Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 109 del v našem katalogu avtorja Ivan Kramskoj
Kratek opis
Portret ženske je slika avtorja Ivan Kramskoj, ki pritegne največ pogledov; original se nahaja v muzeju Tretyakovska galerija, Moskva. Nato se pogled smeri k Krist v pustinji in Christ in the Wilderness. Med 109 dela umetnika Ivan Kramskoj v našem katalogu so ta 100 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
avtorja Ivana Kramskoja predstavlja tiho, introspektivno srečanje z mlado žensko. To delo, datirano okoli leta 1885, zajema edinstven trenutek miru. Subjekt gleda z občutkom notranje refleksije, njena prisotnost pa prostor polni z težko, razmišljeno energijo. Gre za študijo značaja in pogleda, kjer se znotrajšnja življenjska izkušnja posameznika zdi, kot bi pritiskala proti površini platna.
'Krist v pustinji' je znamenito delo Ivana Nikolaeviča Kramskoja, ki prikazuje Isusa KRISTA med njegovim 40-dnevnim postom v pustinji, kot je opisano v evangelijumu po Mateju (Matej 4,1-11). To globoko emotivno platno je bilo dokončano leta 1872, danes pa se nahaja v znameniti Tretyakov galeriji v Moskvi.
The heavy silence of the desert hangs over Christ in the Wilderness, a profound religious painting that captures a moment of profound spiritual isolation. Created by the Russian artist Ivan Kramskoi, the work emerges from the year 1872. It presents a scene of deep contemplation, where the weight of the divine meets the stark reality of the physical world. The figure of Christ sits amidst a desolate landscape, caught in…
The gaze of the sitter in Portrait of a Woman meets the viewer with a quiet, unsettling strength. Painted by the Russian artist Ivan Kramskoi, this work captures a moment of profound stillness. Though the title suggests a specific person, she remains a mystery to history. She is widely recognized as an unknown subject, a woman whose identity remains veiled by time and the artist's own silence. This sense of…
The Empress Maria Feodorovna sits in a quiet, commanding stillness, her figure emerging from a dark, indistinct background that pushes her presence into the immediate space of the viewer. She is draped in a gown of luminous whites and creams, the fabric heavy with the weight of silk and the delicate, intricate textures of fine lace. A deep crimson sash cuts across her torso, providing a sharp, singular contrast to…
In the realm of nineteenth-century Russian Realism, few works capture the delicate intersection of innocence and burgeoning intellect as poignantly as Ivan Nikolaevich Kramskoy’s Portrait of a Girl. Painted in 1870, this masterpiece transcends a mere physical likeness, offering instead a window into a soul caught in the quiet transition of childhood. The subject, presented within an elegant oval frame that evokes the intimacy of a cherished heirloom, sits with…
The oil portrait depicts Yevgeny Lamansky, an elderly man seated in a three-quarter length pose. He is positioned slightly off-center within a room defined by a desk and leather-bound books. The subject possesses prominent white mutton-chop whiskers and a smooth silk waistcoat beneath a heavy, dark suit. His hands are positioned near a desk, holding a pen and papers. The lighting originates from the upper left, casting shadows that define…
The painting titled Somnambula was executed by the artist Ivan Nikolaevich Kramskoy. This work is an oil on canvas created in 1871. The object is a painting that measures 135 cm in height and 86 cm in width.
In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Princess Catherine Alekseevny Vasilchikova, we encounter more than just a likeness; we enter a moment of frozen dignity from the heart of 1867 Russia. The painting serves as a masterful window into the mid-19th century, capturing the essence of a noblewoman whose very posture speaks of an era defined by rigid social hierarchies and refined elegance. As the viewer…
A dignified and somber realist portrait, this work captures a middle-aged man in a moment of quiet introspection. Positioned in a three-quarter length composition, the subject faces the viewer's right, yet his gaze meets the observer with a steady, penetrating clarity. The lighting is low-key, emerging from a shadowy, indistinct background to illuminate the face and a crisp white collar. This chiaroscuro effect creates a profound sense of three-dimensionality, pulling…
Portrait of Count Frederick Maurice van Heiden1881 · Ermitaž
12
Portrait of Nikolai Ivanovich Kramsky1882 · Tretyakovska galerija
13
Portrait of Sonya Kramskaya, the Artist`s Daughter1870
14
Portrait of Pavel Tretyakov1876 · Tretyakovska galerija
15
Portrait of S.S. Botkin1882 · Tretyakovska galerija
16
Portrait of Adjutant-General Count Alexei Bobrinskiy1872 · Ermitaž
17
Portrait of Vera Nikolayevna Tretyakova1879 · Tretyakovska galerija
18
Portrait of Sofia Sergeyevna Botkina1879 · Tretyakovska galerija
19
Portrait of the Artist Nikolai Dmitrievich Dmitriev-Orenburg1866
20
Portrait of Alexander Dmitrievich Litovchenko1878 · Tretyakovska galerija
21
The Girl's Head1878
22
Portrait of Theodora Saltykova, the Painter`s Mother in Law1875
23
In the country. Siverskaya1883 · Kramskoy Museum of Fine Arts
24
Portrait of Roftopulo O.A.1884 · Perm State Arts Gallery
25
Portrait of Adrian Viktorovich Prakhov1879 · Tretyakovska galerija
26
The Actor A.P.Lensky as Petruchio in Shakespeare's Comedy "The Taming of the Shrew"1883 · Tretyakovska galerija
27
Portrait of the Publisher and Publicist Alexey Suvorin1881 · Državni ruski muzej
28
Unknown Woman1883
29
Portrait of V. S. Solovyov1885 · Državni ruski muzej
30
Portrait of a Woman1881 · Yekaterinburg Museum of Fine Arts
31
Mina Moiseyev1882 · Državni ruski muzej
32
Portrait of I.K. Aivazovsky1881 · Feodosia National Gallery I. K. Aivazovsky
33
Herodias1885 · Tretyakovska galerija
34
Sergey Botkin1881 · Tretyakovska galerija
35
Arkhip Kuindzhi1872 · Tretyakovska galerija
36
Reading. A Portrait of the Artist's Wife1866 · Tretyakovska galerija
37
Portrait of Vera Nikolayevna Tretyakova1876 · Tretyakovska galerija
38
Portrait of Taras Shevchenko1871 · Tretyakovska galerija
39
Portrait of Doctor Karl Rauchfus
40
Portrait of Art Critic Pavel Kovalevsky
41
Sergei kramskoi
42
Portrait of the Artist Ivan ShishkinTretyakovska galerija
43
Portrait of Sophia Kramskaya, the Artist's Daughter
44
Portrait of an Old Peasant (study)Art Museum of Estonia
45
Portrait of the Empress Maria Feodorovna
46
Portrait of the Artist Konstantin SavitskyKramskoy Museum of Fine Arts
47
Poet Apollon Maikov Fishing
48
Viewing an Old HouseTretyakovska galerija
49
Head of an Old Ukranian Peasant
50
Bouquet of Flowers. Phlox1884 · Tretyakovska galerija
51
SelfPortrait 1
52
Mocking ChristDržavni ruski muzej
53
Portrait of a Woman (Detail)
54
Portrait of Sophia Kramskaya the Artist-s Daughter
55
Portrait of a Admiral Login Loginovich Heyden
56
Water Nymphs1871 · Tretyakovska galerija
57
Portrait of a ManNarodni muzej v Varšavi
58
Portrait of the Singer Elizaveta Lavrovskaya on Stage
59
Forest Path1870 · Tretyakovska galerija
60
Suburb of Paris. The Bois de Boulogne1876 · Kramskoy Museum of Fine Arts
61
The Sculptor M. M. Antokolsky1876
62
Russian Girl in a Blue Shawl
63
Portrait S.I. Kramskoy1880
64
Portrait of the artist Paval Shestakova
65
Portrait of Ivan I. ShishkinDržavni ruski muzej
66
Peasant Holding a Bridle
67
Portrait of the Artist Ilya Repin
68
Portrait of E. Vasilchikova
69
In the Park
70
Portrait of an Unknown Woman
71
Ivan Kramskoy Working on Portrait of his DaughterTretyakovska galerija
72
Portrait of the Agronomist Vyunnikov
73
Portrait of the Artist Feodor Vasilyev
74
Insulted Jewish Boy
75
Portrait of Piotr ValuyevErmitaž
76
books got herKramskoy Museum of Fine Arts
77
Portrait of Sonya Kramskaya, the Artist's Daughter
78
Portrait of the Writer Leo Tolstoy
79
Portrait of Empress Maria Fyodorovna in a Head Dress Decorated with PearlsErmitaž
80
Mina moiseevKiev National Picture Gallery
81
Bois de Boulogne near Paris
82
Village Yard in FranceTretyakovska galerija
83
Portrait of Anatoly Kramskoy the Artist-s Son
84
Pond
85
Girl with Washed Linen on the Yoke
86
Kramskoi village elder
87
Portrait of the Artist Grigory Myasoyedov
88
Portrait of the Cellist S.Ya.Morozov
89
The Portrait of a Peasant
90
In the Grove of Medon near Paris
91
Girl with a TressTretyakovska galerija
92
sophia kramskaya reading
93
Portrait of a Young Woman Dressed in Black Velvet
94
Portrait of Sophia Kramskaya the Artist-s WifeTretyakovska galerija
95
Portrait of the Actor Vasily SamoilovTretyakovska galerija
96
Bunch of Flowers. Phloxes
97
Portrait of the Artist Feodor Vasilyev
98
Head of an Old Peasant
99
self portraitTretyakovska galerija
100
In the Park. Portrait of the Artist-s Wife and DaughterKramskoy Museum of Fine Arts
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Ivan Kramskoj | Slike iz tega seznama |
|---|---|---|---|
 Tretyakovska galerija |
Moskva | 38 | Portret ženske, Krist v pustinji, Portrait of a Woman |
 Ermitaž |
Sankt Peterburg | 6 | Portrait of Empress Maria Feodorovna, Portrait of the Banker Yevgeny Lamansky, Portrait of Count Frederick Maurice van Heiden |
 Kramskoy Museum of Fine Arts |
Voronezh | 5 | In the country. Siverskaya, Portrait of the Artist Konstantin Savitsky, Suburb of Paris. The Bois de Boulogne |
 Državni ruski muzej |
St. Peterburg | 5 | Portrait of the Publisher and Publicist Alexey Suvorin, Portrait of V. S. Solovyov, Mina Moiseyev |
 Perm State Arts Gallery |
Perm | 2 | Portrait of Princess Catherine Alekseevny Vasilchikova, Portrait of Roftopulo O.A. |
 Kiev National Picture Gallery |
Kyiv | 2 | Mina moiseev |
 Yekaterinburg Museum of Fine Arts |
Yekaterinburg | 1 | Portrait of a Woman |
 Feodosia National Gallery I. K. Aivazovsky |
Feodosiia | 1 | Portrait of I.K. Aivazovsky |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Princess Catherine Alekseevny Vasilchikova, we encounter more than just a likeness; we enter a moment of frozen dignity from the heart of 1867 Russia. The painting serves as a masterful window into the mid-19th century, capturing the essence of a noblewoman whose very posture speaks of an era defined by rigid social hierarchies and refined elegance. As the viewer…
In the realm of nineteenth-century Russian Realism, few works capture the delicate intersection of innocence and burgeoning intellect as poignantly as Ivan Nikolaevich Kramskoy’s Portrait of a Girl. Painted in 1870, this masterpiece transcends a mere physical likeness, offering instead a window into a soul caught in the quiet transition of childhood. The subject, presented within an elegant oval frame that evokes the intimacy of a cherished heirloom, sits with…
The gaze of the sitter in Portrait of a Woman meets the viewer with a quiet, unsettling strength. Painted by the Russian artist Ivan Kramskoi, this work captures a moment of profound stillness. Though the title suggests a specific person, she remains a mystery to history. She is widely recognized as an unknown subject, a woman whose identity remains veiled by time and the artist's own silence. This sense of…
Portret ženske, Tretyakovska galerija, Moskva. Zatem sledeta Krist v pustinji in Christ in the Wilderness.
Portret ženske, Krist v pustinji, Christ in the Wilderness, Portrait of a Woman, Portrait of Empress Maria Feodorovna, Portrait of a Girl, Portrait of the Banker Yevgeny Lamansky, Somnambula, Portrait of Princess Catherine Alekseevny Vasilchikova in Portrait of the writer Y.F. Samarin. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 109 del avtorja Ivan Kramskoj, datiranih od 1866 do 1886.
Večini v Tretyakovska galerija (Moskva), Ermitaž (Sankt Peterburg) in Kramskoy Museum of Fine Arts (Voronezh). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1870s: 19 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Portrait of a Girl.
Na tej strani je najstarejše delo iz Portrait of the Artist Nikolai Dmitrievich Dmitriev-Orenburg (1866) in najstarejše iz Portrait of the Banker Yevgeny Lamansky (1886).
Portrait (30), Russian art (15) in Man (14), na 100 delih na tej strani.
Oil On Canvas, za 42 od 100 del na tej strani.
Realism, glede na originala na tej strani.
Portret ženske, Krist v pustinji in Portrait of a Woman: v muzeju Tretyakovska galerija, Moskva se nahaja 30 del z te strani.
Da, kot reprodukcija: original ostane v muzeju, vendar lahko je katero od slik na tej strani za vas naslikano ročno, po naročilu, ena po drugi, neposredno s strani same slike.
Ivan Nikolaevič Kramskoj, rojen 27. maja 1837 v mirnem mestu Ostrogožsk, stoji kot monumentalna figura v panorami ruske umetnostne zgodovine. Njegovo življenje je zaznamovalo intelektualno navdušenje in neomajna predanost umetniškim načelom, utemeljenim v socialnem realizmu, kar je pustilo neizbrisen pečat tako na njegove sodobnike kot na prihodnje generacije. Kramskojove zgodnje leto, oblikovane v regiji Voronej, so bila zaznamovana z vz تربationom, potopljeno v intelektualno radovednost in globoko vpletenost v vzrastajoče ideje ruske revolucionarne demokracije. Pod vplivom radikalnih mislecev svojega časa, kot sta Černiševski in Herzen, je sprejel prepričanje, da ima umetnost moralno obveznost – dolžnost, da iskreno odraža družbo in zagovarja njeno izboljšanje.
To globoko prepričanje o transformativni moči umetnosti ga je popeljalo do Sankt Peterburške akademije lepih umetnosti, vendar je prav tam njegov upornostni duh resnično vzplati. Kramskoj je postal znan po vodstvu “Ah, upor četrnaštih,” zgodovinskem študentskem ustanku proti omejujočim in zastarelim umetniškim standardom akademije. Ta dejanje upora je privedlo do njegove izključitve, vendar njegovi talenta ni ugasilo, temveč je utrdilo njegovo predanost neodvisnemu izražanju. Pod vodstvom mentorjev, kot je bil Mihail Borisovič Tulinov, ki je prepoznal njegov vzrastajoči genij, je Kramskoj začel utrtati pot, ki ga je na koncu pripeljala do vloge stebra gibanja Peredvizhniki, znanega tudi kot gibanje Brodnikov.
Nastanek gibanja Peredvizhniki je označil odločilno križnico v Kramskojevi umetniški poti. Skupaj z velikani, kot je bil Ilja Repin, je zavrnil uradno pokojnino in poučevalnost Imperialne akademije v korist bolj demokratičnega in družbeno zavestnega pristopa k slikarstvu. Njegovo del je postalo nosil za družbeno kritiko, ki je zajemalo psihološko globino ruskega ljudstva in ostre realnosti njihovega obstoja. Kramskoj ni bil le slikar, temveč tudi globok umetnostni kritik in voditelj, ki je oblikoval estetski diskurs svojega časa z sposobnostjo združevanja tehnične mojstraštva z intenzivno čustveno resonanco.
Njegov repertoar zaznamuje izjemna vsestranost, ki sega od globoko introspektivnih do simbolično veličastnih motivov:
Kramskojev prispevek k umetnosti sega daleč presega platno. Kot organizator in kritik je zagotovil intelektualno strukturo, na kateri je bil zgrajen ruski realizem. Verjel je, da mora biti umetnik priča svojemu času – vlogo, ki jo je izpolnil z nepremočljivo integriteto. Njegova sposobnost navigiranja skozi kompleksnosti političnih prevratov, ob ohranjanju fokusa na človeško stanje, je omogočila, da so njegova dela presegla takojšnjo politiko 19. stoletja.
Dediščina Ivana Nikolaeviča Kramskoja se skriva v samem tkivu ruske identitete. Z zagovarjanjem resnice o splošni izkušnji in izzivanjem elitizma akademskih institucij je pomagal demokratizirati umetnost in jo naredil za orodje narodnega razmišljanja. Danes njegova dela še vedno očarajo občodij po vsem svetu in ponujajo okno v obdobje intenzivne duhovne in družbene transformacije. Njegovo življenje ostaja spomenik ideji, da lahko umetnost, ko se uporablja s pogumom in resnico, služi kot močan katalizator sprememb.
