Portret Peter Lely

100 najbolj znanih slik umetnika Peter Lely, vsaka popolnoma edinstvena

Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 240 del v našem katalogu avtorja Peter Lely

Kratek opis

Queen Mary II (1677) je slika avtorja Peter Lely, ki pritegne največ pogledov; original se nahaja v muzeju National Portrait Gallery, London. Nato se pogled smeri k James VII and II, when Duke of York (1661) in Portrait of a man, thought to be George Booth, Lord Delamere (1660). Med 240 dela umetnika Peter Lely v našem katalogu so ta 100 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.

1618 – 1680, Soest Baroque style Največ del: National Portrait Gallery

10 najboljjših slik umetnika Peter Lely skozi oči galerije

2
James VII and II, when Duke of York (1661) avtorja Peter Lely

James VII and II, when Duke of York

1661 · Oil On Canvas · Scottish National Portrait Gallery, Edinburgh

In this commanding 1661 portrait, Sir Peter Lely captures the essence of a man destined for the throne: James VII and II during his tenure as the Duke of York. The painting serves as a breathtaking window into the late Stuart period, presenting a subject of profound importance with an air of effortless sophistication. Clad in a magnificent gold coat that catches the light, accented by a striking red sash,…

3
Portrait of a man, thought to be George Booth, Lord Delamere (1660) avtorja Peter Lely

Portrait of a man, thought to be George Booth, Lord Delamere

1660 · Oil On Canvas · Art Gallery of South Australia, Adelaide

A man of significant standing is captured in this mid-seventeenth-century oil on canvas, his presence defined by a heavy, dark suit and a prominent collar. He holds a piece of paper, a gesture suggesting literacy, legal authority, or perhaps a specific political mandate. His long, curly hair and well-groomed beard frame a face marked by intricate detail, conveying a sense of individual temperament. The composition focuses on the interplay between…

4
Henrietta Boyle, Countess of Rochester (1646-1687) (1665) avtorja Peter Lely

Henrietta Boyle, Countess of Rochester (1646-1687)

1665 · Oil On Canvas · Hampton Court Palace, London

The sitter emerges from a shadowed landscape, a vision of 17th-century nobility caught in a moment of quiet poise. Henrietta Boyle, Countess of Rochester, is rendered with a serene expression that masks a subtle, underlying gravity. Her gown, a luminous sky blue, catches the light from the upper left, casting soft shadows into the voluminous folds of silk. A string of pearls rests against her neck, their pale luster contrasting…

5
Portrait of Elizabeth Lady Monson (1665) avtorja Peter Lely

Portrait of Elizabeth Lady Monson

1665 · Oil On Canvas · Birmingham Museum and Art Gallery, Birmingham

The room seems to quiet as Elizabeth Lady Monson meets the viewer's gaze. She sits in a three-quarter length pose, her body angled with a poise that speaks of a life lived within the high circles of the court. A deep, cerulean blue velvet gown envelops her, the heavy fabric catching the light in a way that suggests both weight and a soft, lustrous sheen. This intense blue cuts through…

6
Portrait of Oliver Cromwell (1599-1658) (1653) avtorja Peter Lely

Portrait of Oliver Cromwell (1599-1658)

1653 · Oil · Birmingham Museum and Art Gallery, Birmingham

This formal and somber seventeenth-century oil portrait depicts Oliver Cromwell in a bust-length composition. Positioned slightly off-center and looking toward the right of the frame, the subject is presented within a painted trompe l'oeil oval frame. The color palette is dominated by dark, earthy tones, including deep browns, blacks, and shadows, which contrast sharply against the bright white of the subject's collar and the metallic highlights of his armor.

7
Portrait of Lady Penelope Spencer (1660) avtorja Peter Lely

Portrait of Lady Penelope Spencer

1660 · Oil On Canvas · Minneapolis Institute of Art, Minneapolis

The air feels heavy with the scent of damp earth and blooming roses as Lady Penelope Spencer pauses in a quiet, shadowed landscape. She exists in a moment of poised stillness, her gaze meeting the viewer with a grace that suggests both high status and a gentle, private thought. The light, streaming from the upper left, washes over her skin with a soft, luminous glow, catching the delicate curve of…

8
Henrietta Maria Francija, Anglijska kraljica (1660) avtorja Peter Lely

Henrietta Maria Francija, Anglijska kraljica

1660 · Akril na platnu · Musée Condé, Chantilly

Henrietta Maria of France, Queen of England: An Icon of Baroque Elegance Sir Peter Lely, born in Soest, Westphalia, in 1618, stands as a monumental figure in the annals of English art history. His artistic journey spanned continents and cemented his reputation as the undisputed court painter during the waning years of the Stuart monarchy—a period defined by dramatic political upheaval and an unwavering devotion to opulent visual expression. Initially…

9
Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman (1675) avtorja Peter Lely

Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman

1675 · Oil On Canvas · Rijksmuseum, Amsterdam

The Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman is an oil on canvas work by the artist Pieter Van Der Faes (Peter Lely). This portrait captures George Monk (1608-69), 1st Duke of Albemarle, in a moment of formal stillness. The paint holds the weight of a man defined by his titles and his service to the crown.

10
Edward Montagu, first Earl of Sandwich (1660) avtorja Peter Lely

Edward Montagu, first Earl of Sandwich

1660 · Oil On Canvas · Yale Center for British Art, New Haven

Edward Montagu, first Earl of Sandwich, is presented in a formal, full-length Baroque portrait that asserts his high social standing and political importance. He stands with an imposing presence, his figure slightly off-center against a dark, shadowy background. The composition utilizes a vertical arrangement to emphasize his stature. Light enters from the upper left, striking his face and the brilliant white satin of his garments, while the rest of the…

Slavna platna umetnika Peter Lely, od številk 11 do 100

11Sir Ralph Bankes (1660) avtorja Peter LelySir Ralph Bankes1660 · Yale Center for British Art 12Diana Kirke, later Countess of Oxford (1665) avtorja Peter LelyDiana Kirke, later Countess of Oxford1665 · Yale Center for British Art 13Portrait Of Sir John Nicholas (1667) avtorja Peter LelyPortrait Of Sir John Nicholas1667 · Birmingham Museum and Art Gallery 14Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex (1655) avtorja Peter LelyArthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex1655 · National Portrait Gallery 15Lady Diana Bruce (died 1672) (1665) avtorja Peter LelyLady Diana Bruce (died 1672)1665 · Scottish National Gallery 16George Villiers, 2nd Duke of Buckingham (1675) avtorja Peter LelyGeorge Villiers, 2nd Duke of Buckingham1675 · National Portrait Gallery 17Nymphs by a Fountain (1650) avtorja Peter LelyNymphs by a Fountain1650 · Dulwich Picture Gallery 18Henrietta Anne, Duchess of Orleans (1662) avtorja Peter LelyHenrietta Anne, Duchess of Orleans1662 · National Portrait Gallery 19Anne Hyde, Duchess of York (1637-71) (1662) avtorja Peter LelyAnne Hyde, Duchess of York (1637-71)1662 · Hampton Court Palace 20John Maitland, 2nd Earl and 1st Duke of Lauderdale, 1616 - 1682. Statesman (1665) avtorja Peter LelyJohn Maitland, 2nd Earl and 1st Duke of Lauderdale, 1616 - 1682. Statesman1665 · Scottish National Portrait Gallery 21Anna Maria Talbot (née Brudenell), Countess of Shrewsbury (1670) avtorja Peter LelyAnna Maria Talbot (née Brudenell), Countess of Shrewsbury1670 · National Portrait Gallery 22Portrait of a Lady (1659) avtorja Peter LelyPortrait of a Lady1659 · Buckingham Palace 23Portrait of Aphra Behn (1675) avtorja Peter LelyPortrait of Aphra Behn1675 · Yale Center for British Art 24John Hay, 1st Marquess of Tweeddale, 1626 - 1697. Lord High Chancellor of Scotland (1662) avtorja Peter LelyJohn Hay, 1st Marquess of Tweeddale, 1626 - 1697. Lord High Chancellor of Scotland1662 · Scottish National Portrait Gallery 25Bust Portrait of a Young Man (so-called Samuel Pepys) (1800) avtorja Peter LelyBust Portrait of a Young Man (so-called Samuel Pepys)1800 · Minneapolis Institute of Art 26Henry Marten (Martin) (1650) avtorja Peter LelyHenry Marten (Martin)1650 · National Portrait Gallery 27Edward Montagu, 2nd Earl of Manchester (1663) avtorja Peter LelyEdward Montagu, 2nd Earl of Manchester1663 · National Portrait Gallery 28James Sharp, 1618 - 1679. Archbishop of St. Andrews (1664) avtorja Peter LelyJames Sharp, 1618 - 1679. Archbishop of St. Andrews1664 · Scottish National Portrait Gallery 29Sir Peter Lely (1660) avtorja Peter LelySir Peter Lely1660 · National Portrait Gallery 30Simon Patrick (1680) avtorja Peter LelySimon Patrick1680 · National Portrait Gallery 31Margaret Brooke, Lady Denham (ca 1647-67) (1663) avtorja Peter LelyMargaret Brooke, Lady Denham (ca 1647-67)1663 · Hampton Court Palace 32Portrait of a Lady. (1650) avtorja Peter LelyPortrait of a Lady.1650 · Narodni muzej v Varšavi 33John Ogilby (1662) avtorja Peter LelyJohn Ogilby1662 · Bodleianova knjižnica 34The Letter (1650) avtorja Peter LelyThe Letter1650 · Detroit Institute of Arts 35Unknown woman, formerly known as Elizabeth Hamilton, Countess de Gramont (1665) avtorja Peter LelyUnknown woman, formerly known as Elizabeth Hamilton, Countess de Gramont1665 · National Portrait Gallery 36Bartholomew Beale (1670) avtorja Peter LelyBartholomew Beale1670 · Dulwich Picture Gallery 37King James II (1667) avtorja Peter LelyKing James II1667 · National Portrait Gallery 38Portrait of P. Lenéve, Alderman of Norwich (1656) avtorja Peter LelyPortrait of P. Lenéve, Alderman of Norwich1656 · Walters Art Museum 39Diana and her Nymphs at a Fountain (1648) avtorja Peter LelyDiana and her Nymphs at a Fountain1648 · Yale Center for British Art 40Lady Anne Percy, Lady Stanhope (1633-1654) or Lady Isabella Sydney, Viscountess Strangford (d.1663) (1648) avtorja Peter LelyLady Anne Percy, Lady Stanhope (1633-1654) or Lady Isabella Sydney, Viscountess Strangford (d.1663)1648 · Petworth House 41The Three Younger Children of Charles I (1647) avtorja Peter LelyThe Three Younger Children of Charles I1647 · Petworth House 42Elizabeth Murray, Countess of Dysart, later Duchess of Lauderdale (1626-1698) (1648) avtorja Peter LelyElizabeth Murray, Countess of Dysart, later Duchess of Lauderdale (1626-1698)1648 · Ham House 43Sir George Booth, 1st Baron Delamer of Dunham Massey (1622-1684) (1646) avtorja Peter LelySir George Booth, 1st Baron Delamer of Dunham Massey (1622-1684)1646 · Dunham Massey Hall 44John Selden (1584–1654) (1644) avtorja Peter LelyJohn Selden (1584–1654)1644 · Yale University Art Gallery 45Man Playing a Pipe (1648) avtorja Peter LelyMan Playing a Pipe1648 46Boy Playing a Jew’s Harp (1648) avtorja Peter LelyBoy Playing a Jew’s Harp1648 47Abraham Cowley (1666) avtorja Peter LelyAbraham Cowley1666 · National Portrait Gallery 48Sir Edward Nicholas (1662) avtorja Peter LelySir Edward Nicholas1662 · National Portrait Gallery 49Anne Hyde, Duchess of York; King James II (1660) avtorja Peter LelyAnne Hyde, Duchess of York; King James II1660 · National Portrait Gallery 50Portrait of Anne Digby, Countess of Sunderland (1666) avtorja Peter LelyPortrait of Anne Digby, Countess of Sunderland1666 · Hampton Court Palace 51Henry, Duke of Gloucester (1639-60) (1647) avtorja Peter LelyHenry, Duke of Gloucester (1639-60)1647 · Kraljeva zbirka 52John Bainbridge (1582–1643) and daughter (1640) avtorja Peter LelyJohn Bainbridge (1582–1643) and daughter1640 · New York Historical Society 53Portrait of a Man, probably Richard Boyle, 1st Earl of Burlington (1612-1698) (1650) avtorja Peter LelyPortrait of a Man, probably Richard Boyle, 1st Earl of Burlington (1612-1698)1650 54Susanna And The Elders (1650) avtorja Peter LelySusanna And The Elders1650 · Birmingham Museum and Art Gallery 55Portrait Of The Earl Rivers (?) (1655) avtorja Peter LelyPortrait Of The Earl Rivers (?)1655 · Birmingham Museum and Art Gallery 56Elizabeth Dering, Lady Darell (1660) avtorja Peter LelyElizabeth Dering, Lady Darell1660 · National Gallery of Ireland 57Miss Mary Middleton, Plas Newydd, Wrexham (1650) avtorja Peter LelyMiss Mary Middleton, Plas Newydd, Wrexham1650 · National Library of Wales 58Portrait of Mrs. Leneve (1657) avtorja Peter LelyPortrait of Mrs. Leneve1657 · Cleveland Museum of Art 59Miss Lawson, Mrs (later Lady) Chicheley (1660) avtorja Peter LelyMiss Lawson, Mrs (later Lady) Chicheley1660 · Wimpole Hall 60Called Frances Cromwell (1638-1720), the daughter of Oliver Cromwell (1654) avtorja Peter LelyCalled Frances Cromwell (1638-1720), the daughter of Oliver Cromwell1654 61Lady Elizabeth Percy, Lady Capel, later Countess of Essex (1636 - 1717/18) (1653) avtorja Peter LelyLady Elizabeth Percy, Lady Capel, later Countess of Essex (1636 - 1717/18)1653 · Petworth House 62Lady Anne Percy, Lady Stanhope (1633-1654) (1657) avtorja Peter LelyLady Anne Percy, Lady Stanhope (1633-1654)1657 · Petworth House 63Called (but not) Elizabeth Murray, Countess of Dysart, Duchess of Lauderdale (1626-1698), just possibly Lady Dorothy Sydney, Countess of Sunderland (1618-1684), or Mrs John Greenhill (1658) avtorja Peter LelyCalled (but not) Elizabeth Murray, Countess of Dysart, Duchess of Lauderdale (1626-1698), just possibly Lady Dorothy Sydney, Countess of Sunderland (1618-1684), or Mrs John Greenhill1658 · Petworth House 64Mrs Sackville (1660) avtorja Peter LelyMrs Sackville1660 · Knole House 65Robert Spencer, 2nd Earl of Sunderland (1641-1702) (1660) avtorja Peter LelyRobert Spencer, 2nd Earl of Sunderland (1641-1702)1660 · Knole House 66Cimon and Iphigenia (1654) avtorja Peter LelyCimon and Iphigenia1654 · Knole House 67N. Wray (1655) avtorja Peter LelyN. Wray1655 · Kingston Lacy 68The Penitent Magdalen (1652) avtorja Peter LelyThe Penitent Magdalen1652 · Kingston Lacy 69Sir Ralph Bankes, MP (?1631-1677) (1655) avtorja Peter LelySir Ralph Bankes, MP (?1631-1677)1655 · Kingston Lacy 70Called Elizabeth Palmer, Lady Wroth (d. before 1672) (1650) avtorja Peter LelyCalled Elizabeth Palmer, Lady Wroth (d. before 1672)1650 · Killerton 71Sir William Compton (1625-1663) (1654) avtorja Peter LelySir William Compton (1625-1663)1654 · Ham House 72An Unknown Gentleman, called Lionel Tollemache, 3rd Earl of Dysart (1649-1727) (1660) avtorja Peter LelyAn Unknown Gentleman, called Lionel Tollemache, 3rd Earl of Dysart (1649-1727)1660 · Ham House 73Elizabeth Murray, Lady Tollemache, later Countess of Dysart and Duchess of Lauderdale (1626-1698) with a  Black Servant (1651) avtorja Peter LelyElizabeth Murray, Lady Tollemache, later Countess of Dysart and Duchess of Lauderdale (1626-1698) with a Black Servant1651 · Ham House 74Possibly Lady Katherine Murray (d.1669/70) (1649) avtorja Peter LelyPossibly Lady Katherine Murray (d.1669/70)1649 · Ham House 75Called Lady Elizabeth Grey, Lady Delamer (1621/2-1690) (1659) avtorja Peter LelyCalled Lady Elizabeth Grey, Lady Delamer (1621/2-1690)1659 · Dunham Massey Hall 76Called Sir George Booth, 1st Baron Delamer of Dunham Massey (1622-1684) (1659) avtorja Peter LelyCalled Sir George Booth, 1st Baron Delamer of Dunham Massey (1622-1684)1659 · Dunham Massey Hall 77Apollonia Yate (1655) avtorja Peter LelyApollonia Yate1655 · Coughton Court 78A Gentleman Dressed 'alla Romana'  wearing a Golden-coloured Cloak (1655) avtorja Peter LelyA Gentleman Dressed 'alla Romana' wearing a Golden-coloured Cloak1655 · Calke Abbey 79Sir Robert Long, 1st Bt (1598-1673) (1657) avtorja Peter LelySir Robert Long, 1st Bt (1598-1673)1657 · Belton House 80Sir Christopher Myngs (1625-1666) (1650) avtorja Peter LelySir Christopher Myngs (1625-1666)1650 · National Maritime Museum 81Edward Montagu, 1st Earl of Sandwich (1650) avtorja Peter LelyEdward Montagu, 1st Earl of Sandwich1650 · National Maritime Museum 82Portrait of a Woman (1649) avtorja Peter LelyPortrait of a Woman1649 · Bavarske državne slikopisne zbirke 83Susanna and the Elders (1652) avtorja Peter LelySusanna and the Elders1652 84Henry Stone (1648) avtorja Peter LelyHenry Stone1648 · National Portrait Gallery 85Henry, Duke of Gloucester (1639-1660) (1649) avtorja Peter LelyHenry, Duke of Gloucester (1639-1660)1649 · Kraljeva zbirka 86Anne Hyde, Duchess of York, 1637 - 1671. First wife of James VII and II (1661) avtorja Peter LelyAnne Hyde, Duchess of York, 1637 - 1671. First wife of James VII and II1661 · Scottish National Portrait Gallery 87Portrait of a Lady with a Blue Drape (1660) avtorja Peter LelyPortrait of a Lady with a Blue Drape1660 · Dulwich Picture Gallery 88Lady Frances Savile, Later Lady Brudenell (1668) avtorja Peter LelyLady Frances Savile, Later Lady Brudenell1668 · Yale Center for British Art 89Portrait of Samuel Crew (1650) avtorja Peter LelyPortrait of Samuel Crew1650 · Groeningemuseum 90Portrait of a Man (1656) avtorja Peter LelyPortrait of a Man1656 · Statens Museum For Kunst 91Family Portrait of Lord Wharton (1656) avtorja Peter LelyFamily Portrait of Lord Wharton1656 92Finding of Moses (1650) avtorja Peter LelyFinding of Moses1650 · Musée des Beaux-Arts 93Portrait Of The Hon Mrs Lucy Loftus (1667) avtorja Peter LelyPortrait Of The Hon Mrs Lucy Loftus1667 · Birmingham Museum and Art Gallery 94Margaret Brooke (c.1647–1667), Lady Denham (1664) avtorja Peter LelyMargaret Brooke (c.1647–1667), Lady Denham1664 95Joceline Percy, 11th Earl of Northumberland (1644-1670) (1671) avtorja Peter LelyJoceline Percy, 11th Earl of Northumberland (1644-1670)1671 · Petworth House 96Lady Elizabeth Wriothesley, Lady Elizabeth Noel (d.c.1680) and her Black Page (1662) avtorja Peter LelyLady Elizabeth Wriothesley, Lady Elizabeth Noel (d.c.1680) and her Black Page1662 · Petworth House 97Elizabeth Alington, Lady Seymour of Trowbridge (c.1632-1691) (1664) avtorja Peter LelyElizabeth Alington, Lady Seymour of Trowbridge (c.1632-1691)1664 · Petworth House 98Called Sophia Fairholme, Marchioness of Annandale (1668-1716) (1664) avtorja Peter LelyCalled Sophia Fairholme, Marchioness of Annandale (1668-1716)1664 · Petworth House 99Called Elizabeth Wriothesley, Countess of Northumberland (1646 -1690) (1662) avtorja Peter LelyCalled Elizabeth Wriothesley, Countess of Northumberland (1646 -1690)1662 · Petworth House 100Richard Legh (1634-1687) (1667) avtorja Peter LelyRichard Legh (1634-1687)1667 · Lyme Park

Slavna platna umetnika Peter Lely, razdeljena po obdobjih

Motivi, ki so očarali Peter Lely

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Muzeji, ki hranijo originala umetnika Peter Lely

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Peter Lely Slike iz tega seznama
National Portrait Gallery, LondonNational Portrait Gallery London 18 Queen Mary II, Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex, George Villiers, 2nd Duke of Buckingham
Petworth House, PetworthPetworth House Petworth 10 Lady Anne Percy, Lady Stanhope (1633-1654) or Lady Isabella Sydney, Viscountess Strangford (d.1663), The Three Younger Children of Charles I, Lady Elizabeth Percy, Lady Capel, later Countess of Essex (1636 - 1717/18)
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 6 Portrait of Elizabeth Lady Monson, Portrait of Oliver Cromwell (1599-1658), Portrait Of Sir John Nicholas
Yale Center for British Art, New HavenYale Center for British Art New Haven 6 Edward Montagu, first Earl of Sandwich, Sir Ralph Bankes, Diana Kirke, later Countess of Oxford
Ham HouseHam House 14 Elizabeth Murray, Countess of Dysart, later Duchess of Lauderdale (1626-1698), Sir William Compton (1625-1663), An Unknown Gentleman, called Lionel Tollemache, 3rd Earl of Dysart (1649-1727)
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 8 James VII and II, when Duke of York, John Maitland, 2nd Earl and 1st Duke of Lauderdale, 1616 - 1682. Statesman, John Hay, 1st Marquess of Tweeddale, 1626 - 1697. Lord High Chancellor of Scotland
Hampton Court Palace, LondonHampton Court Palace London 11 Henrietta Boyle, Countess of Rochester (1646-1687), Anne Hyde, Duchess of York (1637-71), Margaret Brooke, Lady Denham (ca 1647-67)
Kingston Lacy, Wimborne MinsterKingston Lacy Wimborne Minster 7 N. Wray, The Penitent Magdalen, Sir Ralph Bankes, MP (?1631-1677)

Peter Lely skozi desetetja: vsak unikatni original za vsako obdobje

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Slike umetnika Peter Lely: vprašanja za galerijo

Katero je najbolj znano delo umetnika Peter Lely?Razkriti odgovor

Queen Mary II (1677), National Portrait Gallery, London. Zatem sledeta James VII and II, when Duke of York (1661) in Portrait of a man, thought to be George Booth, Lord Delamere (1660).

Pri kateri dobe je Peter Lely ustvaril Queen Mary II?Razkriti odgovor

59 let: delo Queen Mary II iz leta 1677, Peter Lely pa je bil/a rojen/a leta 1618.

Katera desetina slik avtorja Peter Lely je najbolj znana?Razkriti odgovor

Queen Mary II, James VII and II, when Duke of York, Portrait of a man, thought to be George Booth, Lord Delamere, Henrietta Boyle, Countess of Rochester (1646-1687), Portrait of Elizabeth Lady Monson, Portrait of Oliver Cromwell (1599-1658), Portrait of Lady Penelope Spencer, Henrietta Maria Francija, Anglijska kraljica, Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman in Edward Montagu, first Earl of Sandwich. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko je znanih del avtorja Peter Lely?Razkriti odgovor

Naš katalog vsebuje 240 del avtorja Peter Lely, datiranih od 1640 do 1680.

Kje si lahko ogledate najslavnejše originale umetnika Peter Lely?Razkriti odgovor

Večini v National Portrait Gallery (London), Petworth House (Petworth) in Birmingham Museum and Art Gallery (Birmingham). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerem obdobju je Peter Lely ustvaril svoja najbolj znana dela?Razkriti odgovor

V obdobju 1660s: 41 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa James VII and II, when Duke of York.

Katero znano sliko je naslikal Peter Lely najprej in katero najpozdneje?Razkriti odgovor

Na tej strani je najstarejše delo iz John Bainbridge (1582–1643) and daughter (1640) in najstarejše iz Simon Patrick (1680).

Katere teme je Peter Lely najprej ravnate?Razkriti odgovor

Man (24), Woman (19) in Lace (12), na 100 delih na tej strani.

S katerimi materiali je Peter Lely najpogosteje slikal?Razkriti odgovor

Oil On Canvas, za 40 od 100 del na tej strani.

Kateri umetniški slog predstavlja delo umetnika Peter Lely?Razkriti odgovor

Baroque style, glede na originala na tej strani.

Katere originale Peter Lely lahko vidim v muzeju National Portrait Gallery?Razkriti odgovor

Queen Mary II, Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex in George Villiers, 2nd Duke of Buckingham: v muzeju National Portrait Gallery, London se nahaja 15 del z te strani.

Kje lahko naročim ročno naslikano reprodukcijo Peter Lely?Razkriti odgovor

Da, kot reprodukcija: original ostane v muzeju, vendar lahko je katero od slik na tej strani za vas naslikano ročno, po naročilu, ena po drugi, neposredno s strani same slike.

Peter Lely: portret umetnika

Sir Peter Lely: Dvorni slikar sanj

Sir Peter Lely, rojen v mestu Soest v Westfaliji leta 1618, je bil likoporec, čeprav se je njegova pot in kariera odvijala skozi dve kontinenti, kar ga je na koncu uveljavilo kot vrhunskega portretista angleškega dvora v pozni dobi Stuartov. Njegova pot se je začela sredi turbulenc Tridesetletnega vojne, njegova nizozemska dediščina pa je oblikovala umetniško občutljivost, globoko zakoreninjeno tako v severnoevropski tradiciji kot v vzpenjajočem baroku. Po začetnem šolanju v Haarlemu pri Pieterju de Grebberju, mojstru Zvona svetega Luka, je Lely izpilil svoje veščine z natančnimi tehnikami flambrske slikarstva – temelj, ki bo močno vplival na njegovo zgodnje delo. Vendar pa je prav njegova selitev v Anglijo okoli leta 1643 dejansko določila njegovo dediščino, saj ga je spremenila iz izobraženega rokodelnika v dvornika in ključno figuro pri oblikovanju angleške umetniške identitete.

Zgodnje leta in vplivi: Most med severom in jugom

Lelyjeva zgodnja dela razkrivajo fascinantno sintezo vplivov. Sprva je ustvarjal mitološke in religiozne scene, pogosto postavljene v idilične pastoralne pejzaže – slog, ki spominja na Anthonyja van Dycka, ki je postal izjemno priljubljen na angleškem dvoru pred svojo zgodnjo smrtjo leta 1641. Ta dela kažejo jasno občudovanje Van Dyckove elegantne kompozicije, prefinjenih figur ter mojstrovsko uporabo svetlobe in sence. Vendar pa Lelyjeva slika poseduje tudi značilno zemljepisno kakovost, ki odraža tradicijo Haarlema in vključuje elemente severnoevropskega realizma. Posebno je bil pod vplivom nizozemskega baroka, kar je razvidno iz njegove pozornosti do detajlov, živahnih barvnih palet in dinamičnih razvrstitev. Politična nestabilnost obdobja, ki jo je zaznačala angleška civilna vojna, je nedvomno oblikovala Lelyjeve umetniške izbire in spodbudila premik k bolj intimnim portretom, ki so zajemali osebnosti tistih, ki so obiskovali dvor.

Dvorni slikar in kraljevsko pokojnino: Začetek nove ere

Po Restoraciji leta 1660 je Lelyjeva kariera doživela izjemen vzpon. Imenovan je bil za glavnega uradnega slikarja kralja Charlesa II, položaj, ki ga je prej zastopoval Van Dyck, kar je predstavljalo jasno priznanje njegove umetniške vrednosti in trajne privlačnosti njegovega sloga. Ta imenovanja je prineslo pomembne privilegije, vključno z velikodušnim honorarjem in dostop do kraljevih zbirk. Lelyjevi portreti so postali izjemno priljubljeni, saj so zajemali podobnosti pomembnih oseb – od dvorjanov in plemičev do članov kraljeve družine. Njegova sposobnost, da je predmete prikazal z dostojnostjo in šarmom, je utrdila njegov položaj najpomembnejšega dvornega slikarja. Zanimivo je, da je poslikoval celo Oliverja Cromwella in Richarda Cromwella, pri čemer je ponudil presenetljivo iskreno prikaz nekdanjega Lorda zaščitnika, kar dokazuje njegovo pripravljenost na zajemanje resničnosti namesto idealizacije.

Slog in tehnika: Mojster svetlobe in forme

Lelyjev umetniški slog zaznamuje eleganca, gracija in izjemna tehnična veščina. Imel je izstopajočo sposobnost prikazovanja tkanin z osupljivim realizmom – kar je značilnost njegovih portretov – njegova uporaba svetlobe in sence pa je ustvarjala občutek globine in atmosfere, ki je očarjala gledalce. Čepode da je bil sprva pod vplivom Van Dyckovega prefinjenega sloga, je Lely razvil bolj robusten in ekspresiven način, s katerim je svoje subjekte opolnil z osebnostjo in karakterjem. Njegove kompozicije so pogosto dinamične in privlačne, saj oko usmerjajo k ključnim elementom v okviru. Bil je tudi strastni zbiratelj znamenitih starih risbereit, kar je nedvomno vplivalo na njegovo razumevanje anatomije, perspektive in umetniških načel.

Dediščina in zgodovinski pomen

Vpliv sir Petera Lelyja na angleško umetnost je nepodvden. Ustanovil je tradicijo dvorne portretne umetnosti, ki je preživela generacije, ter oblikoval vizualno predstavitev moči in statusa znotraj monarhije. Njegov vpliv se je širal dlje od same tehnične veščine; spodbudil je občutek umetniške samozavesti in inovativnosti, kar je prispevalo k cvetovitosti umetnosti v obdobju Restoracije. Čepode da se je njegov slog včasih pretegnil proti ponavljati – kar se pogosto pripisuje zahtevam izdelave številnih portretov za dvor – Lelyjeva dediščina ostaja trdna kot del enega najpomembnejših in najbolj vplivnih angleških slikarjev. Njegovo del še vedno navdujuje zaradi svoje lepote, elegance in prodorenga prikaza človeškega značaja, s čimer je trdno utrdil svoj položaj v umetnostni zgodovini kot "Dvornega️ slikar sanj".

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