Format papira

Vodič za studentske radove

Maternal Affection

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Ime Razred Datum
george patten, Maternal Affection (1833), Walker Art Gallery. Domen javnog dobra.

Osnovne informacije

Umetnik
george patten originaluniqueart.com/sr/artists/george-patten/
Podaci o umetniku
1801 – 1865
Slikano
1833
Originalne dimenzije
127 x 101 cm
Mesto održavanja
Walker Art Gallery originaluniqueart.com/sr/museums/walker-art-gallery-liverpool_sr/

In context

Maternal Affection — george patten

How big is it?

The original measures 127 × 101 cm (height × width), drawn here beside an adult of average height.

Godina nastanka

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860

Osenčeno: životni vek umetnika george patten (1801–1865) ▲ ovo delo, 1833

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/george-patten-maternal-affection-AQTVZG-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Phthalo Green #341e14

    Katalogizovana paleta

    • #341E14
    • #91755F
    • #D1BDA9
    • #60412E
    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv glavne boje
    Phthalo Green
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Bold Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Umetnik i muzej

    Maternal Affection — george patten

    Umetnik

    george patten

    George Patten: A Victorian Portraitist of Distinction

    George Patten (1801-1865) stands as a significant, yet often overlooked, figure in 19th-century British art. More than simply a portrait painter, he was a master of presentation portraits – those elaborate and theatrical commissions designed to showcase the subject’s status and wealth. His work offers a fascinating glimpse into Victorian society, capturing not just likenesses but also the aspirations and social dynamics of the era. Born in 1801, Patten's artistic journey began within his family; his father, William Patten, was a respected miniature-painter, providing an early foundation for George’s own career. This lineage instilled a dedication to detail and refinement that would become hallmarks of his style.

    Early Life and Artistic Training

    Patten's formal training commenced at the Royal Academy Schools in 1816, where he honed his skills under various instructors. He quickly established himself as a promising young artist, gaining recognition for his early miniature portraits, notably one of his father exhibited at the Royal Academy in 1819. This initial success demonstrated an aptitude for capturing subtle nuances and conveying personality within a small format – a skill that would prove invaluable later in his career.

    Muzej

    Walker Art Gallery

    On show in Liverpool, Ujedinjeno Kraljevstvo

    Viktorijansko utočište: Vanvremenska privlačnost Galerije Voкера

    Smeštena u živopisnom srcu Liverpula, Galerija Voкера stoji kao veličanstveno svedočanstvo trajnog moći umetničke vizije. Otvorena 1877. godine i nazvana po častima ser Ričarda Voкера, vizionarnog dobrotvora čija velikodušnost i dalje hrani kulturnu dušu grada, ova grandiozna viktorijanska institucija je mnogo više od običnog skladišta platna i kamena. To je prožimajuće putovanje kroz hodnike vremena, gde arhitektonski sjaj dizajna Ijana Džejmsa Hola priprema posetioce za duboki susret sa lepotom. Sam vazduh unutar njenih zidova kao da vibrira od odjeka majstora renesanse, romantičnih šapata prerafaelitskih snova i hrabrih, transformativnih poteza britanskog modernizma.

    Zakoračiti u Voeker je kao da ulazite u svetove koje su pedantno kreirali umetnici koji su istinu tražili u najdubljim oblicima. Međunarodni ugled galerije utemeljen je na njenoj izuzetnoj kolekciji prerafaelitskih slika, što se može smatrati jednim od najlepših zbirki koja postoji. Ovde dela Dante Gabriel Rossettija i Johna Everetta Millaisa prenose posmatrača u carstva proganjajuće lepote i složenog simbolizma. Čovek bi mogao da se izgubi u bujnim, detaljnim pejzažima ili psihološkoj dubini figura prožetih određenom eteričnom melanholijom.

    Saznajte više

    • Umetnik george patten originaluniqueart.com/sr/artists/george-patten/
    • Muzej Walker Art Gallery originaluniqueart.com/sr/museums/walker-art-gallery-liverpool_sr/
    • Slična dela Još radova za poređenje originaluniqueart.com/sr/art/similar/george-patten-maternal-affection-AQTVZG-en/

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Maternal Affection

    originaluniqueart.com/sr/art/download/george-patten-maternal-affection-AQTVZG-en/

    Citiranje ovog umetničkog dela

    MLA
    patten, george. Maternal Affection. 1833, Walker Art Gallery. https://originaluniqueart.com/sr/art/george-patten-maternal-affection-AQTVZG-en/
    APA
    patten, george (1833). Maternal Affection [Painting]. Walker Art Gallery. https://originaluniqueart.com/sr/art/george-patten-maternal-affection-AQTVZG-en/
    Chicago
    george patten. Maternal Affection. 1833. Walker Art Gallery. https://originaluniqueart.com/sr/art/george-patten-maternal-affection-AQTVZG-en/
    Harvard
    patten, george (1833) Maternal Affection. Walker Art Gallery. Available at: https://originaluniqueart.com/sr/art/george-patten-maternal-affection-AQTVZG-en/

    Look closely

    Maternal Affection — george patten

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Alexander Kay (1850), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. george patten was about 32 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.