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Dosije umetničkih dela

Dosije umetničkih dela: Corfu

Naručite Corfu kao ručno oslikano ulje na platnu

Едвард Лир, Corfu (1863). Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Tehnički list o delu Corfu

Umetnik
Едвард Лир originaluniqueart.com/sr/artists/edvard-lir_sr/
Datumi umetnika
1812 – 1888
Slikano
1863
Medijum
Watercolor
Prvobitne dimenzije
25 x 35 cm
Pokret
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
19th Century
Artistic style
Impressionism or post-impressionism
Notable elements or techniques
Loose brushstrokes, warm earth tones
Subject or theme
Tranquil coastal landscape with buildings

U kontekstu

Corfu — Едвард Лир

Koje su dimenzije?

Originalne dimenzije su 25 × 35 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 76 u smrti.

Naslikano kada je umetnik imao 51 godina. Umetnik je doživeo 76. 31 od ukupno 51 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Едвард Лир (1812–1888) ▲ ovo delo, 1863 svaka datirana slika, deceniju po deceniju

Prva dela: do 1852 Glavne radne godine: 1852–1867 Kasna dela: od 1867

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

  • Cogoleto, Italy originaluniqueart.com/sr/art/edward-lear-cogoleto-italy-8LHSGU-en/
  • Crescenza originaluniqueart.com/sr/art/edward-lear-crescenza-8LHSH7-en/
  • Blue And Yellow Macaw originaluniqueart.com/sr/art/edward-lear-blue-and-yellow-macaw-8LHSG7-en/

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/edward-lear-corfu-AQS7CY-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Walnut #844f1a

    Katalogizovana paleta

    • #844F1A
    • #BE842D
    • #4E2509
    • #DCD2BB

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Dark Dominantna grupa boja na slici.
    Naziv primarne boje
    Walnut
    Intenzitet
    Vivid Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Bright Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Clear Color Presence Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Едвард Лир tokom poslednjih dvanaest meseci — ukupno u 15 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 56,9%9.900 poseta
    2. 2 Сједињене Америчке Државе 18,4%3.200 poseta
    3. 3 Хонг Конг 4,0%700 poseta
    4. 4 Сингапур 4,0%700 poseta
    5. 5 Ujedinjeno Kraljevstvo 2,9%500 poseta
    6. 6 Румунија 2,9%500 poseta
    7. 7 Италија 2,3%400 poseta
    8. 8 Шри Ланка 2,3%400 poseta
    9. 9 Француска 1,7%300 poseta
    10. 10 Аустралија 1,1%200 poseta
    11. · 5 ostalih zemalja 3,5%600 poseta

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Едвард Лир

    1. 1 Road near Galle, Ceylon, 1879 3,2%600 poseta
    2. 2 Sheikh Abadeh On The Nile 2,7%500 poseta
    3. 3 The Temple of Apollo at Bassae, 1855 2,2%400 poseta
    4. 4 Attrani Near Amalfi, Italy 2,2%400 poseta
    5. 5 Cattaro, Yugoslavia, 1866 1,6%300 poseta
    6. 6 Bethlehem, 1861 1,6%300 poseta
    7. 7 The Mountains of Thermopylae, 1852 1,6%300 poseta
    8. 8 Study Of Palm Trees 1,6%300 poseta
    9. 9 The Pyramids of Ghizeh, 1873 1,6%300 poseta
    10. 10 The nile at kaasr-es-saiyyad 1,6%300 poseta
    11. 11 Esneh On The Nile, Near Luxor, Egypt 2 1,6%300 poseta
    12. 12 Certosa Di Pesio Con Le Missioni Della Consolata 1,6%300 poseta
    13. 13 View Over The Lake, Kandy, Ceylon 1,6%300 poseta
    14. 14 Damascus 3 1,6%300 poseta
    15. 15 Quarries of Syracuse, 1847 1,1%200 poseta
    16. 16 View of Florence from Villa San Firenze, 1862 1,1%200 poseta
    17. 17 Launce and His Dog 1,1%200 poseta
    18. 18 Ceylon Scenery 1,1%200 poseta
    19. 19 Blue And Yellow Macaw 1,1%200 poseta
    20. 43 Corfu, 1863 ova slika 0,5%100 poseta

    Zajedno, ova dela zauzimaju 32,3% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 417 dela ovog umetnika, od kojih je 123 pregledano barem jednom. Ova slika zauzima 43 mesto na listi, sa 0,5% te pažnje (100 poseta). Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    Corfu — Едвард Лир

    Identification of Corfu by Edward Lear

    The artwork titled Corfu is a landscape scene created by the artist Edward Lear. This specific piece dates to 1863. The composition focuses on a coastal environment, capturing a moment of quietude within a natural setting.

    Edward Lear rendered this landscape through a series of deliberate visual choices. The scene is dominated by a palette of earth tones and warm colors. In the foreground, several trees with gnarled, twisted trunks and branches are positioned, their forms defined by loose brushstrokes. Beyond these botanical elements, a body of water extends toward the horizon, reflecting the colors of the sky and the surrounding terrain. On the opposite shore, a collection of buildings, resembling a small village or a group of houses, sits nestled among additional trees.

    The background of the work features rolling hills situated under a pale blue sky containing soft clouds. The horizon line lacks a sharp definition, instead blending into the colors of the landscape to create a sense of continuity between the earth and the sky. The painting captures the interaction between man-made structures and the natural environment in a tranquil coastal setting.

    Composition and Visual Elements

    The composition is organized into distinct planes that establish a sense of depth. In the foreground, several trees with twisted trunks and gnarled branches occupy the immediate space. These botanical forms are rendered with loose brushstrokes that define their shapes without relying on fine detail. Beyond these trees, a body of water extends across the middle ground, reflecting the colors of the sky and the surrounding landscape. On the opposite shore, a collection of buildings, resembling a small village, is nestled among a cluster of trees.

    The background is composed of rolling hills situated under a pale blue sky containing soft clouds. The horizon line is not sharply defined; instead, it blends into the colors of the landscape, creating a continuity between the earth and the sky. The color palette is dominated by warm earth tones, which establish the overall tone of the scene. These colors are applied in a way that emphasizes the light and atmosphere of the coastal environment.

    Artistic Style and Technique

    The painting is rendered in a style reminiscent of impressionism or post-impressionism. The artist employs a palette dominated by warm earth tones, which establishes a serene atmosphere across the landscape. In the foreground, the trees feature twisted, gnarled trunks and branches. These botanical forms are executed with loose brushstrokes that prioritize the suggestion of shape over precise anatomical detail. This approach allows the textures of the wood and the surrounding foliage to merge into a cohesive visual field.

    The brushwork extends to the water and the sky, where the application of paint creates a sense of continuity. The water reflects the colors of the sky and the landscape, using soft transitions to suggest depth. On the opposite shore, the buildings are integrated into the greenery through similar painterly movements. The horizon line lacks a sharp definition, blending the colors of the earth and the pale blue sky. Through this specific use of color and brushwork, the work captures a moment of quietude in the natural environment.

    Related Works by Edward Lear

    The artist's exploration of Mediterranean landscapes includes several pieces focused on the same geographic region. One such work is Figure On A Balcony Overlooking The Citadel, Corfu, which depicts a figure seated on a balcony with architectural details like pillars and vines. Another piece inspired by his time in the area is View From The Orange Gardens Of Viro-Corfu, a scene that captures a view from within an orange grove.

    Beyond his depictions of Corfu, Lear produced various other landscape studies. These include Diano, South Of France, and A Distant View of Nice from the Hills, about 1864. These works reflect his practice of documenting topographical views and the specific light of the regions he visited during his travels.

    Umetnik i muzej

    Umetnik

    Едвард Лир

    Rođen/a u London, Уједињено Краљевство

    Edward Lear (1812-1888): A Life Painted in Nonsense and Light

    Edward Lear, a name synonymous with whimsical verse and delightfully peculiar illustrations, was far more than the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children, Lear’s early life was marked by both financial instability and a burgeoning artistic talent. His father, Jeremiah Lear, faced hardship after the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would see him traverse continents and capture the world in vibrant hues and playful lines. The shadow of familial difficulty, coupled with early health challenges – including epilepsy and bouts of melancholia he termed “the Morbids” – instilled within Lear a sense of gentle solitude and an inclination towards imaginative escape, qualities profoundly reflected in his art and writing.

    Lear's artistic journey began with meticulous precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a remarkable eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots not only refined his draftsmanship but also fostered a deep connection with the natural world – a connection that would permeate his later landscapes. He meticulously studied specimens, rendering them with breathtaking realism, capturing every feather and muscle fiber with unwavering dedication. This commitment to scientific accuracy served as an anchor for his artistic explorations, grounding him in observation while simultaneously freeing him from restrictive conventions.

    From Ornithological Precision to Landscape’s Embrace

    Lear's artistic development took a significant turn when he abandoned the exacting demands of ornithological illustration due to failing eyesight and respiratory issues. Recognizing that his physical limitations would hinder his ability to pursue this path, he redirected his energies towards landscape painting – an endeavor that allowed him to express his inner vision while capitalizing on his newfound appreciation for tranquility and beauty. His travels throughout Europe, particularly Italy, profoundly impacted his artistic sensibilities. Absorbing the luminous light of Tuscan hillsides and the dramatic vistas of the Amalfi Coast, Lear developed a distinctive style characterized by atmospheric perspective and delicate brushwork. He skillfully blended watercolor pigments to create ethereal landscapes that conveyed not merely topographical accuracy but also profound emotional resonance. His canvases shimmered with subtle hues and tonal variations, capturing the fleeting moods of nature—a testament to his mastery of color and texture.

    The Poet of Nonsense: A World Unbound

    Lear’s literary contributions cemented his place in artistic history as much as his paintings did. He revolutionized children's literature by popularizing the limerick – a form of verse renowned for its rhythmic cadence and playful absurdity. A Book of Nonsense, published in 1846 under the pseudonym “Derry down Derry,” introduced readers to a fantastical realm populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully incongruous characters. These verses weren’t merely frivolous; they possessed a subtle melancholy and a subversive delight in defying logic—a characteristic that distinguished Lear's poetic vision from conventional literary norms. He didn’t simply invent nonsensical words; he crafted entire worlds governed by their own internal rules, inviting audiences to suspend disbelief and embrace the joy of imaginative exploration. The Owl and the Pussy-Cat, arguably his most celebrated poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm and evocative imagery—a symbol of Lear’s artistic genius and unwavering commitment to poetic innovation.

    A Legacy of Innovation and Enduring Charm

    Lear's influence extends far beyond the confines of children’s literature and poetry. He championed a new aesthetic approach that liberated verse from rigid structures, prioritizing spontaneity and playful experimentation. His landscapes—though often overshadowed by his literary achievements—demonstrate a keen artistic sensibility and a masterful command of watercolor technique. They stand as enduring monuments to his vision—a testament to his ability to transform observation into art and imagination into poetry. Lear’s paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, reflecting the esteem with which his work is regarded by scholars and connoisseurs alike. His life, marked by both personal hardships and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit—a legacy that continues to inspire artists and writers across generations.

    Vodič za Едвард Лир: nastavite sa istraživanjem

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Corfu

    originaluniqueart.com/sr/art/download/edward-lear-corfu-AQS7CY-en/

    Citiranje ovog umetničkog dela: Corfu

    MLA
    Лир, Едвард. Corfu. 1863, https://originaluniqueart.com/sr/art/edward-lear-corfu-AQS7CY-en/
    APA
    Лир, Едвард (1863). Corfu [Painting]. https://originaluniqueart.com/sr/art/edward-lear-corfu-AQS7CY-en/
    Chicago
    Едвард Лир. Corfu. 1863. https://originaluniqueart.com/sr/art/edward-lear-corfu-AQS7CY-en/
    Harvard
    Лир, Едвард (1863) Corfu. Available at: https://originaluniqueart.com/sr/art/edward-lear-corfu-AQS7CY-en/

    Kviz o umetnosti

    Corfu — Едвард Лир

    Koliko dobro poznajete ovo umetničko delo?

    Obeležite jedan odgovor za svako od 5 pitanja ispod. Svako pitanje ima tačno jedan tačan odgovor.

    1. 1. What is the primary subject matter of the painting 'Corfu'?

      • A A bustling city street
      • B A tranquil landscape scene
      • C A portrait of a famous poet
    2. 2. In which year was the artwork 'Corfu' created?

      • A 1846
      • B 1863
      • C 1888
    3. 3. What is the size of the painting?

      • A 25 x 35 cm
      • B 35 x 45 cm
      • C 50 x 60 cm
    4. 4. According to the description, what is visible on the opposite shore of the water?

      • A A large mountain range
      • B Buildings resembling a small village
      • C A dense forest of pine trees
    5. 5. What artistic style is the painting described as being reminiscent of?

      • A Cubism
      • B Surrealism
      • C Impressionism

    Moj rezultat: ____ od ukupno 5

    Rešenja kviza — za nastavnike

    Ovo započinje novu štampanu stranicu, pa se prilikom kopiranja može jednostavno izostaviti.

    1B · 2B · 3A · 4B · 5C

    Proverite tačnost odgovora upoređujući ga sa katalogom za ovu sliku

    Za studente umetnosti i istraživače

    Corfu — Едвард Лир

    Radna lista za detaljnu analizu umetničkog dela Corfu, za studente i istraživače

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: trees, water, buildings. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Cogoleto, Italy, ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom i jednu koja ih razlikuje.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Kada je "Corfu" nastalo i kojem umetničkom pravcu pripada?

    „Corfu”, autor Едвард Лир je datirano 1863. godine i pripada pravcu Impressionism.

    Šta objašnjava status autorskih prava za „Corfu”, autor Едвард Лир?

    „Corfu”, autor Едвард Лир je u u javnom vlasništvu – autorska prava su istekla. Autorska prava traju od smrti umetnika, koja se dogodila 1888.

    Koliko je godina imao/la Едвард Лир u vreme nastanka dela "Corfu"?

    Kada je delo "Corfu" nastalo 1863. godine, Едвард Лир – rođen/a 1812. godine – imao/la je 51 godina.

    Kakvo raspoloženje i emociju izražava „Corfu”, autor Едвард Лир?

    „Corfu”, autor Едвард Лир prenosi Tranquil osećaj unutar opšte Serene atmosfere.

    Da li je „Corfu”, autor Едвард Лир portret, pejzaž ili kvadratna kompozicija?

    „Corfu”, autor Едвард Лир je u Landscape formatu. Format opisuje proporcije kompozicije.

    Sva pitanja i odgovori o Corfu