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Autorska prava Ovo delo je u javnom vlasništvu. Alfred Émile Léopold Stevens je preminuo/la 1906. godine; autorska prava traju 70 godina nakon smrti umetnika, pa su prestala 1976.
U kontekstu
Fall — Alfred Émile Léopold Stevens
Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 83 u smrti.
Naslikano kada je umetnik imao 54 godina. Umetnik je doživeo 83. 16 od 40 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.
Osenčeno: životni vek umetnika Alfred Émile Léopold Stevens (1823–1906) ▲ ovo delo, 1877 svaka datirana slika, deceniju po deceniju
Prva dela: do 1868 Glavne radne godine: 1868–1888 Kasna dela: od 1888
Ova tri segmenta dele dela koja u ovom katalogu imaju naveden datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika
Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.
Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/alfred-emile-leopold-stevens-fall-AQR3ZC-en/
Izmereno na osnovu slike
Glavna boja
Driftwood #937a5e
Katalogizovana paleta
Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji
Deset vodećih zemalja
Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.
Zajedno, ova dela privlače 79,6% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 75 dela ovog umetnika, od kojih je 29 pregledano barem jednom. Ova slika zauzima 18 mesto među njima, sa 2,2% te pažnje. Isto važi i za mesec po mesec
Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.
Umetnik i muzej
Alfred Émile Léopold Stevens (1823-1906) was a Belgian painter celebrated for his realistic depictions of elegant modern women and Parisian life. He skillfully captured the essence of la vie moderne with refined detail and subtle social commentary, establishing himself as a prominent figure in 19th-century art.
Born in Brussels in 1823 into a family deeply connected to the visual arts, Stevens benefited from a stimulating environment. His older brother Joseph (also a painter), his son Léopold, and another brother Arthur (an art dealer and critic) all contributed to the family’s artistic legacy. His father, a veteran of the Napoleonic Wars, was an avid art collector, while his maternal grandparents ran a popular café frequented by intellectuals and artists.
After his father's death in 1837, Stevens began his formal training at the Académie Royale des Beaux-Arts in Brussels.
He studied under François Navez, a Neo-Classical painter and former student of Jacques-Louis David.
In 1843, he moved to Paris to join his brother Joseph and enrolled at the École des Beaux-Arts.
Stevens’s early work demonstrated a mastery of conventional naturalistic style, heavily influenced by 17th-century Dutch genre painting. He meticulously studied the works of artists like Gerard ter Borch and Gabriel Metsu, absorbing their techniques for depicting domestic interiors and everyday life.
His initial success came with paintings exhibiting this influence, such as “The Pardon or Absolution” (1849).
He gradually transitioned towards portraying contemporary subjects – "la vie moderne" – focusing on the lives of fashionable women in Parisian society.
Stevens was an early enthusiast of Japonisme, incorporating Japanese objects and aesthetics into his compositions, as seen in “La Dame en Rose” (1866).
Stevens achieved significant recognition throughout his career, exhibiting regularly at the Salons in Paris and Brussels. His paintings garnered critical acclaim and attracted a loyal clientele.
He received third-class medals at the Paris Salon (1853) and second-class medal at the Universal Exposition (1855).
His painting “Ce qu'on appelle le vagabondage” (1855) prompted Napoleon III to address the issue of poverty in Paris.
He was awarded the Legion of Honor (Chevalier, 1863; Officer, 1867; Commander, 1878).
Stevens won a first-class medal at the Universal Exposition in Paris (1867).
Stevens was an active participant in the Parisian art world, cultivating friendships with prominent figures such as the Goncourt brothers, Théophile Gautier, Alexandre Dumas, Édouard Manet, Edgar Degas, Berthe Morisot, and James Abbott McNeill Whistler. He regularly frequented the Café Guerbois, a hub for avant-garde artists.
Stevens continued to paint successfully throughout his later life, capturing the changing fashions and social dynamics of Parisian society. He served in the French army during the Franco-Prussian War but returned to Belgium with his family before the Paris Commune. He died in 1906, leaving behind a rich artistic legacy.
Alfred Stevens’s work provides valuable insights into the social and cultural life of 19th-century France. His paintings offer a glimpse into the world of the upper middle class, showcasing their elegance, leisure activities, and evolving tastes. He is remembered as a master of realistic portraiture and genre painting, skillfully capturing the spirit of his time.
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Fall — Alfred Émile Léopold Stevens
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Ostala imena zabeležena za Alfred Émile Léopold Stevens, autora dela "Fall", uključuju Alfred Emile Leopold Stevens.
Da biste naručili print dela „Fall”, Alfred Émile Léopold Stevens, jednostavno ga poručite na njegovoj stranici Umetski print: umetnička štampa na pamučnom platnu ili arhivskom kanvas papiru.
Delo „Fall”, Alfred Émile Léopold Stevens nastalo je 1877.