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Za oči galerije je najbolj znano sliko umetnika William Blake Richmond delo Andrew Lang, 1844 - 1912. Poet and writer (1885), katere original visi v muzeju Scottish National Portrait Gallery, Edinburgh. William Holman Hunt (1900) in Queen Alexandra (1844-1925) when Princess of Wales (1872) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 14 del avtorja William Blake Richmond v našem katalogu galerija spodaj predstavlja 14 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
The oil painting titled Andrew Lang, 1844 - 1912. Poet and writer captures a man of many disciplines. Created by the artist William Blake Richmond in 1885, the work presents the Scottish subject in a moment of quietude. Lang was a figure of vast intellectual reach, moving between the roles of poet, art critic, and historian. He also functioned as a translator of Homer and an anthropologist, his mind a…
Sir William Blake Richmond painted this portrait of William Holman Hunt in 1900. The work captures the subject during the final decade of his life, presenting a dignified study of the man who co-founded the Pre-Raphaelite Brotherhood. Richmond, a contemporary of the movement, utilizes a realistic approach to document the sitter's presence.
The portrait captures a young woman, the Princess of Wales, in a moment of quiet composure. She is positioned in a three-quarter view, her gaze directed toward the viewer with a sense of steady dignity. A soft light descends from the upper left, tracing the delicate architecture of her face and the fine, intricate patterns of her lace collar. The deep reds of her garment anchor the composition, providing a…
An Audience in Athens During Agamemnon by Aeschylus is a large-scale oil on canvas painted by William Blake Richmond about 1884. The work captures a vast assembly of figures gathered within the tiered stone architecture of an ancient Greek amphitheater. Sunlight washes over the semi-circular rows, illuminating the textures of draped fabric and the pale skin of the spectators. In the distance, the silhouette of an Acropolis-like structure rests against…
In the portrait Rachel Henty, Mrs E. Gleadowe Marshall by William Blake Richmond, the subject is presented in a three-quarter length view. She is positioned slightly off-center within the frame, facing toward the viewer's right. Despite this lateral orientation, her gaze is directed forward to meet the observer. Her greyish-white hair is styled upwards, emerging from the dark tones of her attire. The subject's hands are clasped in front of…
There is a profound stillness in this portrait of Eustace Lyle Gibbs. Captured in 1890, the work presents a young boy in a three-quarter view, his gaze meeting the viewer with an intimacy that feels almost private. The composition is deliberate, positioning him slightly off-center to create a sense of depth within the frame. He wears a dark garment, accented by a light blue sailor-style collar tied in a bow,…
In "The Slave" by William Blake Richmond, painted about 1886, we find ourselves in an intimate, dimly lit space. The composition is vertically oriented, drawing the eye upward toward the central figures. A woman occupies the primary focus, her form draped in a heavy dark cloak that rests over a light-colored gown. She gazes upward, her expression one of quiet longing or deep contemplation. Beside her, a nude toddler clings…
In "The Bath Of Venus" by William Blake Richmond, the scene unfolds within a lush, Mediterranean-style landscape. The composition centers upon a standing nude female figure, likely Venus, who is flanked by three attendants. They occupy the midground of a shallow perspective, their forms anchored against a backdrop of vertical, cypress-like trees. In the foreground, a basin of deep blue water provides a cool weight to the base of the…
We are looking at Hera in the House of Hephaistos, an oil on canvas created by the British artist William Blake Richmond. This particular work dates to 1902, a period when Richmond was already an established figure within the Royal Academy. The painting captures a quiet, mythological moment, rendered with a precision that speaks to his deep familiarity with the Old Masters he studied during his travels in Italy.
The oil portrait depicts an elderly woman, Lady Harriet Sarah Wantage, positioned in a three-quarter view. She gazes slightly away from the viewer, her expression remaining serene and serious. The subject's pale skin on her face and hands provides a sharp contrast to the deep blacks and dark browns of her garments. A white lace cuff is visible at her wrist, and she wears a pearl necklace alongside matching earrings.…
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga William Blake Richmond | Slike iz tega seznama |
|---|---|---|---|
 National Portrait Gallery |
London | 3 | William Holman Hunt, William Holman Hunt, William Morris |
 Scottish National Portrait Gallery |
Edinburgh | 1 | Andrew Lang, 1844 - 1912. Poet and writer |
 Kraljeva zbirka |
London | 1 | Queen Alexandra (1844-1925) when Princess of Wales |
 Birmingham Museum and Art Gallery |
Birmingham | 1 | An Audience in Athens During Agamemnon by Aeschylus |
 Ickworth |
Suffolk County | 1 | Rachel Henty, Mrs E. Gleadowe Marshall |
 Tyntesfield |
1 | Eustace Lyle Gibbs (1885 -1915) | |
 Indianapolis Museum of Art |
Indianapolis | 1 | Hera in the House of Hephaistos |
 Te Whare O Rehua Sarjeant Gallery |
1 | A Greek Water Carrier in Egypt |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The portrait captures a young woman, the Princess of Wales, in a moment of quiet composure. She is positioned in a three-quarter view, her gaze directed toward the viewer with a sense of steady dignity. A soft light descends from the upper left, tracing the delicate architecture of her face and the fine, intricate patterns of her lace collar. The deep reds of her garment anchor the composition, providing a…
The oil painting titled Andrew Lang, 1844 - 1912. Poet and writer captures a man of many disciplines. Created by the artist William Blake Richmond in 1885, the work presents the Scottish subject in a moment of quietude. Lang was a figure of vast intellectual reach, moving between the roles of poet, art critic, and historian. He also functioned as a translator of Homer and an anthropologist, his mind a…
There is a profound stillness in this portrait of Eustace Lyle Gibbs. Captured in 1890, the work presents a young boy in a three-quarter view, his gaze meeting the viewer with an intimacy that feels almost private. The composition is deliberate, positioning him slightly off-center to create a sense of depth within the frame. He wears a dark garment, accented by a light blue sailor-style collar tied in a bow,…
Sir William Blake Richmond painted this portrait of William Holman Hunt in 1900. The work captures the subject during the final decade of his life, presenting a dignified study of the man who co-founded the Pre-Raphaelite Brotherhood. Richmond, a contemporary of the movement, utilizes a realistic approach to document the sitter's presence.
Andrew Lang, 1844 - 1912. Poet and writer (1885), Scottish National Portrait Gallery, Edinburgh. Zatem sledeta William Holman Hunt (1900) in Queen Alexandra (1844-1925) when Princess of Wales (1872).
43 let: delo Andrew Lang, 1844 - 1912. Poet and writer iz leta 1885, William Blake Richmond pa je bil/a rojen/a leta 1842.
Andrew Lang, 1844 - 1912. Poet and writer, William Holman Hunt, Queen Alexandra (1844-1925) when Princess of Wales, An Audience in Athens During Agamemnon by Aeschylus, Rachel Henty, Mrs E. Gleadowe Marshall, Eustace Lyle Gibbs (1885 -1915), The Slave, The Bath Of Venus, Hera in the House of Hephaistos in Portrait of Lady Harriet Sarah Wantage (1837–1920). Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 14 del avtorja William Blake Richmond, datiranih od 1872 do 1909.
Večini v National Portrait Gallery (London), Scottish National Portrait Gallery (Edinburgh) in Kraljeva zbirka (London). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1880s: 5 od 14 del na tej strani je bilo izdelovanih takrat, med njimi pa Andrew Lang, 1844 - 1912. Poet and writer.
Na tej strani je najstarejše delo iz Queen Alexandra (1844-1925) when Princess of Wales (1872) in najstarejše iz Portrait of Lady Harriet Sarah Wantage (1837–1920) (1909).
Woman (6), Man (5) in Beard (3), na 14 delih na tej strani.
Oil On Canvas, za 8 od 14 del na tej strani.
William Holman Hunt, William Holman Hunt in William Morris: v muzeju National Portrait Gallery, London se nahaja 3 del z te strani.
Sir William Blake Richmond je bil britanski slikar, kipar in oblikovalec svetlobnih mozaikov ter mozaikov. Rodil se je v Londonu v Združeni kraljevini, kot sin portretista Georgea Richmonda in Julije Tatham. Njegova umetniška pot se je začela s privatnim poučanjem doma, na katero je sledilo trienstrujevanje risanja in slikarstva na Kralični akademiji za umetnost, kjer je začel študirati leta 1858. Ključno obdobje njegovega razvoja je predstavljalo šesttednevno potovanje po Italiji, kjer je obiskal dela starih mojstrov, kot so Michelangelo, Tintoretto in Giotto.
Richmond je dosegel zgodnji uspeh kot portretist, svoje prvo pomembno delo pa je razstavil na Kralični akademiji leta 1861. Njegov izjemni talent mu je prinesel izvolitev v družino povezanih umetnikov Kralične akademije leta 1888 in status kraljičnega akademika leta 1895. Poleg portretiranja je bil plodni oblikovalec monumentalnih dekoracij, najbolj znano pa so njegovi mozaiki v prezbiteriju in apsidi katedrale sv. Pavla v Londonu.
Njegovo delo na področju oblikovanja mozaikov je značilo živahno ravnatan z uporabo razglačenega, irregularnega stekla, postavljene pod kotom, da bi zajamelo svetlobo. Ta tehnika, ki je bila pod vplivom bizantijskih in zgodno krščanskih slogov, je vključevala sodelovanje s steklarji James Powell and Sons pri razvoju novih barv in materialov. Te inovacije so razširile paleto, na voljo umetnikom v gibanju Arts and Crafts. Njegove zasnove steklenih poslikav, kot so te v cerkvi sv. Marije v Strettonu, so uporabljale debelo, črtano steklo, da bi posmimile utripajoče učinke njegovih mozaikov.
Poleg vizualnih umetnosti je Richmond deloval tudi kot kipar in zagovornik varstva okolja. Njegova izpostavljena kiparjska dela vključujejo:
Poleg tega je bil zgodnji zagovornik čistejšega zraka v Londonu, saj je leta 1898 ustanovil Društvo za preprečevanje sajov, s čimer je želel nasprotovati temnoti, ki jo je povzročal saj iz premoga.
