Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 83 del v našem katalogu avtorja Pietro Lorenzetti
Kratek opis
Za oči galerije je najbolj znano sliko umetnika Pietro Lorenzetti delo Madonna Enthroned with Angels (1340), katere original visi v muzeju Galleria degli Uffizi, Firene. The Apostles Saint Andrew and Saint James the Lesser, with a Prophet (1328) in Saint Mary Magdalene, with an Angel [left panel] (1340) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 83 del avtorja Pietro Lorenzetti v našem katalogu galerija spodaj predstavlja 82 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
Pietro Lorenzetti's Madonna Enthroned with Angels, painted around 1340 in Siena, isn’t merely a depiction of the Virgin Mary and Child; it’s a profound meditation on faith, divine grace, and the nascent embrace of humanism within the heart of medieval Italy. This magnificent panel, now housed within the Uffizi Gallery in Florence, offers a captivating glimpse into the artistic landscape of its time – a period poised between the rigid…
Gold leaf forms a luminous, patterned sky behind the figures, its surface textured by delicate punchwork. This 14th-century tempera work on wood panel creates a shallow, sacred space. Two pointed arches, supported by a central pillar, frame the holy figures like windows into a celestial realm. At the summit, a smaller, elevated niche holds the bust of a Prophet, whose white scroll unfurls through the air. The light does not…
![Saint Mary Magdalene, with an Angel [left panel] (1340) avtorja Pietro Lorenzetti](/media/artworks/images-full/66/47/66478c5653f734a8328f140aaa90e075.jpg)
This tempera on wood panel, dating to 1340, presents a vertical composition within a pointed arch. The figure of Saint Mary Magdalene occupies the primary space, her presence defined by heavy, sculptural drapery and a steady, frontal gaze. Above her, a smaller angelic figure emerges from the apex of the arch, creating a hierarchical arrangement typical of the Sienese Gothic tradition. The use of gold leaf creates a luminous, non-spatial…
The composition unfolds within a tightly structured, compartmentalized architectural space. Arches and walls frame a central, intimate scene of religious vigil. A figure lies upon a bed, the focal point of the arrangement, surrounded by attendants who offer prayers and support. The scene is rendered with a degree of realism, capturing the heavy drapery of garments and the solemnity of the moment. Earthy tones of ochre, brown, and red dominate…
A Crowned Female Figure (Saint Elizabeth of Hungary?) is a work by Pietro Lorenzetti, dated 1334. This fragment of a fresco, once part of the border decoration in the chapter house of San Francesco in Siena, presents a solitary female figure. The subject is identified in various records as a female saint, with some interpretations suggesting the Annunciate Virgin or one of the Marys. The specific identity of Saint Elizabeth…
This fresco fragment, dating to 1334, presents the upper torso and head of a female figure, likely a saint, rendered in a style characteristic of the Sienese school. The subject is positioned diagonally across the irregular, broken edges of the plaster. A muted palette of ochre, beige, cream, and soft browns defines the composition, with subtle traces of pale blue or grey appearing in the folds of the drapery. The…
The Virgin Mary sits upon an ornate, patterned cushion, her presence anchored by the weight of deep ultramarine blue. She holds the Christ Child, a small figure of divine gravity amidst a sea of gold leaf. Around them, the air is thick with the presence of the sacred. Angels lean in with rhythmic folds of drapery, their forms caught in a shallow, tiered arrangement that suggests a heaven pressing close…
To stand before Pietro Lorenzetti’s depiction of Beata Umiltà Transports Bricks to the Monastery is to step directly across the threshold into the profound spiritual atmosphere of 14th-century Siena. This painting is not merely a record of an event; it is a meditation on piety, humility, and the quiet dignity found in service. The composition immediately draws the eye into a narrative unfolding within a modest, yet architecturally defined, urban…
The air feels heavy with a sacred, suspended tension as the scene unfolds against a shimmering expanse of gold leaf. At the center of this celestial stage, the figure of Christ hangs upon the cross, his body slumped in the heavy, visceral reality of suffering. The light does not fall from a sun, but seems to emanate from the very background, casting a symbolic glow over the unfolding tragedy. Around…
To stand before this depiction of The Approval of the New Carmelite Habit by Pope Honorius IV is to step directly into the vibrant, deeply spiritual atmosphere of early Quattrocento Siena. Pietro Lorenzetti masterfully captures a moment charged with both solemn ritual and profound communal affirmation. The scene unfolds within an interior space, richly populated by figures whose collective presence speaks volumes about devotion and institutional growth. One can almost…
The Miracle of the Ice1341 · Staatliche Museen zu Berlin
12
Predella panel: The Pope Issues a Bull to a Carmelite Delegation1328 · Pinacoteca Nazionale
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Madonna and Child (detail of a polyptych)1320 · Pieve di Santa Maria
14
The Capture of Christ (detail)1320
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Crucifix1320 · Museo Diocesano
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Crucifix (detail)1320 · Museo Diocesano
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Crucifix (detail)1320 · Museo Diocesano
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Crucifix (detail)1320 · Museo Diocesano
19![Madonna and Child with the Blessing Christ, and Saints Mary Magdalene and Catherine of Alexandria with Angels [entire triptych] (1340) avtorja Pietro Lorenzetti](/media/artworks/images-thumb/3d/b2/3db2db25071f0fe2d52a1cd83eb9e8ff.jpg)
Madonna and Child with the Blessing Christ, and Saints Mary Magdalene and Catherine of Alexandria with Angels [entire triptych]1340
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Shaped Cross1325 · Museo Diocesano
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Predella panel: St Albert Presents the Rule to the Carmelites1328 · Pinacoteca Nazionale
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Predella panel: The Annunciation to Sobac1328 · Pinacoteca Nazionale
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Predella panel: Hermits at the Fountain of Elijah1328 · Pinacoteca Nazionale
24![Madonna and Child, with the Blessing Christ [middle panel] (1340) avtorja Pietro Lorenzetti](/media/artworks/images-thumb/77/88/7788e6d9fa683a3079c17a71c8d4ef6c.jpg)
Madonna and Child, with the Blessing Christ [middle panel]1340 · National Gallery of Art
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The Birth of Mary1342 · Museo dell'Opera del Duomo
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Madonna with Angels between St Nicholas and Prophet Elijah1328 · Pinacoteca Nazionale
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Virgin and Child1340 · Lindenau-Museum
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View of the south transept1320
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Man of Sorrow1340 · Lindenau-Museum
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The Adoration of the Magi
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Assisi crucifixion Crucifixion
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Saint Sabinus before the Governor of TuscanyNational Gallery
33![Saint Catherine of Alexandria, with an Angel [right panel] avtorja Pietro Lorenzetti](/media/artworks/images-thumb/94/49/944909e210d0e046b6efe42c94e5fb63.jpg)
Saint Catherine of Alexandria, with an Angel [right panel]National Gallery of Art
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Man of Sorrow1330 · Lindenau-Museum
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A Female Saint (Fragment)Harvard Art Museums
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A Female Saint (Fragment)Harvard Art Museums
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Virgin and Child Enthroned and Donor, AngelsPhiladelphia Museum of Art
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Elisha's well
39
Deposition
40
Assisi-arch-Deposition of Christ from the Tomb
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Assisi-crucifixion-Crucifixion (detail)4
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Assisi-vault-Entry of Christ into Jerusalem (detail)2
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Assisi-vault-Flagellation of Christ (detail)
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Assisi-crucifixion-Crucifixion (detail)2
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AssisiPanoramic view of the frescoes
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Assisi-vault-Entry of Christ into Jerusalem (detail)
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Assisi-arch-Stigmata of St Francis (detail)
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Assisi-crucifixion-Crucifixion (detail)
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Assisi-crucifixion-Madonna with St Francis and St John the Evangelist
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Assisi-vault-The Road to Calvary (detail)
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St. Sabinus Before the Governor, detail, -
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Assisi-crucifixion-Crucifixion (detail)3
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Assisi-crucifixion-Crucifixion (detail)5
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The CrucifixionMetropolitanski muzej umetnosti
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Annunciation
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Saint Margaret or Agatha1315 · Musée de Tessé
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Madonna and Child
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The birth of Mary, 1342, Museo dell'OperaMuseo dell'Opera della Metropolitana
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Monticchiello Altarpiece1315 · Musée de Tessé
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Madonna di Monticchiello1315
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Mary with child and saints1327 · Pinacoteca Nazionale
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Virgin Enthroned with Child and Four Angels1320 · Museo Diocesano
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Three Saints1315 · Museo Horne
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Judas hanged1310
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Crucifixion of Christ1336
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Risen Christ1336 · Museo dell'Opera della Metropolitana
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Madonna Col Bambino Fra Otto Angeli
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Assisi arch Resurrection
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Assisi-arch-Descent into Limbo
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Saint Catherine of AlexandriaMetropolitanski muzej umetnosti
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Assisi-vault-The Washing of the Feet
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Assisi-vault-The Road to Calvary
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Assisi-arch-Painted architecture
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Assisi arch Entombment
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Assisi-vault-Entry of Christ into Jerusalem
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Assisi-arch-Madonna and Child with St Francis and St John the Baptist
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Assisi-vault-The Last Supper
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Assisi-arch-Stigmata of St Francis
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Assisi-vault-Flagellation of Christ
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Deposition of Christ from the Cross 1
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Assisi-vault-The Capture of Christ
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Adoration of the Magi1340 · Louvre
#2 The Apostles Saint Andrew and Saint James the Lesser, with a Prophet
![Saint Mary Magdalene, with an Angel [left panel] (1340), Pietro Lorenzetti](/media/artworks/images-thumb/56/70/567081333697abce62276a169dde6184.jpg)
#3 Saint Mary Magdalene, with an Angel [left panel]
#5 A Crowned Female Figure (Saint Elizabeth of Hungary?)
#6 A Female Saint in Yellow
#7 Enthroned Mary with the Child, Adoring Angels and the Saints Paul, John the Evangelist, John the Baptist and Peter
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Pietro Lorenzetti | Slike iz tega seznama |
|---|---|---|---|
 Pinacoteca Nazionale |
Siena | 7 | Predella panel: The Approval of the New Carmelite Habit by Pope Honorius IV, Predella panel: The Pope Issues a Bull to a Carmelite Delegation, Predella panel: St Albert Presents the Rule to the Carmelites |
 Museo Diocesano |
Cortona | 6 | Crucifix, Crucifix (detail), Crucifix (detail) |
 National Gallery of Art |
Washington | 3 | Saint Mary Magdalene, with an Angel [left panel], Madonna and Child, with the Blessing Christ [middle panel], Saint Catherine of Alexandria, with an Angel [right panel] |
 National Gallery |
London | 3 | A Crowned Female Figure (Saint Elizabeth of Hungary?), A Female Saint in Yellow, Saint Sabinus before the Governor of Tuscany |
 Harvard Art Museums |
Cambridge | 3 | Christ on the Cross with the Virgin and Saints Clare, John the Evangelist, and Francis, A Female Saint (Fragment), A Female Saint (Fragment) |
 Lindenau-Museum |
Altengau | 3 | Virgin and Child, Man of Sorrow, Man of Sorrow |
 Galleria degli Uffizi |
Firene | 2 | Madonna Enthroned with Angels, Beata Umiltà Transports Bricks to the Monastery |
 Staatliche Museen zu Berlin |
Berlin | 2 | Beata Umiltà Heals a Sick Nun, The Miracle of the Ice |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Gold leaf forms a luminous, patterned sky behind the figures, its surface textured by delicate punchwork. This 14th-century tempera work on wood panel creates a shallow, sacred space. Two pointed arches, supported by a central pillar, frame the holy figures like windows into a celestial realm. At the summit, a smaller, elevated niche holds the bust of a Prophet, whose white scroll unfurls through the air. The light does not…
A Crowned Female Figure (Saint Elizabeth of Hungary?) is a work by Pietro Lorenzetti, dated 1334. This fragment of a fresco, once part of the border decoration in the chapter house of San Francesco in Siena, presents a solitary female figure. The subject is identified in various records as a female saint, with some interpretations suggesting the Annunciate Virgin or one of the Marys. The specific identity of Saint Elizabeth…
Pietro Lorenzetti's Madonna Enthroned with Angels, painted around 1340 in Siena, isn’t merely a depiction of the Virgin Mary and Child; it’s a profound meditation on faith, divine grace, and the nascent embrace of humanism within the heart of medieval Italy. This magnificent panel, now housed within the Uffizi Gallery in Florence, offers a captivating glimpse into the artistic landscape of its time – a period poised between the rigid…
Madonna Enthroned with Angels (1340), Galleria degli Uffizi, Firene. Zatem sledeta The Apostles Saint Andrew and Saint James the Lesser, with a Prophet (1328) in Saint Mary Magdalene, with an Angel [left panel] (1340).
60 let: delo Madonna Enthroned with Angels iz leta 1340, Pietro Lorenzetti pa je bil/a rojen/a leta 1280.
Madonna Enthroned with Angels, The Apostles Saint Andrew and Saint James the Lesser, with a Prophet, Saint Mary Magdalene, with an Angel [left panel], Beata Umiltà Heals a Sick Nun, A Crowned Female Figure (Saint Elizabeth of Hungary?), A Female Saint in Yellow, Enthroned Mary with the Child, Adoring Angels and the Saints Paul, John the Evangelist, John the Baptist and Peter, Beata Umiltà Transports Bricks to the Monastery, Christ on the Cross with the Virgin and Saints Clare, John the Evangelist, and Francis in Predella panel: The Approval of the New Carmelite Habit by Pope Honorius IV. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 83 del avtorja Pietro Lorenzetti, datiranih od 1310 do 1345.
Večini v Pinacoteca Nazionale (Siena), Museo Diocesano (Cortona) in National Gallery of Art (Washington). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1320s: 18 od 82 del na tej strani je bilo izdelovanih takrat, med njimi pa The Apostles Saint Andrew and Saint James the Lesser, with a Prophet.
Na tej strani je najstarejše delo iz Judas hanged (1310) in najstarejše iz Enthroned Mary with the Child, Adoring Angels and the Saints Paul, John the Evangelist, John the Baptist and Peter (1345).
Buildings (15), Woman (13) in Gold background (9), na 82 delih na tej strani.
Tempera On Panel, za 16 od 82 del na tej strani.
Proto-renaissance, glede na originala na tej strani.
Predella panel: The Approval of the New Carmelite Habit by Pope Honorius IV, Predella panel: The Pope Issues a Bull to a Carmelite Delegation in Predella panel: St Albert Presents the Rule to the Carmelites: v muzeju Pinacoteca Nazionale, Siena se nahaja 7 del z te strani.
Pietro Lorenzetti (okoli 1280 – 1348) predstavlja ključno osebnost v sienanski umetnosti, saj označuje globok prehod od gotikalskega formalizma do vzrastajočih humanističnih idealov zgodnje renesanse. Rojen v živahnem kulturnem okolju Siene okoli leta 1280, se je Lorenzettijev umetniški pot odvijal v obdobju pomembne intelektualne in umetniške transformacije v Toskani. Čeprav so biografski podatki tako neulovljivi kot senca v sumornem freski – kar je pogost težavnik za umetnike njegove dobe – znanstveni konsenzus kaže na oblikovalne vplive Duccia di Buoninsegna, slavnega sienanskega maestroja, in Simone Martinija. Njegov rafiniran slog je močno oblikoval Lorenzettijevo estetično čutje, dokazi pa kažejo, da je svoje znanje izpiloval ob Martiniju, pri čemer je absorbiral natančno pozornost do podrobnosti in ekspresivno uporabo barv, ki so postali značilnost njegovega zrelega dela.
Lorenzettijev umetniški slog se loči po izjemnem sprejemanju tridimenzionalnih prostorskih aranžmajev, kar je značilnost, ki je napovedala prelomne inovacije umetnikov, kot je bil Giotto di Bondone. V nasprotju z bolj ploskimi in dekorativnimi tradicijami visoke srednjega veka je se Lorenzetti trudil, da bi gledalca vključil v svet svete zgodbe. Njegove slike so pogosto uporabljale svetle barvne palete, s poudarkom na naturalizmu in prenašanjem globoke čustvene intenzivnosti. Ta pristop se je osredotočal na zajemanje bistva človeškega izživljanja z izjemno natančnostjo, kar odraža humanističnega duha, ki je pridobival moč po vse Evropi. Z vključevanjem religiozne ikonografije v občutek oprijemljive teže in psihološke prisotnosti je uspešno premostil razkorak med božastvenim in zemeljskim.
Širina Lorenzettijevega dela razkriva umetnika, ki zna združiti tako intimo nežnost kot monumentalno veličino. Njegove prikazi Device in otroka služijo kot spokojna meditacija o materinstvu in božji milosti, pri čemer uporablja toplo paleto barv za ustvarjanje vzdušja tihe svetosti. V teh delih je povezava med Marijo in Jezusom prikazana z nežno, človeško bližino, ki verujoče vabi v osebni trenutek molitve. Nasprotno pa je njegova sposobnost vladanja z obsegom in dramo vidna pri veliko bolj pretresljivih motivih. Srednjeverške scene Križjanja in prikazi, kot je Človek žalosti, ponujajo ganljive in vizceralne prikaze trpljenja in žrtvovanja, pri čemer uporabljajo ostre kontraste in čustvene geste za pretresanje duše opazovalca.
Poza posameznimi figuro se je Lorenzetti izkazal v kompleksnih narativnih kompozicijah, ki so z uporabo arhitekturne globine pripovedovale teološke zgodbe. Njegova Pobožnost taborilcev je kvintesencko protorenesančno remekdelo, ki prikazuje živoprisno prizor biblične pobožnosti, polno osupljivih podrobnosti in bogatih, dragokamenih barv. Poleg tega njegove monumentalne freske, kot je Poslednji sod, močno komunicirajo kompleksne teološke koncepte skozi dramatično vizualno pripovedovanje, pri čemer izkoriščajo širino medija, da gledalca prevzame in navduši z veličastnostjo božanske pravičnosti.
Zgodovinskega pomena Pietra Lorenzettija ni mogoče podceniti. Ni bil le naslednik sienanskih mojstrov, temveč predhodnik renesančne revolucije. Njegovo natančno opazovanje narave, v kombinaciji z razvijajočim se razumevanjem človeških čustev in prostorske globine, ga je uveljavilo kot stebre sienanske umetniške dediščine. Njegov vpliv se je širil daleč izven zidov Siene in navdihoval prihodnje generacije umetnikov, da bi sledili bolj naturalističnemu in psihološko kompleksnemu predstavljanju sveta.
Preko svojega dela pričujemo za naslednjimi trajnimi prispevki k zgodovini umetnosti:
