Portret William Page

Slike avtorja William Page: 26 najbolj znanih del skozi oči galerije

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 26 del v našem katalogu avtorja William Page

Kratek opis

Za oči galerije je najbolj znano sliko umetnika William Page delo Henry Stevens (1819-1886), B.A. 1843, M.A. 1846 (1859), katere original visi v muzeju Yale University Art Gallery, New Haven. Charles Greely Loring (1794-1867) (1845) in Shakespeare Reading (1873) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 26 del avtorja William Page v našem katalogu galerija spodaj predstavlja 26 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.

1811 – 1885, Albany Academic realism Največ del: Smithsonian American Art Museum

Top 10 slik umetnika William Page v galeriji

1
Henry Stevens  (1819-1886), B.A. 1843, M.A. 1846 (1859) avtorja William Page

Henry Stevens (1819-1886), B.A. 1843, M.A. 1846

1859 · Oil On Canvas · Yale University Art Gallery, New Haven

In this 1859 oil on canvas, we find ourselves in the quiet, private sanctuary of a library, seated across from Henry Stevens. The composition is a three-quarter length portrait that places the viewer at eye-level, creating an immediate, almost conversational intimacy with the sitter. Stevens is positioned centrally, his presence anchored by the heavy, rectangular geometry of the bookshelves that rise behind him. The atmosphere is one of profound intellectual…

2
Charles Greely Loring (1794-1867) (1845) avtorja William Page

Charles Greely Loring (1794-1867)

1845 · Oil On Canvas · Harvard Art Museums, Cambridge

A single light source carves a face from the dark. The subject, Charles Greely Loring, sits in a quiet, heavy stillness, his gaze meeting the viewer from a slight angle. Shadows pool in the folds of his skin and the deep recesses of his clothing, creating a sense of physical volume that feels almost tactile. The white of his shirtfront acts as a sharp, bright anchor against a sea of…

3
Shakespeare Reading (1873) avtorja William Page

Shakespeare Reading

1873 · Oil On Canvas · Smithsonian American Art Museum, Washington, D.C.

A man sits in a moment of profound stillness, his attention anchored to a small book held within his hands. The composition is a vertical three-quarter length portrait, positioning the subject slightly off-center to create an intimate, scholarly atmosphere. Deep browns, burgundies, and dark greens dominate the palette, grounding the figure in a somber, academic environment. Light enters from the upper left, casting soft shadows across the face and catching…

4
Josiah Quincy (1772-1864) (1843) avtorja William Page

Josiah Quincy (1772-1864)

1843 · Oil On Canvas · Harvard Art Museums, Cambridge

A single light source strikes from the upper left, carving a face out of the heavy dark. Josiah Quincy sits in a three-quarter view, his presence defined by the sharp white of a cravat against the deep shadows of his torso. The background is an indeterminate void, a darkness that offers no horizon, only depth. This is a study in chiaroscuro, where the light does not merely illuminate but actively…

5
Colonel William Leete Stone (1839) avtorja William Page

Colonel William Leete Stone

1839 · Oil On Canvas · Cleveland Museum of Art, Cleveland

A single quill pen rests against a stack of papers, its tip poised as if caught in a moment of sudden thought. The light strikes the white linen of a cravat, a sharp contrast against the heavy, dark tones of the background. This is the world of Colonel William Leete Stone, rendered in oil on canvas in 1839. He does not look at the viewer. Instead, his gaze is directed…

6
Sir Benjamin Thompson, later Count Rumford (1753-1814), after Moritz Kellerhoven (1758-1830) (1843) avtorja William Page

Sir Benjamin Thompson, later Count Rumford (1753-1814), after Moritz Kellerhoven (1758-1830)

1843 · Oil · Harvard Art Museums, Cambridge

In this 1843 oil portrait, we encounter the presence of Sir Benjamin Thompson, later known as Count Rumford. The subject is presented in a dignified profile, a choice that emphasizes the sharp, thoughtful contours of his features. He is depicted in a bust-length composition, his head and upper torso emerging from a dark, undifferentiated background that pushes his likeness toward the viewer. The lighting is deliberate, sweeping in from the…

7
Moses, Aaron and Hur on Mount Horeb (1857) avtorja William Page

Moses, Aaron and Hur on Mount Horeb

1857 · Oil On Canvas · Smithsonian American Art Museum, Washington, D.C.

In this 1857 oil on canvas, we find ourselves drawn into a heavy, atmospheric moment on Mount Horeb. The scene captures a profound instance of physical and spiritual exhaustion, where the weight of leadership meets the necessity of communal support. Three men are locked in a struggle against fatigue, their forms emerging from a deep, murky darkness that swallows the background. The lighting is handled with a deliberate chiaroscuro, casting…

8
Mrs. William Page (1860) avtorja William Page

Mrs. William Page

1860 · Oil On Canvas · Detroit Institute of Arts, Detroit

In this vertical, three-quarter length portrait, Mrs. William Page by William Page occupies a space of quiet dignity. She sits slightly off-center to the right, a placement that allows the eye to wander toward the monumental architecture looming to her left. The composition creates a deliberate balance between the living presence of the subject and the ancient, weathered stone of the Roman Colosseum. This structural tension draws the viewer into…

9
Cupid and Psyche (1843) avtorja William Page

Cupid and Psyche

1843 · Oil · Fine Arts Museums of San Francisco, San Francisco

This romantic and atmospheric oil painting, created in 1843, depicts two figures in an intimate embrace amidst a dark, wooded setting. The composition is characterized by a heavy asymmetrical balance, with the large, luminous forms of the two subjects positioned on the right side of the frame, contrasting against a lighter landscape on the left. The color palette utilizes deep, shadowy tones of forest green, black, and umber, which are…

10
Untitled (La Bella) (1852) avtorja William Page

Untitled (La Bella)

1852 · Oil On Canvas · Smithsonian American Art Museum, Washington, D.C.

The gaze of the subject in Untitled (La Bella) meets the viewer with a quiet, steady presence. Painted by William Page in 1852, this portrait captures a single female figure in a moment of poised stillness. She exists within a space that feels both intimate and distant, her form emerging from a dark, indistinct background that offers no distractions from her character.

Slikarska dela umetnika William Page, uvrščena od 11 do 26

Motivi, ki so očarali William Page

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Muzeji, ki hranijo originala umetnika William Page

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga William Page Slike iz tega seznama
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 8 Shakespeare Reading, Moses, Aaron and Hur on Mount Horeb, Untitled (La Bella)
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 6 Charles Greely Loring (1794-1867), Josiah Quincy (1772-1864), Sir Benjamin Thompson, later Count Rumford (1753-1814), after Moritz Kellerhoven (1758-1830)
Muzej fine arts, BostonMuzej fine arts Boston 3 Mrs. Abraham Conger (Mary Rutgers McCrea Hedges), William Lloyd Garrison, Harriet Hosmer
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 2 Mrs. William Page, Self Portrait
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Henry Stevens (1819-1886), B.A. 1843, M.A. 1846
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Colonel William Leete Stone
Fine Arts Museums of San Francisco, San FranciscoFine Arts Museums of San Francisco San Francisco 1 Cupid and Psyche
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 1 Charlotte Cushman

William Page, ena značilna slika na desetletje

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Slike umetnika William Page: odgovori galerije

Katero sliko avtorja William Page je najbolj znana med vsemi?Razkriti odgovor

Henry Stevens (1819-1886), B.A. 1843, M.A. 1846 (1859), Yale University Art Gallery, New Haven. Zatem sledeta Charles Greely Loring (1794-1867) (1845) in Shakespeare Reading (1873).

Koliko je bil William Page let, ko je dokončal Henry Stevens (1819-1886), B.A. 1843, M.A. 1846?Razkriti odgovor

48 let: delo Henry Stevens (1819-1886), B.A. 1843, M.A. 1846 iz leta 1859, William Page pa je bil/a rojen/a leta 1811.

Katera je 10 najboljjših slik umetnika William Page?Razkriti odgovor

Henry Stevens (1819-1886), B.A. 1843, M.A. 1846, Charles Greely Loring (1794-1867), Shakespeare Reading, Josiah Quincy (1772-1864), Colonel William Leete Stone, Sir Benjamin Thompson, later Count Rumford (1753-1814), after Moritz Kellerhoven (1758-1830), Moses, Aaron and Hur on Mount Horeb, Mrs. William Page, Cupid and Psyche in Untitled (La Bella). Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko dzieł stworzył William Page?Razkriti odgovor

Naš katalog vsebuje 26 del avtorja William Page, datiranih od 1820 do 1875.

Kje so razpostavljena najbolj znana originala umetnika William Page?Razkriti odgovor

Večini v Smithsonian American Art Museum (Washington, D.C.), Harvard Art Museums (Cambridge) in Muzej fine arts (Boston). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

Kdaj je William Page ustvaril svoja najbolj znana slika?Razkriti odgovor

V obdobju 1840s: 8 od 26 del na tej strani je bilo izdelovanih takrat, med njimi pa Charles Greely Loring (1794-1867).

Kateri so najstarejši in najmlajši znanii dela umetnika William Page?Razkriti odgovor

Na tej strani je najstarejše delo iz View of Athens (1820) in najstarejše iz Charles William Eliot (1834-1926) (1875).

Kateri motivi so bili za William Page najbolj značilni?Razkriti odgovor

Man (8), Portrait (7) in Woman (5), na 26 delih na tej strani.

Pri katerem medijem je William Page delal največ?Razkriti odgovor

Oil On Canvas, za 12 od 26 del na tej strani.

S katerim umetnostnim slogom je povezan William Page?Razkriti odgovor

Academic realism, glede na originala na tej strani.

Katera originalna dela umetnika William Page ima v svoji zbirki Smithsonian American Art Museum?Razkriti odgovor

Shakespeare Reading, Moses, Aaron and Hur on Mount Horeb in Untitled (La Bella): v muzeju Smithsonian American Art Museum, Washington, D.C. se nahaja 8 del z te strani.

William Page: umetnik

The Life and Artistic Journey of William Page

Born in Albany, United States, William Page was a versatile American painter and portrait artist. His early training began in the office of Frederick de Peyster, followed by studies in the studio of James Herring. He eventually became a pupil of Samuel F. Morse and enrolled at the National Academy of Design, where his drawings in the antique class earned him a silver medal. After a brief period studying theology at the Andover Theological Seminar and Amherst College, he returned to the world of art.

Page's career saw him move between New York and Boston, eventually spending eleven years residing in Florence and Rome. During his time in Italy, he painted portraits of notable figures such as Robert and Elizabeth Browning. He was deeply inspired by the works of the great masters, particularly Titian, whose painting method he sought to discover. His copies of Titian's works were so remarkable that one was once seized by Florentine authorities under the belief that it was an original.

Notable Works and Legacy

Throughout his career, Page executed a wide array of subjects, from religious scenes like "Moses and Aaron on Mount Horeb" and "The Holy Family" to portraits of prominent individuals. His portraiture included likenesses of:

In addition to his painting, Page was a man of diverse interests; he wrote A New Geometrical Method of Measuring the Human Figure and held patents for various improvements in guns and boats. He died on Staten Island.