Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 141 del v našem katalogu avtorja Jules Breton
Kratek opis
The Song of the Lark (1884) je slika avtorja Jules Breton, ki pritegne največ pogledov; original se nahaja v muzeju Art Institute of Chicago, Chicago. Nato se pogled smeri k The Shepherd's Star (1887) in Burning Tares in a Wheatfield (1868). Med 141 dela umetnika Jules Breton v našem katalogu so ta 100 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
In the quietude of a French dawn, Jules Breton captures a moment that transcends the boundaries of mere observation, inviting the viewer into a profound communion with the natural world. The Song of the Lark, painted in 1884, is far more than a pastoral scene; it is a poetic meditation on the sanctity of existence. At the heart of this masterpiece, a young peasant girl stands transfixed within a sun-drenched…
The Shepherd's Star is an oil on canvas painting by the French artist Jules Breton. Executed in 1887, the work depicts a young peasant woman. The subject is shown barefoot, carrying a heavy sack of potatoes on her head as she returns from the fields at twilight. This specific figure is positioned beneath the rising star Capella, which appears over her shoulder.
In this 1868 oil painting, we find ourselves in the midst of a heavy, overcast afternoon in the French countryside. The scene is one of purposeful, gritty labor. A man dominates the foreground, his body leaning into the physical demand of his task as he uses a pitchfork to toss weeds into a growing fire. There is a palpable sense of heat and smoke rising from the field, cutting through…
The quietude of a rustic interior in the Kempen region unfolds within Interior in Kempen. Painted by Jules Breton in 1859, the scene captures a moment of stillness inside a humble cabin. Two men sit together by the warmth of a fireplace, their presence grounding the space in a sense of lived-in reality. The air seems heavy with the soft, dim light of the hearth, casting shadows across the simple…
The Blessing of the wheat in Artois1857 · Musée d'Orsay
12
Family reunion in Bourron-Marlotte (Théodore de Banville in the forest of Fontainebleau)1857 · Petit Palais
13
Mondays1858
14
Havana. View of the port and the cityFundación Antonio de Nebrija
15
The Bedeau of Kerlaz1868 · Musée des Beaux-Arts de Quimper
16
Head of a Young Breton Woman, Study for the Pardon1868 · Petit Palais
17
Head of Breton, Study for the Pardon1868 · Petit Palais
18
Lightning1865 · Petit Palais
19
Procession of Pardon in Brittany1869 · Narodni muzej likovnih umetnosti na Kubi
20
The harvest1865 · The Mesdag Collection
21
Jeanne Calvet1865
22
Pardon of Sainte-Anne-la-Palud1868
23
Trust1864 · Palais des Beaux-Arts de Lille
24
The Gleaner1875 · Aberdeen Art Gallery
25
Fishermen at Menton1878 · Pushkin State Museum
26
The Blessing of the Wheat1872 · Chimei Museum
27
Young Woman Knitting1873
28
Self Portrait1883 · Aberdeen Art Gallery
29
Peasants Resting1882 · Arnot Art Museum
30
Study for the Song of the lark1884
31
Last Flowers1890 · Cincinnati Art Museum
32
Study for The Washerwoman from 18901889
33
Self-portrait1895 · Kraljevski muzej lepih umetnosti v Antwerpu
34
Self-portrait, profile to the rightLouvre
35
The milk girl1899
36
Woman with a Taper1873 · Muzej fine arts
37
Young girl knitting (version 2)1860
38
The Tired Gleaner1880 · Cleveland Museum of Art
39
the communicants
40
The Grape Harvest at the Chateau-LagrangeJoslyn Art Museum
41
The Colza (Harvesting Rapeseed)1860 · National Gallery of Art
42
Young peasant girl with a hoe1882 · Van Goghov muzej
43
Summer landscape with peasants and cows1850
44
The Storm1852 · Wadsworth Atheneum
45
Landscape, Courrières, France1854
46
Head of a woman1857 · Palais des Beaux-Arts de Lille
47
Preparatory study by 'Erecting a Calvary'1858 · Palais des Beaux-Arts de Lille
48
The gleaner1859 · Museum of Fine Arts
49
Gleaners at sunset1863
50
Fire in a Haystack1856
51
Plantation d'un Calvaire1858 · Musée des Beaux-Arts de Lille
52
Girl with a Rake1859 · National Gallery of Ireland
53
The Recall of the Gleaners1859 · Musée d'Orsay
54
Spinner on the Rocks at Douarnenez1870 · Petit Palais
55
Woman with umbrella, Douarnenez bay1870 · Petit Palais
56
Young Reaper Sleeping on Sheaves of Wheat1866
57
Breton woman at the pardon1868
58
The Washerwomen of the Breton Coast1870
59
Untitled (D2X6VU)1870 · Metropolitanski muzej umetnosti
60
A Spring by the Sea1866
61
A Party for Grandfather1864
62
The Vintage at Chateau Lagrange1864 · Joslyn Art Museum
63
La Femme A L'ombrelle1871
64
The Close of Day1865 · Walters Art Museum
65
Midsummer Night Dance in Courrières1875 · Narodni muzej za umetnost, arhitekturo in dizajn
66
Woman breast feeding her child, accompanied by another woman1873 · The Baltimore Museum of Art
67
Paysanne au repos1873
68
Setting out for the Fields1873
69
The Feast of Saint John1875 · Philadelphia Museum of Art
70
The Rest of the Haymakers1872
71
The Wounded Sea Gull1878 · Saint Louis Art Museum
72
The Flax Spinner1872 · Philbrook Museum of Art
73
Girl Guarding the Cows1872
74
The Tea Break1885 · Dahesh Museum of Art
75
Artist's palette1882 · The Baltimore Museum of Art
76
The Communicants1884
77
Rainbow1883
78
Le Matin1888
79
Young Women Going to a Procession1890
80
Evening Call1889
81
Summer1891
82
Le Pardon De Kergoat1891
83
Faneuse au repos1891 · Calouste Gulbenkian Foundation
84
Peasant woman picking up a sheaf of carnations1896
85
The Last Gleanings1895 · Henry E. Huntington Library
86
The Gleaner1900
87
Turning Back from the Fields (study)Museum of Fine Arts Ghent (MSK)
88
Poppies (study)Museum of Fine Arts Ghent (MSK)
89
Young Woman in a Field
90
The Gleaner
91
Souvenir de dour Amenez
92
the potato harvest
93
Young Girl Thinking
94
Young Boy at the Foot of a Tree
95
The Water Carrier
96
Woman sitting in a meadow
97
Peasant study (Marguerite Moreau)
98
Two Seated Women in Conversation, One with a StaffThe Baltimore Museum of Art
99
Young musicianThe Baltimore Museum of Art
100
Fin du travail (also known as A travers champs)1886 · Brooklyn Museum
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Jules Breton | Slike iz tega seznama |
|---|---|---|---|
 Petit Palais |
Pariz | 9 | The First Communicants at Courrières, The Man with the Pipe, Family reunion in Bourron-Marlotte (Théodore de Banville in the forest of Fontainebleau) |
 The Baltimore Museum of Art |
Baltimore | 5 | Woman breast feeding her child, accompanied by another woman, Artist's palette, Two Seated Women in Conversation, One with a Staff |
 Palais des Beaux-Arts de Lille |
Lille | 3 | Trust, Head of a woman, Preparatory study by 'Erecting a Calvary' |
 Musée d'Orsay |
Pariz | 3 | The Blessing of the wheat in Artois, The Recall of the Gleaners |
 Museum of Fine Arts Ghent (MSK) |
Gent | 3 | Turning Back from the Fields (study), Poppies (study) |
 Philadelphia Museum of Art |
Filadelfija | 2 | Burning Tares in a Wheatfield, The Feast of Saint John |
 Aberdeen Art Gallery |
2 | The Gleaner, Self Portrait | |
 Joslyn Art Museum |
Omaha | 2 | The Grape Harvest at the Chateau-Lagrange, The Vintage at Chateau Lagrange |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The quietude of a rustic interior in the Kempen region unfolds within Interior in Kempen. Painted by Jules Breton in 1859, the scene captures a moment of stillness inside a humble cabin. Two men sit together by the warmth of a fireplace, their presence grounding the space in a sense of lived-in reality. The air seems heavy with the soft, dim light of the hearth, casting shadows across the simple…
In this 1868 oil painting, we find ourselves in the midst of a heavy, overcast afternoon in the French countryside. The scene is one of purposeful, gritty labor. A man dominates the foreground, his body leaning into the physical demand of his task as he uses a pitchfork to toss weeds into a growing fire. There is a palpable sense of heat and smoke rising from the field, cutting through…
In the quietude of a French dawn, Jules Breton captures a moment that transcends the boundaries of mere observation, inviting the viewer into a profound communion with the natural world. The Song of the Lark, painted in 1884, is far more than a pastoral scene; it is a poetic meditation on the sanctity of existence. At the heart of this masterpiece, a young peasant girl stands transfixed within a sun-drenched…
The Song of the Lark (1884), Art Institute of Chicago, Chicago. Zatem sledeta The Shepherd's Star (1887) in Burning Tares in a Wheatfield (1868).
57 let: delo The Song of the Lark iz leta 1884, Jules Breton pa je bil/a rojen/a leta 1827.
The Song of the Lark, The Shepherd's Star, Burning Tares in a Wheatfield, Interior in Kempen, The First Communicants at Courrières, Small Gleaner Sitting in the Field, Love Tokens, Ruins of Saint Bavo's Abbey in Ghent, The Man with the Pipe in By the seaside. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 141 del avtorja Jules Breton, datiranih od 1850 do 1900.
Večini v Petit Palais (Pariz), The Baltimore Museum of Art (Baltimore) in Palais des Beaux-Arts de Lille (Lille). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1860s: 20 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Burning Tares in a Wheatfield.
Na tej strani je najstarejše delo iz Summer landscape with peasants and cows (1850) in najstarejše iz The Gleaner (1900).
Woman (5), Rural life (4) in French art (4), na 100 delih na tej strani.
Oil On Canvas, za 10 od 100 del na tej strani.
Realism, glede na originala na tej strani.
The First Communicants at Courrières, The Man with the Pipe in Family reunion in Bourron-Marlotte (Théodore de Banville in the forest of Fontainebleau): v muzeju Petit Palais, Pariz se nahaja 8 del z te strani.
Jules Breton (1827–1906) stoji kot steber franciskega realizma, umetniškega gibanja, posvečenega natančnemu in resničnemu prikazovanju življenja brez okrasitev – misije, ki jo je s celotno strasti vključil v svoja platna. Ročen v majhnem vasi Courrières v regiji Pas-de-Calais na severu Francije, je Bretonov zgodnji življenjski del trdila skromna okoliščina, a ga je poganjala neomajna strast do opazovanja in predstavljanja. Njegova vzgoja, globoko zakoreninjena v kmetijsko bogati pokrajini Artois, mu je vdelilo globoko spoštovanje do tradicije in ljubezen do zemlje, ki sta skozi njegovo dolgo kariero ostala osredna komponenta njegove umetnosti. Izguba }; mater v zgodnji dobi in vzgoja pod okriljem očeta, ki je upravljal zemljišča bogatega lastnika, sta mu omogočila intimen stik z ritmi kmetijskega obstoja.
Medtem ko so mnogi njegovi sodobniki iskali veličastnost mitoloških ali zgodovinskih motivov, je Breton svoj pogled usmeril v dostojnost običajnega delavca. Prisel je nad neobčudljivo sposobnost, da bi dvignil vsakdanje prizore – kostariče, žence in pastirje – in jih obdelal z akademsko eleganco, ki je bila tradicionalno rezervirana le za klasične figure. Ta edinstvena sinteza mu je omogočila, da je postal eden primarnih nosilcev idilične vizije podeželskega življenja, saj je lepoto francijske kmetije zajel skozi lečo, ki je bila hkrati globoko naturalistična in izjemno poetična.
Bretonova umetniška pot je bila oblikovana s strogo zavezanostjo načelom realizma in naturalizma. Njegov zgodnji izobraževanja, ki je vključevalo študije na šoli College St. Bertin, so ga sčasoma vodila k globljemu sodelovanju z mojstri njegove dobe. Vpojil je nepopustljive tehnike tega gibanja, saj je želel ustvariti umetnost, ki služi kot ogledalo odražanja družbe v vseh njeni kompleksnosti. To obdobje razvoja je zaznamovala želja po doseganju tistega, čemater je imenoval grand style – načina, kako rustikalnemu žanru vpreneti občutek monumentalne pomembnosti in brezčasnosti.
Njegova tehnika je bila značilna po natančnih detajlih in svetlobni paleti barv, ki jo je spretno uporabljal za prikaz tekstur naravnega sveta. Ne glede na to, ali je zajemal mehak svobodno svetlobo jutra nad travnikom ali težko, soncem prežgano vzdušje poletnega polja, je Breton uporabil olje na platnu, da bi dosegel izredno globino. Njegove kompozicije pogosto vzbujajo občutek pastoralne tišine z motivi, kot so:
Preko teh motivov Breton platna ni le okrasil; ustvaril je meditacije o trajni vezi med človekom in zemljijo.
Zgodovinski pomen Julesa Bretona leži v njegovi sposobnosti, da premosti vrzel med akademsko tradicijo preteklosti in modernim realizmom 19. stoletja. Z uporabo sofisticiranih, klasičnih metod za prikaz kmetijskega življenja je v skupino ljudi, ki so jih visoka umetnost pogosto spregledala, vnesel občutek trajnosti in dostojanstva. Njegovo del je globoko odjekovalo pri ljudi njegove dobe, kar mu je prineslo velik prestiž na Pariškem salonu in ga uveljavilo kot vodilno figuro v francijski umetnosti.
Poza njegove individualne platna se je Bretonov vpliv širil skozi njegovo družino in vlogo v širši umetniški skupnosti. Njegova hči, Virginie Demont-Breton, je prav tako postala slavna slikarica, ki je nadaljevala dediščino globokega opazovanja in tehničnega mojstraštva. Danes so dela Julesa Bretona še vedno cenjena zaradi njihove nostalgične moči in sposobnosti, da gledalca popelje v izginjeno dobo francijskega pastoralnega življenja. Njegove slike služijo kot brezčasno okno v dušo 19. stoletja in nas opominjajo na tiho lepoto, ki jo najdemo v najpreprostejših trenutkih obstoja.
