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Popcorn Shells

Ime Razred Datum

Chris Ofili, Popcorn Shells (1995), Arts Council Collection. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Chris Ofili originaluniqueart.com/sr/artists/chris-ofili/
Datumi umetnika
1968 –
Slikano
1995
Prvobitne dimenzije
182 x 121 cm
Pokret
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.
Period
Modern
Održano na
Arts Council Collection originaluniqueart.com/sr/museums/arts-council-collection-london_sr/
Artistic style
Collage, decorative
Influences
Rauschenberg, Jazz
Notable elements
Resin, glitter, dung
Subject or theme
Jazz & Black Culture

U kontekstu

Popcorn Shells — Chris Ofili

Koje su dimenzije?

Originalne dimenzije su 182 × 121 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine. Preveliko je da bi se prikazalo u odgovarajućoj razmeri na ovoj stranici.

Kada je ovo naslikano?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda, pri čemu se rođenje računa kao nula.

Naslikano kada je umetnik imao 27 godina. 0 od ukupno 8 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

▲ ovo delo, 1995 svaka datirana slika, deceniju po deceniju

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/chris-ofili-popcorn-shells-D4JUVS-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Gray #959677

    Katalogizovana paleta

    • #959677
    • #4A3A27
    • #E1E0CF
    • #CDCDA0

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv primarne boje
    Gray
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Balanced Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    2 najposećenijih dela umetnika Chris Ofili

    1. 1 The Holy Virgin Mary, 1996 100,0%
    2. — Popcorn Shells, 1995 ova slika 0,0%

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 9 dela ovog umetnika, od kojih je 1 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    Popcorn Shells — Chris Ofili

    Chris Ofili’s ‘Popcorn Shells’: A Symphony of Cultural Echoes

    Chris Ofili's 'Popcorn Shells,' completed in 1995, is not merely a painting; it’s an immersive experience, a vibrant collision of musical history and decorative excess. Born from Ofili’s fascination with the evolution of jazz, hip hop, and black popular culture – a lineage he meticulously charts as a ‘family tree’ of musicians – the work immediately confronts the viewer with a layered complexity that demands attention. The painting's genesis lies in a deliberate mixing of influences, mirroring the very essence of jazz itself: a fusion of musical, cultural, and deeply personal narratives.

    A Collage of Icons: At its core, ‘Popcorn Shells’ is a meticulously constructed collage. The faces of iconic figures – Aretha Franklin dominates the composition with her prominent presence within a wreath of smaller heads – are interwoven with balls, circles, and other objects, creating a dynamic visual rhythm reminiscent of a jazz score.

    Technique & Materials: Ofili’s signature technique is immediately apparent; he employs layering photographic images alongside resin dots, glitter, and paint, building up textures that seem to vibrate with energy. The inclusion of elephant dung, sourced from London Zoo and meticulously lacquered with glittering resin, introduces a jarring element – a deliberate disruption of the decorative aesthetic, forcing a confrontation with uncomfortable truths about representation and consumption.

    Symbolism & Cultural Context

    The painting’s symbolism is rich and deliberately provocative. The use of ‘dung,’ a recurring motif in Ofili's work, transcends its literal presence as a prop; it represents a breakdown of conventional notions of beauty and value. It challenges the viewer to reconsider their own perceptions of art and culture, questioning the hierarchies that often dictate what is considered “high” or “low.” The scrapbook approach to history – a deliberate act of replaying familiar tunes in Ofili’s unique style – speaks to the cyclical nature of artistic influence and the ways in which cultural narratives are constantly being remade.

    Jazz as Inspiration: ‘Popcorn Shells’ directly engages with the legacy of jazz, a genre born from improvisation and cross-cultural exchange. Ofili's work echoes this spirit, celebrating the diverse influences that shaped the music while simultaneously critiquing its appropriation and commodification.

    Rauschenberg’s Influence: The artist’s biography reveals a clear lineage to Robert Rauschenberg, whose own pioneering use of collage and mixed media paved the way for Ofili's innovative approach. Both artists share a commitment to disrupting traditional artistic boundaries and challenging viewers to engage with art on multiple levels.

    The Emotional Impact & Artistic Significance

    'Popcorn Shells’ is a powerfully emotive work, simultaneously celebratory and unsettling. The sheer density of imagery – the faces, the balls, the glitter – creates an overwhelming sensory experience that reflects the chaotic energy of popular culture. It's a testament to Ofili's ability to synthesize disparate elements into a cohesive whole, creating a visual narrative that is both intellectually stimulating and deeply moving. This piece stands as a significant contribution to contemporary art, pushing boundaries and prompting critical reflection on issues of race, representation, and the very nature of artistic creation.

    Dimensions: 182 x 121 cm

    Date: 1995

    Artist: Chris Ofili

    Umetnik i muzej

    Umetnik

    Chris Ofili

    Rođen/a u Manchester, United Kingdom

    A Tapestry of Identity and Provocation

    Born in Manchester, United Kingdom, Chris Ofili emerged as a transformative force within the contemporary art landscape, weaving together disparate threads of culture, religion, and materiality. His heritage, rooted in his parents' Nigerian descent, serves as a profound foundation for an oeuvre that constantly negotiates the boundaries between the sacred and the profane. Through a practice often classified as punk art, Ofili has mastered the ability to confront the viewer with unsettling juxtapositions, using a signature vocabulary of materials that challenge traditional notions of beauty and value.

    The artist's early development was shaped by his education at the Chelsea School of Art and the Royal College of Art, periods during which he began to refine a technique characterized by intense layering and textural complexity. His work often functions as a vibrant collision of worlds, where the aesthetics of Western painting traditions meet the rhythmic energy of hip-hop, jazz, and African art. By integrating unconventional elements such as resin, beads, glitter, and even lumps of elephant dung, Ofili creates surfaces that do not merely sit on a canvas but seem to vibrate with a life of their own.

    The Alchemy of Materials and Symbolism

    To encounter an Ofili painting is to enter a space of sensory overload and deep symbolic inquiry. He is renowned for his ability to use physical matter to evoke complex social and historical narratives. In works like Popcorn Shells, he meticulously charts a cultural lineage, creating a visual symphony that echoes the evolution of black popular culture. His use of resin dots and glittering surfaces creates a shimmering, decorative excess that simultaneously masks and reveals deeper, more jarring truths.

    The inclusion of elephant dung, sourced from the London Zoo and lacquered with resin, remains one of his most discussed artistic choices. Far from being a mere shock tactic, this material serves as a potent symbol that bridges his connection to his Nigerian roots while disrupting the hierarchies of "high" and "low" art. This deliberate use of the grotesque forces a confrontation with themes of consumption, representation, and the breakdown of conventional aesthetic boundaries.

    Legacy and Artistic Triumph

    Ofili’s ascent within the international art community was marked by significant milestones that cemented his place in history. His recognition as a member of the Young British Artists group brought him to the forefront of a generation that redefined contemporary painting. A defining moment in his career arrived in 1998 when he was awarded the prestigious Turner Prize, an achievement that highlighted his ability to spark intense public debate through works such as The Holy Virgin Mary.

    This particular piece, a radical reimagining of sacred iconography, utilized cut-outs from magazines and map pins to destabilize traditional religious imagery, proving his mastery over provocation and grace. Throughout his career, Ofili has continued to explore themes of social justice and historical truth, as seen in later works like Bending Over Backwards for Justice and Peace. His enduring significance lies in his ability to create a dialogue between tradition and rebellion, ensuring that his visual language remains as vital and challenging as the era in which he rose to prominence.

    Muzej

    Arts Council Collection

    Izložbeno mesto London, Ujedinjeno Kraljevstvo

    Živo nasleđe: Puls britanske kreativnosti

    Susret sa

    Arts Council Collection

    predstavlja ulazak u živopisnu, uzajamno isprepletanu priču o britanskoj umetničkoj evoluciji. Za razliku od tradicionalnih institucija koje zatvaraju remek-dela u tihe, statične hale muzeja nalik tvrđavama, ova kolekcija funkcioniše kao „muzej bez zidova“. Osnovana 1946. godine, usred transformativnih senki posleratne oskudice, nije osmišljena samo kao riznica za estetsko promišljanje, već kao aktivan kanal kulturne vitalnosti. Njena suština leži u samom kretanju; to je pažljivo odabrana cirkulacija inspiracije koja uliva život u univerzitete, bolnice i javne zgrade širom Ujedinjenog Kraljevstva. Ovakav demokratski pristup osigurava da izuzetna umetnost nikada ne bude odvojena od očiju javnosti, već postaje integralni deo zajedničkog pejzaža, negujući duboko ukorenjeno poštovanje prema kreativnom duhu koji definiše naciju.

    Istorijski put ove kolekcije obeležen je dubokim rastom i jasnim ciljevima. Ono što je počelo kao skromno nasleđe slika koje su ostavili raniji saveti, procvetalo je u monumentalno bogat fond koji obuhvata skoro 8.000 dela preko 2.000 umetnika. Ova ogromna arhiva služi kao hronika dvadesetog i dvadeset prvog veka, beležeći promene društvenih vrednosti i radikalne transformacije u vizuelnom jeziku. Za kolekcionare ili ljubitelje umetnosti, ova kolekcija nudi neprevaziđen prozor u dušu britanskog modernizma, prateći liniju od visceralnih, psiholoških dubina

    Francisa Bacona

    do svetlosnih, suncem okupanih pejzaža

    Davida Hockneya

    . To je mesto gde se monumentalna težina skulptura

    Henryja Moorea

    susreće sa nepokolebljivom, teksturiranom intimnošću portreta

    Luciana Freuda

    , stvarajući dijalog između forme i emocije koji prevazilazi vreme.

    Inovacija i savremena avangarda

    Ono što istinski izdvaja Arts Council Collection jeste njeno neustrašivo prihvatanje savremenog i novonastalog. Ona ne gleda unazad sa nostalgijom; ona aktivno oblikuje budućnost umetnosti kroz vizionarske inicijative poput

    Frieze Acquisition Fund

    . Omogućavajući kuratorima da nabave revolucionarna dela sa prestižnog sajma umetnosti Frieze London, kolekcija osigurava da se glasovi sledeće generacije utkuju u trajno tkivo britanske baštine. Ova posvećenost inovacijama znači da će posetioci — kao i oni koji su inspirisani njenim delima prilikom uređenja enterijera — uvek susretati najsavremenije trendove u skulpturi, fotografiji, videu i instalaciji. Kolekcija cveta na tenziji i otkriću, često predstavljajući izazovna ili kontroverzna dela koja podstiču razmišljanje i pokreću debate.

    Pored svog fizičkog bogatstva, uticaj ove institucije se pojačava kroz sofisticiran program turnejskih izložbi i globalnih partnerstava. Kroz saradnju sa entitetima kao što je

    Coventry Biennial

    , kolekcija istražuje teme urbanog identiteta i povezivanja sa zajednicom, donoseći kuratorski izvrsnost u regionalne galerije daleko izvan centralnih čvorišta Londona. Ovaj duh dostupnosti dalje se širi u digitalni svet putem partnerstva sa

    Google Arts & Culture

    , omogućavajući globalnoj publici da luta kroz njena blaga iz bilo kog cornera sveta. Za dizajnera enterijera koji teži da izazove osećaj sofisticiranog modernizma ili za naučnika koji prati niti umetničke linije, Arts Council Collection ostaje neiscrpan izvor duboke lepote i intelektualnog strogosti.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Popcorn Shells

    originaluniqueart.com/sr/art/download/chris-ofili-popcorn-shells-D4JUVS-en/

    Citiranje ovog umetničkog dela

    MLA
    Ofili, Chris. Popcorn Shells. 1995, Arts Council Collection. https://originaluniqueart.com/sr/art/chris-ofili-popcorn-shells-D4JUVS-en/
    APA
    Ofili, Chris (1995). Popcorn Shells [Painting]. Arts Council Collection. https://originaluniqueart.com/sr/art/chris-ofili-popcorn-shells-D4JUVS-en/
    Chicago
    Chris Ofili. Popcorn Shells. 1995. Arts Council Collection. https://originaluniqueart.com/sr/art/chris-ofili-popcorn-shells-D4JUVS-en/
    Harvard
    Ofili, Chris (1995) Popcorn Shells. Arts Council Collection. Available at: https://originaluniqueart.com/sr/art/chris-ofili-popcorn-shells-D4JUVS-en/

    Pogledajte pažljivije

    Popcorn Shells — Chris Ofili

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: jazz culture, african art, collage technique. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na The Holy Virgin Mary (1996), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Ko je autor dela "Popcorn Shells" i iz koje godine je?

    Chris Ofili je napravio/la "Popcorn Shells" u 1995. godini.

    Gde bi najbolje bilo okačiti reprodukciju dela „Popcorn Shells”, autor Chris Ofili?

    Format (Portrait) i preporučeni prostor (Living Room) su dve navedene činjenice o postavljanju za „Popcorn Shells”, autor Chris Ofili.

    Koliko je godina imao/la Chris Ofili kada je stvorio/la "Popcorn Shells"?

    Chris Ofili je imao/la 27 godina kada je kreirao/la "Popcorn Shells" u 1995. Godina je izračunata na osnovu godine rođenja umetnika, 1968.