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Capriccio Padovano

Ime Razred Datum

Bernardo Beloto, Capriccio Padovano (1740), Музеј Принђес. Domen javnog dobra. Pogledajte ovo platno pod pokretnim svetlom: crtež, pravu boju ispod vernisa, čisti pigment

Osnovne informacije

Umetnik
Bernardo Beloto originaluniqueart.com/sr/artists/bernardo-beloto_sr/
Podaci o umetniku
1721 – 1780
Slikano
1740
Originalne dimenzije
49 x 73 cm
Mesto održavanja
Музеј Принђес originaluniqueart.com/sr/museums/muzej-prindjes-madrid_sr/

U kontekstu

Capriccio Padovano — Bernardo Beloto

Dimenzije

Originalne dimenzije su 49 × 73 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770
  7. 1780

Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 59 u smrti.

Naslikano kada je umetnik imao 19 godina. Umetnik je doživeo 59. 5 od 73 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Bernardo Beloto (1721–1780) ▲ ovo delo, 1740 svaka datirana slika, deceniju po deceniju

Prva dela: do 1747 Glavne radne godine: 1747–1765 Kasna dela: od 1765

Ova tri segmenta dele dela koja u ovom katalogu imaju naveden datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/bernardo-bellotto-capriccio-padovano-8BWNK8-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Putty #cad5da

    Katalogizovana paleta

    • #CAD5DA
    • #383337
    • #A1824A
    • #85A5C0

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv glavne boje
    Putty
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Bernardo Beloto tokom poslednjih dvanaest meseci — ukupno u 14 zemalja. Odakle ovi podaci potiču

    Deset vodećih zemalja

    1. 1 Кина 59,6%
    2. 2 Шпанија 5,8%
    3. 3 Италија 5,8%
    4. 4 Сингапур 5,8%
    5. 5 Француска 3,8%
    6. 6 Сједињене Америчке Државе 3,8%
    7. 7 Швајцарска 1,9%
    8. 8 Колумбија 1,9%
    9. 9 Немачка 1,9%
    10. 10 Хонг Конг 1,9%
    11. · 4 ostalih zemalja 7,8%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Bernardo Beloto

    1. 1 Руине Старе Крецкирхе у Дрездену, 1765 17,9%
    2. 2 The Belvedere from Gesehen, Vienna, 1759 6,0%
    3. 3 Die Dominikanerkirche in Wien 4,5%
    4. 4 View of Dresden from the Right Bank of the Elbe with the Augustus Bridge, 1748 3,0%
    5. 5 The Piazza della Signoria in Florence, 1740 3,0%
    6. 6 Vienna, Panorama from Palais Kaunitz, 1759 3,0%
    7. 7 The Marketplace at Pirna, 1760 3,0%
    8. 8 Miodowa Street, 1777 3,0%
    9. 9 Church of the Holy Sacrament in the New Town, 1778 3,0%
    10. 10 Pirna Seen from the Right Bank of the Elbe, 1750 3,0%
    11. 11 Visitationist Church in Warsaw, 1780 3,0%
    12. 12 The Fortress of Königstein, 1756 3,0%
    13. 13 Election of Stanislaw August Poniatowski in 1764 1,5%
    14. 14 The Kreuzkirche in Dresden, 1747 1,5%
    15. 15 Dresden, the Frauenkirche and the Rampische Gasse, 1749 1,5%
    16. 16 Lagoon landscape, 1741 1,5%
    17. 17 The Fortress of Konigstein, 1758 1,5%
    18. 18 View of Gazzada near Varese 1,5%
    19. 19 View of Pirna from the Sonnenstein Castle, 1750 1,5%
    20. — Capriccio Padovano, 1740 ova slika 0,0%

    Zajedno, ova dela privlače 65,9% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 129 dela ovog umetnika, od kojih je 42 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za mesec po mesec

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Bernardo Beloto

    Mesto rođenja Venecija, Italija

    Rani život i učenje

    Bernardo Bellotto, prosljenjeni italijanski slikar, rođen je u Veneciji oko 1721./2 ili 30. januara 1721. Bio je rođak i učenik slavnog Giovanni Antonio Canaletto, istaknute figure venecijanske škole slikarstva.

    Umetnički stil i karijera

    Bellottoov umetnički stil odlikovao je izdašan prikaz arhitektonskih i prirodnih pejzaža, kao i jedinstvena kvaliteta osvetljenja svakog mesta. Poznat je po svojoj izuzetnoj veštini u hvatanju suštine gradskih pejzaža, što ga je dovelo do poziva da radi za različite evropske monarhide.

    Putovao je u Rim (1742), Severnu Italiju (1744-1745), a kasnije se preselio u Dresden (1747-1758) po nalog kralja Augusta III Poljskog.

    Njegova dela iz Dresdena sačuvala su pre-ratnu lepotu grada, koja je danas uništena.

    Primio je poziv od carice Marije Tereze da radi u Beču (1758), gde je slikao gradske spomenike.

    Značajna dela i nasleđe

    Među Bellottoovim značajnim delima nalaze se:

    Pogled na Veliki kanal: Santa Maria della Salute i Dogana sa Campo Santa Maria Zobenigo (1743)

    Arhitektonski kapričio sa samoportretom Bellotta u kostimu venecijanskog plemića

    Njegovo nasleđe se proteže iznad same umetnosti, jer njegove slike danas služe kao referenca za rekonstrukciju gradova nakon uništenja.

    Muzej i kolekcije

    Bellottoova dela mogu se pronaći u raznim muzejima, uključujući Pinakoteku di Vicenzu u Italiji. Da istražite više njegovog umetničkog rada, posetite [https://AllPaintingsStore.com/@/bernardo bellotto](https://AllPaintingsStore.com/@/bernardo bellotto) i otkrijte svet umetnosti.

    Reference

    /sr/art/show/art-d3baj3-sr/ [https://www.wikiart.org/en/bernardo-bellotto/](https://www.wikiart.org/en/bernardo-bellotto/) * [https://fr.wikipedia.org/wiki/bernardo_bellotto](https://fr.wikipedia.org/wiki/bernardo_bellotto)

    Muzej

    Музеј Принђес

    Prikazano u Madrid, Španija

    A Legacy of Passion: Unveiling the Thyssen-Bornemisza Museum

    Nestled within the heart of Madrid’s vibrant cultural landscape, alongside the grandeur of the Prado and the revolutionary spirit of the Reina Sofía, lies the Thyssen-Bornemisza National Museum – a truly exceptional institution born from a singular vision. More than simply a collection of masterpieces, it represents a deliberate act of preservation, a passionate defense of European artistic heritage against the tides of exile following World War I, and a testament to the discerning eye of Heinrich Baron Thyssen-Bornemisza. The museum’s story begins not in Spain, but in Lugano, Switzerland, where the Baron embarked on his ambitious quest to assemble a collection that would encompass the entirety of European artistic achievement – a conscious decision to safeguard its legacy within Europe's borders.

    Heinrich Thyssen-Bornemisza, driven by an almost obsessive desire for completeness, tirelessly pursued works spanning centuries and styles. From the Byzantine icons shimmering with otherworldly light, hinting at ancient mysteries, to the bold Surrealist sculptures challenging conventional forms, and crucially, the groundbreaking canvases of Pablo Picasso – his collection became a breathtaking tapestry of artistic expression. The relocation to Madrid in 1943 wasn’t merely a logistical shift; it was a profound statement of commitment, a desire to share this extraordinary inheritance with Spain and foster a deeper appreciation for art on a global scale. This move solidified the museum's place within the “Golden Triangle of Art,” creating a synergistic experience for visitors exploring these three iconic institutions.

    Architectural Harmony: A Palace of Reflection

    The Thyssen-Bornemisza resides within a beautifully restored neoclassical palace, originally designed as a royal residence for Alfonso XIII and his family – a space intended to embody grandeur and inspire artistic contemplation. This building, conceived by Narciso III Ortiz y Montenegro, stands as a harmonious counterpoint to the more modern structures of its neighbors, offering visitors an immediate sense of serenity and beauty. The soaring ceilings, adorned with intricate stucco decorations, and the expansive windows flooding the galleries with natural light create an environment perfectly suited for showcasing the museum’s treasures. The proportions are meticulously considered, reflecting a deep understanding of classical aesthetics – a subtle yet powerful reminder of the enduring influence of artistic tradition. The integration with Parque del Buen Retiro further enhances the experience, providing a tranquil backdrop and panoramic views that complement the art within.

    A Chronological Journey Through European Art

    Visitors embark on a chronological journey through European painting, beginning with early Renaissance works by Duccio and Luca di Tommè – delicate beauty and spiritual depth. The collection then progresses through the vibrant hues of the Italian Primitives: Giotto, Masaccio, Botticelli, and Bellini, offering a profound insight into the foundations of Western art. A significant section is dedicated to Dutch Masters – Rembrandt’s dramatic portraits and self-portraits alongside Vermeer, Hals, and Frans Hals, revealing the nuances of light and color. The Spanish Masters showcase Goya's later works, including his iconic “Saturn” series, providing a glimpse into the artist’s turbulent life and artistic vision. The museum culminates in its impressive holdings of Impressionist and Post-Impressionist art – featuring Monet’s luminous landscapes, Renoir’s intimate portraits, Degas’ captivating dancers, and Van Gogh’s emotionally charged brushstrokes.

    Beyond the Permanent Collection: A Dynamic Experience

    What truly distinguishes the Thyssen-Bornemisza is its remarkable ability to complement and enrich the collections of the Prado and Reina Sofía. While the Prado champions Spanish artistic tradition – showcasing the mastery of Velázquez, Goya, and El Greco – and the Reina Sofía celebrates modern innovation with Picasso’s “Guernica” and Warhol’s vibrant prints, the Thyssen fills historical gaps with an astonishing breadth of European painting. The museum is renowned for its dynamic programming of exhibitions that delve into specific themes and artists, fostering intellectual engagement and broadening perspectives on art history. These temporary exhibits often draw upon international collaborations, ensuring that visitors encounter cutting-edge scholarship and innovative interpretations – a testament to the museum’s commitment to remaining relevant in an ever-evolving cultural landscape. Notably, the ongoing loan of Carmen Cervera’s personal collection further expands the museum's offerings, guaranteeing its continued appeal for generations to come.

    Highlights & Artistic Treasures

    Early Renaissance:

    A stunning array of works by Duccio, Fra Angelico, and Piero della Francesca, showcasing the delicate beauty and spiritual depth of this era.

    Italian Primitives:

    Masterpieces by Giotto, Masaccio, Botticelli, and Bellini, offering a profound insight into the foundations of Western art.

    Dutch Masters:

    Rembrandt’s dramatic portraits and self-portraits, alongside works by Vermeer, Hals, and Frans Hals, revealing the nuances of light and color.

    Spanish Masters:

    A significant collection of Goya's later works, including his iconic “Saturn” series, providing a glimpse into the artist’s turbulent life and artistic vision.

    Impressionist & Post-Impressionist:

    Featuring Monet’s luminous landscapes, Renoir’s intimate portraits, Degas’ captivating dancers, and Van Gogh’s emotionally charged brushstrokes – showcasing the revolutionary techniques and emotional intensity of these movements.

    The Thyssen-Bornemisza Museum stands as a vibrant testament to the power of art and the enduring legacy of one man's passionate pursuit of beauty.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Capriccio Padovano

    originaluniqueart.com/sr/art/download/bernardo-bellotto-capriccio-padovano-8BWNK8-en/

    Citiranje ovog umetničkog dela

    MLA
    Beloto, Bernardo. Capriccio Padovano. 1740, Музеј Принђес. https://originaluniqueart.com/sr/art/bernardo-bellotto-capriccio-padovano-8BWNK8-en/
    APA
    Beloto, Bernardo (1740). Capriccio Padovano [Painting]. Музеј Принђес. https://originaluniqueart.com/sr/art/bernardo-bellotto-capriccio-padovano-8BWNK8-en/
    Chicago
    Bernardo Beloto. Capriccio Padovano. 1740. Музеј Принђес. https://originaluniqueart.com/sr/art/bernardo-bellotto-capriccio-padovano-8BWNK8-en/
    Harvard
    Beloto, Bernardo (1740) Capriccio Padovano. Музеј Принђес. Available at: https://originaluniqueart.com/sr/art/bernardo-bellotto-capriccio-padovano-8BWNK8-en/

    Pogledajte pažljivije

    Capriccio Padovano — Bernardo Beloto

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Руине Старе Крецкирхе у Дрездену (1765), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. Bernardo Beloto je imao oko 19 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koji su dominantni koloriti u delu „Capriccio Padovano”, Bernardo Beloto?

    „Capriccio Padovano”, Bernardo Beloto koristi Neutrals paletu, pri čemu je Putty (#cad5da) dominantna boja.

    Gde mogu da kupim print dela „Capriccio Padovano”, Bernardo Beloto?

    Štampa dela „Capriccio Padovano”, Bernardo Beloto može se naručiti direktno na njegovoj stranici za Umetski print: umetnička štampa na pamučnom platnu ili arhivskom kanvas papiru.

    Koja boja dominira kompozicijom dela „Capriccio Padovano”, Bernardo Beloto?

    Boja koja najviše izdvaja se u delu "Capriccio Padovano" je Putty (#cad5da). Dominantna boja je korisna pri uklapanju umetničkog dela u enterijer.