Portret Pompeo Batoni

100 najbolj znanih slik umetnika Pompeo Batoni, vsaka popolnoma edinstvena

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 164 del v našem katalogu avtorja Pompeo Batoni

Kratek opis

Hercules at the Crossroads (detail) (1748) je slika avtorja Pompeo Batoni, ki pritegne največ pogledov; original se nahaja v muzeju Liechtenstein Museum, Benetignano. Nato se pogled smeri k A Knight in Rome: Charles Cecil Roberts (1778) in Gaetano II Sforza Cesarini, Duke of Segni (1768). Med 164 dela umetnika Pompeo Batoni v našem katalogu so ta 100 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.

1708 – 1787, Lucca Neoclassicism Največ del: Uppark
Hercules at the Crossroads (detail) (1748) avtorja Pompeo Batoni1. Hercules at the Crossroads (detail) 1748 A Knight in Rome: Charles Cecil Roberts (1778) avtorja Pompeo Batoni2. A Knight in Rome: Charles Cecil Roberts 1778 Gaetano II Sforza Cesarini, Duke of Segni (1768) avtorja Pompeo Batoni3. Gaetano II Sforza Cesarini, Duke of Segni 1768

10 najboljjših slik umetnika Pompeo Batoni skozi oči galerije

1
Hercules at the Crossroads (detail) (1748) avtorja Pompeo Batoni

Hercules at the Crossroads (detail)

1748 · Oil On Canvas · Liechtenstein Museum, Benetignano

To stand before a depiction such as Pompeo Batoni’s Hercules at the Crossroads is to be invited into a profound moment of human reckoning. This painting, dating from 1748, transcends mere portraiture or mythological illustration; it captures the very essence of decision-making—that fraught, beautiful space where potential futures diverge. The central figure, Hercules, is rendered not in the throes of battle, but in deep, almost agonizing contemplation. His posture, with…

O tem originalu
2
A Knight in Rome: Charles Cecil Roberts (1778) avtorja Pompeo Batoni

A Knight in Rome: Charles Cecil Roberts

1778 · Oil On Canvas · Muzej Prado, Madrid

Pompeo Batoni’s “A Knight in Rome: Charles Cecil Roberts” stands as a quintessential embodiment of the Rococo artistic movement, capturing not merely a portrait but an entire atmosphere of refined grandeur and intellectual contemplation. Painted in 1778, this monumental canvas—measuring 221 x 157 cm—currently resides within the hallowed halls of the Museo del Prado in Madrid, Spain, ensuring its legacy continues to inspire awe and admiration.

O tem originalu
3
Gaetano II Sforza Cesarini, Duke of Segni (1768) avtorja Pompeo Batoni

Gaetano II Sforza Cesarini, Duke of Segni

1768 · Oil On Canvas · Narodna galerija Viktorije, Melbourne

The gaze of Gaetano II Sforza Cesarini, Duke of Segni, meets the observer through this 1768 portrait by Pompeo Batoni. The sitter carries the weight of a significant lineage, appearing as the second son to survive to adulthood of Giuseppe Sforza. His presence in the frame reflects the prominence he held as a Papal politician throughout the 1750s and 1760s. Every detail of his bearing suggests a man deeply embedded…

Zgodba, ki skriva to unikatno umetniško delo
4
Time Unveiling Truth (1742) avtorja Pompeo Batoni

Time Unveiling Truth

1742 · Oil · Art Institute of Chicago, Chicago

A Celestial Ascent of Allegory The air feels thick with the movement of a cosmic drama, a swirling ascent where the terrestrial and the divine collide. In this 1742 oil painting, figures rise through a luminous sky, their bodies caught in a rhythmic, upward surge that defies gravity. Drapery flows in heavy, silken waves, catching a light that seems to pour from the upper left, casting soft shadows across porcelain…

Poglejte bližje to delo
6
Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764) avtorja Pompeo Batoni

Alexander Gordon, 4th Duke of Gordon (1743 - 1827)

1764 · Oil On Canvas · Scottish National Gallery, Edinburgh

Alexander Gordon, 4th Duke of Gordon, is presented in a formal grand manner portrait that emphasizes his status and connection to the natural world. He is positioned centrally within a landscape, his presence anchored by a large brown horse to his left and hunting dogs at his feet. The composition is vertical, drawing the eye from the upward gesture of his arm toward the sky. A saturated red frock coat…

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7
John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761) avtorja Pompeo Batoni

John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile

1761 · Oil On Canvas · Scottish National Portrait Gallery, Edinburgh

The Duke of Roxburghe occupies the center of the frame, a figure of quiet authority amidst a setting of classical grandeur. He sits with an upright, stately posture, his presence commanding the space through a combination of velvet and light. A heavy crimson cloak, deep and saturated, drapes around him, its texture suggesting the weight of fine velvet. The ermine fur at his collar provides a sharp, creamy contrast to…

Zgodba, ki skriva to unikatno umetniško delo
8
Portrait of John Woodyeare (1750) avtorja Pompeo Batoni

Portrait of John Woodyeare

1750 · Oil On Canvas · Minneapolis Institute of Art, Minneapolis

The young man occupies the space with a quiet, commanding poise, his body turned slightly to create a sense of movement within the stillness. He is draped in the heavy, luxurious textures of the mid-eighteenth century, where deep forest green and crimson red collide against a dark, atmospheric background. Light falls across his features with a dramatic chiaroscuro effect, catching the soft sheen of his silk attire and the delicate,…

Poglejte bližje to delo
9
Peter Beckford (1740-1811), godsejer, Dorset. (1766) avtorja Pompeo Batoni

Peter Beckford (1740-1811), godsejer, Dorset.

1766 · Oil On Canvas · Statens Museum For Kunst, Kopenhagen

A full-length figure of Peter Beckford occupies the center-right of this vertical composition. He is depicted standing in a landscape, wearing a red frock coat with silver applications, paired with breeches and stockings. His pose is elegant, with one hand holding a paper and the other a walking stick. At his feet sits a small dog. To the left, a large stone pedestal provides a vertical counterweight to the subject.…

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10
The Rotterdam tobacco trader Pieter Caarten (1778) avtorja Pompeo Batoni

The Rotterdam tobacco trader Pieter Caarten

1778 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

Pieter Caarten, a thirty-seven-year-old tobacco merchant from Rotterdam, sits for this formal portrait in Rome in 1778. Captured in a three-quarter view, the subject gazes directly at the viewer with a reserved, serious expression. He is presented from the chest up, a composition that emphasizes his dignified posture and the material markers of his success. A powdered white wig frames a face rendered with smooth, precise transitions, while a subtle…

Zgodba, ki skriva to unikatno umetniško delo

Slavna platna umetnika Pompeo Batoni, od številk 11 do 100

11Hercules at the Crossroads (1748) avtorja Pompeo BatoniHercules at the Crossroads1748 · Liechtenstein Museum 12Hercules at the Crossroads (1742) avtorja Pompeo BatoniHercules at the Crossroads1742 · Palazzo Pitti 13Hercules at the Crossroads (1765) avtorja Pompeo BatoniHercules at the Crossroads1765 · Ermitaž 14Sir Sampson Gideon and an unidentified companion (1767) avtorja Pompeo BatoniSir Sampson Gideon and an unidentified companion1767 · Narodna galerija Viktorije 15Peace and War (1776) avtorja Pompeo BatoniPeace and War1776 · Art Institute of Chicago 16Portrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831) (1780) avtorja Pompeo BatoniPortrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831)1780 · Narodni muzej v Krakovu 17James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont) (1753) avtorja Pompeo BatoniJames Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont)1753 · Yale Center for British Art 18Peace and Justice (1745) avtorja Pompeo BatoniPeace and Justice1745 · Montreal Museum of Fine Arts 19The infant Hercules strangling serpents in his cradle (1743) avtorja Pompeo BatoniThe infant Hercules strangling serpents in his cradle1743 · Palazzo Pitti 20Samson and Delilah (1766) avtorja Pompeo BatoniSamson and Delilah1766 · Detroit Institute of Arts 21Atis and Galathea (1761) avtorja Pompeo BatoniAtis and Galathea1761 · Nationalmuseum 22Philip Metcalfe (1766) avtorja Pompeo BatoniPhilip Metcalfe1766 · National Portrait Gallery 23Portrait of John Rolle Walter, MP and landowner, Exeter (1753) avtorja Pompeo BatoniPortrait of John Rolle Walter, MP and landowner, Exeter1753 · Statens Museum For Kunst 24Saint Andrew (1741) avtorja Pompeo BatoniSaint Andrew1741 · Art Institute of Chicago 25Portrait of Duchess Sforza Cesarini (d.1765) (1768) avtorja Pompeo BatoniPortrait of Duchess Sforza Cesarini (d.1765)1768 · Birmingham Museum and Art Gallery 26Portrait of Prince B. Kurakin (1782) avtorja Pompeo BatoniPortrait of Prince B. Kurakin1782 · Ermitaž 27Allegory of the Arts (1740) avtorja Pompeo BatoniAllegory of the Arts1740 · Städel Museum 28Portrait of Cardinal Prospero Colonna di Sciarra (1750) avtorja Pompeo BatoniPortrait of Cardinal Prospero Colonna di Sciarra1750 · Walters Art Museum 29Portrait of Cardinal Jean-François Joseph de Rochechouart (1762) avtorja Pompeo BatoniPortrait of Cardinal Jean-François Joseph de Rochechouart1762 · Saint Louis Art Museum 30Portrait of Joseph Henry of Straffan (1750) avtorja Pompeo BatoniPortrait of Joseph Henry of Straffan1750 · Walters Art Museum 31Venus Presenting Aeneas with Armour Forged by Vulcan (1748) avtorja Pompeo BatoniVenus Presenting Aeneas with Armour Forged by Vulcan1748 · Liechtenstein Museum 32James Bruce of Kinnaird, 1730 - 1794. African explorer (1762) avtorja Pompeo BatoniJames Bruce of Kinnaird, 1730 - 1794. African explorer1762 · Scottish National Portrait Gallery 33George Legge, Viscount Lewisham (1778) avtorja Pompeo BatoniGeorge Legge, Viscount Lewisham1778 · Muzej Prado 34Thomas William Coke (1773) avtorja Pompeo BatoniThomas William Coke1773 · Holkham Hall 35Portrait of John Talbot, later 1st Earl Talbot (1773) avtorja Pompeo BatoniPortrait of John Talbot, later 1st Earl Talbot1773 · J. Paul Getty Museum 36Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736) avtorja Pompeo BatoniChrist in Glory with Saints Celsus, Julian, Marcionilla and Basilissa1736 · J. Paul Getty Museum 37Portrait of a man (1733) avtorja Pompeo BatoniPortrait of a man1733 38Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783) (1744) avtorja Pompeo BatoniPortrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783)1744 · National Gallery of Ireland 39Time Revealing Truth (1742) avtorja Pompeo BatoniTime Revealing Truth1742 · Rhode Island School of Design Museum of Art 40Christ Appearing to St. Ampelius (1742) avtorja Pompeo BatoniChrist Appearing to St. Ampelius1742 · Rhode Island School of Design Museum of Art 41Saint John the Evangelist (1741) avtorja Pompeo BatoniSaint John the Evangelist1741 · Basildon Park 42Saint Paul (1741) avtorja Pompeo BatoniSaint Paul1741 · Basildon Park 43God the Father and the Holy Spirit (1741) avtorja Pompeo BatoniGod the Father and the Holy Spirit1741 · Basildon Park 44Saint James the Less (1741) avtorja Pompeo BatoniSaint James the Less1741 · Basildon Park 45Saint Matthew (1741) avtorja Pompeo BatoniSaint Matthew1741 · Basildon Park 46Saint Philip (1741) avtorja Pompeo BatoniSaint Philip1741 · Basildon Park 47Saint Peter (1741) avtorja Pompeo BatoniSaint Peter1741 · Basildon Park 48Saint Thomas (1741) avtorja Pompeo BatoniSaint Thomas1741 · Basildon Park 49Maddalena penitente (1742) avtorja Pompeo BatoniMaddalena penitente1742 · Staatliche Kunstsammlungen Dresden 50Apollo, Euterpe and Urania (1741) avtorja Pompeo BatoniApollo, Euterpe and Urania1741 · Muzeum palača kralja Jana III v Wilanowie 51The Virgin of the Annunciation (1741) avtorja Pompeo BatoniThe Virgin of the Annunciation1741 52Apollon, Euterpe and Urania (1741) avtorja Pompeo BatoniApollon, Euterpe and Urania1741 53The Ecstasy of St Catherine of Siena (1743) avtorja Pompeo BatoniThe Ecstasy of St Catherine of Siena1743 · Museo Nazionale di Villa Guinigi 54Elector Carl Theodor of the Palatinate (1747) avtorja Pompeo BatoniElector Carl Theodor of the Palatinate1747 · Bavarske državne slikopisne zbirke 55Pope Pius VI (1747) avtorja Pompeo BatoniPope Pius VI1747 · Bavarske državne slikopisne zbirke 56A Lady of the Leeson Family as a Shepherdess (1751) avtorja Pompeo BatoniA Lady of the Leeson Family as a Shepherdess1751 · National Gallery of Ireland 57Presumed Portrait of the Marchesa Caterina Gabrielli as Diana (1751) avtorja Pompeo BatoniPresumed Portrait of the Marchesa Caterina Gabrielli as Diana1751 · National Gallery of Ireland 58Joseph Leeson, later 2nd Earl of Milltown (1730-1801) (1751) avtorja Pompeo BatoniJoseph Leeson, later 2nd Earl of Milltown (1730-1801)1751 · National Gallery of Ireland 59Study for "Antiochus and Stratonice" (1746) avtorja Pompeo BatoniStudy for "Antiochus and Stratonice"1746 · Cleveland Museum of Art 60Vulcan at his Forge (1750) avtorja Pompeo BatoniVulcan at his Forge1750 · Narodna galerija Kanade 61Purity of Heart (1752) avtorja Pompeo BatoniPurity of Heart1752 · Uppark 62Meekness (1752) avtorja Pompeo BatoniMeekness1752 · Uppark 63Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear (1751) avtorja Pompeo BatoniSarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear1751 · Uppark 64Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn (1751) avtorja Pompeo BatoniSir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn1751 · Uppark 65Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana (1751) avtorja Pompeo BatoniSarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana1751 · Uppark 66Benjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears (1752) avtorja Pompeo BatoniBenjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears1752 · Uppark 67Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear (1751) avtorja Pompeo BatoniSir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear1751 · Uppark 68Katherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora (1751) avtorja Pompeo BatoniKatherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora1751 · Uppark 69The Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo (1751) avtorja Pompeo BatoniThe Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo1751 · Uppark 70Lascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses (1751) avtorja Pompeo BatoniLascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses1751 · Uppark 71Francis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall) (1747) avtorja Pompeo BatoniFrancis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall)1747 · Hatchlands Park 72Portrait of Charles Eugene, Duke of Württemberg (1728-1793) (1755) avtorja Pompeo BatoniPortrait of Charles Eugene, Duke of Württemberg (1728-1793)1755 · Landesmuseum Württemberg 73Hercules at the Crossroads (1753) avtorja Pompeo BatoniHercules at the Crossroads1753 · Galleria Sabauda 74Vulcan in his Forge (1750) avtorja Pompeo BatoniVulcan in his Forge1750 75Aeneas fleeing from Troy (1750) avtorja Pompeo BatoniAeneas fleeing from Troy1750 · Galleria Sabauda 76Truth and Mercy (1745) avtorja Pompeo BatoniTruth and Mercy1745 · Montreal Museum of Fine Arts 77Portrait of a Gentleman (1762) avtorja Pompeo BatoniPortrait of a Gentleman1762 · Rhode Island School of Design Museum of Art 78Portrait of William Legge, Second Earl of Dartmouth (1756) avtorja Pompeo BatoniPortrait of William Legge, Second Earl of Dartmouth1756 · Hood Museum of Art 79Sir Robert Davers, 5th Bt (1729-1763), aged 21 (1756) avtorja Pompeo BatoniSir Robert Davers, 5th Bt (1729-1763), aged 211756 · Ickworth 80George Lucy (1714 – 1786) (1758) avtorja Pompeo BatoniGeorge Lucy (1714 – 1786)1758 · Charlecote Park 81Self portrait (1765) avtorja Pompeo BatoniSelf portrait1765 · Bavarske državne slikopisne zbirke 82William Fermor (1758) avtorja Pompeo BatoniWilliam Fermor1758 · Museum of Fine Arts 83Edward, Duke of York (1739-67) (1764) avtorja Pompeo BatoniEdward, Duke of York (1739-67)1764 · Kraljeva zbirka 84Pope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul (1757) avtorja Pompeo BatoniPope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul1757 · Minneapolis Institute of Art 85The Crucifixion (1762) avtorja Pompeo BatoniThe Crucifixion1762 · Muzej fine arts 86Luigi Boccherini (1764) avtorja Pompeo BatoniLuigi Boccherini1764 · Narodna galerija Viktorije 87Portrait of Prince Abbondio Rezzonico as Senator of Rome (1765) avtorja Pompeo BatoniPortrait of Prince Abbondio Rezzonico as Senator of Rome1765 · Walters Art Museum 88portrait of a cardinal (1758) avtorja Pompeo Batoniportrait of a cardinal1758 89Academic Nude (1765) avtorja Pompeo BatoniAcademic Nude1765 90Elector Karl Theodor of the Palatinate (1775) avtorja Pompeo BatoniElector Karl Theodor of the Palatinate1775 · Bavarske državne slikopisne zbirke 91Portrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799) (1775) avtorja Pompeo BatoniPortrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799)1775 · National Gallery of Ireland 92Edward Howard (1744–1767) (1766) avtorja Pompeo BatoniEdward Howard (1744–1767)1766 · Victoria and Albert Museum 93Bust-length portrait of Pope Clement XIII (1772) avtorja Pompeo BatoniBust-length portrait of Pope Clement XIII1772 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 94Alexander Stewart of Ards (1746-1791) (1773) avtorja Pompeo BatoniAlexander Stewart of Ards (1746-1791)1773 · Mount Stewart 95Self-portrait (1770) avtorja Pompeo BatoniSelf-portrait1770 96Robert Throckmorton (1750-1779) (1772) avtorja Pompeo BatoniRobert Throckmorton (1750-1779)1772 · Coughton Court 97The Right Hon. Sir John Parnell, 2nd Bt (1744–1801) (1769) avtorja Pompeo BatoniThe Right Hon. Sir John Parnell, 2nd Bt (1744–1801)1769 · Castle Ward 98Study for the Portrait of Emperor Joseph II. (1769) avtorja Pompeo BatoniStudy for the Portrait of Emperor Joseph II.1769 · Slovenska narodna galerija 99Portrait of John Corbet of Sundorne Castle, Shrewsbury (1773) avtorja Pompeo BatoniPortrait of John Corbet of Sundorne Castle, Shrewsbury1773 · Worcester Art Museum 100Portrait of Thomas Fortescue (1767) avtorja Pompeo BatoniPortrait of Thomas Fortescue1767

Slavna platna umetnika Pompeo Batoni, razdeljena po obdobjih

Early Period

1733 – 1745 · 5 del v tem seznamu
The infant Hercules strangling serpents in his cradle (1743), Pompeo Batoni #19 The infant Hercules strangling serpents in his cradle 1743 · Palazzo Pitti Saint Andrew (1741), Pompeo Batoni #24 Saint Andrew 1741 · Art Institute of Chicago Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736), Pompeo Batoni #36 Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa 1736 · J. Paul Getty Museum Portrait of a man (1733), Pompeo Batoni #37 Portrait of a man 1733 Truth and Mercy (1745), Pompeo Batoni #76 Truth and Mercy 1745 · Montreal Museum of Fine Arts

Mature Period

1740 – 1782 · 93 del v tem seznamu
Hercules at the Crossroads (detail) (1748), Pompeo Batoni #1 Hercules at the Crossroads (detail) 1748 · Liechtenstein Museum A Knight in Rome: Charles Cecil Roberts (1778), Pompeo Batoni #2 A Knight in Rome: Charles Cecil Roberts 1778 · Muzej Prado Gaetano II Sforza Cesarini, Duke of Segni (1768), Pompeo Batoni #3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · Narodna galerija Viktorije Time Unveiling Truth (1742), Pompeo Batoni #4 Time Unveiling Truth 1742 · Art Institute of Chicago Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompeo Batoni #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery

Motivi, ki so očarali Pompeo Batoni

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Man 77 delo

Gaetano II Sforza Cesarini, Duke of Segni (1768), Pompeo Batoni #3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · Narodna galerija Viktorije Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompeo Batoni #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761), Pompeo Batoni #7 John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile 1761 · Scottish National Portrait Gallery Portrait of John Woodyeare (1750), Pompeo Batoni #8 Portrait of John Woodyeare 1750 · Minneapolis Institute of Art

Woman 28 delo

Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785), Pompeo Batoni #5 Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley 1785 · Yale Center for British Art Hercules at the Crossroads (1748), Pompeo Batoni #11 Hercules at the Crossroads 1748 · Liechtenstein Museum Hercules at the Crossroads (1742), Pompeo Batoni #12 Hercules at the Crossroads 1742 · Palazzo Pitti Hercules at the Crossroads (1765), Pompeo Batoni #13 Hercules at the Crossroads 1765 · Ermitaž

Dark background 16 delo

The infant Hercules strangling serpents in his cradle (1743), Pompeo Batoni #19 The infant Hercules strangling serpents in his cradle 1743 · Palazzo Pitti Portrait of Joseph Henry of Straffan (1750), Pompeo Batoni #30 Portrait of Joseph Henry of Straffan 1750 · Walters Art Museum Saint John the Evangelist (1741), Pompeo Batoni #41 Saint John the Evangelist 1741 · Basildon Park The Virgin of the Annunciation (1741), Pompeo Batoni #51 The Virgin of the Annunciation 1741

Landscape 15 delo

Peter Beckford (1740-1811), godsejer, Dorset. (1766), Pompeo Batoni #9 Peter Beckford (1740-1811), godsejer, Dorset. 1766 · Statens Museum For Kunst Philip Metcalfe (1766), Pompeo Batoni #22 Philip Metcalfe 1766 · National Portrait Gallery Portrait of John Talbot, later 1st Earl Talbot (1773), Pompeo Batoni #35 Portrait of John Talbot, later 1st Earl Talbot 1773 · J. Paul Getty Museum Maddalena penitente (1742), Pompeo Batoni #49 Maddalena penitente 1742 · Staatliche Kunstsammlungen Dresden

Muzeji, ki hranijo originala umetnika Pompeo Batoni

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Pompeo Batoni Slike iz tega seznama
UpparkUppark 11 Purity of Heart, Meekness, Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear
Basildon ParkBasildon Park 9 Saint John the Evangelist, Saint Paul, God the Father and the Holy Spirit
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 5 Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783), A Lady of the Leeson Family as a Shepherdess, Presumed Portrait of the Marchesa Caterina Gabrielli as Diana
Bavarske državne slikopisne zbirke, MünchenBavarske državne slikopisne zbirke München 4 Elector Carl Theodor of the Palatinate, Pope Pius VI, Self portrait
Liechtenstein Museum, BenetignanoLiechtenstein Museum Benetignano 4 Hercules at the Crossroads (detail), Hercules at the Crossroads, Venus Presenting Aeneas with Armour Forged by Vulcan
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 4 Time Unveiling Truth, Peace and War, Saint Andrew
Narodna galerija Viktorije, MelbourneNarodna galerija Viktorije Melbourne 3 Gaetano II Sforza Cesarini, Duke of Segni, Sir Sampson Gideon and an unidentified companion, Luigi Boccherini
Walters Art Museum, BaltimoreWalters Art Museum Baltimore 3 Portrait of Cardinal Prospero Colonna di Sciarra, Portrait of Joseph Henry of Straffan, Portrait of Prince Abbondio Rezzonico as Senator of Rome

Pompeo Batoni skozi desetetja: vsak unikatni original za vsako obdobje

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Slike umetnika Pompeo Batoni: vprašanja za galerijo

Katero je najbolj znano delo umetnika Pompeo Batoni?Razkriti odgovor

Hercules at the Crossroads (detail) (1748), Liechtenstein Museum, Benetignano. Zatem sledeta A Knight in Rome: Charles Cecil Roberts (1778) in Gaetano II Sforza Cesarini, Duke of Segni (1768).

Pri kateri dobe je Pompeo Batoni ustvaril Hercules at the Crossroads (detail)?Razkriti odgovor

40 let: delo Hercules at the Crossroads (detail) iz leta 1748, Pompeo Batoni pa je bil/a rojen/a leta 1708.

Katera desetina slik avtorja Pompeo Batoni je najbolj znana?Razkriti odgovor

Hercules at the Crossroads (detail), A Knight in Rome: Charles Cecil Roberts, Gaetano II Sforza Cesarini, Duke of Segni, Time Unveiling Truth, Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley, Alexander Gordon, 4th Duke of Gordon (1743 - 1827), John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile, Portrait of John Woodyeare, Peter Beckford (1740-1811), godsejer, Dorset. in The Rotterdam tobacco trader Pieter Caarten. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko je znanih del avtorja Pompeo Batoni?Razkriti odgovor

Naš katalog vsebuje 164 del avtorja Pompeo Batoni, datiranih od 1733 do 1785.

Kje si lahko ogledate najslavnejše originale umetnika Pompeo Batoni?Razkriti odgovor

Večini v Uppark, Basildon Park in National Gallery of Ireland (Dublin). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerem obdobju je Pompeo Batoni ustvaril svoja najbolj znana dela?Razkriti odgovor

V obdobju 1740s: 30 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Hercules at the Crossroads (detail).

Katero znano sliko je naslikal Pompeo Batoni najprej in katero najpozdneje?Razkriti odgovor

Na tej strani je najstarejše delo iz Portrait of a man (1733) in najstarejše iz Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785).

Katere teme je Pompeo Batoni najprej ravnate?Razkriti odgovor

Man (77), Woman (28) in Dark background (16), na 100 delih na tej strani.

S katerimi materiali je Pompeo Batoni najpogosteje slikal?Razkriti odgovor

Oil On Canvas, za 76 od 100 del na tej strani.

Kateri umetniški slog predstavlja delo umetnika Pompeo Batoni?Razkriti odgovor

Neoclassicism, glede na originala na tej strani.

Katere originale Pompeo Batoni lahko vidim v muzeju Uppark?Razkriti odgovor

Purity of Heart, Meekness in Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear: v muzeju Uppark se nahaja 10 del z te strani.

Pompeo Batoni: portret umetnika

Zgodnje življenje in izobraževanje

  • Rodjen: Lucca, Italija (1708)
  • Umrl: 1787
  • Pompeo Batoni se je leta 1727 preselil v Rim.
  • Podrichtoval je pri Agostinu Masucciju, Sebastiano Conci in/ali Francesco Imperialiju.
  • Njegovo prvo samostojno naročilo je prispelo kot posledica deževja, ki je udarilo Rim aprila 1732.
  • Slikovnost "Ekstaze svete Katarine iz Siene" ponazarja njegovo akademsko izpopolnjenost poznobaroknega sloga.

Umetnični slog in vplivi

  • Batonijev slog je črpal navdih iz klasične antike, francosko rokokovnega sloga, bolonjega klasicizma ter umetnikov, kot so Nicolas Poussin, Claude Lorrain in predvsem Raphael.
  • Velja za predslednika neoklasicizma.
  • Njegova dela lahko najdemo v različnih muzejih, vključno s Pinacoteco di Brera v Milanu, Italija.

Pomembna dela in naročila

    Devica in otrok s svetniki
  • Vitez v Rimu: Charles Cecil Roberts – Slavni portret britanskega potnika, postavljen v ozadje rimskih rušin.
  • Zmaga Venecije
  • Številne oltarjske slike za cerkve v Italiji, kot je Museum Duomo v Sieni.
  • Veliko povpraševanje po njegovih portretih imeli so predvsem britanski potniki na "Grand Tour", ki so naročevali portrete v antičnih okoljih.

Razvoj in zgodovinski pomen

  • Batoni je postal izjemno priljubljen slikar v Rimu po tem, ko je njegov rival, Anton Raphael Mengs, leta 1761 odšel v Španijo.
  • Skrenjal se je s Winckelmannom in si prizadeval za vlaganje popolnosti v klasicizem svoje slikarstva.
  • Njegovi portreti so zajeli duh obdobja Grand Tour, ki odraža fascinacijo evropskih elit s klasično antiko.
  • Batonova sposobnost združevanja baroknih tehnik z prihajajočimi neoklasičnimi ideali ga je postavila v vlogo prehodne figure v zgodovini italijanske umetnosti.

Dediščina

  • Pompeo Batoni je umrl 4. februarja 1787 v Rimu.
  • Za pustil dediščino enega najslavnejših italijanskih slikarjev svojega časa.
  • Njegovo del je še vedno cenjeno zaradi tehnične izobraznosti, elegantnih kompozicij in prodornih prikazov posameznikov v njihovem zgodovinskem kontekstu.
Vsa dela avtorja Pompeo Batoni: 164 →