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1 najbolj znanih slik umetnika Wilhelm Haller, galerijska izbira
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 1 del v našem katalogu avtorja Wilhelm Haller
Kratek opis
Med vsemi originali, ki jih je pustil Wilhelm Haller, je najbolj znan Mother with Child (1913), ki se nahaja v kolekciji Augustiner Museum, Freiburg. Naš katalog vsebuje 1 del umetnika Wilhelm Haller; galerija je ohranila 1 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
1873 – 1950, Freiburg im Breisgau
Največ del: Augustiner Museum
10 najboljših slik umetnika Wilhelm Haller: izbira galerije
Muzeji, ki hranijo originala umetnika Wilhelm Haller
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Wilhelm Haller | Slike iz tega seznama |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 1 | Mother with Child |
Wilhelm Haller leta za letom: originali, ki definira vsako obdobje
1913 je leto vsakega datiranega dela umetnika Wilhelm Haller v tej izbiri: tukaj so, razvrščena po slavi.
Delo po letih
Izberite leto in oglej originale.
Vprašanja zbirateljev o slikah umetnika Wilhelm Haller
Za katero delo je Wilhelm Haller najbolj znan/a?Razkriti odgovor
Mother with Child (1913)
Koliko je bil Wilhelm Haller let, ko je nastalo delo Mother with Child?Razkriti odgovor
40 let: delo Mother with Child iz leta 1913, Wilhelm Haller pa je bil/a rojen/a leta 1873.
Koliko slik je pustil Wilhelm Haller?Razkriti odgovor
Naš katalog vsebuje 1 del avtorja Wilhelm Haller.
V katerih muzejih so razložena remek dela umetnika Wilhelm Haller?Razkriti odgovor
Večini v Augustiner Museum (Freiburg). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Wilhelm Haller: življenje in delo
Early Life and Education in Freiburg
Born on May 28, 1873, in Freiburg im Breisgau, Germany, Wilhelm Haller entered a world where the brush was already a familiar presence. He was the son of Konrad Haller, a man who earned his living as a decorative painter. This early exposure to the craft meant that the language of color and form was part of the household atmosphere from his earliest years. Even as a child and throughout his youth, he found himself deeply preoccupied with the act of painting, a passion that seemed to reside within him long before he sought formal training.
His path through the educational institutions of Freiburg was steady. He attended the local Volksschule before moving on to the Berthold-Gymnasium. It was there, in 1892, that he completed his Abitur. While his academic training suggested a different trajectory, the pull of the visual arts remained a constant, quiet influence on his developing mind.
Following his graduation, Wilhelm Haller enrolled at the University of Freiburg. He initially turned his attention toward the study of political science, pursuing the complexities of statecraft and social structures. However, the academic rigor of the university could not entirely suppress his innate inclination toward art. By 1897, he made the definitive choice to abandon his studies of political science to devote himself entirely to the life of a painter.
Notable Works and Subjects
The artist’s hand often turned toward the intimate and the domestic, capturing the quiet presence of life in a way that felt deeply personal. In 1909, he painted a portrait of a small boy accompanied by a monkey, a work that shows his early engagement with character and companionship. This interest in the human form extended to more tender subjects, such as his 1919 composition titled Mother and Child. Through these studies, he explored the subtle connections between people and the animals that shared their world.
Beyond the human figure, the landscapes of his home region frequently occupied his thoughts. He sought to translate the ruggedness of the terrain onto his supports, whether using oil or tempera. In 1923, he rendered a river landscape featuring a castle perched upon limestone rocks. This fascination with the natural architecture of the land continued into his later years; by 1944, he had produced a view of the Black Forest, capturing the essence of the wooded hills that defined the landscape of his life.