ptičjih porodica. Ova posvećenost se proteže izvan posmatranja; Laboratorija Kornela aktivno integriše istraživanje, obrazovanje i očuvanje, rešavajući višestruke izazbe sa kojima se suočavaju populacije ptica u svetu koji se brzo menja. To je holistički pristup koji prepoznaje međupovezanost svih živih bića i važnost kolektivnih akcija.

    Više od Muzeja: Svetionik Nade

    Laboratorija Ornitologije Kornela je više od muzeja ili istraživačke ustanove; to je svetionik nade za ptičju biodiverzitet. To je mesto gde se naučna rigoroznost susreće sa javnim angažmanom, gde se neguje radoznalost i gde jednostavan čin posmatranja ptice može doprineti dubljem razumevanju – i na kraju zaštiti – dragocenog prirodnog nasleđa naše planete. Ona stoji kao moćan podsetnik da svi imamo ulogu u obezbeđivanju budućnosti ovih veličanstvenih bića i ekosistema koje nastanjuju. Trajno nasleđe Laboratorije nije samo u njenim naučnim otkrićima, već iu njenoj sposobnosti da inspiriše osećaj čuda i odgovornosti u generacijama koje dolaze.

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    QR kod koji vodi na stranicu za preuzimanje White-necked Rockfowl

    originaluniqueart.com/sr/art/download/jane-kim-white-necked-rockfowl-DD2KCY-en/

    Citiranje ovog umetničkog dela

    MLA
    Kim, Džejn. White-necked Rockfowl. 2015, Cornell Lab of Ornithology. https://originaluniqueart.com/sr/art/jane-kim-white-necked-rockfowl-DD2KCY-en/
    APA
    Kim, Džejn (2015). White-necked Rockfowl [Painting]. Cornell Lab of Ornithology. https://originaluniqueart.com/sr/art/jane-kim-white-necked-rockfowl-DD2KCY-en/
    Chicago
    Džejn Kim. White-necked Rockfowl. 2015. Cornell Lab of Ornithology. https://originaluniqueart.com/sr/art/jane-kim-white-necked-rockfowl-DD2KCY-en/
    Harvard
    Kim, Džejn (2015) White-necked Rockfowl. Cornell Lab of Ornithology. Available at: https://originaluniqueart.com/sr/art/jane-kim-white-necked-rockfowl-DD2KCY-en/

    Pogledajte pažljivije

    White-necked Rockfowl — Džejn Kim

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: wildlife, birds, fish. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Велики Горниб (2015), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Kviz o umetnosti

    White-necked Rockfowl — Džejn Kim

    Koliko dobro poznajete ovo umetničko delo?

    Označi jedan tačan odgovor za svako od poniženih 5 pitanja. Svako pitanje ima samo jedan tačan odgovor.

    1. 1. What is the primary subject matter of this artwork?

      • A A. Abstract geometric shapes.
      • B B. Wildlife, specifically birds and fish.
      • C C. Still life depicting fruit and flowers.
    2. 2. The artist employed what technique to achieve a realistic depiction of textures?

      • A A. Photorealistic rendering using digital imaging software.
      • B B. Layered washes and fine brushwork to build up color and texture gradually.
      • C C. Collage incorporating various materials like fabric and paper.
    3. 3. What stylistic element contributes to the artwork's overall aesthetic?

      • A A. Impressionistic brushstrokes capturing fleeting moments of light.
      • B B. Realistic style with a touch of illustrative quality.
      • C C. Surrealist imagery blending dreamlike elements with recognizable forms.
    4. 4. The inclusion of the clock in the composition symbolizes:

      • A A. The artist's fascination with timepieces.
      • B B. A critique of societal pressures and deadlines.
      • C C. An homage to classical art history.
    5. 5. What medium was likely used in the creation of this artwork?

      • A A. Oil paint on canvas.
      • B B. Acrylic paint on wood panel.
      • C C. Watercolor or gouache on paper.

    Moj rezultat: ____ od ukupno 5

    Ključ odgovora — za nastavnike

    Ovo započinje novu štampanu stranicu, pa se prilikom kopiranja može jednostavno izostaviti.

    1A · 2A · 3A · 4A · 5C

    Proverite svaki odgovor upoređujući ga sa katalogom za ovu sliku

    Pitanja i odgovori

    Gde mogu pronaći umetnička dela slična delu „White-necked Rockfowl”, Džejn Kim?

    Radovi slični delu „White-necked Rockfowl“ navedeni su na stranici Slična dela ovog umetničkog dela.

    Šta prikazuje „White-necked Rockfowl”, Džejn Kim?

    Motivi dela "White-necked Rockfowl" su wildlife, birds, fish, clock, landscape, texture, symbolism, painting.

    Gde se „White-necked Rockfowl”, Džejn Kim nalazi u istoriji umetnosti?

    „White-necked Rockfowl”, Džejn Kim pripada pravcu Contemporary Realism, unutar perioda Modern. Zajedno, oni delu daju njegovo mesto u istoriji umetnosti.